5639 Résultats
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périodiques
périodiques
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In light of the recent spate of revelations detailing abuses of power within the culture sector, the March issue of "Texte zur Kunst" considers art’s relation to rules—or rather, the exceptions to them that art and its agents seem to claim. How, then, to speak of rules in the context of art, where transgressions are lauded even while traditional hierarchies continue to(...)
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In light of the recent spate of revelations detailing abuses of power within the culture sector, the March issue of "Texte zur Kunst" considers art’s relation to rules—or rather, the exceptions to them that art and its agents seem to claim. How, then, to speak of rules in the context of art, where transgressions are lauded even while traditional hierarchies continue to(...)
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Texte zur Kunst 109: Art without rules?
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In light of the recent spate of revelations detailing abuses of power within the culture sector, the March issue of "Texte zur Kunst" considers art’s relation to rules—or rather, the exceptions to them that art and its agents seem to claim. How, then, to speak of rules in the context of art, where transgressions are lauded even while traditional hierarchies continue to assert their influence? And would we demand anything less of art than the promise of disobedience, rule breaking both in terms of formal restrictions and normative regulation? Articles by Katharina Hausladen, Josephine Pryde, Christoph Menke, Lucy McKenzie, Hal Foster, Coco Fusco, and Clemens Apprich.
Texte zur Kunst 109: Art without rules?
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In light of the recent spate of revelations detailing abuses of power within the culture sector, the March issue of "Texte zur Kunst" considers art’s relation to rules—or rather, the exceptions to them that art and its agents seem to claim. How, then, to speak of rules in the context of art, where transgressions are lauded even while traditional hierarchies continue to assert their influence? And would we demand anything less of art than the promise of disobedience, rule breaking both in terms of formal restrictions and normative regulation? Articles by Katharina Hausladen, Josephine Pryde, Christoph Menke, Lucy McKenzie, Hal Foster, Coco Fusco, and Clemens Apprich.
Classification:
périodiques
périodiques
Publication:
mars 2018
mars 2018
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
Titre:
Mark 71
Mark 71
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This latest issue takes us to Shenzhen to check out some of the latest projects to be completed in the Chinese city nearby Hong Kong. With the Sea World Culture and Arts Center, Maki and Associates adds an important cultural space to Shenzhen’s waterfront. Elsewhere, the architects of the Shenzhen-based firm Urbanus added a new typology to Chinese urban landscapes: an(...)
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This latest issue takes us to Shenzhen to check out some of the latest projects to be completed in the Chinese city nearby Hong Kong. With the Sea World Culture and Arts Center, Maki and Associates adds an important cultural space to Shenzhen’s waterfront. Elsewhere, the architects of the Shenzhen-based firm Urbanus added a new typology to Chinese urban landscapes: an(...)
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Mark 71
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This latest issue takes us to Shenzhen to check out some of the latest projects to be completed in the Chinese city nearby Hong Kong. With the Sea World Culture and Arts Center, Maki and Associates adds an important cultural space to Shenzhen’s waterfront. Elsewhere, the architects of the Shenzhen-based firm Urbanus added a new typology to Chinese urban landscapes: an urban village on the roof of a conventional mall. Heatherwick Studio shows us the art of reinvention with the conversion of a decommissioned grain silo in Cape Town. The imposing silo has been turned into an art gallery with a hotel. Mark asks how works of art can compete with the building’s compelling transformation.
Mark 71
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This latest issue takes us to Shenzhen to check out some of the latest projects to be completed in the Chinese city nearby Hong Kong. With the Sea World Culture and Arts Center, Maki and Associates adds an important cultural space to Shenzhen’s waterfront. Elsewhere, the architects of the Shenzhen-based firm Urbanus added a new typology to Chinese urban landscapes: an urban village on the roof of a conventional mall. Heatherwick Studio shows us the art of reinvention with the conversion of a decommissioned grain silo in Cape Town. The imposing silo has been turned into an art gallery with a hotel. Mark asks how works of art can compete with the building’s compelling transformation.
