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This follow-up to Kate Nesbitt's best-selling anthology Theorizing a New Agenda collects twenty-eight essays that address architecture theory from the mid-1990s, where Nesbitt left off, through the present. Kristin Sykes offers an overview of the myriad approaches and attitudes adopted by architects and architectural theorists during this era. Multiple themes—including(...)
Constructing a new agenda: architectural theory, 1993-2009
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This follow-up to Kate Nesbitt's best-selling anthology Theorizing a New Agenda collects twenty-eight essays that address architecture theory from the mid-1990s, where Nesbitt left off, through the present. Kristin Sykes offers an overview of the myriad approaches and attitudes adopted by architects and architectural theorists during this era. Multiple themes—including the impact of digital technologies on processes of architectural design, production, materiality, and representation; the implications of globalization and networks of information; the growing emphasis on sustainable and green architecture; and the phenomenon of the "starchitect" and iconic architecture—appear against a background colored by architectural theory, as it existed from the 1960s on, in a period of transition (if not crisis) that centers around the perceived abyss between theory and practice. Theory's transitional state persists today, rendering its immediate history particularly relevant to contemporary thought and practice.
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This book celebrates art and culture within and beyond traditional Inuit and Sámi homelands in the Circumpolar Arctic — from the continuance of longstanding practices such as storytelling and skin sewing to the development of innovative new art forms such as throatboxing (a hybrid of traditional Inuit throat singing and beatboxing). In this illuminating publication,(...)
août 2022
Qummut Qukiria! Art, culture, and sovereignty across Inuit Nunaat and Sápmi: Mobilizing the circumpolar North
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This book celebrates art and culture within and beyond traditional Inuit and Sámi homelands in the Circumpolar Arctic — from the continuance of longstanding practices such as storytelling and skin sewing to the development of innovative new art forms such as throatboxing (a hybrid of traditional Inuit throat singing and beatboxing). In this illuminating publication, curators, scholars, artists, and activists from Inuit Nunangat, Kalaallit Nunaat, Sápmi, Canada, and Scandinavia address topics as diverse as Sámi rematriation and the revival of the ládjogahpir (a Sámi woman’s headgear), the experience of bringing Inuit stone carving to a workshop for inner-city youth, and the decolonizing potential of Traditional Knowledge and its role in contemporary design and beyond.
Hans Hollein
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The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past(...)
avril 2012
Hans Hollein
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The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past exhibitions at The Museum of Modern Art, New York and the Centre Pompidou in Paris. This richly illustrated, comprehensive catalogue, and the exhibition it accompanies at the Neue Galerie in Graz, is the first retrospective of Hollein as a truly universal artist and a renaissance man for the digital age. It is also the first to present Hollein's oeuvre as a whole: his work as artist, designer and architect, but also as theoretician, curator, teacher and collaborator with such artists as Christo and Claes Oldenburg.
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This exploration of the innovative interior design of coworking spaces offers a unique look at a workplace revolution that’s sweeping the globe. Coworking is redefining the way we work. Around the world, people are collaborating to create a new kind of economy that supports community and innovation while preserving valuable resources. This illustrated survey of spaces(...)
octobre 2013
The style of coworking: contemporary shared workspaces
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This exploration of the innovative interior design of coworking spaces offers a unique look at a workplace revolution that’s sweeping the globe. Coworking is redefining the way we work. Around the world, people are collaborating to create a new kind of economy that supports community and innovation while preserving valuable resources. This illustrated survey of spaces dedicated to coworking features 30 of the most impressive office spaces around the world. Google Campus in London, The HUB’s global network of sites, and more off-the-radar examples such as Makeshift Society in San Francisco are just a few of the spaces profiled.
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This book celebrates the design ingenuity made possible by digital fabrication techniques. Author Lisa Iwamoto explores the methods architects use to calibrate digital designs with physical forms. The book is organized according to five types of digital fabrication techniques: tessellating, sectioning, folding, contouring, and forming. Projects are shown both in their(...)
Digital fabrications : architectural and material techniques
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This book celebrates the design ingenuity made possible by digital fabrication techniques. Author Lisa Iwamoto explores the methods architects use to calibrate digital designs with physical forms. The book is organized according to five types of digital fabrication techniques: tessellating, sectioning, folding, contouring, and forming. Projects are shown both in their finished forms and in working drawings, templates, and prototypes, allowing the reader to watch the process of each fantastic construction unfold. The publication also presents projects designed and built by emerging practices that pioneer techniques and experiment with fabrication processes on a small scale with a do-it-yourself attitude. Featured architects include AEDS/Ammar Eloueini, Atelier Manferdini, Brennan Buck, MOS, Office dA, Florencia Pita/MOD, Mafoomby, URBAN A+O, SYSTEMarchitects, Andrew Kudless/Matsys, IwamotoScott, Atelier Hitoshi Abe, Chris Bosse, Tom Wiscombe/EMERGENT, Thom Faulders Architecture, Jeremy Ficca, SPAN, GNUFORM, Heather Roberge, PATTERNS, Ruy Klein, and servo.
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janvier 2009
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The book explores the origins and development of early 20th-century modernism in America through the lens of the major exhibitions that introduced this art to the general public. The author shows how modern artists and curators sought to relate high art to mass culture in order to make it accessible to more people, and successfully popularized modern painting and design(...)
octobre 2009
The modern eye, Stieglitz, Moma and the art of the exhibition, 1925-1934
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The book explores the origins and development of early 20th-century modernism in America through the lens of the major exhibitions that introduced this art to the general public. The author shows how modern artists and curators sought to relate high art to mass culture in order to make it accessible to more people, and successfully popularized modern painting and design during the interwar years.A major contribution to our understanding of the origins of modernism, this book captures the vibrant diversity that the term “modern art” meant at this time. The chapters examine exhibitions held in New York in the 1920s and 1930s, including those organized by Alfred Stieglitz, the Little Review, the Metropolitan Museum of Art, and the Museum of Modern Art.
