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livres
livres
Titre:
Antony Gormley Blind light
Antony Gormley Blind light
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Over the past 25 years, Antony Gormley, perhaps Britain's best-known living sculptor, has revitalized the human image in sculpture. He won the 1994 Turner Prize and has had solo exhibitions at the Whitechapel, Tate, and Hayward galleries, White Cube and The British Museum, and internationally at the Corcoran Gallery, Documenta and the Venice Biennale. His radical(...)
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Over the past 25 years, Antony Gormley, perhaps Britain's best-known living sculptor, has revitalized the human image in sculpture. He won the 1994 Turner Prize and has had solo exhibitions at the Whitechapel, Tate, and Hayward galleries, White Cube and The British Museum, and internationally at the Corcoran Gallery, Documenta and the Venice Biennale. His radical(...)
Publication:
juin 2007, London
juin 2007, London
Titre:
Antony Gormley Blind light
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Résumé:
Over the past 25 years, Antony Gormley, perhaps Britain's best-known living sculptor, has revitalized the human image in sculpture. He won the 1994 Turner Prize and has had solo exhibitions at the Whitechapel, Tate, and Hayward galleries, White Cube and The British Museum, and internationally at the Corcoran Gallery, Documenta and the Venice Biennale. His radical investigations of the body as a place of memory and transformation use his own corpus as subject, tool and material. Conflating figure and ground, inside and outside, the physical and the psychological, Gormley explores complex relationships between the city, its architecture and its people. This richly illustrated catalogue is filled with new, never-before-seen sculptural works--a series of figures in light-infused webs of steel, and the monumental steel-block "Space Station," 20 feet high. Photographer Gautier Deblonde also chronicles a major new public project, "Event Horizon," which sites some 30 sculptures on buildings across central London, dramatically altering the city skyline. An in-depth interview with Gormley explores the development of his new work, as well as his relationship to the artists who have inspired him and to his contemporaries in the field of figurative sculpture.
Antony Gormley Blind light
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Over the past 25 years, Antony Gormley, perhaps Britain's best-known living sculptor, has revitalized the human image in sculpture. He won the 1994 Turner Prize and has had solo exhibitions at the Whitechapel, Tate, and Hayward galleries, White Cube and The British Museum, and internationally at the Corcoran Gallery, Documenta and the Venice Biennale. His radical investigations of the body as a place of memory and transformation use his own corpus as subject, tool and material. Conflating figure and ground, inside and outside, the physical and the psychological, Gormley explores complex relationships between the city, its architecture and its people. This richly illustrated catalogue is filled with new, never-before-seen sculptural works--a series of figures in light-infused webs of steel, and the monumental steel-block "Space Station," 20 feet high. Photographer Gautier Deblonde also chronicles a major new public project, "Event Horizon," which sites some 30 sculptures on buildings across central London, dramatically altering the city skyline. An in-depth interview with Gormley explores the development of his new work, as well as his relationship to the artists who have inspired him and to his contemporaries in the field of figurative sculpture.
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livres
livres
Publication:
juin 2007, London
juin 2007, London
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livres
livres
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$24.00
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La voiture électrique a le vent en poupe. Dans un contexte d’urgence écologique, elle semble être la solution pour résoudre les principaux problèmes sanitaires et climatiques causés par la voiture à essence. Pour l’expert en transports Laurent Castaignède, il est urgent de prendre la mesure de la révolution en cours. En Occident comme en Chine, un remplacement aussi(...)
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La voiture électrique a le vent en poupe. Dans un contexte d’urgence écologique, elle semble être la solution pour résoudre les principaux problèmes sanitaires et climatiques causés par la voiture à essence. Pour l’expert en transports Laurent Castaignède, il est urgent de prendre la mesure de la révolution en cours. En Occident comme en Chine, un remplacement aussi(...)