Classification:
périodiques
périodiques
Publication:
décembre 2017
décembre 2017
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
Titre:
Accattone 5: Armin Linke
Accattone 5: Armin Linke
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Based entirely on the work of Armin Linke, Accattone #5 explores photography in relation to the major architecture of public and private institutions: the infrastructure of the Roman Empire, neoclassical Athens, the United Nations headquarters, neo-liberal corporate environments and the fragile European institutions in Brussels. Monuments are carefully crafted to convey(...)
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Based entirely on the work of Armin Linke, Accattone #5 explores photography in relation to the major architecture of public and private institutions: the infrastructure of the Roman Empire, neoclassical Athens, the United Nations headquarters, neo-liberal corporate environments and the fragile European institutions in Brussels. Monuments are carefully crafted to convey(...)
Titre:
Accattone 5: Armin Linke
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Based entirely on the work of Armin Linke, Accattone #5 explores photography in relation to the major architecture of public and private institutions: the infrastructure of the Roman Empire, neoclassical Athens, the United Nations headquarters, neo-liberal corporate environments and the fragile European institutions in Brussels. Monuments are carefully crafted to convey determined sets of aesthetic codes and political values, incorporated in a purportedly eternal and total character. Photography can challenge the power of such representations by bringing out their inherent glitches, small cracks and everyday ambiguities. It can reprogramme architecture.
Accattone 5: Armin Linke
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Based entirely on the work of Armin Linke, Accattone #5 explores photography in relation to the major architecture of public and private institutions: the infrastructure of the Roman Empire, neoclassical Athens, the United Nations headquarters, neo-liberal corporate environments and the fragile European institutions in Brussels. Monuments are carefully crafted to convey determined sets of aesthetic codes and political values, incorporated in a purportedly eternal and total character. Photography can challenge the power of such representations by bringing out their inherent glitches, small cracks and everyday ambiguities. It can reprogramme architecture.
Classification:
périodiques
périodiques
Publication:
mars 2018
mars 2018
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
Prix:
$46.00
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Les numéros 5 à 8 de la revue de design graphique. Le recueil regroupe des études sur les sujets suivants : un post Instagram du studio Experimental Jetset pour le centre culturel amstellodamois Paradiso ; une suite de gestes, de Harun Farocki à L'Architecture Aujourd'hui ; l'ouvrage Parallel Encyclopedia de Batia Suter ; la résidence de Charles Mazé & Coline Sunier à la(...)
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Les numéros 5 à 8 de la revue de design graphique. Le recueil regroupe des études sur les sujets suivants : un post Instagram du studio Experimental Jetset pour le centre culturel amstellodamois Paradiso ; une suite de gestes, de Harun Farocki à L'Architecture Aujourd'hui ; l'ouvrage Parallel Encyclopedia de Batia Suter ; la résidence de Charles Mazé & Coline Sunier à la(...)
Titre:
Faire : regarder le graphisme, volume 02 (n° 5, 6, 7, 8)
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Les numéros 5 à 8 de la revue de design graphique. Le recueil regroupe des études sur les sujets suivants : un post Instagram du studio Experimental Jetset pour le centre culturel amstellodamois Paradiso ; une suite de gestes, de Harun Farocki à L'Architecture Aujourd'hui ; l'ouvrage Parallel Encyclopedia de Batia Suter ; la résidence de Charles Mazé & Coline Sunier à la Villa Médicis.
Faire : regarder le graphisme, volume 02 (n° 5, 6, 7, 8)
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Les numéros 5 à 8 de la revue de design graphique. Le recueil regroupe des études sur les sujets suivants : un post Instagram du studio Experimental Jetset pour le centre culturel amstellodamois Paradiso ; une suite de gestes, de Harun Farocki à L'Architecture Aujourd'hui ; l'ouvrage Parallel Encyclopedia de Batia Suter ; la résidence de Charles Mazé & Coline Sunier à la Villa Médicis.
