6048 Résultats
Classification:
artéfacts
artéfacts
Titre:
Ohio State
Ohio State
Actions:
Exemplaires:
Description:
1 model : metal ; 4 x 15 x 11 cm
Description:
1 model : metal ; 4 x 15 x 11 cm
Auteur:
Sujet:
Publication:
[between 1922 and 1980]
[between 1922 and 1980]
Classification:
artéfacts
artéfacts
Publication:
[between 1922 and 1980]
[between 1922 and 1980]
Auteur:
Sujet:
Classification:
artéfacts
artéfacts
Actions:
Exemplaires:
Description:
1 model : metal ; 12 x 6 x 7 cm
Description:
1 model : metal ; 12 x 6 x 7 cm
Auteur:
Sujet:
Publication:
Japan : [KI], [between 1964 and 1969?]
Japan : [KI], [between 1964 and 1969?]
Titre:
Prudential Center, Boston, Mass.
Actions:
Exemplaires:
Description:
1 model : metal ; 12 x 6 x 7 cm
Prudential Center, Boston, Mass.
Actions:
Exemplaires:
Description:
1 model : metal ; 12 x 6 x 7 cm
Classification:
artéfacts
artéfacts
Publication:
Japan : [KI], [between 1964 and 1969?]
Japan : [KI], [between 1964 and 1969?]
Auteur:
Sujet:
Classification:
artéfacts
artéfacts
Titre:
Het Schielandshuis
Het Schielandshuis
Actions:
Exemplaires:
Description:
1 model : metal ; 5 x 6 x 6 cm
Description:
1 model : metal ; 5 x 6 x 6 cm
Auteur:
Sujet:
Publication:
[19--]
[19--]
Classification:
artéfacts
artéfacts
Publication:
[19--]
[19--]
Auteur:
Sujet:
Classification:
artéfacts
artéfacts
Titre:
Rose Bowl : Pasadena, Cal.
Rose Bowl : Pasadena, Cal.
Actions:
Exemplaires:
Description:
1 model : metal, felt ; 4 x 17 x 14 cm
Description:
1 model : metal, felt ; 4 x 17 x 14 cm
Auteur:
Sujet:
Publication:
[1950] ([United States] : Dodge Inc.)
[1950] ([United States] : Dodge Inc.)
Titre:
Rose Bowl : Pasadena, Cal.
Actions:
Exemplaires:
Description:
1 model : metal, felt ; 4 x 17 x 14 cm
Rose Bowl : Pasadena, Cal.
Actions:
Exemplaires:
Description:
1 model : metal, felt ; 4 x 17 x 14 cm
Classification:
artéfacts
artéfacts
Publication:
[1950] ([United States] : Dodge Inc.)
[1950] ([United States] : Dodge Inc.)
Auteur:
Sujet:
Classification:
artéfacts
artéfacts
Titre:
Berliner Bank
Berliner Bank
Actions:
Exemplaires:
Description:
1 model : metal, color ; 9 x 13 x 7 cm + 1 key
Description:
1 model : metal, color ; 9 x 13 x 7 cm + 1 key
Auteur:
Sujet:
Publication:
[between 1952 and 1999]
[between 1952 and 1999]
Titre:
Berliner Bank
Actions:
Exemplaires:
Description:
1 model : metal, color ; 9 x 13 x 7 cm + 1 key
Berliner Bank
Actions:
Exemplaires:
Description:
1 model : metal, color ; 9 x 13 x 7 cm + 1 key
Classification:
artéfacts
artéfacts
Publication:
[between 1952 and 1999]
[between 1952 and 1999]
Auteur:
Sujet:
Classification:
artéfacts
artéfacts
Titre:
The Octagon [model].
The Octagon [model].
Actions:
Exemplaires:
Description:
1 model : pewter ; 9 x 13 x 8 cm.
Description:
1 model : pewter ; 9 x 13 x 8 cm.
Auteur:
Sujet:
Publication:
[199-] ([Burbank, Ca. : Microcosms])
[199-] ([Burbank, Ca. : Microcosms])
Classification:
artéfacts
artéfacts
Publication:
[199-] ([Burbank, Ca. : Microcosms])
[199-] ([Burbank, Ca. : Microcosms])
Auteur:
Sujet:
Classification:
artéfacts
artéfacts
Actions:
Exemplaires:
Description:
1 model : metal, marble ; 8 x 14 x 8 cm
Description:
1 model : metal, marble ; 8 x 14 x 8 cm
Sujet:
Publication:
[1969]
[1969]
Titre:
1969 millionaires conference, Athens, Greece
Actions:
Exemplaires:
Description:
1 model : metal, marble ; 8 x 14 x 8 cm
1969 millionaires conference, Athens, Greece
Actions:
Exemplaires:
Description:
1 model : metal, marble ; 8 x 14 x 8 cm
Classification:
artéfacts
artéfacts
Publication:
[1969]
[1969]
Sujet:
Classification:
artéfacts
artéfacts
Titre:
Santa Montserrat
Santa Montserrat
Actions:
Exemplaires:
Description:
1 model : metal, felt ; 6 x 3 cm
Description:
1 model : metal, felt ; 6 x 3 cm
Auteur:
Sujet:
Publication:
[1960]
[1960]
Classification:
artéfacts
artéfacts
Publication:
[1960]
[1960]
Auteur:
Sujet:
Classification:
livres
livres
Titre:
Montréal.
