C3 393 : evolving pavilions
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From follies in parks to hosting events in prestigious locations and buildings, pavilions offer a great opportunity for architects to reflect upon the notion of space, visitor experience, and the role of the architectural components in the project as a whole. A selection of projects explores the relationships between pavilions and their contexts, and illustrates how the(...)
C3 393 : evolving pavilions
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From follies in parks to hosting events in prestigious locations and buildings, pavilions offer a great opportunity for architects to reflect upon the notion of space, visitor experience, and the role of the architectural components in the project as a whole. A selection of projects explores the relationships between pavilions and their contexts, and illustrates how the typology is evolving, becoming more dynamic, flexible, and lighter. Included are the Naoshima Port Terminal by SANAA, Kéré Architecture’s 2017 Serpentine Pavilion, and the Mpavilion 2017 by OMA. Additionally, this edition looks at special projects that reflect the blurring of boundaries between working and living in the digital era.
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Architecture responds to human needs, but also provides a framework for living that facilitates and encourages specific behaviours and lifestyles. Architects and urbanists have the opportunity and responsibility to create environments for sustainable living, to go beyond technical solutions and consider what drives human behaviour. This volume presents fourteen recent(...)
C3 Fundamentals for sustainability
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Architecture responds to human needs, but also provides a framework for living that facilitates and encourages specific behaviours and lifestyles. Architects and urbanists have the opportunity and responsibility to create environments for sustainable living, to go beyond technical solutions and consider what drives human behaviour. This volume presents fourteen recent projects and a range of typologies aptly reflecting this evolving combination of expertise and technology. Included are Green Heart Marina One Singapore by Ingenhoven Architects, Bloomberg’s New European Headquarters by Foster + Partners, YB House in Chile by MASA Architects, and more.
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Mousse 52
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IN THE AVANT-FOYER: ON DECADENCE AND DE-FACEMENT by Sabrina Tarasoff MARC CAMILLE CHAIMOWICZ At the Tip of my Fingers by Eva Fabbris THE RECOGNITIONS by Than Hussein Clark and Charlie Billingham THE IMPERMANENT COLLECTION by Jennifer Allen and Giaco Schiesser THE IMPORTANCE OF BEING AN INFLUENCE by Jens Hoffmann, Sanya Kantarovsky, Ryan Gander, Jac Leirner, Camille(...)
Mousse 52
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IN THE AVANT-FOYER: ON DECADENCE AND DE-FACEMENT by Sabrina Tarasoff MARC CAMILLE CHAIMOWICZ At the Tip of my Fingers by Eva Fabbris THE RECOGNITIONS by Than Hussein Clark and Charlie Billingham THE IMPERMANENT COLLECTION by Jennifer Allen and Giaco Schiesser THE IMPORTANCE OF BEING AN INFLUENCE by Jens Hoffmann, Sanya Kantarovsky, Ryan Gander, Jac Leirner, Camille Henrot, Cheyney Thompson, Rayyane Tabet, Liz Magor SUNSET DÉCOR by Magalí Arriola LOTHAR BAUMGARTEN : The Political Discourse of the Time by Jesús Fuenmayor THE PUBLIC LIFE OF THE IMAGINATION by João Ribas ROBERT GROSVENOR Hypervolume in Hyperspace by Hans Ulrich Obrist FORGET ABOUT THE MIDDLE CLASS by Chus Martínez CEAL FLOYER The Pros and the Cons by Christian Jankowski NEVINE MAHMOUD Playtime by Andrew Berardini HENNING FEHR AND PHILIPP RÜHR No Script by Niels Olsen and Fredi Fischli [A TAXONOMY OF NON-SENSE] by Domenick Ammirati JESSI REAVES An Ideological Revision of Furniture Design by Josephine Graf LUCAS ARRUDA A Utopian Balance between Light and Shadow by Kiki Mazzucchelli ANA VAZ Discovering the World by Filipa Ramos LIS RHODDES AND AURA SATZ Seeing is Never Believing by Agniesszka Gratza A STUDY IN PETULANCE by Michael Turner
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This special issue focuses on 30 years of work by the acclaimed American landscape architect Kathryn Gustafson, featuring fifteen works from her earlier period and including projects done by both her London and Seattle offices, all of which were led by Gustafson. Among these are the Place des Droits de l’Homme in Evry, Shell Petroleum Headquarters in Rueil-Malmaison,(...)
a+u 543: expressions of landscape Kathryn Gustafson
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This special issue focuses on 30 years of work by the acclaimed American landscape architect Kathryn Gustafson, featuring fifteen works from her earlier period and including projects done by both her London and Seattle offices, all of which were led by Gustafson. Among these are the Place des Droits de l’Homme in Evry, Shell Petroleum Headquarters in Rueil-Malmaison, Westergasfabriek Culture Park in Amsterdam, the National Botanic Garden of Wales, and the Diana, Princess of Wales Memorial Fountain. An essay by Toshiko Mori explores the philosophy and technique that form the foundation of Gustafson’s works from the perspective of an architect.
