3442 Résultats
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The city in the twenty-first century faces major challenges, including social and economic stratification, wasteful consumption of resources, transportation congestion, and environmental degradation. More than half of the world’s population lives in cities and major metropolitan areas, and in the next two decades the number of city dwellers is estimated to reach five(...)
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The city in the twenty-first century faces major challenges, including social and economic stratification, wasteful consumption of resources, transportation congestion, and environmental degradation. More than half of the world’s population lives in cities and major metropolitan areas, and in the next two decades the number of city dwellers is estimated to reach five(...)
Titre:
Sustainable urbanism and beyond: rethinking cities for the future
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The city in the twenty-first century faces major challenges, including social and economic stratification, wasteful consumption of resources, transportation congestion, and environmental degradation. More than half of the world’s population lives in cities and major metropolitan areas, and in the next two decades the number of city dwellers is estimated to reach five billion. This puts enormous pressures on transportation systems, housing stock, and infrastructure such as energy, waste, and water, which directly influences the emissions of greenhouse gases. As the long emergency awaits us, urgent questions remain: How will our cities survive? How can we combat and reconcile urban growth with sustainable use of resources for future generations to thrive? Where and how urbanism comes into the picture and what “sustainable” urban forms can do in light of these events are some of the issues Sustainable Urbanism and Beyond explores. With more than sixty essays, including contributions by Andrés Duany, Saskia Sassen, Peter Newman, Douglas Farr, Henry Cisneros, Peter Hall, Sharon Zukin, Peter Eisenman, and others, this book is a unique perspective on architecture, urban planning, environmental and urban design, exploring ways for raising quality of life and the standard of living in a new modern era by creating better and more viable places to live.
Sustainable urbanism and beyond: rethinking cities for the future
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The city in the twenty-first century faces major challenges, including social and economic stratification, wasteful consumption of resources, transportation congestion, and environmental degradation. More than half of the world’s population lives in cities and major metropolitan areas, and in the next two decades the number of city dwellers is estimated to reach five billion. This puts enormous pressures on transportation systems, housing stock, and infrastructure such as energy, waste, and water, which directly influences the emissions of greenhouse gases. As the long emergency awaits us, urgent questions remain: How will our cities survive? How can we combat and reconcile urban growth with sustainable use of resources for future generations to thrive? Where and how urbanism comes into the picture and what “sustainable” urban forms can do in light of these events are some of the issues Sustainable Urbanism and Beyond explores. With more than sixty essays, including contributions by Andrés Duany, Saskia Sassen, Peter Newman, Douglas Farr, Henry Cisneros, Peter Hall, Sharon Zukin, Peter Eisenman, and others, this book is a unique perspective on architecture, urban planning, environmental and urban design, exploring ways for raising quality of life and the standard of living in a new modern era by creating better and more viable places to live.
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livres
livres
Publication:
avril 2012
avril 2012
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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$24.95
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"Open: New Designs for Public Space" puts forth the simple proposition that new public spaces need not be the banal leftovers of design neglect. "Open" showcases the best recent public projects from some of the world's most talented designers, including Elizabeth Diller and Ricardo Scofidio, Craig Dykers, Peter Eisenman, Zaha Hadid, Walter Hood, UN Studio, Norman(...)
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"Open: New Designs for Public Space" puts forth the simple proposition that new public spaces need not be the banal leftovers of design neglect. "Open" showcases the best recent public projects from some of the world's most talented designers, including Elizabeth Diller and Ricardo Scofidio, Craig Dykers, Peter Eisenman, Zaha Hadid, Walter Hood, UN Studio, Norman(...)
Titre:
Open : new designs for public space
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"Open: New Designs for Public Space" puts forth the simple proposition that new public spaces need not be the banal leftovers of design neglect. "Open" showcases the best recent public projects from some of the world's most talented designers, including Elizabeth Diller and Ricardo Scofidio, Craig Dykers, Peter Eisenman, Zaha Hadid, Walter Hood, UN Studio, Norman Foster, Weiss/Manfredi, and Will Alsop. More than 300 images illustrate a range of projects from memorials to new types of urban plazas and parks. Essays by Raymond Gastil, Linda Pollak, and Zoë Ryan, argue that the most successful urban spaces are those that combine large-scale operations and small-scale experiences, major infrastructure with recreation and culture, and grand civic events with intimate daily interaction.