Montréal.
Actions:
Exemplaires:
Description:
48 pages : illustrations, coat of arms, map ; 29 cm
Description:
48 pages : illustrations, coat of arms, map ; 29 cm
Auteur:
Sujet:
Publication:
[Montréal] : [publisher not identified], [approximately 1950]
[Montréal] : [publisher not identified], [approximately 1950]
Titre:
Montréal.
Actions:
Exemplaires:
Description:
48 pages : illustrations, coat of arms, map ; 29 cm
Montréal.
Actions:
Exemplaires:
Description:
48 pages : illustrations, coat of arms, map ; 29 cm
Classification:
livres
livres
Publication:
[Montréal] : [publisher not identified], [approximately 1950]
[Montréal] : [publisher not identified], [approximately 1950]
Auteur:
Sujet:
Classification:
livres
livres
Titre:
The ethics of earth art
The ethics of earth art
Actions:
Prix:
$27.95
(disponible sur commande)
Résumé:
Since its inception in the 1960s, the earth art movement has sought to make visible the elusive presence of nature. Though most often associated with monumental land-based sculptures, earth art encompasses a wide range of media, from sculpture, body art performances, and installations to photographic interventions, public protest art, and community projects. In this(...)
$27.95
(disponible sur commande)
Résumé:
Since its inception in the 1960s, the earth art movement has sought to make visible the elusive presence of nature. Though most often associated with monumental land-based sculptures, earth art encompasses a wide range of media, from sculpture, body art performances, and installations to photographic interventions, public protest art, and community projects. In this(...)
Titre:
The ethics of earth art
Actions:
Prix:
$27.95
(disponible sur commande)
Résumé:
Since its inception in the 1960s, the earth art movement has sought to make visible the elusive presence of nature. Though most often associated with monumental land-based sculptures, earth art encompasses a wide range of media, from sculpture, body art performances, and installations to photographic interventions, public protest art, and community projects. In this book, Amanda Boetzkes analyzes the development of the earth art movement, arguing that such diverse artists as Robert Smithson, Ana Mendieta, James Turrell, Jackie Brookner, Olafur Eliasson, Basia Irland, and Ichi Ikeda are connected through their elucidation of the earth as a domain of ethical concern. Boetzkes contends that in basing their works’ relationship to the natural world on receptivity rather than representation, earth artists take an ethical stance that counters both the instrumental view that seeks to master nature and the Romantic view that posits a return to a mythical state of unencumbered continuity with nature. By incorporating receptive surfaces into their work—film footage of glaring sunlight, an aperture in a chamber that opens to the sky, or a porous armature on which vegetation grows—earth artists articulate the dilemma of representation that nature presents. Revealing the fundamental difference between the human world and the earth, Boetzkes shows that earth art mediates the sensations of nature while allowing nature itself to remain irreducible to human signification.
The ethics of earth art
Actions:
Prix:
$27.95
(disponible sur commande)
Résumé:
Since its inception in the 1960s, the earth art movement has sought to make visible the elusive presence of nature. Though most often associated with monumental land-based sculptures, earth art encompasses a wide range of media, from sculpture, body art performances, and installations to photographic interventions, public protest art, and community projects. In this book, Amanda Boetzkes analyzes the development of the earth art movement, arguing that such diverse artists as Robert Smithson, Ana Mendieta, James Turrell, Jackie Brookner, Olafur Eliasson, Basia Irland, and Ichi Ikeda are connected through their elucidation of the earth as a domain of ethical concern. Boetzkes contends that in basing their works’ relationship to the natural world on receptivity rather than representation, earth artists take an ethical stance that counters both the instrumental view that seeks to master nature and the Romantic view that posits a return to a mythical state of unencumbered continuity with nature. By incorporating receptive surfaces into their work—film footage of glaring sunlight, an aperture in a chamber that opens to the sky, or a porous armature on which vegetation grows—earth artists articulate the dilemma of representation that nature presents. Revealing the fundamental difference between the human world and the earth, Boetzkes shows that earth art mediates the sensations of nature while allowing nature itself to remain irreducible to human signification.
Classification:
livres
livres
Publication:
juillet 2010
juillet 2010
Sujet:
Land Art
Land Art