Publication:
octobre 2023
octobre 2023
Titre:
La Ruée vers la voiture électrique : entre miracle et désastre
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La voiture électrique a le vent en poupe. Dans un contexte d’urgence écologique, elle semble être la solution pour résoudre les principaux problèmes sanitaires et climatiques causés par la voiture à essence. Pour l’expert en transports Laurent Castaignède, il est urgent de prendre la mesure de la révolution en cours. En Occident comme en Chine, un remplacement aussi rapide et massif du parc automobile est-il possible ? Les promesses écologiques de la voiture électrique seront-elles au rendez-vous ou risquent-elles de s’évanouir dans un nouveau scandale environnemental ? Pour Laurent Castaignède, nous sommes sur le point d’accepter une nouvelle dépendance énergétique, verdie, sur fond de croissance économique jusqu’au-boutiste. Remontant aux origines de la mobilité routière électrique, l’ancien ingénieur automobile fait le point sur la situation actuelle, dont le dynamisme de déploiement est inédit. Si la voiture électrique n’émet pas de gaz polluants à l’utilisation, elle pose de nombreux problèmes. Elle mobilise des ressources critiques pour sa fabrication et ses recharges, pour des gabarits de véhicules toujours plus démesurés. Elle maintient aussi le modèle de l’auto-solo, sans rien changer aux problèmes d’embouteillage et au poids financier des infrastructures routières sur les collectivités.
La Ruée vers la voiture électrique : entre miracle et désastre
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La voiture électrique a le vent en poupe. Dans un contexte d’urgence écologique, elle semble être la solution pour résoudre les principaux problèmes sanitaires et climatiques causés par la voiture à essence. Pour l’expert en transports Laurent Castaignède, il est urgent de prendre la mesure de la révolution en cours. En Occident comme en Chine, un remplacement aussi rapide et massif du parc automobile est-il possible ? Les promesses écologiques de la voiture électrique seront-elles au rendez-vous ou risquent-elles de s’évanouir dans un nouveau scandale environnemental ? Pour Laurent Castaignède, nous sommes sur le point d’accepter une nouvelle dépendance énergétique, verdie, sur fond de croissance économique jusqu’au-boutiste. Remontant aux origines de la mobilité routière électrique, l’ancien ingénieur automobile fait le point sur la situation actuelle, dont le dynamisme de déploiement est inédit. Si la voiture électrique n’émet pas de gaz polluants à l’utilisation, elle pose de nombreux problèmes. Elle mobilise des ressources critiques pour sa fabrication et ses recharges, pour des gabarits de véhicules toujours plus démesurés. Elle maintient aussi le modèle de l’auto-solo, sans rien changer aux problèmes d’embouteillage et au poids financier des infrastructures routières sur les collectivités.
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livres
livres
Publication:
octobre 2023
octobre 2023
Classification:
livres
livres
Titre:
AD : Lebbeus Woods
AD : Lebbeus Woods
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American architect Lebbeus Woods (1940–2012) remains a quiet hero not only among his colleagues, but also for architectural students intrigued by the ideas and fluent beauty of his powerful graphic verve, as well as of his writing. His projects from the mid-1980s until the end of his life have been widely published. However, this AD, in collaboration with the Estate of(...)
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American architect Lebbeus Woods (1940–2012) remains a quiet hero not only among his colleagues, but also for architectural students intrigued by the ideas and fluent beauty of his powerful graphic verve, as well as of his writing. His projects from the mid-1980s until the end of his life have been widely published. However, this AD, in collaboration with the Estate of(...)
Titre:
AD : Lebbeus Woods
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American architect Lebbeus Woods (1940–2012) remains a quiet hero not only among his colleagues, but also for architectural students intrigued by the ideas and fluent beauty of his powerful graphic verve, as well as of his writing. His projects from the mid-1980s until the end of his life have been widely published. However, this AD, in collaboration with the Estate of Lebbeus Woods, explores the earlier period beginning in the late 1960s when Woodswas honing his draughtsmanship and theoretical positions while experimenting with a variety of themes and different modes of expression. When he burst onto the international architectural scene with a solo exhibition and accompanying catalogue (Lebbeus Woods: Origins) at the Architectural Association, London, in 1985, some wondered how anyone could emerge so fully formed, from nowhere. Working against the logic of "nowhere," this issue charts his early trajectory through the largely unpublished drawings and texts, linking them with what came after. Aiming to generate new scholarship, its roster of international interdisciplinary critics and commentators offer a new understanding of Woods’s work and of his formative years, also shining a light on how we might think about the ‘early work’ of any architect’s career.