Open : new designs for public space
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"Open: New Designs for Public Space" puts forth the simple proposition that new public spaces need not be the banal leftovers of design neglect. "Open" showcases the best recent public projects from some of the world's most talented designers, including Elizabeth Diller and Ricardo Scofidio, Craig Dykers, Peter Eisenman, Zaha Hadid, Walter Hood, UN Studio, Norman Foster, Weiss/Manfredi, and Will Alsop. More than 300 images illustrate a range of projects from memorials to new types of urban plazas and parks. Essays by Raymond Gastil, Linda Pollak, and Zoë Ryan, argue that the most successful urban spaces are those that combine large-scale operations and small-scale experiences, major infrastructure with recreation and culture, and grand civic events with intimate daily interaction.
Classification:
livres
livres
Publication:
mars 2004, New York
mars 2004, New York
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
Titre:
The iconic building
The iconic building
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Charles Jencks takes on "trendiness" in architecture : namely the rise of the "iconic building," instantly distinctively recognizable structures like Norman Foster's "Gherkin" in London or Daniel Libeskind's Ground Zero designs in New York. Although there have always been buildings built to be instant icons such as palaces and cathedrals, Jencks sees this latest trend as(...)
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Charles Jencks takes on "trendiness" in architecture : namely the rise of the "iconic building," instantly distinctively recognizable structures like Norman Foster's "Gherkin" in London or Daniel Libeskind's Ground Zero designs in New York. Although there have always been buildings built to be instant icons such as palaces and cathedrals, Jencks sees this latest trend as(...)
Publication:
septembre 2005, New York
septembre 2005, New York
Titre:
The iconic building
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Charles Jencks takes on "trendiness" in architecture : namely the rise of the "iconic building," instantly distinctively recognizable structures like Norman Foster's "Gherkin" in London or Daniel Libeskind's Ground Zero designs in New York. Although there have always been buildings built to be instant icons such as palaces and cathedrals, Jencks sees this latest trend as being fueled by the real estate industry's thirst for profit and architects' outsize egos. Since the debut of Gehry's Guggenheim Bilbao, a roster of international architects has created iconic buildings that court publicity and controversy in equal measure. Some iconic buildings are successful creations that fulfill their contradictory requirements, while others make the public and the critics wince. In addition to Foster, Gehry and Libeskind, Jencks also discusses recent works by Peter Eisenman, Zaha Hadid, Rem Koolhaas, and Renzo Piano.
The iconic building
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Charles Jencks takes on "trendiness" in architecture : namely the rise of the "iconic building," instantly distinctively recognizable structures like Norman Foster's "Gherkin" in London or Daniel Libeskind's Ground Zero designs in New York. Although there have always been buildings built to be instant icons such as palaces and cathedrals, Jencks sees this latest trend as being fueled by the real estate industry's thirst for profit and architects' outsize egos. Since the debut of Gehry's Guggenheim Bilbao, a roster of international architects has created iconic buildings that court publicity and controversy in equal measure. Some iconic buildings are successful creations that fulfill their contradictory requirements, while others make the public and the critics wince. In addition to Foster, Gehry and Libeskind, Jencks also discusses recent works by Peter Eisenman, Zaha Hadid, Rem Koolhaas, and Renzo Piano.
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livres
livres
Publication:
septembre 2005, New York
septembre 2005, New York
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livres
livres
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Crown Hall Dean’s Dialogues: 2012-2017 collects incisive, intimate thoughts from leading contemporary architects in dialogue with students from the Illinois Institute of Technology, College of Architecture. This title collects the voices of 18 esteemed architects, designers, educators and theorists in dialogue with students from the Illinois Institute of Technology,(...)
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Crown Hall Dean’s Dialogues: 2012-2017 collects incisive, intimate thoughts from leading contemporary architects in dialogue with students from the Illinois Institute of Technology, College of Architecture. This title collects the voices of 18 esteemed architects, designers, educators and theorists in dialogue with students from the Illinois Institute of Technology,(...)
