3425 Résultats
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In his selection of 70 photographs by Lee Friedlander, acclaimed filmmaker Joel Coen focuses on Friedlander’s beautifully strange sense of composition, in which images are off kilter and visually dense, bisected and carved by stop signs and utility poles, store windows and reflections, car doors and windshields or shadows and trees. "As a filmmaker, I liked the idea of(...)
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In his selection of 70 photographs by Lee Friedlander, acclaimed filmmaker Joel Coen focuses on Friedlander’s beautifully strange sense of composition, in which images are off kilter and visually dense, bisected and carved by stop signs and utility poles, store windows and reflections, car doors and windshields or shadows and trees. "As a filmmaker, I liked the idea of(...)
Titre:
Lee Friedlander framed by Joel Coen
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In his selection of 70 photographs by Lee Friedlander, acclaimed filmmaker Joel Coen focuses on Friedlander’s beautifully strange sense of composition, in which images are off kilter and visually dense, bisected and carved by stop signs and utility poles, store windows and reflections, car doors and windshields or shadows and trees. "As a filmmaker, I liked the idea of creating a sequence that would highlight Lee’s unusual approach to framing?his splitting, splintering, repeating, fracturing and reassembling elements into new and impossible compositions," Coen writes. Featuring work spanning more than 60 years, the book includes selections from some of Friedlander’s most celebrated series, including ''The American Monument,'' ''America by Car,'' ''The Little Screens'' and others, arranged to draw connections between form and composition rather than subject. In an afterword, renowned actor Frances McDormand describes the bond between the two artists: "they both capture and fill frames with sometimes simple and other times chaotically elaborate images that cause us all to wonder."
Lee Friedlander framed by Joel Coen
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In his selection of 70 photographs by Lee Friedlander, acclaimed filmmaker Joel Coen focuses on Friedlander’s beautifully strange sense of composition, in which images are off kilter and visually dense, bisected and carved by stop signs and utility poles, store windows and reflections, car doors and windshields or shadows and trees. "As a filmmaker, I liked the idea of creating a sequence that would highlight Lee’s unusual approach to framing?his splitting, splintering, repeating, fracturing and reassembling elements into new and impossible compositions," Coen writes. Featuring work spanning more than 60 years, the book includes selections from some of Friedlander’s most celebrated series, including ''The American Monument,'' ''America by Car,'' ''The Little Screens'' and others, arranged to draw connections between form and composition rather than subject. In an afterword, renowned actor Frances McDormand describes the bond between the two artists: "they both capture and fill frames with sometimes simple and other times chaotically elaborate images that cause us all to wonder."
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livres
livres
Publication:
juin 2023
juin 2023
Sujet:
Monographies photo
Monographies photo
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The French rust belt, the area that runs from Firminy through Saint-Etienne all the way to Lyon, was regarded for a long time as a thriving region. The industrial revolution in France began in the valleys between the Loire and Rhône rivers. This led to a process of exploitation and deformation of the landscape, signs of which are still visible today. For more than forty(...)
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The French rust belt, the area that runs from Firminy through Saint-Etienne all the way to Lyon, was regarded for a long time as a thriving region. The industrial revolution in France began in the valleys between the Loire and Rhône rivers. This led to a process of exploitation and deformation of the landscape, signs of which are still visible today. For more than forty(...)
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Monographies photo
Monographies photo
Publication:
avril 2024
avril 2024
Titre:
Nicolas Giraud & Bertrand Stofleth: The Valley, an archaeology in photographs
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The French rust belt, the area that runs from Firminy through Saint-Etienne all the way to Lyon, was regarded for a long time as a thriving region. The industrial revolution in France began in the valleys between the Loire and Rhône rivers. This led to a process of exploitation and deformation of the landscape, signs of which are still visible today. For more than forty years, the region, like other former industrial sites, has suffered from unemployment and a population exodus. Looking at the long-term photographic study by Nicolas Giraud and Bertrand Stofleth, it is evident that this is now the reality wherever neoliberalism has cut its swathe through industrial communities. Once industry has retreated, the landscapes that are left behind all look fairly similar. In visual terms, there is no great difference between Saint-Etienne and Suhl in Thuringia, for example. In ''La Vallée'', Giraud and Stofleth’s photographs enter into a dialogue with texts by authors from a variety of disciplines.