Classification:
périodiques
périodiques
Publication:
février 2018
février 2018
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
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The idea that a building is 'finished' or 'complete' on the day it opens its doors is hardwired into existing thinking about design, planning and construction. But this ignores the unprecedented rate of social and technological change. A building only begins its life when the contractors leave. With resources at a premium and a greater need for a sustainable use of(...)
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The idea that a building is 'finished' or 'complete' on the day it opens its doors is hardwired into existing thinking about design, planning and construction. But this ignores the unprecedented rate of social and technological change. A building only begins its life when the contractors leave. With resources at a premium and a greater need for a sustainable use of(...)
Titre:
AD Loose-fit architecture: designing buildings for change
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The idea that a building is 'finished' or 'complete' on the day it opens its doors is hardwired into existing thinking about design, planning and construction. But this ignores the unprecedented rate of social and technological change. A building only begins its life when the contractors leave. With resources at a premium and a greater need for a sustainable use of building materials, can we still afford to construct new housing or indeed any buildings that ignore the need for flexibility or the ability to evolve over time? Our design culture needs to move beyond the idealisation of a creative individual designer generating highly specific forms with fixed uses. The possibilities of adaptation and flexibility have often been overlooked, but they create hugely exciting 'loose-fit' architectures that emancipate users to create their own versatile and vibrant environments.
AD Loose-fit architecture: designing buildings for change
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The idea that a building is 'finished' or 'complete' on the day it opens its doors is hardwired into existing thinking about design, planning and construction. But this ignores the unprecedented rate of social and technological change. A building only begins its life when the contractors leave. With resources at a premium and a greater need for a sustainable use of building materials, can we still afford to construct new housing or indeed any buildings that ignore the need for flexibility or the ability to evolve over time? Our design culture needs to move beyond the idealisation of a creative individual designer generating highly specific forms with fixed uses. The possibilities of adaptation and flexibility have often been overlooked, but they create hugely exciting 'loose-fit' architectures that emancipate users to create their own versatile and vibrant environments.
Classification:
périodiques
périodiques
Publication:
octobre 2017
octobre 2017
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
Prix:
$19.95
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''Toxic Atmospheres'' consists in a different approach to space and bodies to the strictly physical one usually described in The Funambulist. Its editorial argument draws on the concepts of “being-in-the-breathable” (Peter Sloterdijk), “the weather” (Christina Sharpe), and “combat breathing” (Frantz Fanon) to resolutely politicize what is usually approached through an(...)
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''Toxic Atmospheres'' consists in a different approach to space and bodies to the strictly physical one usually described in The Funambulist. Its editorial argument draws on the concepts of “being-in-the-breathable” (Peter Sloterdijk), “the weather” (Christina Sharpe), and “combat breathing” (Frantz Fanon) to resolutely politicize what is usually approached through an(...)
Titre:
The Funambulist 14, Toxic atmospheres. November-December 2017
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''Toxic Atmospheres'' consists in a different approach to space and bodies to the strictly physical one usually described in The Funambulist. Its editorial argument draws on the concepts of “being-in-the-breathable” (Peter Sloterdijk), “the weather” (Christina Sharpe), and “combat breathing” (Frantz Fanon) to resolutely politicize what is usually approached through an environmentalist perspective. The toxicity described throughout its pages are the atmospheric conditions of colonialism, imperialism, and/or capitalism.
The Funambulist 14, Toxic atmospheres. November-December 2017
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''Toxic Atmospheres'' consists in a different approach to space and bodies to the strictly physical one usually described in The Funambulist. Its editorial argument draws on the concepts of “being-in-the-breathable” (Peter Sloterdijk), “the weather” (Christina Sharpe), and “combat breathing” (Frantz Fanon) to resolutely politicize what is usually approached through an environmentalist perspective. The toxicity described throughout its pages are the atmospheric conditions of colonialism, imperialism, and/or capitalism.
Classification:
périodiques
périodiques
Publication:
décembre 2017
décembre 2017
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
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''Clothing Politics #2'' is the sequel of the third issue of The Funambulist, published two years earlier. The articles and projects presented in this issue feature instances of clothing that act as subversions of the gendered, colonial, racialized, and/or ableist normative contexts in which they are respectively worn.