AD : Lebbeus Woods
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American architect Lebbeus Woods (1940–2012) remains a quiet hero not only among his colleagues, but also for architectural students intrigued by the ideas and fluent beauty of his powerful graphic verve, as well as of his writing. His projects from the mid-1980s until the end of his life have been widely published. However, this AD, in collaboration with the Estate of Lebbeus Woods, explores the earlier period beginning in the late 1960s when Woodswas honing his draughtsmanship and theoretical positions while experimenting with a variety of themes and different modes of expression. When he burst onto the international architectural scene with a solo exhibition and accompanying catalogue (Lebbeus Woods: Origins) at the Architectural Association, London, in 1985, some wondered how anyone could emerge so fully formed, from nowhere. Working against the logic of "nowhere," this issue charts his early trajectory through the largely unpublished drawings and texts, linking them with what came after. Aiming to generate new scholarship, its roster of international interdisciplinary critics and commentators offer a new understanding of Woods’s work and of his formative years, also shining a light on how we might think about the ‘early work’ of any architect’s career.
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livres
livres
Publication:
mars 2024
mars 2024
Sujet:
Revues
Revues
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livres
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Bastien Aubry (born 1974 in Saint-Imier, Switzerland) attended the Ecole d'Arts Visuels Berne et Bienne, Switzerland. Since 2010 he is part of the artist group Aubry Broquard (he also founded with Dimitri Broquard the FLAG design studio in 2002), which has been included in numerous exhibitions internationally, including the Swiss Institute of Contemporary Art in New York(...)
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Bastien Aubry (born 1974 in Saint-Imier, Switzerland) attended the Ecole d'Arts Visuels Berne et Bienne, Switzerland. Since 2010 he is part of the artist group Aubry Broquard (he also founded with Dimitri Broquard the FLAG design studio in 2002), which has been included in numerous exhibitions internationally, including the Swiss Institute of Contemporary Art in New York(...)
Titre:
Bastien Aubry : Agglorhythmus
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Bastien Aubry (born 1974 in Saint-Imier, Switzerland) attended the Ecole d'Arts Visuels Berne et Bienne, Switzerland. Since 2010 he is part of the artist group Aubry Broquard (he also founded with Dimitri Broquard the FLAG design studio in 2002), which has been included in numerous exhibitions internationally, including the Swiss Institute of Contemporary Art in New York and MABA in Paris. Since 2017, Bastien Aubry continues his sculptural practice as a solo artist. Bastien Aubry's artistic approach consists of alienating everyday objects in a playful and ironic way. His mischievous works evoke fascinating visual effects by mixing design, art history and pop culture. His creations celebrate the poetry of failure and the beauty of the less than perfect, an accident by design. The artist stages reality in his own world, exposing everyday absurdities and toying with the boundaries set by traditional artistic practices. Three-dimensional works are constrained by the material they are made of, and for Bastien Aubry, it is most important to recognize the physical property of each material in order to experiment with visually exiting effects. To exaggerate, enlarge, stack, fill, crush… There is always an element of surprise and spontaneity present in his oeuvre.
Bastien Aubry : Agglorhythmus
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Bastien Aubry (born 1974 in Saint-Imier, Switzerland) attended the Ecole d'Arts Visuels Berne et Bienne, Switzerland. Since 2010 he is part of the artist group Aubry Broquard (he also founded with Dimitri Broquard the FLAG design studio in 2002), which has been included in numerous exhibitions internationally, including the Swiss Institute of Contemporary Art in New York and MABA in Paris. Since 2017, Bastien Aubry continues his sculptural practice as a solo artist. Bastien Aubry's artistic approach consists of alienating everyday objects in a playful and ironic way. His mischievous works evoke fascinating visual effects by mixing design, art history and pop culture. His creations celebrate the poetry of failure and the beauty of the less than perfect, an accident by design. The artist stages reality in his own world, exposing everyday absurdities and toying with the boundaries set by traditional artistic practices. Three-dimensional works are constrained by the material they are made of, and for Bastien Aubry, it is most important to recognize the physical property of each material in order to experiment with visually exiting effects. To exaggerate, enlarge, stack, fill, crush… There is always an element of surprise and spontaneity present in his oeuvre.
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livres
livres
Publication:
juin 2021
juin 2021
Classification:
livres
livres
Titre:
The past exists
The past exists
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$53.95
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''The past exists'' is a collection of works presented at Kenta Cobayashi’s solo exhibition at Mitsukoshi Contemporary Gallery in June 2022. In this ehibition, he selected portraits from ''Everything'' series of photographs. Cobayashi describes the past as a kind of frame that constantly transforms according to the angle and quality of the memories that one looks back(...)