Nicolas Giraud & Bertrand Stofleth: The Valley, an archaeology in photographs
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The French rust belt, the area that runs from Firminy through Saint-Etienne all the way to Lyon, was regarded for a long time as a thriving region. The industrial revolution in France began in the valleys between the Loire and Rhône rivers. This led to a process of exploitation and deformation of the landscape, signs of which are still visible today. For more than forty years, the region, like other former industrial sites, has suffered from unemployment and a population exodus. Looking at the long-term photographic study by Nicolas Giraud and Bertrand Stofleth, it is evident that this is now the reality wherever neoliberalism has cut its swathe through industrial communities. Once industry has retreated, the landscapes that are left behind all look fairly similar. In visual terms, there is no great difference between Saint-Etienne and Suhl in Thuringia, for example. In ''La Vallée'', Giraud and Stofleth’s photographs enter into a dialogue with texts by authors from a variety of disciplines.
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livres
livres
Publication:
avril 2024
avril 2024
Sujet:
Monographies photo
Monographies photo
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livres
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A shard is a fragment of broken pottery, often used by archaeologists to reconstruct objects from past civilizations. In "Shards of America", Canadian photographer Phil Bergerson has gathered richly detailed images from neglected corners of American’s towns and small cities, and created a fascinating mosaic. Businesses, religious sects, and community groups announce their(...)
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A shard is a fragment of broken pottery, often used by archaeologists to reconstruct objects from past civilizations. In "Shards of America", Canadian photographer Phil Bergerson has gathered richly detailed images from neglected corners of American’s towns and small cities, and created a fascinating mosaic. Businesses, religious sects, and community groups announce their(...)
Titre:
Phil Bergerson : shards of America
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A shard is a fragment of broken pottery, often used by archaeologists to reconstruct objects from past civilizations. In "Shards of America", Canadian photographer Phil Bergerson has gathered richly detailed images from neglected corners of American’s towns and small cities, and created a fascinating mosaic. Businesses, religious sects, and community groups announce their presence, offer their services, and pitch their messages, while commercial signs, graffiti, posters, and public notices blanket the surfaces of buildings and public spaces. Paintings and movie posters, dime-store novels and daily newspapers, figurines and mannequins, decals and stenciled graffiti, and children’s letters and drawings are laid out as artifacts of a greater whole. Patriotism, consumerism, censorship, nostalgia for a simpler past coupled with a desire for a less complicated present. Touching on all these themes, Bergerson’s quietly ironic but empathetic tone encourages the reader to imagine how our own ordinary world might appear to viewers in a hundred or more years’ time. An essay by photographic historian David Harris illuminates the work.
Phil Bergerson : shards of America
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A shard is a fragment of broken pottery, often used by archaeologists to reconstruct objects from past civilizations. In "Shards of America", Canadian photographer Phil Bergerson has gathered richly detailed images from neglected corners of American’s towns and small cities, and created a fascinating mosaic. Businesses, religious sects, and community groups announce their presence, offer their services, and pitch their messages, while commercial signs, graffiti, posters, and public notices blanket the surfaces of buildings and public spaces. Paintings and movie posters, dime-store novels and daily newspapers, figurines and mannequins, decals and stenciled graffiti, and children’s letters and drawings are laid out as artifacts of a greater whole. Patriotism, consumerism, censorship, nostalgia for a simpler past coupled with a desire for a less complicated present. Touching on all these themes, Bergerson’s quietly ironic but empathetic tone encourages the reader to imagine how our own ordinary world might appear to viewers in a hundred or more years’ time. An essay by photographic historian David Harris illuminates the work.
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livres
livres
Publication:
septembre 2004, New York
septembre 2004, New York
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Ed Ruscha : the drawn word
Ed Ruscha : the drawn word
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"The Drawn Word" collects Ed Ruscha's work on paper, from his gunpowder drawings of the 60s and 70s through his more recent work from the 90s. Ruscha's treatment of language, of signs and words, has been extremely influential over the last 40 years. His delicate use of a variety of media, from gunpowder to pastel, makes his work on paper some of his most important. In(...)