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''Clothing Politics #2'' is the sequel of the third issue of The Funambulist, published two years earlier. The articles and projects presented in this issue feature instances of clothing that act as subversions of the gendered, colonial, racialized, and/or ableist normative contexts in which they are respectively worn.
Titre:
The Funambulist 15, Clothing politics #2. January-February 2018
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''Clothing Politics #2'' is the sequel of the third issue of The Funambulist, published two years earlier. The articles and projects presented in this issue feature instances of clothing that act as subversions of the gendered, colonial, racialized, and/or ableist normative contexts in which they are respectively worn.
The Funambulist 15, Clothing politics #2. January-February 2018
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''Clothing Politics #2'' is the sequel of the third issue of The Funambulist, published two years earlier. The articles and projects presented in this issue feature instances of clothing that act as subversions of the gendered, colonial, racialized, and/or ableist normative contexts in which they are respectively worn.
Classification:
périodiques
périodiques
Publication:
janvier 2018
janvier 2018
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
Titre:
Border crossings issue 145
Border crossings issue 145
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Border Crossings takes an in-depth look at California-based American artist Nancy Rubins. For over forty years, Rubins’ work has contained unpredictable elements as she has transformed industrial materials such as mattresses, television sets, RV campers and boat parts into large-scale installations. This issue also includes a look into the world of one of Canada’s most(...)
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Border Crossings takes an in-depth look at California-based American artist Nancy Rubins. For over forty years, Rubins’ work has contained unpredictable elements as she has transformed industrial materials such as mattresses, television sets, RV campers and boat parts into large-scale installations. This issue also includes a look into the world of one of Canada’s most(...)
Titre:
Border crossings issue 145
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Border Crossings takes an in-depth look at California-based American artist Nancy Rubins. For over forty years, Rubins’ work has contained unpredictable elements as she has transformed industrial materials such as mattresses, television sets, RV campers and boat parts into large-scale installations. This issue also includes a look into the world of one of Canada’s most important conceptual artists, Toronto-based Kelly Mark; a portfolio of charcoal drawings by Berlin-based Canadian artist Ambera Wellmann, winner of the 2017 RBC painting competition; Stephen Horne looks at artifact and artifice in Sophie Calle’s and Serena Carone’s quiet insertions into the quirky, lavish and eccentric Paris museum, La Musée de la Chasse et de la Nature; Robin Laurence presents a profile of Inuit artist Shuvinai Ashoona and writes about the work recently presented at the Marion Scott Gallery; Ray Cronin looks at "Places, paths and pauses", a retrospective of Newfoundland photographer Marlene Creates.
Border crossings issue 145
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Border Crossings takes an in-depth look at California-based American artist Nancy Rubins. For over forty years, Rubins’ work has contained unpredictable elements as she has transformed industrial materials such as mattresses, television sets, RV campers and boat parts into large-scale installations. This issue also includes a look into the world of one of Canada’s most important conceptual artists, Toronto-based Kelly Mark; a portfolio of charcoal drawings by Berlin-based Canadian artist Ambera Wellmann, winner of the 2017 RBC painting competition; Stephen Horne looks at artifact and artifice in Sophie Calle’s and Serena Carone’s quiet insertions into the quirky, lavish and eccentric Paris museum, La Musée de la Chasse et de la Nature; Robin Laurence presents a profile of Inuit artist Shuvinai Ashoona and writes about the work recently presented at the Marion Scott Gallery; Ray Cronin looks at "Places, paths and pauses", a retrospective of Newfoundland photographer Marlene Creates.
Classification:
périodiques
périodiques
Publication:
mars 2018
mars 2018
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
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Nouveau Projet 13 printemps-été 2018, se consacre à la question de la qualité de vie. De quoi parle-t-on, au juste? En existe-t-il une conception neutre, apolitique et universelle? Peut-on la mesurer, elle qui, par essence, devrait échapper à la quantification?
