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Alexandra Kollontai was a prominent Russian revolutionary, a commissar of Social Welfare after the October revolution in 1917, and a long-term Soviet ambassador to Sweden. As a cofounder of the Zhenotdel, the "Women's Department" in the communist party, she introduced abortion rights, secularized marriage, and provided paid maternity leave. Kollontai considered "comradely(...)
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Alexandra Kollontai was a prominent Russian revolutionary, a commissar of Social Welfare after the October revolution in 1917, and a long-term Soviet ambassador to Sweden. As a cofounder of the Zhenotdel, the "Women's Department" in the communist party, she introduced abortion rights, secularized marriage, and provided paid maternity leave. Kollontai considered "comradely(...)
Titre:
Red love: a reader on Alexandra Kollontai
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Alexandra Kollontai was a prominent Russian revolutionary, a commissar of Social Welfare after the October revolution in 1917, and a long-term Soviet ambassador to Sweden. As a cofounder of the Zhenotdel, the "Women's Department" in the communist party, she introduced abortion rights, secularized marriage, and provided paid maternity leave. Kollontai considered "comradely love" to be an important political force, elemental in shaping social bonds beyond the limitations of property relations. 'Red Love' stems from a yearlong research by CuratorLab at Konstfack University together with Tensta konsthall, that led up to Dora García's exhibition Red Love and its related public programing. A number of artists and thinkers revisit Kollontai's ideas on the politics of love and their relation to current political, social, and feminist struggles. The publication also includes the biographical play Kollontai from 1977 by distinguished Swedish writer Agneta Pleijel.
Red love: a reader on Alexandra Kollontai
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Alexandra Kollontai was a prominent Russian revolutionary, a commissar of Social Welfare after the October revolution in 1917, and a long-term Soviet ambassador to Sweden. As a cofounder of the Zhenotdel, the "Women's Department" in the communist party, she introduced abortion rights, secularized marriage, and provided paid maternity leave. Kollontai considered "comradely love" to be an important political force, elemental in shaping social bonds beyond the limitations of property relations. 'Red Love' stems from a yearlong research by CuratorLab at Konstfack University together with Tensta konsthall, that led up to Dora García's exhibition Red Love and its related public programing. A number of artists and thinkers revisit Kollontai's ideas on the politics of love and their relation to current political, social, and feminist struggles. The publication also includes the biographical play Kollontai from 1977 by distinguished Swedish writer Agneta Pleijel.
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livres
livres
Publication:
avril 2020
avril 2020
Sujet:
Théorie de l’art
Théorie de l’art
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For much of the 20th century, critique played an important part in what was considered 'modern' architecture; the canon of modern architecture considered itself dedicated to both formal progress and social critique. But as the 1960s spurred a rereading of modern architecture from a perspective informed by Marxism and the decade’s new social movements, many concluded that(...)
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For much of the 20th century, critique played an important part in what was considered 'modern' architecture; the canon of modern architecture considered itself dedicated to both formal progress and social critique. But as the 1960s spurred a rereading of modern architecture from a perspective informed by Marxism and the decade’s new social movements, many concluded that(...)
Titre:
Building critique: Architecture and its discontents
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For much of the 20th century, critique played an important part in what was considered 'modern' architecture; the canon of modern architecture considered itself dedicated to both formal progress and social critique. But as the 1960s spurred a rereading of modern architecture from a perspective informed by Marxism and the decade’s new social movements, many concluded that a building practice could not be critical, owing to its interdependent relationship with power and business. With recent economic crises hitting the building and property sectors, and research playing an increasingly large role in architectural practice, we are witnessing a renewed interest in critique in contemporary architecture, especially from postcolonial and feminist positions. The essays contained in this book, authored by a variety of international architects and thinkers, address this revived moment of critique, arguing that, far from being dead, architectural critique is now indispensable.
Building critique: Architecture and its discontents
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For much of the 20th century, critique played an important part in what was considered 'modern' architecture; the canon of modern architecture considered itself dedicated to both formal progress and social critique. But as the 1960s spurred a rereading of modern architecture from a perspective informed by Marxism and the decade’s new social movements, many concluded that a building practice could not be critical, owing to its interdependent relationship with power and business. With recent economic crises hitting the building and property sectors, and research playing an increasingly large role in architectural practice, we are witnessing a renewed interest in critique in contemporary architecture, especially from postcolonial and feminist positions. The essays contained in this book, authored by a variety of international architects and thinkers, address this revived moment of critique, arguing that, far from being dead, architectural critique is now indispensable.