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"The Drawn Word" collects Ed Ruscha's work on paper, from his gunpowder drawings of the 60s and 70s through his more recent work from the 90s. Ruscha's treatment of language, of signs and words, has been extremely influential over the last 40 years. His delicate use of a variety of media, from gunpowder to pastel, makes his work on paper some of his most important. In(...)
Publication:
mars 2004, Vero Beach, Florida
mars 2004, Vero Beach, Florida
Titre:
Ed Ruscha : the drawn word
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"The Drawn Word" collects Ed Ruscha's work on paper, from his gunpowder drawings of the 60s and 70s through his more recent work from the 90s. Ruscha's treatment of language, of signs and words, has been extremely influential over the last 40 years. His delicate use of a variety of media, from gunpowder to pastel, makes his work on paper some of his most important. In them, he comments on our relationships with certain words, employing their visual impact, sound, and meaning, bringing all of these elements together via humor, among other tools. The work is distinctly American in its references to evocative places, like Hollywood, and in its bold, often mono-syllabic style of communication. Appropriately, the design of "The Drawn Word" evidences a conceptual relationship to the work, incorporating layout grids in reference to Ruscha's interest in commercial design, and phonetic translations of each of Ruscha's words to emphasize the importance of sound in their choosing.
Ed Ruscha : the drawn word
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"The Drawn Word" collects Ed Ruscha's work on paper, from his gunpowder drawings of the 60s and 70s through his more recent work from the 90s. Ruscha's treatment of language, of signs and words, has been extremely influential over the last 40 years. His delicate use of a variety of media, from gunpowder to pastel, makes his work on paper some of his most important. In them, he comments on our relationships with certain words, employing their visual impact, sound, and meaning, bringing all of these elements together via humor, among other tools. The work is distinctly American in its references to evocative places, like Hollywood, and in its bold, often mono-syllabic style of communication. Appropriately, the design of "The Drawn Word" evidences a conceptual relationship to the work, incorporating layout grids in reference to Ruscha's interest in commercial design, and phonetic translations of each of Ruscha's words to emphasize the importance of sound in their choosing.
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livres
livres
Publication:
mars 2004, Vero Beach, Florida
mars 2004, Vero Beach, Florida
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livres
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In a career that has spanned more than forty years, Matthew Carter has designed many of the typefaces that we see every day in and on publications, books, signs, and screens. Carter's celebrated typefaces include such stalwarts as Galliard, Mantinia, and Verdana. In 1975, he created the now-pervasive Bell Centennial specifically for use in phone books. Publications(...)
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In a career that has spanned more than forty years, Matthew Carter has designed many of the typefaces that we see every day in and on publications, books, signs, and screens. Carter's celebrated typefaces include such stalwarts as Galliard, Mantinia, and Verdana. In 1975, he created the now-pervasive Bell Centennial specifically for use in phone books. Publications(...)
Publication:
septembre 2003, Baltimore
septembre 2003, Baltimore
Titre:
Typographically speaking : the art of Matthew Carter
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In a career that has spanned more than forty years, Matthew Carter has designed many of the typefaces that we see every day in and on publications, books, signs, and screens. Carter's celebrated typefaces include such stalwarts as Galliard, Mantinia, and Verdana. In 1975, he created the now-pervasive Bell Centennial specifically for use in phone books. Publications including Sports Illustrated, the Daily News, Wired, and the Washington Post, along with cultural institutions such as the Walker Arts Center and The Victoria – Albert Museum, have all commissioned Carter fonts. "Typographically speaking: the art of Matthew Carter" celebrates the work of this legendary type designer who entered the field in the days of hand-cut punches and hot-metal type, and has continued to innovate through the eras of photocomposition and digital design. Essays discuss the form of his work, his position and use of typographic history, and his technological innovation. All of his fonts are reproduced in full for reference, and illustrations place his designs in context.
Typographically speaking : the art of Matthew Carter
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In a career that has spanned more than forty years, Matthew Carter has designed many of the typefaces that we see every day in and on publications, books, signs, and screens. Carter's celebrated typefaces include such stalwarts as Galliard, Mantinia, and Verdana. In 1975, he created the now-pervasive Bell Centennial specifically for use in phone books. Publications including Sports Illustrated, the Daily News, Wired, and the Washington Post, along with cultural institutions such as the Walker Arts Center and The Victoria – Albert Museum, have all commissioned Carter fonts. "Typographically speaking: the art of Matthew Carter" celebrates the work of this legendary type designer who entered the field in the days of hand-cut punches and hot-metal type, and has continued to innovate through the eras of photocomposition and digital design. Essays discuss the form of his work, his position and use of typographic history, and his technological innovation. All of his fonts are reproduced in full for reference, and illustrations place his designs in context.