$53.95
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''The past exists'' is a collection of works presented at Kenta Cobayashi’s solo exhibition at Mitsukoshi Contemporary Gallery in June 2022. In this ehibition, he selected portraits from ''Everything'' series of photographs. Cobayashi describes the past as a kind of frame that constantly transforms according to the angle and quality of the memories that one looks back(...)
Titre:
The past exists
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$53.95
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Résumé:
''The past exists'' is a collection of works presented at Kenta Cobayashi’s solo exhibition at Mitsukoshi Contemporary Gallery in June 2022. In this ehibition, he selected portraits from ''Everything'' series of photographs. Cobayashi describes the past as a kind of frame that constantly transforms according to the angle and quality of the memories that one looks back on. Photographs are always a reflection of past time, but editing the images and determining the layout of the exhibition is a variation on that point in time and a search for an expression that is appropriate to his current self. He also says that these works are like a parting gift to his twenties, and that they are a final farewell to a stage that will never be performed again. In this book, Cobayashi expresses the accumulation of time from the past to the present by using the layering function of Photoshop, which is indispensable in his production process, to create a layout in which the layers of photographs overlap each other as the pages are turned. In the form of a book, we practice a way of being in which each time is connected and a non-uniform image emerges.
The past exists
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$53.95
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Résumé:
''The past exists'' is a collection of works presented at Kenta Cobayashi’s solo exhibition at Mitsukoshi Contemporary Gallery in June 2022. In this ehibition, he selected portraits from ''Everything'' series of photographs. Cobayashi describes the past as a kind of frame that constantly transforms according to the angle and quality of the memories that one looks back on. Photographs are always a reflection of past time, but editing the images and determining the layout of the exhibition is a variation on that point in time and a search for an expression that is appropriate to his current self. He also says that these works are like a parting gift to his twenties, and that they are a final farewell to a stage that will never be performed again. In this book, Cobayashi expresses the accumulation of time from the past to the present by using the layering function of Photoshop, which is indispensable in his production process, to create a layout in which the layers of photographs overlap each other as the pages are turned. In the form of a book, we practice a way of being in which each time is connected and a non-uniform image emerges.
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livres
livres
Publication:
juillet 2022
juillet 2022
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Dana Schutz
Dana Schutz
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$22.95
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Informed by early twentieth-century avantgardes, principally cubism and expressionism, Dana Schutz's art is an extraordinary and joyful mash-up where a multitude of references and allusions collide. The exhilarating results can be understood as a productive conversation with the history of painting and as a compelling testament to painting's complex and unending death(...)
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Informed by early twentieth-century avantgardes, principally cubism and expressionism, Dana Schutz's art is an extraordinary and joyful mash-up where a multitude of references and allusions collide. The exhilarating results can be understood as a productive conversation with the history of painting and as a compelling testament to painting's complex and unending death(...)
Publication:
août 2015
août 2015
Titre:
Dana Schutz
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Informed by early twentieth-century avantgardes, principally cubism and expressionism, Dana Schutz's art is an extraordinary and joyful mash-up where a multitude of references and allusions collide. The exhilarating results can be understood as a productive conversation with the history of painting and as a compelling testament to painting's complex and unending death throes. With its conflations of Gericault, horror films, Ensor, Picasso, Guston, porn, and pop culture, her work appears to counter and confront the imperious Internet information colossus, where everything is available at once. This bilingual publication accompanies an exhibition of new and recent work. Born in 1976, Dana Schutz is a New York based artist whose work over the past decade has had a notable influence on contemporary painting. She has had solo exhibitions at, notably, Miami Art Museum (2012); Denver Museum of Contemporary Art and Denver Art Museum (2012); and Hannover Kesterngesellschaft and Hepworth Wakefield (2013). Her work is found in numerous collections including the Solomon R. Guggenheim Museum, Los Angeles County Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, The Museum of Contemporary Art Los Angeles, and Whitney Museum of American Art.