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livres
livres
Publication:
septembre 2020
septembre 2020
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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In "Design by accident," Alexandra Midal declares the autonomy of design, in and on its own terms. This meticulously researched work proposes not only a counterhistory but a new historiography of design, shedding light on overlooked historical landmarks and figures while reevaluating the legacies of design's established luminaries from the nineteenth century to the(...)
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In "Design by accident," Alexandra Midal declares the autonomy of design, in and on its own terms. This meticulously researched work proposes not only a counterhistory but a new historiography of design, shedding light on overlooked historical landmarks and figures while reevaluating the legacies of design's established luminaries from the nineteenth century to the(...)
Titre:
Design by accident: for a new history of design
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In "Design by accident," Alexandra Midal declares the autonomy of design, in and on its own terms. This meticulously researched work proposes not only a counterhistory but a new historiography of design, shedding light on overlooked historical landmarks and figures while reevaluating the legacies of design's established luminaries from the nineteenth century to the present. Midal rejects both linear narratives of progress and the long-held perception of design as a footnote to the histories of fine art and architecture. By weaving critical analysis of the canon of design history and theory together, with special attention to the writings of designers themselves, she draws out the nuances and radical potentials of the discipline—from William Morris's ambivalence toward industry, to Catharine Beecher's proto-feminist household appliances, to the Bauhaus's Expressionist origins, and the influence of Herbert Marcuse on Joe Colombo.
Design by accident: for a new history of design
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In "Design by accident," Alexandra Midal declares the autonomy of design, in and on its own terms. This meticulously researched work proposes not only a counterhistory but a new historiography of design, shedding light on overlooked historical landmarks and figures while reevaluating the legacies of design's established luminaries from the nineteenth century to the present. Midal rejects both linear narratives of progress and the long-held perception of design as a footnote to the histories of fine art and architecture. By weaving critical analysis of the canon of design history and theory together, with special attention to the writings of designers themselves, she draws out the nuances and radical potentials of the discipline—from William Morris's ambivalence toward industry, to Catharine Beecher's proto-feminist household appliances, to the Bauhaus's Expressionist origins, and the influence of Herbert Marcuse on Joe Colombo.
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livres
livres
Publication:
août 2019
août 2019
Sujet:
Théorie du design
Théorie du design
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livres
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In this volume, Lisa E. Bloom considers the ways artists, filmmakers, and activists engaged with the Arctic and Antarctic to represent our current environmental crises and reconstruct public understandings of them. Bloom engages feminist, Black, Indigenous, and non-Western perspectives to address the exigencies of the experience of the Anthropocene and its attendant(...)
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In this volume, Lisa E. Bloom considers the ways artists, filmmakers, and activists engaged with the Arctic and Antarctic to represent our current environmental crises and reconstruct public understandings of them. Bloom engages feminist, Black, Indigenous, and non-Western perspectives to address the exigencies of the experience of the Anthropocene and its attendant(...)
Titre:
Climate change and the new polar aesthetics: Artists reimagine the Arctic and Antarctic
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In this volume, Lisa E. Bloom considers the ways artists, filmmakers, and activists engaged with the Arctic and Antarctic to represent our current environmental crises and reconstruct public understandings of them. Bloom engages feminist, Black, Indigenous, and non-Western perspectives to address the exigencies of the experience of the Anthropocene and its attendant ecosystem failures, rising sea levels, and climate-led migrations. As opposed to mainstream media depictions of climate change that feature apocalyptic spectacles of distant melting ice and desperate polar bears, artists such as Katja Aglert, Subhankar Banerjee, Joyce Campbell, Judit Hersko, Roni Horn, Isaac Julien, Zacharias Kunuk, Connie Samaras, and activist art collectives take a more complex poetic and political approach. Bloom’s examination and contextualization of new polar aesthetics makes environmental degradation more legible while demonstrating that our own political agency is central to imagining and constructing a better world.
Climate change and the new polar aesthetics: Artists reimagine the Arctic and Antarctic
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In this volume, Lisa E. Bloom considers the ways artists, filmmakers, and activists engaged with the Arctic and Antarctic to represent our current environmental crises and reconstruct public understandings of them. Bloom engages feminist, Black, Indigenous, and non-Western perspectives to address the exigencies of the experience of the Anthropocene and its attendant ecosystem failures, rising sea levels, and climate-led migrations. As opposed to mainstream media depictions of climate change that feature apocalyptic spectacles of distant melting ice and desperate polar bears, artists such as Katja Aglert, Subhankar Banerjee, Joyce Campbell, Judit Hersko, Roni Horn, Isaac Julien, Zacharias Kunuk, Connie Samaras, and activist art collectives take a more complex poetic and political approach. Bloom’s examination and contextualization of new polar aesthetics makes environmental degradation more legible while demonstrating that our own political agency is central to imagining and constructing a better world.