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livres
livres
Publication:
septembre 2003, Baltimore
septembre 2003, Baltimore
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Where has our planet come from, and what lies beneath its surface? How have we come to understand its past and present environments, and what does its future look like? Thanks to scientists who study its rocks, fossils, and landscapes, we know that Earth history spans over four and a half billion years. But there is still much more to discover. This ''Little History''(...)
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Where has our planet come from, and what lies beneath its surface? How have we come to understand its past and present environments, and what does its future look like? Thanks to scientists who study its rocks, fossils, and landscapes, we know that Earth history spans over four and a half billion years. But there is still much more to discover. This ''Little History''(...)
Titre:
A little history of the earth
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Where has our planet come from, and what lies beneath its surface? How have we come to understand its past and present environments, and what does its future look like? Thanks to scientists who study its rocks, fossils, and landscapes, we know that Earth history spans over four and a half billion years. But there is still much more to discover. This ''Little History'' recounts our planet’s fascinating past and the science which has shaped how we think about it. Taking us from the formation of the Solar System, the evolution of our atmosphere and oceans, and the first signs of life, through to dinosaurs, mammals, and the eventual arrival of humans, Woodward shows us the full span of Earth history, from deep time to the Anthropocene. Along the way, we learn about the major breakthroughs of the pioneering scientists who have unearthed our planet’s secrets. From fossils of ancient creatures to the very air we breathe, this is the essential guide to our world.
A little history of the earth
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Where has our planet come from, and what lies beneath its surface? How have we come to understand its past and present environments, and what does its future look like? Thanks to scientists who study its rocks, fossils, and landscapes, we know that Earth history spans over four and a half billion years. But there is still much more to discover. This ''Little History'' recounts our planet’s fascinating past and the science which has shaped how we think about it. Taking us from the formation of the Solar System, the evolution of our atmosphere and oceans, and the first signs of life, through to dinosaurs, mammals, and the eventual arrival of humans, Woodward shows us the full span of Earth history, from deep time to the Anthropocene. Along the way, we learn about the major breakthroughs of the pioneering scientists who have unearthed our planet’s secrets. From fossils of ancient creatures to the very air we breathe, this is the essential guide to our world.
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livres
livres
Publication:
novembre 2025
novembre 2025
Sujet:
Théorie du paysage
Théorie du paysage
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livres
livres
Titre:
Michael Reish
Michael Reish
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$60.00
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This is the first volume to provide a concentrated perspective of the work by this Düsseldorf photographer. “I see real landscape through the stencil of virtual landscape and vice-versa,” says Michael Reisch (*1964) about his disturbing works, which cannot be clearly defined as either reality or simulation. Reisch, who studied at the Gerrit Rietveld Academie in(...)
$60.00
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This is the first volume to provide a concentrated perspective of the work by this Düsseldorf photographer. “I see real landscape through the stencil of virtual landscape and vice-versa,” says Michael Reisch (*1964) about his disturbing works, which cannot be clearly defined as either reality or simulation. Reisch, who studied at the Gerrit Rietveld Academie in(...)
Titre:
Michael Reish
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This is the first volume to provide a concentrated perspective of the work by this Düsseldorf photographer. “I see real landscape through the stencil of virtual landscape and vice-versa,” says Michael Reisch (*1964) about his disturbing works, which cannot be clearly defined as either reality or simulation. Reisch, who studied at the Gerrit Rietveld Academie in Amsterdam and with Bernd Becher at the Kunstakademie Düsseldorf, photographs landscapes as well as industrial complexes and buildings with a large-format camera. He then digitizes the images and manipulates them subtly, erasing all allusions to a specific place and time, as well as all signs of human presence. By modifying the composition in other ways such as correcting the colors, he creates a fictional landscape, an “image” of landscape. This invented landscape can seem unbelievably real, while the real, existing landscape, on the other hand, appears unreal, removed, or imaginary. This is the first book to offer a concentrated look at the work of the Düsseldorf-based artist.
