3425 Résultats
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livres
livres
Titre:
Dans la rue : une histoire du FRAPRU et des luttes pour le logement au Québec / François Saillant.
Dans la rue : une histoire du FRAPRU et des luttes pour le logement au Québec / François Saillant.
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254 pages : illustrations ; 22 cm
Description:
254 pages : illustrations ; 22 cm
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Montréal (Québec) : Écosociété, [2024], ©2024
Montréal (Québec) : Écosociété, [2024], ©2024
Titre:
Dans la rue : une histoire du FRAPRU et des luttes pour le logement au Québec / François Saillant.
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254 pages : illustrations ; 22 cm
Dans la rue : une histoire du FRAPRU et des luttes pour le logement au Québec / François Saillant.
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254 pages : illustrations ; 22 cm
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livres
livres
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Montréal (Québec) : Écosociété, [2024], ©2024
Montréal (Québec) : Écosociété, [2024], ©2024
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livres
livres
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iv, [7], 33 pages, 54 unnumbered leaves of plates : chiefly illustrations (some folded) ; 53 cm
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iv, [7], 33 pages, 54 unnumbered leaves of plates : chiefly illustrations (some folded) ; 53 cm
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[London] : Printed for the author, 1764.
[London] : Printed for the author, 1764.
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Rvins of the palace of the Emperor Diocletian at Spalatro in Dalmatia / by R. Adam, F.R.S., F.S.A., architect to the King and to the Queen.
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iv, [7], 33 pages, 54 unnumbered leaves of plates : chiefly illustrations (some folded) ; 53 cm
Rvins of the palace of the Emperor Diocletian at Spalatro in Dalmatia / by R. Adam, F.R.S., F.S.A., architect to the King and to the Queen.
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iv, [7], 33 pages, 54 unnumbered leaves of plates : chiefly illustrations (some folded) ; 53 cm
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livres
livres
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[London] : Printed for the author, 1764.
[London] : Printed for the author, 1764.
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livres
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10 unnumbered pages, 149 pages, 9 unnumbered leaves of plates : illustrations, portrait, plans ; 20 cm
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10 unnumbered pages, 149 pages, 9 unnumbered leaves of plates : illustrations, portrait, plans ; 20 cm
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Montreal : Published by F.E. Grafton & Sons at their bookstore, 250 St. James Street, 1892.
Montreal : Published by F.E. Grafton & Sons at their bookstore, 250 St. James Street, 1892.
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Montreal after 250 years / by W.D. Lighthall.
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10 unnumbered pages, 149 pages, 9 unnumbered leaves of plates : illustrations, portrait, plans ; 20 cm
Montreal after 250 years / by W.D. Lighthall.
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10 unnumbered pages, 149 pages, 9 unnumbered leaves of plates : illustrations, portrait, plans ; 20 cm
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livres
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Montreal : Published by F.E. Grafton & Sons at their bookstore, 250 St. James Street, 1892.
Montreal : Published by F.E. Grafton & Sons at their bookstore, 250 St. James Street, 1892.
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livres
livres
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7, 4 pages, 100 [i.e. 99] leaves of engraved plates, 40 pages : engravings, plans ; 46 centimeters (folio)
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7, 4 pages, 100 [i.e. 99] leaves of engraved plates, 40 pages : engravings, plans ; 46 centimeters (folio)
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Paris : Chez Ducamp, [1798] ; (Paris: Imprimerie de Baudouin)
Paris : Chez Ducamp, [1798] ; (Paris: Imprimerie de Baudouin)
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Palais, maisons, et autres édifices modernes, dessinés a Rome : publiés à Paris, l'an 6 de la République française (1798, v. st.).
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7, 4 pages, 100 [i.e. 99] leaves of engraved plates, 40 pages : engravings, plans ; 46 centimeters (folio)
Palais, maisons, et autres édifices modernes, dessinés a Rome : publiés à Paris, l'an 6 de la République française (1798, v. st.).