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Crown Hall Dean's dialogues 2012-2017
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Crown Hall Dean’s Dialogues: 2012-2017 collects incisive, intimate thoughts from leading contemporary architects in dialogue with students from the Illinois Institute of Technology, College of Architecture. This title collects the voices of 18 esteemed architects, designers, educators and theorists in dialogue with students from the Illinois Institute of Technology, College of Architecture. Voices ranging from Phyllis Lambert to David Adjaye to Rafael Vinoly expound and express their thoughts freely, digging deeply into essential themes that drive their work, study and process. Featuring interviews with leading architects and luminaries including Kazuyo Sejima, William Baker, Wiel Arets, Junya Ishigami, Stefano Boeri, Peter Eisenman, Rafael Viñoly, Ben van Berkel, Pezo von Ellrichshausen, Phyllis Lambert, Riken Yamamoto, Herman Hertzberger, Armand Mevis, David Adjaye, Erwin Olaf, Dominique Perrault, Stan Allen, and Bernard Khoury.
Crown Hall Dean's dialogues 2012-2017
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Crown Hall Dean’s Dialogues: 2012-2017 collects incisive, intimate thoughts from leading contemporary architects in dialogue with students from the Illinois Institute of Technology, College of Architecture. This title collects the voices of 18 esteemed architects, designers, educators and theorists in dialogue with students from the Illinois Institute of Technology, College of Architecture. Voices ranging from Phyllis Lambert to David Adjaye to Rafael Vinoly expound and express their thoughts freely, digging deeply into essential themes that drive their work, study and process. Featuring interviews with leading architects and luminaries including Kazuyo Sejima, William Baker, Wiel Arets, Junya Ishigami, Stefano Boeri, Peter Eisenman, Rafael Viñoly, Ben van Berkel, Pezo von Ellrichshausen, Phyllis Lambert, Riken Yamamoto, Herman Hertzberger, Armand Mevis, David Adjaye, Erwin Olaf, Dominique Perrault, Stan Allen, and Bernard Khoury.
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livres
livres
Publication:
septembre 2017
septembre 2017
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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The 1960s and 1970s avant-garde has been likened to an ''architectural Big Bang'', such was the intensity of energy and ambition in which it exploded into the postwar world. Marked out by architectural projects that redefined the discipline, it remains just as influential today. References to the likes of Archizoom, Peter Eisenman, John Hejduk and Superstudio abound.(...)
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The 1960s and 1970s avant-garde has been likened to an ''architectural Big Bang'', such was the intensity of energy and ambition in which it exploded into the postwar world. Marked out by architectural projects that redefined the discipline, it remains just as influential today. References to the likes of Archizoom, Peter Eisenman, John Hejduk and Superstudio abound.(...)
Titre:
AD Re-imagining the Avant-Garde: revisiting the architecture of the 1960s and 1970s
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The 1960s and 1970s avant-garde has been likened to an ''architectural Big Bang'', such was the intensity of energy and ambition in which it exploded into the postwar world. Marked out by architectural projects that redefined the discipline, it remains just as influential today. References to the likes of Archizoom, Peter Eisenman, John Hejduk and Superstudio abound. Highly diverse, the avant-garde cannot be defined as a single strand or tendency. It was divergent geographically – reaching from Europe to North America and Japan – and in its political, formal and cultural preoccupations. It was unified, though, as a critical and experimental force, critiquing contemporary society against the backdrop of extreme social and political upheaval: the Paris riots of May 1968, the anti-Vietnam war movement in America and the looming ecological crisis.
AD Re-imagining the Avant-Garde: revisiting the architecture of the 1960s and 1970s
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The 1960s and 1970s avant-garde has been likened to an ''architectural Big Bang'', such was the intensity of energy and ambition in which it exploded into the postwar world. Marked out by architectural projects that redefined the discipline, it remains just as influential today. References to the likes of Archizoom, Peter Eisenman, John Hejduk and Superstudio abound. Highly diverse, the avant-garde cannot be defined as a single strand or tendency. It was divergent geographically – reaching from Europe to North America and Japan – and in its political, formal and cultural preoccupations. It was unified, though, as a critical and experimental force, critiquing contemporary society against the backdrop of extreme social and political upheaval: the Paris riots of May 1968, the anti-Vietnam war movement in America and the looming ecological crisis.