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Building Subjects, the fourth issue of Standpunkte Magazine, is a collaboration between the architect De Peter Yi, the art historian Nancy P. Lin, and the graphic design studios Normal and Some All None. The publication revolves around collective housing in China, an architectural challenge expressive of the country's ongoing negotiations between its rich history and(...)
septembre 2019
Building subjects: collective housing in China
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Building Subjects, the fourth issue of Standpunkte Magazine, is a collaboration between the architect De Peter Yi, the art historian Nancy P. Lin, and the graphic design studios Normal and Some All None. The publication revolves around collective housing in China, an architectural challenge expressive of the country's ongoing negotiations between its rich history and undetermined future. The study combines typological research with the modes of the architectural manifesto by establishing an exchange between cultural-historical observations, the consideration of contemporary socio-economic pressures, and evolving architectural aspirations. Through a close reading of spaces from monumental utopian communes in Beijing to round earthen dwellings in the Fujian province, Building Subjects stages collective housing as a key to residential architecture in China. The publication is simultaneously inward and outward looking, and this duality is also reflected in its meticulously composed layout: documentary photography and detailed axonometric drawings are juxtaposed to establish a correspondence between old and new, between reality and projection.
Future cities laboratory
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"Future Cities Laboratory" reports on the same named research program and its mission to shape sustainable future cities through science, by design, in place. It offers a global perspective on cities from the vantage point of the world's most populous and rapidly urbanizing continent: Asia, which also acts as the base of the laboratory. This volume illustrates the(...)
janvier 2018
Future cities laboratory
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"Future Cities Laboratory" reports on the same named research program and its mission to shape sustainable future cities through science, by design, in place. It offers a global perspective on cities from the vantage point of the world's most populous and rapidly urbanizing continent: Asia, which also acts as the base of the laboratory. This volume illustrates the richness and diversity of research at the Future Cities Laboratory (FCL). The book, which is the first in a planned series, describes new processes and types of data that are being used both to understand and improve cities. New approaches pioneered by FCL and its partners offer an important method to bridge the gap between knowledge production and action, with the aim of ensuring the sustainability of future cities. To reach this goal, FCL works closely with stakeholders in government, industry and society. The program has developed many simulation tools to help practitioners visualize the social, environmental or economic consequences of particular planning decisions.
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Psycho Buildings: Artists and Architecture marks the fortieth anniversary of London's Hayward gallery--itself an architectural icon, and one of the few remaining examples of the 1960s Brutalist style. The exhibition brings together the work of artists--including Atelier Bow-Wow, Michael Beutler, Los Carpinteros, Gelitin, Mike Nelson, Ernesto Neto, Tobias Putrih, Tomas(...)
août 2008, London
Psycho Buildings: Artists Take On Architecture
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Psycho Buildings: Artists and Architecture marks the fortieth anniversary of London's Hayward gallery--itself an architectural icon, and one of the few remaining examples of the 1960s Brutalist style. The exhibition brings together the work of artists--including Atelier Bow-Wow, Michael Beutler, Los Carpinteros, Gelitin, Mike Nelson, Ernesto Neto, Tobias Putrih, Tomas Saraceno, Do-Ho Suh and Rachel Whiteread--who create habitat-like structures and architectural environments that are mental and perceptual spaces as much as physical ones. The works in this book revisit and reanimate the history of Modernist design while reminding us that built spaces can be defined in social, political, psychological, physical and aesthetic terms. An invaluable exploration of this contemporary trend, the volume includes essays by Hayward Director Ralph Rugoff, Jane Rendell and Brian Dillon. In addition, each artist profile includes a text by a different author, including Francis McKee, Tumelo Mosaka, Midori Matsui, Brian Dillon, Paulo Herkenhoff, David Greene, Francesco Manacorda, Tom Morton, Miwon Kwon and Iain Sinclair.
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The last thirty years of the twentieth century saw the birth of more than six hundred art museums in the United States alone, with equal proliferation in much of Europe. Such projects as Frank Gehry's Guggenheim in Bilbao and Richard Meier's Getty Center in Los Angeles have dominated television newscasts and newspaper headlines worldwide. The success or failure of these(...)
octobre 2006, New York
Towards a new museum, expanded edition
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The last thirty years of the twentieth century saw the birth of more than six hundred art museums in the United States alone, with equal proliferation in much of Europe. Such projects as Frank Gehry's Guggenheim in Bilbao and Richard Meier's Getty Center in Los Angeles have dominated television newscasts and newspaper headlines worldwide. The success or failure of these new museums, in aesthetic, educational and financial terms, results from a variety of factors, none more important than their architecture. In this unique investigation, architectural historian Victoria Newhouse challenges many hitherto accepted premises of museum design. She demonstrates that new museums are often based on old concepts that no longer apply. This unvarnished analysis is informed by interviews with museum directors and curators, collectors, artists and the architects themselves. Newhouse divides her discussion according to the dominant characteristics of the museums : private collections, single-artist museums, sacred spaces, artists' self-created sites, and museum additions. In addition to the Getty and the Guggenheim Bilbao, the author discusses the Menil Collection in Houston, Texas; the Andy Warhol Museum in Pittsburgh; the Kiasma Museum for Contemporary Art in Helsinki; Donald Judd's Chinati Foundation in Marfa, Texas; the Metropolitan Museum of Art and the Museum of Modern Art in New York; the Grand Louvre and the Centre Georges Pompidou in Paris; and many more.
livres
octobre 2006, New York