Tokyo from Vancouver 2
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Documenting a highly productive four month visit by a group of students from the University of British Columbia to Tokyo, this publication, edited by George Wagner, packs an impressive collection of projects and observations from both students and young practicing Japanese architects. Generously illustrated throughout with photographs, plans, drawings and details of(...)
Tokyo from Vancouver 2
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Documenting a highly productive four month visit by a group of students from the University of British Columbia to Tokyo, this publication, edited by George Wagner, packs an impressive collection of projects and observations from both students and young practicing Japanese architects. Generously illustrated throughout with photographs, plans, drawings and details of recent research and projects the book features work and thoughts from Dana Buntrock, Manabu Chiba, Sou Fujimoto, David Stewart and Kumiko Inui.
Architecture du Canada
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Richard Henriquez is a major figure in Canadian architecture today. Born in Jamaica and educated at the University of Manitoba and MIT, and recently awarded the Gold Medal of the Royal Architectural Institute of Canada, he is the founding partner of Henriquez Partners, a firm recognized internationally for its design excellence. The winner of six Royal Architectural(...)
Architectes canadiens
mai 2006, Vancouver / Toronto
Richard Henriquez : selected works 1964-2005
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Richard Henriquez is a major figure in Canadian architecture today. Born in Jamaica and educated at the University of Manitoba and MIT, and recently awarded the Gold Medal of the Royal Architectural Institute of Canada, he is the founding partner of Henriquez Partners, a firm recognized internationally for its design excellence. The winner of six Royal Architectural Institute of Canada/Governor General’s Awards and five Lieutenant Governor’s Awards, the firm, based in Vancouver, British Columbia, combines unique contemporary design with sensitivity to historical context and urban fabric.
Architectes canadiens
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Using an infamous deception about a fake mountain range in British Columbia as her jumping-off point, Katie Ives, the well-known editor of Alpinist, explores the lure of blank spaces on the map and the value of the imagination. In "Imaginary peaks" she details the cartographical mystery of the Riesenstein Hoax within the larger context of climbing history and the(...)
Imaginary peaks: The Riesenstein Hoax and Other Mountain Dreams
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Using an infamous deception about a fake mountain range in British Columbia as her jumping-off point, Katie Ives, the well-known editor of Alpinist, explores the lure of blank spaces on the map and the value of the imagination. In "Imaginary peaks" she details the cartographical mystery of the Riesenstein Hoax within the larger context of climbing history and the seemingly endless quest for newly discovered peaks and claims of first ascents. "Imaginary peaks" is an evocative, thought-provoking tale, immersed in the literature of exploration, study of maps, and basic human desire.
Théorie du paysage
$130.00
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"From October 2017 to September 2019, I made five journeys to the region around Highway 16 in Northern British Columbia, Canada. This infamous stretch of highway is known as the Highway of Tears due to the inordinate number of women and girls, most of them are of First Nations descent, who have gone missing or been murdered along its length. This totals over 40 cases(...)
Monographies photo
octobre 2023
Kourtney Roy: The other end of the rainbow
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"From October 2017 to September 2019, I made five journeys to the region around Highway 16 in Northern British Columbia, Canada. This infamous stretch of highway is known as the Highway of Tears due to the inordinate number of women and girls, most of them are of First Nations descent, who have gone missing or been murdered along its length. This totals over 40 cases since 1969. The artist book, ''The other end of the rainbow'' presents my subjective photographic experience as that of an anonymous traveller in the region and is combined with three distinct texts throughout." - Kourtney Roy
Monographies photo
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"The great purpose of landscape art is to make us at home in our own country" was the nationalist maxim motivating the Group of Seven's artistic project. The empty landscape paintings of the Group played a significant role in the nationalization of nature in Canada, particularly in the development of ideas about northernness, wilderness, and identity. In this book, John(...)