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livres
livres
Publication:
octobre 2022
octobre 2022
Sujet:
Autochtone
Autochtone
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livres
livres
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In the tense days leading up to the 2020 American elections, then-candidate for Pennsylvania State Senate Nikil Saval addressed a virtual audience at the Harvard GSD to tell a story about Black feminist writer June Jordan and a little-known project that resulted from the aftermath of the 1964 Harlem riot. The events of police brutality and community grieving made a(...)
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In the tense days leading up to the 2020 American elections, then-candidate for Pennsylvania State Senate Nikil Saval addressed a virtual audience at the Harvard GSD to tell a story about Black feminist writer June Jordan and a little-known project that resulted from the aftermath of the 1964 Harlem riot. The events of police brutality and community grieving made a(...)
Titre:
Rage in Harlem: June Jordan and architecture
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In the tense days leading up to the 2020 American elections, then-candidate for Pennsylvania State Senate Nikil Saval addressed a virtual audience at the Harvard GSD to tell a story about Black feminist writer June Jordan and a little-known project that resulted from the aftermath of the 1964 Harlem riot. The events of police brutality and community grieving made a lasting impression on Jordan, who, while known for her work as a poet, playwright, and activist, responded with a proposal for a multiple-tower housing design. Through an unlikely partnership with R. Buckminster Fuller, Jordan's "Skyrise for Harlem" project offered a Futuristic vision for Harlem that argued for environmental redesign: "it is architecture, conceived of in its fullest meaning as the creation of environment, which may actually determine the pace, pattern, and quality of living experience."
Rage in Harlem: June Jordan and architecture
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In the tense days leading up to the 2020 American elections, then-candidate for Pennsylvania State Senate Nikil Saval addressed a virtual audience at the Harvard GSD to tell a story about Black feminist writer June Jordan and a little-known project that resulted from the aftermath of the 1964 Harlem riot. The events of police brutality and community grieving made a lasting impression on Jordan, who, while known for her work as a poet, playwright, and activist, responded with a proposal for a multiple-tower housing design. Through an unlikely partnership with R. Buckminster Fuller, Jordan's "Skyrise for Harlem" project offered a Futuristic vision for Harlem that argued for environmental redesign: "it is architecture, conceived of in its fullest meaning as the creation of environment, which may actually determine the pace, pattern, and quality of living experience."
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livres
livres
Publication:
juin 2024
juin 2024
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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In this publication, the author examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the(...)
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In this publication, the author examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the(...)
Titre:
National performance: representing Quebec from Expo 67 to Céline Dion
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In this publication, the author examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the critical response to Michel Tremblay's Les Belles Soeurs, Carbone 14's image-theatre, Marco Micone's writing practices, Celine Dion's popular music, and feminist performance of the 1970s and 80s, Hurley reveals the ways in which certain performances come to be understood as 'national' while others are relegated to sub-national or outsider status. Each chapter focuses on a particular historical moment in Quebec's modern history and a genre of performance emblematic of the moment, and uses these to elaborate the nature of the national performances.
National performance: representing Quebec from Expo 67 to Céline Dion
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In this publication, the author examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the critical response to Michel Tremblay's Les Belles Soeurs, Carbone 14's image-theatre, Marco Micone's writing practices, Celine Dion's popular music, and feminist performance of the 1970s and 80s, Hurley reveals the ways in which certain performances come to be understood as 'national' while others are relegated to sub-national or outsider status. Each chapter focuses on a particular historical moment in Quebec's modern history and a genre of performance emblematic of the moment, and uses these to elaborate the nature of the national performances.
Classification:
livres
livres
Publication:
juillet 2010
juillet 2010
Sujet:
Architecture du Québec
Architecture du Québec
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livres
livres
Titre:
Karen Kilimnik
Karen Kilimnik
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This monograph is devoted to the American artist (*1955) who lives and works in Philadelphia. In the 1980s her narrative and jumbled installations were compared by the critics to the “scatter art” of the previous decade, but have become cult for a younger generation of artists and exhibition curators. Her drawings and paintings from the beginning of the 1990s were(...)