Dana Schutz
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Informed by early twentieth-century avantgardes, principally cubism and expressionism, Dana Schutz's art is an extraordinary and joyful mash-up where a multitude of references and allusions collide. The exhilarating results can be understood as a productive conversation with the history of painting and as a compelling testament to painting's complex and unending death throes. With its conflations of Gericault, horror films, Ensor, Picasso, Guston, porn, and pop culture, her work appears to counter and confront the imperious Internet information colossus, where everything is available at once. This bilingual publication accompanies an exhibition of new and recent work. Born in 1976, Dana Schutz is a New York based artist whose work over the past decade has had a notable influence on contemporary painting. She has had solo exhibitions at, notably, Miami Art Museum (2012); Denver Museum of Contemporary Art and Denver Art Museum (2012); and Hannover Kesterngesellschaft and Hepworth Wakefield (2013). Her work is found in numerous collections including the Solomon R. Guggenheim Museum, Los Angeles County Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, The Museum of Contemporary Art Los Angeles, and Whitney Museum of American Art.
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livres
livres
Publication:
août 2015
août 2015
Classification:
livres
livres
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$85.00
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Iranian artist Reza Shafahi (b. 1940) began his career in his 70s, having spent the preceding decades largely disconnected from his family, working through an addiction to gambling. Art became a way out when his son, artist Mamali Shafahi, invited him to participate in a daily drawing exercise. For the first time, a generous selection of Reza’s works are collected within(...)
$85.00
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Iranian artist Reza Shafahi (b. 1940) began his career in his 70s, having spent the preceding decades largely disconnected from his family, working through an addiction to gambling. Art became a way out when his son, artist Mamali Shafahi, invited him to participate in a daily drawing exercise. For the first time, a generous selection of Reza’s works are collected within(...)
Titre:
Reza Shafahi, Diary of a gambler
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Iranian artist Reza Shafahi (b. 1940) began his career in his 70s, having spent the preceding decades largely disconnected from his family, working through an addiction to gambling. Art became a way out when his son, artist Mamali Shafahi, invited him to participate in a daily drawing exercise. For the first time, a generous selection of Reza’s works are collected within a stand-alone volume, celebrating the full scope of his artistic practice. Edited by Jina Khayyer, ''Reza Shafahi, The Diary of a Gambler'' features a selection of art curated by Mamali and by Tony Cox, owner and founder of Club Rhubarb in New York City, where Reza had his first solo show in 2019. Apartamento magazine first told Reza’s captivating story in issue #29, and ''Reza Shafahi, the Diary of a Gambler'' is punctuated by a first-person reimagining of Khayyer’s original interview. Classic poems by Rumi, Khayyam, Saadi, and the more modern Forough Farrokhzad—clear influences on Reza’s vibrant and sensual creations—are presented here in Farsi and in English translation. Contributions by Mamali, Cox, Michael Bullock, and Martha Kirszenbaum lend further context to Reza’s artistic journey, into a world that, as Kirszenbaum notes, shines with ‘a touch of glow and softness.’
Reza Shafahi, Diary of a gambler
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Iranian artist Reza Shafahi (b. 1940) began his career in his 70s, having spent the preceding decades largely disconnected from his family, working through an addiction to gambling. Art became a way out when his son, artist Mamali Shafahi, invited him to participate in a daily drawing exercise. For the first time, a generous selection of Reza’s works are collected within a stand-alone volume, celebrating the full scope of his artistic practice. Edited by Jina Khayyer, ''Reza Shafahi, The Diary of a Gambler'' features a selection of art curated by Mamali and by Tony Cox, owner and founder of Club Rhubarb in New York City, where Reza had his first solo show in 2019. Apartamento magazine first told Reza’s captivating story in issue #29, and ''Reza Shafahi, the Diary of a Gambler'' is punctuated by a first-person reimagining of Khayyer’s original interview. Classic poems by Rumi, Khayyam, Saadi, and the more modern Forough Farrokhzad—clear influences on Reza’s vibrant and sensual creations—are presented here in Farsi and in English translation. Contributions by Mamali, Cox, Michael Bullock, and Martha Kirszenbaum lend further context to Reza’s artistic journey, into a world that, as Kirszenbaum notes, shines with ‘a touch of glow and softness.’
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livres
livres
Publication:
mai 2023
mai 2023
Classification:
livres
livres
Titre:
Ai Weiwei
Ai Weiwei
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$32.00
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Born in 1957, Beijing-based Ai Weiwei is perhaps the most internationally visible contemporary Chinese artist. Philip Tinari has described his practice as a, "multitasking sprawl--encompassing artmaking, curating, publishing and architectural design--[that] threatens to answer the vaguely unsettling question, What would Andy Warhol's career have looked like if it had(...)