Architecture du Canada
septembre 2007, Montreal Kingston
Beyond wilderness : The group of seven, Canadian identity, and contemporary art
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"The great purpose of landscape art is to make us at home in our own country" was the nationalist maxim motivating the Group of Seven's artistic project. The empty landscape paintings of the Group played a significant role in the nationalization of nature in Canada, particularly in the development of ideas about northernness, wilderness, and identity. In this book, John O'Brian and Peter White pick up where the Group of Seven left off. They demonstrate that since the 1960s a growing body of both art and critical writing has looked "beyond wilderness" to re-imagine landscape in a world of vastly altered political, technological, and environmental circumstances. By emphasizing social relationships, changing identity politics, and issues of colonial power and dispossession contemporary artists have produced landscape art that explores what was absent in the work of their predecessors. Beyond Wilderness expands the public understanding of Canadian landscape representation, tracing debates about the place of landscape in Canadian art and the national imagination through the twentieth century to the present. Critical writings from both contemporary and historically significant curators, historians, feminists, media theorists, and cultural critics and exactingly reproduced artworks by contemporary and historical artists are brought together in productive dialogue. Beyond Wilderness explains why landscape art in Canada had to be reinvented, and what forms the reinvention took. Contributors include Benedict Anderson (Cornell), Grant Arnold (Vancouver Art Gallery). Rebecca Belmore, Jody Berland (York), Eleanor Bond (Concordia), Jonathan Bordo (Trent), Douglas Cole, Marlene Creates, Marcia Crosby (Malaspina), Greg Curnoe, Ann Davis (Nickle Arts Museum), Leslie Dawn (Lethbridge), Shawna Dempsey, Christos Dikeakos, Peter Doig, Rosemary Donegan (OCAD), Stan Douglas, Paterson Ewen, Robert Fones, Northrop Frye, Robert Fulford, General Idea, Rodney Graham, Reesa Greenberg, Gu Xiong (British Columbia), Cole Harris (British Columbia), Richard William Hill (Middlesex), Robert Houle, Andrew Hunter (Waterloo), Lynda Jessup (Queen's), Zacharias Kunuk (Igloolik Isuma Productions), Johanne Lamoureux (Montréal), Robert Linsley (Waterloo), Barry Lord (Lord Cultural Resources), Marshall McLuhan, Mike MacDonald, Liz Magor (ECIAD), Lorri Millan, Gerta Moray (Guelph), Roald Nasgaard (Florida State), N.E. Thing Company, Carol Payne (Carleton), Edward Poitras, Dennis Reid (Art Gallery of Ontario), Michel Saulnier, Nancy Shaw (Simon Fraser), Johanne Sloan (Concordia), Michael Snow, Robert Stacey, David Thauberger, Loretta Todd, Esther Trépanier (Québec), Dot Tuer (OCAD), Christopher Varley, Jeff Wall, Paul H. Walton (McMaster), Mel Watkins (Toronto), Scott Watson (British Columbia), Anne Whitelaw (Alberta), Joyce Wieland, Jin-me Yoon (Simon Fraser), Lawrence Paul Yuxweluptun, and Joyce Zemans (York).
Architecture du Canada
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Nine days before October 7, 2023, award-winning author Isabella Hammad delivered the Edward W. Said Memorial Lecture at Columbia University. The text of Hammad’s seminal speech and her afterword, written in the early weeks of 2024, together make up a searing appraisal of the war on Palestine during what seems a turning point in the narrative of human history. Profound and(...)
Recognizing the stranger: On Palestine and narrative
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Nine days before October 7, 2023, award-winning author Isabella Hammad delivered the Edward W. Said Memorial Lecture at Columbia University. The text of Hammad’s seminal speech and her afterword, written in the early weeks of 2024, together make up a searing appraisal of the war on Palestine during what seems a turning point in the narrative of human history. Profound and moving, Hammad writes from within the moment, shedding light on the Palestinian struggle for freedom. "Recognizing the stranger" is a brilliant melding of literary and cultural analysis by one of Granta’s Best of Young British Novelists and a foremost writer of fiction in the world today.