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This monograph is devoted to the American artist (*1955) who lives and works in Philadelphia. In the 1980s her narrative and jumbled installations were compared by the critics to the “scatter art” of the previous decade, but have become cult for a younger generation of artists and exhibition curators. Her drawings and paintings from the beginning of the 1990s were(...)
Titre:
Karen Kilimnik
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This monograph is devoted to the American artist (*1955) who lives and works in Philadelphia. In the 1980s her narrative and jumbled installations were compared by the critics to the “scatter art” of the previous decade, but have become cult for a younger generation of artists and exhibition curators. Her drawings and paintings from the beginning of the 1990s were included in the then current discussions on art and glamour, and on the emergence of women artists whose sensibility was not that of feminist theory. The source of numerous misunderstandings, the diversity of her work has veiled the internal coherence of a practice of which the most recent pieces attest to the continuous links between all these mediums. This book offers the complete panorama of Kilimnik’s production and allows a vision that goes beyond the distinctions between painting, drawing, or installation.
Karen Kilimnik
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This monograph is devoted to the American artist (*1955) who lives and works in Philadelphia. In the 1980s her narrative and jumbled installations were compared by the critics to the “scatter art” of the previous decade, but have become cult for a younger generation of artists and exhibition curators. Her drawings and paintings from the beginning of the 1990s were included in the then current discussions on art and glamour, and on the emergence of women artists whose sensibility was not that of feminist theory. The source of numerous misunderstandings, the diversity of her work has veiled the internal coherence of a practice of which the most recent pieces attest to the continuous links between all these mediums. This book offers the complete panorama of Kilimnik’s production and allows a vision that goes beyond the distinctions between painting, drawing, or installation.
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livres
livres
Publication:
février 2015
février 2015
Classification:
livres
livres
Titre:
Aún te espero
Aún te espero
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On the eve of the Women’s Day manifestations of 2021, the Mexican government erected metal barricades surrounding the National Palace—the seat of federal executive power—in the heart of Mexico City. This was meant to prevent damage by demonstrators and, therefore, "protect the heritage of all Mexicans and avoid confrontation...a wall of peace that guarantees liberty and(...)
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On the eve of the Women’s Day manifestations of 2021, the Mexican government erected metal barricades surrounding the National Palace—the seat of federal executive power—in the heart of Mexico City. This was meant to prevent damage by demonstrators and, therefore, "protect the heritage of all Mexicans and avoid confrontation...a wall of peace that guarantees liberty and(...)
Titre:
Aún te espero
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On the eve of the Women’s Day manifestations of 2021, the Mexican government erected metal barricades surrounding the National Palace—the seat of federal executive power—in the heart of Mexico City. This was meant to prevent damage by demonstrators and, therefore, "protect the heritage of all Mexicans and avoid confrontation...a wall of peace that guarantees liberty and protection from provocations," in the words of the President's spokesman. On Saturday, March 6, the feminist collective Antimonumenta CDMX decided to paint the barricades with the names of recent victims of femicide in Mexico. Over the next few hours, hundreds of women spontaneously gathered to honor the absent women, writing their names and leaving flowers: an offering to remember them, to not forget, and, by doing so, to honor them.This series of photographs documents the barricades that were intervened in those days so that they may still be read.
Aún te espero
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Résumé:
On the eve of the Women’s Day manifestations of 2021, the Mexican government erected metal barricades surrounding the National Palace—the seat of federal executive power—in the heart of Mexico City. This was meant to prevent damage by demonstrators and, therefore, "protect the heritage of all Mexicans and avoid confrontation...a wall of peace that guarantees liberty and protection from provocations," in the words of the President's spokesman. On Saturday, March 6, the feminist collective Antimonumenta CDMX decided to paint the barricades with the names of recent victims of femicide in Mexico. Over the next few hours, hundreds of women spontaneously gathered to honor the absent women, writing their names and leaving flowers: an offering to remember them, to not forget, and, by doing so, to honor them.This series of photographs documents the barricades that were intervened in those days so that they may still be read.
Classification:
livres
livres
Publication:
mai 2021
mai 2021
Sujet:
Monographies photo
Monographies photo
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livres
livres
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This study of the role that graphic design played in American art of the 1960s and 1970s focuses on the work of George Maciunas, Ed Ruscha, and Sheila Levrant de Bretteville. Examining how each of these artists utilized typography, materiality, and other graphic design aesthetics, Benoît Buquet reveals the importance of graphic design in creating a sense of coherence(...)