Michael Reish
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This is the first volume to provide a concentrated perspective of the work by this Düsseldorf photographer. “I see real landscape through the stencil of virtual landscape and vice-versa,” says Michael Reisch (*1964) about his disturbing works, which cannot be clearly defined as either reality or simulation. Reisch, who studied at the Gerrit Rietveld Academie in Amsterdam and with Bernd Becher at the Kunstakademie Düsseldorf, photographs landscapes as well as industrial complexes and buildings with a large-format camera. He then digitizes the images and manipulates them subtly, erasing all allusions to a specific place and time, as well as all signs of human presence. By modifying the composition in other ways such as correcting the colors, he creates a fictional landscape, an “image” of landscape. This invented landscape can seem unbelievably real, while the real, existing landscape, on the other hand, appears unreal, removed, or imaginary. This is the first book to offer a concentrated look at the work of the Düsseldorf-based artist.
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livres
livres
Publication:
octobre 2006, Ostfildern
octobre 2006, Ostfildern
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
The last pictures
The last pictures
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Human civilizations' longest lasting artifacts are not the great Pyramids of Giza, nor the cave paintings at Lascaux, but the communications satellites that circle our planet. In a stationary orbit above the equator, the satellites that broadcast our TV signals, route our phone calls, and process our credit card transactions experience no atmospheric drag. Their inert(...)
$52.00
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Human civilizations' longest lasting artifacts are not the great Pyramids of Giza, nor the cave paintings at Lascaux, but the communications satellites that circle our planet. In a stationary orbit above the equator, the satellites that broadcast our TV signals, route our phone calls, and process our credit card transactions experience no atmospheric drag. Their inert(...)
Titre:
The last pictures
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$52.00
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Human civilizations' longest lasting artifacts are not the great Pyramids of Giza, nor the cave paintings at Lascaux, but the communications satellites that circle our planet. In a stationary orbit above the equator, the satellites that broadcast our TV signals, route our phone calls, and process our credit card transactions experience no atmospheric drag. Their inert hulls will continue to drift around Earth until the Sun expands into a red giant and engulfs them about 4.5 billion years from now. he Last Pictures, co-published by Creative Time Books, is rooted in the premise that these communications satellites will ultimately become the cultural and material ruins of the late 20th and early 21st centuries, far outlasting anything else humans have created. Inspired in part by ancient cave paintings, nuclear waste warning signs, and Carl Sagan's Golden Records of the 1970s, artist/geographer and MacArthur "Genius" Fellow Trevor Paglen has developed a collection of one hundred images that will be etched onto an ultra-archival, golden silicon disc.
The last pictures
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Human civilizations' longest lasting artifacts are not the great Pyramids of Giza, nor the cave paintings at Lascaux, but the communications satellites that circle our planet. In a stationary orbit above the equator, the satellites that broadcast our TV signals, route our phone calls, and process our credit card transactions experience no atmospheric drag. Their inert hulls will continue to drift around Earth until the Sun expands into a red giant and engulfs them about 4.5 billion years from now. he Last Pictures, co-published by Creative Time Books, is rooted in the premise that these communications satellites will ultimately become the cultural and material ruins of the late 20th and early 21st centuries, far outlasting anything else humans have created. Inspired in part by ancient cave paintings, nuclear waste warning signs, and Carl Sagan's Golden Records of the 1970s, artist/geographer and MacArthur "Genius" Fellow Trevor Paglen has developed a collection of one hundred images that will be etched onto an ultra-archival, golden silicon disc.
Classification:
livres
livres
Publication:
septembre 2012
septembre 2012
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Prix:
$36.95
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Résumé:
This highly visual introduction to all things typographic unravels the story of the fonts that we encounter every day. It opens with an A-Z of a range of significant fonts, chosen to represent the typographic spectrum. As well as looking at each font’s historical context and design ethos, a pangram will showcase the entire alphabetic range of each font, as well as(...)
$36.95
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This highly visual introduction to all things typographic unravels the story of the fonts that we encounter every day. It opens with an A-Z of a range of significant fonts, chosen to represent the typographic spectrum. As well as looking at each font’s historical context and design ethos, a pangram will showcase the entire alphabetic range of each font, as well as(...)