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7, 4 pages, 100 [i.e. 99] leaves of engraved plates, 40 pages : engravings, plans ; 46 centimeters (folio)
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livres
livres
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Paris : Chez Ducamp, [1798] ; (Paris: Imprimerie de Baudouin)
Paris : Chez Ducamp, [1798] ; (Paris: Imprimerie de Baudouin)
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livres
livres
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The Key of Cvjetno naselje.
The Key of Cvjetno naselje.
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1 online resource.
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[Place of publication not identified] : KONTEJNER, 2026., [Place of publication not identified] : Paradiso, 2026.
[Place of publication not identified] : KONTEJNER, 2026., [Place of publication not identified] : Paradiso, 2026.
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livres
livres
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[Place of publication not identified] : KONTEJNER, 2026., [Place of publication not identified] : Paradiso, 2026.
[Place of publication not identified] : KONTEJNER, 2026., [Place of publication not identified] : Paradiso, 2026.
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$60.00
(disponible en magasin)
Résumé:
Paul Hutchinson’s work (b. Berlin, 1987; lives and works in Berlin) conveys an intimate and unvarnished perspective, rendering the imperfections, incidental details, and human facets of urban culture. Fleeting moments and encounters often act as a base for his critical photographic practice. The central protagonists in his most recent project, titled Stadt für Alle(...)
$60.00
(disponible en magasin)
Résumé:
Paul Hutchinson’s work (b. Berlin, 1987; lives and works in Berlin) conveys an intimate and unvarnished perspective, rendering the imperfections, incidental details, and human facets of urban culture. Fleeting moments and encounters often act as a base for his critical photographic practice. The central protagonists in his most recent project, titled Stadt für Alle(...)
Titre:
Paul Hutchinson: Stadt fur alle
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$60.00
(disponible en magasin)
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Paul Hutchinson’s work (b. Berlin, 1987; lives and works in Berlin) conveys an intimate and unvarnished perspective, rendering the imperfections, incidental details, and human facets of urban culture. Fleeting moments and encounters often act as a base for his critical photographic practice. The central protagonists in his most recent project, titled Stadt für Alle (transl. City for All), are countless cranes, excavators, and construction signs. They are the tools that power the remaking of any city’s urban fabric – here Berlin mostly sets the example. Building pits constitute the foundation for farewells and new beginnings. Advertising banners for luxury developments vie against protest placards hanging limply on the façades of older buildings. The artist has compiled a pictorial atlas that prompts reflections on the transformation of the city and thereby gives form to the advancing gentrification, the constant feeling of threat and the increasing loss of inner-city street culture. Hutchinson’s writing complements the deft visual analysis of these processes: "The way you look at me, smiling while I’m losing my vision" is one such observation that, in conjunction with his images, opens up a space for interpretation and a probing inquiry into what urban life will mean in the future.
Paul Hutchinson: Stadt fur alle
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$60.00
(disponible en magasin)
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Paul Hutchinson’s work (b. Berlin, 1987; lives and works in Berlin) conveys an intimate and unvarnished perspective, rendering the imperfections, incidental details, and human facets of urban culture. Fleeting moments and encounters often act as a base for his critical photographic practice. The central protagonists in his most recent project, titled Stadt für Alle (transl. City for All), are countless cranes, excavators, and construction signs. They are the tools that power the remaking of any city’s urban fabric – here Berlin mostly sets the example. Building pits constitute the foundation for farewells and new beginnings. Advertising banners for luxury developments vie against protest placards hanging limply on the façades of older buildings. The artist has compiled a pictorial atlas that prompts reflections on the transformation of the city and thereby gives form to the advancing gentrification, the constant feeling of threat and the increasing loss of inner-city street culture. Hutchinson’s writing complements the deft visual analysis of these processes: "The way you look at me, smiling while I’m losing my vision" is one such observation that, in conjunction with his images, opens up a space for interpretation and a probing inquiry into what urban life will mean in the future.