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This study of the role that graphic design played in American art of the 1960s and 1970s focuses on the work of George Maciunas, Ed Ruscha, and Sheila Levrant de Bretteville. Examining how each of these artists utilized typography, materiality, and other graphic design aesthetics, Benoît Buquet reveals the importance of graphic design in creating a sense of coherence(...)
Titre:
Art & Graphic Design: George Maciunas, Ed Rusche, Sheila Levrant de Bretteville
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This study of the role that graphic design played in American art of the 1960s and 1970s focuses on the work of George Maciunas, Ed Ruscha, and Sheila Levrant de Bretteville. Examining how each of these artists utilized typography, materiality, and other graphic design aesthetics, Benoît Buquet reveals the importance of graphic design in creating a sense of coherence within the disparate international group of Fluxus artists, an elusiveness and resistance to categorization that defined much of Ruscha’s brand of Pop Art, and an open and participatory visual identity for a range of feminist art practices. Rigorous and compelling scholarship and a copious illustration program that presents insightful juxtapositions of objects—some of which have never been discussed before—combine to shed new light on a period of abundant creativity and cultural transition in American art and the intimate, though often overlooked, entwinement between art and graphic design.
Art & Graphic Design: George Maciunas, Ed Rusche, Sheila Levrant de Bretteville
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This study of the role that graphic design played in American art of the 1960s and 1970s focuses on the work of George Maciunas, Ed Ruscha, and Sheila Levrant de Bretteville. Examining how each of these artists utilized typography, materiality, and other graphic design aesthetics, Benoît Buquet reveals the importance of graphic design in creating a sense of coherence within the disparate international group of Fluxus artists, an elusiveness and resistance to categorization that defined much of Ruscha’s brand of Pop Art, and an open and participatory visual identity for a range of feminist art practices. Rigorous and compelling scholarship and a copious illustration program that presents insightful juxtapositions of objects—some of which have never been discussed before—combine to shed new light on a period of abundant creativity and cultural transition in American art and the intimate, though often overlooked, entwinement between art and graphic design.
Classification:
livres
livres
Publication:
novembre 2021
novembre 2021
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$29.00
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The twelfth volume of the Critical Spatial Practices series focuses on 'Don't Follow the Wind,' the acclaimed collaborative project situated in the radioactive Fukushima exclusion zone. The exhibition is located inside the exclusion zone, an evacuated radioactive area established after the nuclear disaster that forcibly separated residents from their homes, land, and(...)
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The twelfth volume of the Critical Spatial Practices series focuses on 'Don't Follow the Wind,' the acclaimed collaborative project situated in the radioactive Fukushima exclusion zone. The exhibition is located inside the exclusion zone, an evacuated radioactive area established after the nuclear disaster that forcibly separated residents from their homes, land, and(...)
Titre:
Don't follow the wind: critical spatial practice 12
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The twelfth volume of the Critical Spatial Practices series focuses on 'Don't Follow the Wind,' the acclaimed collaborative project situated in the radioactive Fukushima exclusion zone. The exhibition is located inside the exclusion zone, an evacuated radioactive area established after the nuclear disaster that forcibly separated residents from their homes, land, and community. In cooperation with former residents, participating artists installed newly commissioned works at sites in the exclusion zone. Although the exhibition opened in March 2015, the zone is still inaccessible to the public — the exhibition, like the radiation, is virtually invisible. The exhibition can only be viewed when restrictions are lifted and people are permitted to return. This might take several years or decades — a period that could extend beyond our lifetime. The book includes new texts by feminist theorist Silvia Federici, art historians Noi Sawaragi and Sven Lütticken, and political philosopher Jodi Dean.
Don't follow the wind: critical spatial practice 12
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The twelfth volume of the Critical Spatial Practices series focuses on 'Don't Follow the Wind,' the acclaimed collaborative project situated in the radioactive Fukushima exclusion zone. The exhibition is located inside the exclusion zone, an evacuated radioactive area established after the nuclear disaster that forcibly separated residents from their homes, land, and community. In cooperation with former residents, participating artists installed newly commissioned works at sites in the exclusion zone. Although the exhibition opened in March 2015, the zone is still inaccessible to the public — the exhibition, like the radiation, is virtually invisible. The exhibition can only be viewed when restrictions are lifted and people are permitted to return. This might take several years or decades — a period that could extend beyond our lifetime. The book includes new texts by feminist theorist Silvia Federici, art historians Noi Sawaragi and Sven Lütticken, and political philosopher Jodi Dean.
Classification:
livres
livres
Publication:
juin 2021
juin 2021
Sujet:
Théorie/ philosophie
Théorie/ philosophie