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livres
livres
Publication:
juillet 2019
juillet 2019
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Titre:
Piranesi and the modern age
Piranesi and the modern age
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The etchings of the Italian printmaker, architect, and antiquarian Giovanni Battista Piranesi (1720–78) have long mesmerized viewers. But, as Victor Plahte Tschudi shows, artists and writers of the modern era found in these works—Piranesi's visions of contradictory space, endless vistas, and self-perpetuating architecture—a formulation of the modern. In this volume,(...)
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The etchings of the Italian printmaker, architect, and antiquarian Giovanni Battista Piranesi (1720–78) have long mesmerized viewers. But, as Victor Plahte Tschudi shows, artists and writers of the modern era found in these works—Piranesi's visions of contradictory space, endless vistas, and self-perpetuating architecture—a formulation of the modern. In this volume,(...)
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Piranesi and the modern age
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The etchings of the Italian printmaker, architect, and antiquarian Giovanni Battista Piranesi (1720–78) have long mesmerized viewers. But, as Victor Plahte Tschudi shows, artists and writers of the modern era found in these works—Piranesi's visions of contradictory space, endless vistas, and self-perpetuating architecture—a formulation of the modern. In this volume, Tschudi explores the complex appropriation and continual rediscoveries of Piranesi by modern literature, photography, art, film, and architecture. Tracing the ways that the modern age constructed itself and its origin through Piranesi across genres, he shows, for example, how Piranesi's work formulates the ideas of “contrast” in photography, “abstraction” in painting and “montage” in cinema. Tschudi's exploration of Piranesi's influence on modern architectural discourse includes interviews with such distinguished architects as Peter Eisenman, Bernard Tschumi, Steven Holl, and Rem Koolhaas.
Piranesi and the modern age
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The etchings of the Italian printmaker, architect, and antiquarian Giovanni Battista Piranesi (1720–78) have long mesmerized viewers. But, as Victor Plahte Tschudi shows, artists and writers of the modern era found in these works—Piranesi's visions of contradictory space, endless vistas, and self-perpetuating architecture—a formulation of the modern. In this volume, Tschudi explores the complex appropriation and continual rediscoveries of Piranesi by modern literature, photography, art, film, and architecture. Tracing the ways that the modern age constructed itself and its origin through Piranesi across genres, he shows, for example, how Piranesi's work formulates the ideas of “contrast” in photography, “abstraction” in painting and “montage” in cinema. Tschudi's exploration of Piranesi's influence on modern architectural discourse includes interviews with such distinguished architects as Peter Eisenman, Bernard Tschumi, Steven Holl, and Rem Koolhaas.
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livres
livres
Publication:
novembre 2022
novembre 2022
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$30.00
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While it is widely recognized that the advanced architecture of the 1970s left a legacy of experimentation and theoretical speculation as intense as any in architecture's history, there has been no general theory of that ethos. Now, in Architecture's Desire, K. Michael Hays writes an account of the "late avant-garde" as an architecture systematically twisting back on(...)
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While it is widely recognized that the advanced architecture of the 1970s left a legacy of experimentation and theoretical speculation as intense as any in architecture's history, there has been no general theory of that ethos. Now, in Architecture's Desire, K. Michael Hays writes an account of the "late avant-garde" as an architecture systematically twisting back on(...)
Titre:
Architecture's desire: reading the late avant-garde
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While it is widely recognized that the advanced architecture of the 1970s left a legacy of experimentation and theoretical speculation as intense as any in architecture's history, there has been no general theory of that ethos. Now, in Architecture's Desire, K. Michael Hays writes an account of the "late avant-garde" as an architecture systematically twisting back on itself, pondering its own historical status, and deliberately exploring architecture's representational possibilities right up to their absolute limits. In close readings of the brooding, melancholy silence of Aldo Rossi, the radically reductive "decompositions" and archaeologies of Peter Eisenman, the carnivalesque excesses of John Hejduk, and the "cinegrammatic" delirium of Bernard Tschumi, Hays narrates the story of architecture confronting its own boundaries with objects of ever more reflexivity, difficulty, and intransigence.