Théorie/ philosophie
livres
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A virtual tour of recent Native building projects in Canada and the western and midwestern United States, New Architecture on Indigenous Lands conducts readers through cultural centers and schools, clinics and housing, and even a sugar camp, all while showing how tribal identity is manifested in various distinctive ways. Focusing on such sites as the Tribal Council(...)
New architecture on indigenous lands
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A virtual tour of recent Native building projects in Canada and the western and midwestern United States, New Architecture on Indigenous Lands conducts readers through cultural centers and schools, clinics and housing, and even a sugar camp, all while showing how tribal identity is manifested in various distinctive ways. Focusing on such sites as the Tribal Council Chambers of the Pojoaque Pueblo; the Zuni Eagle Sanctuary in New Mexico; the Nk’Mip Desert Cultural Centre in Osoyoos, British Columbia; and the T’lisalagi’lakw Elementary School, Joy Monice Malnar and Frank Vodvarka offer wide-ranging insights into the sensory, symbolic, cultural, and environmental contexts of this new architecture.
livres
juillet 2013
Architecture autochtone
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New software and digital fabrication is changing how we use wood. This book brings together international designers, manufacturers and researchers examining natural and synthetic wood technologies. Composite materials, parametric design and automated fabrication technologies are explored, illustrating new design tools, custom manufacturing and advanced assembly methods.(...)
Constructions en bois
janvier 1900, Waterloo
Future wood: innovation in building design + manufacturing
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New software and digital fabrication is changing how we use wood. This book brings together international designers, manufacturers and researchers examining natural and synthetic wood technologies. Composite materials, parametric design and automated fabrication technologies are explored, illustrating new design tools, custom manufacturing and advanced assembly methods. The papers of this book were published on the occasion of the Canadian Design Research Network Parametric Modeling and Digital Wood Fabrication Workshop and Symposium held at the Forest Sciences Centre at the University of British Columbia, Vancouver on February 15-24, 2007. The essays and projects in this volume demonstrate flexible, adaptable design qualities reflecting a rapidly changing society. CD with complete electronic version of the book included.
Constructions en bois
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In 1966, German artist Gerhard Richter (born 1932) embarked on a series of paintings: uniform grids of colored rectangles or squares in a chart configuration against a white background, inspired by industrially produced paint chips. With the exception of only one other painting, this marked the artist’s first use of color and a turning point in his career. This(...)
Gerhard Richter: color charts
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In 1966, German artist Gerhard Richter (born 1932) embarked on a series of paintings: uniform grids of colored rectangles or squares in a chart configuration against a white background, inspired by industrially produced paint chips. With the exception of only one other painting, this marked the artist’s first use of color and a turning point in his career. This comprehensive catalogue is the first publication dedicated to the original Colour Charts, both those created in 1966 and those made in the ‘70s after a five-year hiatus. Featuring new essays by Dietmar Elger, head of the Gerhard Richter Archive; Hubertus Butin, curator and author of several key texts on Richter; and Jaleh Mansoor, professor at the University of British Columbia.
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"Do glaciers listen?" explores the conflicting depictions of glaciers to show how natural and cultural histories are objectively entangled in the Mount Saint Elias ranges. This rugged area, where Alaska, British Columbia, and the Yukon Territory now meet, underwent significant geophysical change in the late eighteenth and nineteenth centuries, which coincided with(...)
Do glaciers listen? Local knowledge, colonial encounters, and social imagination
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"Do glaciers listen?" explores the conflicting depictions of glaciers to show how natural and cultural histories are objectively entangled in the Mount Saint Elias ranges. This rugged area, where Alaska, British Columbia, and the Yukon Territory now meet, underwent significant geophysical change in the late eighteenth and nineteenth centuries, which coincided with dramatic social upheaval resulting from European exploration and increased travel and trade among Aboriginal peoples. Focusing on these contrasting views during the late stages of the Little Ice Age (1550-1900), Cruikshank demonstrates how local knowledge is produced, rather than discovered, through colonial encounters, and how it often conjoins social and biophysical processes. She then traces how the divergent views weave through contemporary debates about cultural meanings as well as current discussions about protected areas, parks, and the new World Heritage site.
Expositions en cours