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livres
livres
Publication:
septembre 2020
septembre 2020
Sujet:
Monographies photo
Monographies photo
Classification:
périodiques
périodiques
Titre:
Cabinet 24 : shadows
Cabinet 24 : shadows
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$11.00
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Résumé:
The inherently contingent physics of shadows--never things in themselves but instead always "cast" signs of other things; tangible yet insubstantial--has long been a rich source of inspiration for thinkers and artists. From the Biblical valley where humanity is stalked by the "shadow of death" to the purported supernatural phenomenon of the shadow people, the idea has(...)
$11.00
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The inherently contingent physics of shadows--never things in themselves but instead always "cast" signs of other things; tangible yet insubstantial--has long been a rich source of inspiration for thinkers and artists. From the Biblical valley where humanity is stalked by the "shadow of death" to the purported supernatural phenomenon of the shadow people, the idea has(...)
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Cabinet 24 : shadows
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$11.00
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The inherently contingent physics of shadows--never things in themselves but instead always "cast" signs of other things; tangible yet insubstantial--has long been a rich source of inspiration for thinkers and artists. From the Biblical valley where humanity is stalked by the "shadow of death" to the purported supernatural phenomenon of the shadow people, the idea has always suggested forces of the unseen, of the Other, its relational quality evoking a sense a duality that haunts our supposedly integral identities. Cabinet 24 includes interviews with Michael Baxandall on the Enlightenment's attitude toward shadows and with Victor Stoichita on the battle between light and dark, Kris Lee on Comte de Silhouette and the rise of phrenology, Julia Bryan-Wilson on the perpetually shaded Swiss town of Rattenberg, Trevor Paglen on the secret patches from clandestine divisions of the U.S. Armed Forces and George Pendle on Otto Neurath and his Everyman informational figures. Artist projects include a portfolio of shadow drawings and an unwitting contribution by a celebrated artist secretly trailed by a private detective hired by Cabinet. Plus, Jocko Weyland on the AP archive; Tony Wood on Konstantin Melnikov's proposal for a collectivized Soviet dormitory system; Amelie Hastie on eating at the cinema and Daniel Handler on the color violet.
Cabinet 24 : shadows
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$11.00
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The inherently contingent physics of shadows--never things in themselves but instead always "cast" signs of other things; tangible yet insubstantial--has long been a rich source of inspiration for thinkers and artists. From the Biblical valley where humanity is stalked by the "shadow of death" to the purported supernatural phenomenon of the shadow people, the idea has always suggested forces of the unseen, of the Other, its relational quality evoking a sense a duality that haunts our supposedly integral identities. Cabinet 24 includes interviews with Michael Baxandall on the Enlightenment's attitude toward shadows and with Victor Stoichita on the battle between light and dark, Kris Lee on Comte de Silhouette and the rise of phrenology, Julia Bryan-Wilson on the perpetually shaded Swiss town of Rattenberg, Trevor Paglen on the secret patches from clandestine divisions of the U.S. Armed Forces and George Pendle on Otto Neurath and his Everyman informational figures. Artist projects include a portfolio of shadow drawings and an unwitting contribution by a celebrated artist secretly trailed by a private detective hired by Cabinet. Plus, Jocko Weyland on the AP archive; Tony Wood on Konstantin Melnikov's proposal for a collectivized Soviet dormitory system; Amelie Hastie on eating at the cinema and Daniel Handler on the color violet.
Classification:
périodiques
périodiques
Publication:
février 2007, New York
février 2007, New York
Sujet:
Revues
Revues
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livres
livres
Prix:
$42.95
(disponible sur commande)
Résumé:
“All too often,” wrote disabled architect Ronald Mace, “designers don’t take the needs of disabled and elderly people into account.” Building Access investigates twentieth-century strategies for designing the world with disability in mind. Commonly understood in terms of curb cuts, automatic doors, Braille signs, and flexible kitchens, Universal Design purported to create(...)
$42.95
(disponible sur commande)
Résumé:
“All too often,” wrote disabled architect Ronald Mace, “designers don’t take the needs of disabled and elderly people into account.” Building Access investigates twentieth-century strategies for designing the world with disability in mind. Commonly understood in terms of curb cuts, automatic doors, Braille signs, and flexible kitchens, Universal Design purported to create(...)