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Born in 1957, Beijing-based Ai Weiwei is perhaps the most internationally visible contemporary Chinese artist. Philip Tinari has described his practice as a, "multitasking sprawl--encompassing artmaking, curating, publishing and architectural design--[that] threatens to answer the vaguely unsettling question, What would Andy Warhol's career have looked like if it had(...)
Titre:
Ai Weiwei
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Born in 1957, Beijing-based Ai Weiwei is perhaps the most internationally visible contemporary Chinese artist. Philip Tinari has described his practice as a, "multitasking sprawl--encompassing artmaking, curating, publishing and architectural design--[that] threatens to answer the vaguely unsettling question, What would Andy Warhol's career have looked like if it had played out in turn-of-the-millennium China? (For one thing, architecture might have stood in for film; where Warhol created an alter-Hollywood, Ai is a self-invented starchitect)." After spending the early 1980s in New York, Ai moved back to Beijing in 1994. Already an important member of the Stars group, a socially critical movement that borrowed heavily from western art and culture, he established the famed China Art Archives and Warehouse in 1997. In 2000, on the occasion of the Shanghai Biennale, he organized the attention-grabbing group exhibition Fuck Off in collaboration with curator Feng Boyi. More recently, he was involved in the design of the Olympic Stadium in Beijing by Herzog & de Meuron. This publication takes an in-depth look at Ai's under-explored engagement with ceramics, and is published on the occasion of a solo exhibition of his recent ceramic work at Holland's Groningen Museum.
Ai Weiwei
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Born in 1957, Beijing-based Ai Weiwei is perhaps the most internationally visible contemporary Chinese artist. Philip Tinari has described his practice as a, "multitasking sprawl--encompassing artmaking, curating, publishing and architectural design--[that] threatens to answer the vaguely unsettling question, What would Andy Warhol's career have looked like if it had played out in turn-of-the-millennium China? (For one thing, architecture might have stood in for film; where Warhol created an alter-Hollywood, Ai is a self-invented starchitect)." After spending the early 1980s in New York, Ai moved back to Beijing in 1994. Already an important member of the Stars group, a socially critical movement that borrowed heavily from western art and culture, he established the famed China Art Archives and Warehouse in 1997. In 2000, on the occasion of the Shanghai Biennale, he organized the attention-grabbing group exhibition Fuck Off in collaboration with curator Feng Boyi. More recently, he was involved in the design of the Olympic Stadium in Beijing by Herzog & de Meuron. This publication takes an in-depth look at Ai's under-explored engagement with ceramics, and is published on the occasion of a solo exhibition of his recent ceramic work at Holland's Groningen Museum.
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livres
livres
Publication:
avril 2008, Rotterdam
avril 2008, Rotterdam
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livres
livres
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$41.00
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Résumé:
Although Hare experienced a significant, if fleeting, degree of professional success, including a solo exhibition at the Museum of Modern Art in 1977, an Aperture monograph, and three Guggenheim fellowships, his work has not received the critical attention it deserves and his extraordinary life story remains obscure. This lack of recognition has much to do with Hare's(...)
$41.00
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Résumé:
Although Hare experienced a significant, if fleeting, degree of professional success, including a solo exhibition at the Museum of Modern Art in 1977, an Aperture monograph, and three Guggenheim fellowships, his work has not received the critical attention it deserves and his extraordinary life story remains obscure. This lack of recognition has much to do with Hare's(...)
Titre:
Quitting your day job: Chauncey Hare's photographic work
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Although Hare experienced a significant, if fleeting, degree of professional success, including a solo exhibition at the Museum of Modern Art in 1977, an Aperture monograph, and three Guggenheim fellowships, his work has not received the critical attention it deserves and his extraordinary life story remains obscure. This lack of recognition has much to do with Hare's fanatical aversion to the commercial realms of the art world even at the height of his professional success. Perhaps his most overt declaration of aesthetic disavowal was his ultimate decision to renounce his identity as an artist in 1985 and pursue a career as a clinical therapist specializing in 'work abuse'. Hare would subsequently donate his entire archive to the Bancroft Library at the University of California with the provision that any reproduction of his work must include a caption that states that the photograph was created ''to protest and warn against the growing domination of working people by multinational corporations and their elite owners and managers.'' ''Quitting your day job'' considers the vexed relation between art and politics that defined Hare's career, drawing upon largely unexamined archival materials, new interviews and analyzing Hare's brilliant and moving photographs alongside the prolix and oftentimes bathetic prefaces he wrote for the three collections of his photographs.