Titre:
A-Z of typography: classification, anatomy, toolkit, attributes
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$36.95
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This highly visual introduction to all things typographic unravels the story of the fonts that we encounter every day. It opens with an A-Z of a range of significant fonts, chosen to represent the typographic spectrum. As well as looking at each font’s historical context and design ethos, a pangram will showcase the entire alphabetic range of each font, as well as relaying a pithy message about the font’s history, purpose or use. A chapter on Anatomy will deconstruct the letters of the English alphabet to reveal the anatomical structure of the letterforms, explaining terms such as bowl, crossbar, finial, ligature and spur. An examination of the typographer’s toolkit explains how type can be manipulated and arranged on the page to create an arresting design. The final chapter examines the myriad signs, symbols and punctuation marks that litter the printed page, created to endow printed text with additional meaning and nuance.
A-Z of typography: classification, anatomy, toolkit, attributes
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$36.95
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Résumé:
This highly visual introduction to all things typographic unravels the story of the fonts that we encounter every day. It opens with an A-Z of a range of significant fonts, chosen to represent the typographic spectrum. As well as looking at each font’s historical context and design ethos, a pangram will showcase the entire alphabetic range of each font, as well as relaying a pithy message about the font’s history, purpose or use. A chapter on Anatomy will deconstruct the letters of the English alphabet to reveal the anatomical structure of the letterforms, explaining terms such as bowl, crossbar, finial, ligature and spur. An examination of the typographer’s toolkit explains how type can be manipulated and arranged on the page to create an arresting design. The final chapter examines the myriad signs, symbols and punctuation marks that litter the printed page, created to endow printed text with additional meaning and nuance.
Classification:
livres
livres
Publication:
novembre 2017
novembre 2017
Classification:
livres
livres
Titre:
Zoe Leonard: photographs
Zoe Leonard: photographs
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$68.00
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Zoe Leonard’s practice involves a type of cerebral roaming combined with carefully considered observation. For more than 20 years she has criss-crossed nature and culture, cityscapes and museums, always searching for signs that say something about structures, about natural and cultural conditions and the contradictions, parallels and connections among them. Leonard's(...)
$68.00
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Zoe Leonard’s practice involves a type of cerebral roaming combined with carefully considered observation. For more than 20 years she has criss-crossed nature and culture, cityscapes and museums, always searching for signs that say something about structures, about natural and cultural conditions and the contradictions, parallels and connections among them. Leonard's(...)
Titre:
Zoe Leonard: photographs
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Zoe Leonard’s practice involves a type of cerebral roaming combined with carefully considered observation. For more than 20 years she has criss-crossed nature and culture, cityscapes and museums, always searching for signs that say something about structures, about natural and cultural conditions and the contradictions, parallels and connections among them. Leonard's photographs – of anatomical wax figures, fashion shows, trees and fences – present figures in sparse black-and-white images that open up a visual field of thought and reveal within it our visible world, that is, the concrete and established structures that make up our reality. At documenta 9 in Kassel Leonard created a stir with her placement of black-and-white photographs of female genitalia in the context of a male-dominated museum. The political aspects of her work form the backdrop of her constant struggle with shape, with imagery, with the union of symbols and content. This is the first book encompassing her complete oeuvre.
Zoe Leonard: photographs
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$68.00
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Zoe Leonard’s practice involves a type of cerebral roaming combined with carefully considered observation. For more than 20 years she has criss-crossed nature and culture, cityscapes and museums, always searching for signs that say something about structures, about natural and cultural conditions and the contradictions, parallels and connections among them. Leonard's photographs – of anatomical wax figures, fashion shows, trees and fences – present figures in sparse black-and-white images that open up a visual field of thought and reveal within it our visible world, that is, the concrete and established structures that make up our reality. At documenta 9 in Kassel Leonard created a stir with her placement of black-and-white photographs of female genitalia in the context of a male-dominated museum. The political aspects of her work form the backdrop of her constant struggle with shape, with imagery, with the union of symbols and content. This is the first book encompassing her complete oeuvre.
Classification:
livres
livres
Publication:
mars 2008, Göttingen, Zürich
mars 2008, Göttingen, Zürich
Sujet:
Monographies photo
Monographies photo