Titre:
Building access: universal design and the politics of disability
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$42.95
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“All too often,” wrote disabled architect Ronald Mace, “designers don’t take the needs of disabled and elderly people into account.” Building Access investigates twentieth-century strategies for designing the world with disability in mind. Commonly understood in terms of curb cuts, automatic doors, Braille signs, and flexible kitchens, Universal Design purported to create a built environment for everyone, not only the average citizen. But who counts as “everyone,” Aimi Hamraie asks, and how can designers know? Blending technoscience studies and design history with critical disability, race, and feminist theories, Building Access interrogates the historical, cultural, and theoretical contexts for these questions, offering a groundbreaking critical history of Universal Design. Hamraie reveals that the twentieth-century shift from “design for the average” to “design for all” took place through liberal political, economic, and scientific structures concerned with defining the disabled user and designing in its name. Tracing the co-evolution of accessible design for disabled veterans, a radical disability maker movement, disability rights law, and strategies for diversifying the architecture profession, Hamraie shows that Universal Design was not just an approach to creating new products or spaces, but also a sustained, understated activist movement challenging dominant understandings of disability in architecture, medicine, and society.
Building access: universal design and the politics of disability
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$42.95
(disponible sur commande)
Résumé:
“All too often,” wrote disabled architect Ronald Mace, “designers don’t take the needs of disabled and elderly people into account.” Building Access investigates twentieth-century strategies for designing the world with disability in mind. Commonly understood in terms of curb cuts, automatic doors, Braille signs, and flexible kitchens, Universal Design purported to create a built environment for everyone, not only the average citizen. But who counts as “everyone,” Aimi Hamraie asks, and how can designers know? Blending technoscience studies and design history with critical disability, race, and feminist theories, Building Access interrogates the historical, cultural, and theoretical contexts for these questions, offering a groundbreaking critical history of Universal Design. Hamraie reveals that the twentieth-century shift from “design for the average” to “design for all” took place through liberal political, economic, and scientific structures concerned with defining the disabled user and designing in its name. Tracing the co-evolution of accessible design for disabled veterans, a radical disability maker movement, disability rights law, and strategies for diversifying the architecture profession, Hamraie shows that Universal Design was not just an approach to creating new products or spaces, but also a sustained, understated activist movement challenging dominant understandings of disability in architecture, medicine, and society.
Classification:
livres
livres
Publication:
novembre 2017
novembre 2017
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$17.95
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Résumé:
This ambitious book describes the many ways in which invention affects the environment (here defined broadly to include all forms of interaction between humans and nature). The book starts with nature itself and then leads readers to examine the built environment and then specific technologies in areas such as public health and energy. Each part focuses on a single(...)
$17.95
(disponible sur commande)
Résumé:
This ambitious book describes the many ways in which invention affects the environment (here defined broadly to include all forms of interaction between humans and nature). The book starts with nature itself and then leads readers to examine the built environment and then specific technologies in areas such as public health and energy. Each part focuses on a single(...)
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Publication:
septembre 2008, Cambridge, London, Washinton
septembre 2008, Cambridge, London, Washinton
Titre:
Inventing for the environment
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$17.95
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This ambitious book describes the many ways in which invention affects the environment (here defined broadly to include all forms of interaction between humans and nature). The book starts with nature itself and then leads readers to examine the built environment and then specific technologies in areas such as public health and energy. Each part focuses on a single environmental issue. Topics range widely, from the role of innovation in urban landscapes to the relationship among technological innovation, public health, and the environment. Each part features an essay by a historian, an essay by a practitioner, and a "portrait of innovation" describing an individual whose work has made a difference. The mixture of historians and practitioners is critical because statements about the environment inevitably measure present and future conditions against those of the past. Early in the industrial revolution, smoke stacks were symbols of prosperity; at its end they were regarded as signs of pollution. Historical examples can also lead to the rediscovery of an old technology, as in the revival of straw bale construction. As it explores the history of invention for the environment, the book suggests many new ways to put the past to use for the common good.