Quitting your day job: Chauncey Hare's photographic work
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$41.00
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Résumé:
Although Hare experienced a significant, if fleeting, degree of professional success, including a solo exhibition at the Museum of Modern Art in 1977, an Aperture monograph, and three Guggenheim fellowships, his work has not received the critical attention it deserves and his extraordinary life story remains obscure. This lack of recognition has much to do with Hare's fanatical aversion to the commercial realms of the art world even at the height of his professional success. Perhaps his most overt declaration of aesthetic disavowal was his ultimate decision to renounce his identity as an artist in 1985 and pursue a career as a clinical therapist specializing in 'work abuse'. Hare would subsequently donate his entire archive to the Bancroft Library at the University of California with the provision that any reproduction of his work must include a caption that states that the photograph was created ''to protest and warn against the growing domination of working people by multinational corporations and their elite owners and managers.'' ''Quitting your day job'' considers the vexed relation between art and politics that defined Hare's career, drawing upon largely unexamined archival materials, new interviews and analyzing Hare's brilliant and moving photographs alongside the prolix and oftentimes bathetic prefaces he wrote for the three collections of his photographs.
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livres
livres
Publication:
mars 2022
mars 2022
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
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How are you involved in the art world? Are you related to any specific scene? What would be the most productive place to present your work? What kind of curators do you like to work with, and why? What does the art market mean for your work? These are some of the questions that have been presented to every artist who has worked with Witte de With, the respected Rotterdam(...)
$15.00
(disponible sur commande)
Résumé:
How are you involved in the art world? Are you related to any specific scene? What would be the most productive place to present your work? What kind of curators do you like to work with, and why? What does the art market mean for your work? These are some of the questions that have been presented to every artist who has worked with Witte de With, the respected Rotterdam(...)
Publication:
mars 2008, Rotterdam
mars 2008, Rotterdam
Titre:
Changing roles artists' personal views and wishes
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$15.00
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Résumé:
How are you involved in the art world? Are you related to any specific scene? What would be the most productive place to present your work? What kind of curators do you like to work with, and why? What does the art market mean for your work? These are some of the questions that have been presented to every artist who has worked with Witte de With, the respected Rotterdam contemporary art center, over the past two years. This publication reflects on the ideas behind the works that the center has shown, and allows artists to voice concerns that are rarely discussed as part of a public initiative. The participants' answers serve as a model, suggesting what roles they need institutions, curators and programs to play. Contributors include Jesper Just, Erik van Lieshout, Sarah Morris and Robin Rhode. Liam Gillick was born in Aylesbury, Great Britain, in 1964 and studied at Hertfordshire College of Art, and Goldsmiths College, London. Often combining text and installation, Gillickis work frequently investigates economics and aesthetics in modern society. A finalist for the Turner Prize in 2002, his work has appeared at Documenta in 1997 and at The Museum of Modern Art, New York in 2003, as well as in numerous solo shows worldwide. He lives and works in London and New York.
Changing roles artists' personal views and wishes
Actions:
Prix:
$15.00
(disponible sur commande)
Résumé:
How are you involved in the art world? Are you related to any specific scene? What would be the most productive place to present your work? What kind of curators do you like to work with, and why? What does the art market mean for your work? These are some of the questions that have been presented to every artist who has worked with Witte de With, the respected Rotterdam contemporary art center, over the past two years. This publication reflects on the ideas behind the works that the center has shown, and allows artists to voice concerns that are rarely discussed as part of a public initiative. The participants' answers serve as a model, suggesting what roles they need institutions, curators and programs to play. Contributors include Jesper Just, Erik van Lieshout, Sarah Morris and Robin Rhode. Liam Gillick was born in Aylesbury, Great Britain, in 1964 and studied at Hertfordshire College of Art, and Goldsmiths College, London. Often combining text and installation, Gillickis work frequently investigates economics and aesthetics in modern society. A finalist for the Turner Prize in 2002, his work has appeared at Documenta in 1997 and at The Museum of Modern Art, New York in 2003, as well as in numerous solo shows worldwide. He lives and works in London and New York.
Classification:
livres
livres
Publication:
mars 2008, Rotterdam
mars 2008, Rotterdam