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Nouveau Projet 13 printemps-été 2018, se consacre à la question de la qualité de vie. De quoi parle-t-on, au juste? En existe-t-il une conception neutre, apolitique et universelle? Peut-on la mesurer, elle qui, par essence, devrait échapper à la quantification?
Titre:
Nouveau projet 13, printemps-été 2018
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Nouveau Projet 13 printemps-été 2018, se consacre à la question de la qualité de vie. De quoi parle-t-on, au juste? En existe-t-il une conception neutre, apolitique et universelle? Peut-on la mesurer, elle qui, par essence, devrait échapper à la quantification?
Nouveau projet 13, printemps-été 2018
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Nouveau Projet 13 printemps-été 2018, se consacre à la question de la qualité de vie. De quoi parle-t-on, au juste? En existe-t-il une conception neutre, apolitique et universelle? Peut-on la mesurer, elle qui, par essence, devrait échapper à la quantification?
Classification:
périodiques
périodiques
Publication:
mars 2018
mars 2018
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
Titre:
Mousse 62
Mousse 62
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Mousse magazine, issue 62. In this issue: Rahel Aima, Antonia Alampi, Emmanuelle André, Martin Arnold, Siri Aurdal, Meriem Bennani, Andrew Berardini, Fernanda Brenner, Adam Carr, Barbara Casavecchia, Maurin Dietrich, Ben Eastham, Eva Fabbris, Aaron Gilbert, Omar Kholeif, Alvin Li, Diego Marcon, Rita Mc Bride, Laura Mclean-Ferris, Tiona Nekkia Mcclodden, Kathy Noble,(...)
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Mousse magazine, issue 62. In this issue: Rahel Aima, Antonia Alampi, Emmanuelle André, Martin Arnold, Siri Aurdal, Meriem Bennani, Andrew Berardini, Fernanda Brenner, Adam Carr, Barbara Casavecchia, Maurin Dietrich, Ben Eastham, Eva Fabbris, Aaron Gilbert, Omar Kholeif, Alvin Li, Diego Marcon, Rita Mc Bride, Laura Mclean-Ferris, Tiona Nekkia Mcclodden, Kathy Noble,(...)
Titre:
Mousse 62
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Mousse magazine, issue 62. In this issue: Rahel Aima, Antonia Alampi, Emmanuelle André, Martin Arnold, Siri Aurdal, Meriem Bennani, Andrew Berardini, Fernanda Brenner, Adam Carr, Barbara Casavecchia, Maurin Dietrich, Ben Eastham, Eva Fabbris, Aaron Gilbert, Omar Kholeif, Alvin Li, Diego Marcon, Rita Mc Bride, Laura Mclean-Ferris, Tiona Nekkia Mcclodden, Kathy Noble, Simphiwe Ndzube, Precious Okoyomon, Lydia Ourahmane, Alexandra Pirici, Julia Phillips, Asad Raza, Julia Scher, Jenny Schlenzka, Ross Simonini, Mitch Speed, Michael Stevenson, Diamond Stingily, Hans Ulrich Obrist, Erika Verzutti, Lu Yang.
Mousse 62
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Mousse magazine, issue 62. In this issue: Rahel Aima, Antonia Alampi, Emmanuelle André, Martin Arnold, Siri Aurdal, Meriem Bennani, Andrew Berardini, Fernanda Brenner, Adam Carr, Barbara Casavecchia, Maurin Dietrich, Ben Eastham, Eva Fabbris, Aaron Gilbert, Omar Kholeif, Alvin Li, Diego Marcon, Rita Mc Bride, Laura Mclean-Ferris, Tiona Nekkia Mcclodden, Kathy Noble, Simphiwe Ndzube, Precious Okoyomon, Lydia Ourahmane, Alexandra Pirici, Julia Phillips, Asad Raza, Julia Scher, Jenny Schlenzka, Ross Simonini, Mitch Speed, Michael Stevenson, Diamond Stingily, Hans Ulrich Obrist, Erika Verzutti, Lu Yang.
Classification:
périodiques
périodiques
Publication:
février 2018
février 2018
Sujet:
Revues
Revues