Inventing for the environment
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$17.95
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This ambitious book describes the many ways in which invention affects the environment (here defined broadly to include all forms of interaction between humans and nature). The book starts with nature itself and then leads readers to examine the built environment and then specific technologies in areas such as public health and energy. Each part focuses on a single environmental issue. Topics range widely, from the role of innovation in urban landscapes to the relationship among technological innovation, public health, and the environment. Each part features an essay by a historian, an essay by a practitioner, and a "portrait of innovation" describing an individual whose work has made a difference. The mixture of historians and practitioners is critical because statements about the environment inevitably measure present and future conditions against those of the past. Early in the industrial revolution, smoke stacks were symbols of prosperity; at its end they were regarded as signs of pollution. Historical examples can also lead to the rediscovery of an old technology, as in the revival of straw bale construction. As it explores the history of invention for the environment, the book suggests many new ways to put the past to use for the common good.
Classification:
livres
livres
Publication:
septembre 2008, Cambridge, London, Washinton
septembre 2008, Cambridge, London, Washinton
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
Titre:
Adam Bartos: darkroom
Adam Bartos: darkroom
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$109.95
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Résumé:
Darkroom charts the physical and psychic terrain of photographic printing rooms while conveying their transition from the realm of pure functionality into historical artifact. Indirect portraits of both producer and product, Bartos' work explores the physical space linking artist to artwork and linking the tools of the medium to the signs of their use. As more darkrooms(...)
$109.95
(disponible sur commande)
Résumé:
Darkroom charts the physical and psychic terrain of photographic printing rooms while conveying their transition from the realm of pure functionality into historical artifact. Indirect portraits of both producer and product, Bartos' work explores the physical space linking artist to artwork and linking the tools of the medium to the signs of their use. As more darkrooms(...)
Titre:
Adam Bartos: darkroom
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$109.95
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Darkroom charts the physical and psychic terrain of photographic printing rooms while conveying their transition from the realm of pure functionality into historical artifact. Indirect portraits of both producer and product, Bartos' work explores the physical space linking artist to artwork and linking the tools of the medium to the signs of their use. As more darkrooms switch to digital printing or close shop altogether, we become more aware that the tangible elements of darkroom printing may one day be lost. Bartos' recent large-format work documents and explores in equal measure the visual language and ethos of that analogue printing culture before it slips beyond our experience forever. The acrid odour of chemistry, an uncanny stillness hanging in damp air - Bartos records the descriptive aspects and spatial constraints of the darkroom but also visualizes the lab as a site of limitless creative potential, invested with as much aura as a photographic print. Heroic and humbling at the same time, these portraits speak to the individuality of the workspaces and their inhabitants but also to the shared architecture of all darkrooms. Bartos presents us with the perceptual tools to know the darkroom as it is today and to remember it one day as it will have been.
Adam Bartos: darkroom
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$109.95
(disponible sur commande)
Résumé:
Darkroom charts the physical and psychic terrain of photographic printing rooms while conveying their transition from the realm of pure functionality into historical artifact. Indirect portraits of both producer and product, Bartos' work explores the physical space linking artist to artwork and linking the tools of the medium to the signs of their use. As more darkrooms switch to digital printing or close shop altogether, we become more aware that the tangible elements of darkroom printing may one day be lost. Bartos' recent large-format work documents and explores in equal measure the visual language and ethos of that analogue printing culture before it slips beyond our experience forever. The acrid odour of chemistry, an uncanny stillness hanging in damp air - Bartos records the descriptive aspects and spatial constraints of the darkroom but also visualizes the lab as a site of limitless creative potential, invested with as much aura as a photographic print. Heroic and humbling at the same time, these portraits speak to the individuality of the workspaces and their inhabitants but also to the shared architecture of all darkrooms. Bartos presents us with the perceptual tools to know the darkroom as it is today and to remember it one day as it will have been.
Classification:
livres
livres
Publication:
novembre 2011
novembre 2011
Sujet:
Monographies photo
Monographies photo