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As every year, the Spain Yearbook 2016 gathers the best buildings completed in Spain during the past twelve months. The volume includes works like the Royal Collections Museum by Tuñón & Mansilla and the Giner de los Ríos Foundation by Amid_cero9. In this year’s selection, prominent figures like Rafael Moneo, Francisco Mangado, Nieto & Sobejano, and Carlos Ferrater appear(...)
AV 183-184: Spain year book 2016
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As every year, the Spain Yearbook 2016 gathers the best buildings completed in Spain during the past twelve months. The volume includes works like the Royal Collections Museum by Tuñón & Mansilla and the Giner de los Ríos Foundation by Amid_cero9. In this year’s selection, prominent figures like Rafael Moneo, Francisco Mangado, Nieto & Sobejano, and Carlos Ferrater appear alongside new young teams, like the Sevillians that form BaKpak, the Cáceres office Losada García, and the Barcelona team Calderón-Folch-Sarsanedas.
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San Rocco 12: clients
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The issue with the client is that the reasons why clients should pay for architecture (i.e., the reasons why rich or powerful individuals could become clients) seem to be disappearing. In fact, architecture corresponds to a singular mixture of exhibitionism and shame that leads people to try to acquire public renown (and at the same time erase the memory of how they used(...)
San Rocco 12: clients
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The issue with the client is that the reasons why clients should pay for architecture (i.e., the reasons why rich or powerful individuals could become clients) seem to be disappearing. In fact, architecture corresponds to a singular mixture of exhibitionism and shame that leads people to try to acquire public renown (and at the same time erase the memory of how they used to make money) by contributing to the construction of the spaces of public life. And while there is no shortage of exhibitionism nowadays...
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Volume 47: the system
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Issue #47 of Volume
Volume 47: the system
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Issue #47 of Volume
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Else 10
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ELSE #10, qui paraît à l’occasion de Paris Photo 2015, présente aussi des travaux plus conceptuels, notamment ceux d’Owen Kydd, mêlant photographie et vidéo, ou ceux de Pepe López et Johanna Calle, qui tous deux interviennent sur des images récupérées afin de redessiner des parts sombres de l’Histoire de leur pays – respectivement le Venezuela et la Colombie. Jennifer(...)
Else 10
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ELSE #10, qui paraît à l’occasion de Paris Photo 2015, présente aussi des travaux plus conceptuels, notamment ceux d’Owen Kydd, mêlant photographie et vidéo, ou ceux de Pepe López et Johanna Calle, qui tous deux interviennent sur des images récupérées afin de redessiner des parts sombres de l’Histoire de leur pays – respectivement le Venezuela et la Colombie. Jennifer Niederhauser Schlup et Florine Bonaventure s’intéressent quant à elles à la géographie du Burkina Faso et Yan Jianshe nous livre un aperçu poignant d’une traversée amoureuse d’une Chine révolue – sous l’ère de Deng Xiaoping, huit ans avant les manifestations de la place Tian’anmen.
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Scapegoat 09: Eros
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In each piece, love is felt as a movement in the act, a radical shift in thought. In each piece, readers are compelled by the poetics and politics of the relation between eros, architecture, political economy, and landscape. How else to think love as that which makes space appear, but through the investigations that take us in-personally, intensely-through experiments in(...)
Scapegoat 09: Eros
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In each piece, love is felt as a movement in the act, a radical shift in thought. In each piece, readers are compelled by the poetics and politics of the relation between eros, architecture, political economy, and landscape. How else to think love as that which makes space appear, but through the investigations that take us in-personally, intensely-through experiments in process, form and content.
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D'a (d'architectures) 243
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No. 244 du revue D'a (D'architectures)
D'a (d'architectures) 243
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No. 244 du revue D'a (D'architectures)
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