Architecture's desire: reading the late avant-garde
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While it is widely recognized that the advanced architecture of the 1970s left a legacy of experimentation and theoretical speculation as intense as any in architecture's history, there has been no general theory of that ethos. Now, in Architecture's Desire, K. Michael Hays writes an account of the "late avant-garde" as an architecture systematically twisting back on itself, pondering its own historical status, and deliberately exploring architecture's representational possibilities right up to their absolute limits. In close readings of the brooding, melancholy silence of Aldo Rossi, the radically reductive "decompositions" and archaeologies of Peter Eisenman, the carnivalesque excesses of John Hejduk, and the "cinegrammatic" delirium of Bernard Tschumi, Hays narrates the story of architecture confronting its own boundaries with objects of ever more reflexivity, difficulty, and intransigence.
Classification:
livres
livres
Publication:
novembre 2009
novembre 2009
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Modern views: inspired by the Mies van der Rohe Farnsworth House and the Philip Johnson Glass House
Modern views: inspired by the Mies van der Rohe Farnsworth House and the Philip Johnson Glass House
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Mies van der Rohe’s 1941–45 Farnsworth House and Philip Johnson’s 1947 Glass House in New Caanan, Connecticut: two haikus of glass and concrete that rewrote the history of modern residential architecture. Much ink has already been spilled on the subject by critics and historians intent on deconstructing our notions of domesticity; however these two masterpieces have also(...)
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Mies van der Rohe’s 1941–45 Farnsworth House and Philip Johnson’s 1947 Glass House in New Caanan, Connecticut: two haikus of glass and concrete that rewrote the history of modern residential architecture. Much ink has already been spilled on the subject by critics and historians intent on deconstructing our notions of domesticity; however these two masterpieces have also(...)
Titre:
Modern views: inspired by the Mies van der Rohe Farnsworth House and the Philip Johnson Glass House
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$70.00
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Résumé:
Mies van der Rohe’s 1941–45 Farnsworth House and Philip Johnson’s 1947 Glass House in New Caanan, Connecticut: two haikus of glass and concrete that rewrote the history of modern residential architecture. Much ink has already been spilled on the subject by critics and historians intent on deconstructing our notions of domesticity; however these two masterpieces have also taken on lives of their own in the minds of countless artists, architects, and designers. They have inspired nearly ninety creations for an exclusive project with the National Historic Preservation Trust, collected here in Modern Views . With an introduction by critic Paul Goldberger and essays by Phyllis Lambert and Sylvia Lavin; contributors include David Adjaye, Tadao Ando, Peter Eisenman, Zaha Hadid, Maira Kalman, Annie Leibowitz, Daniel Libeskind, Thom Mayne, and Rafael Viñoly, among others.
Modern views: inspired by the Mies van der Rohe Farnsworth House and the Philip Johnson Glass House
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$70.00
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Résumé:
Mies van der Rohe’s 1941–45 Farnsworth House and Philip Johnson’s 1947 Glass House in New Caanan, Connecticut: two haikus of glass and concrete that rewrote the history of modern residential architecture. Much ink has already been spilled on the subject by critics and historians intent on deconstructing our notions of domesticity; however these two masterpieces have also taken on lives of their own in the minds of countless artists, architects, and designers. They have inspired nearly ninety creations for an exclusive project with the National Historic Preservation Trust, collected here in Modern Views . With an introduction by critic Paul Goldberger and essays by Phyllis Lambert and Sylvia Lavin; contributors include David Adjaye, Tadao Ando, Peter Eisenman, Zaha Hadid, Maira Kalman, Annie Leibowitz, Daniel Libeskind, Thom Mayne, and Rafael Viñoly, among others.
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livres
livres
Publication:
octobre 2010
octobre 2010
Sujet:
Modernisme
Modernisme
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livres
livres
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$47.75
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Comment comprendre l'architecture? Comment rendre compte de ce qui est à la fois expérience perceptive, projet artistique, décision d'urbanisme et choix politique? " Le plan et le détail " expose la philosophie d'un nouvel esprit architectural, déconstruit et remodèle les convictions et les notions sur lesquelles se fonde le travail de l'architecte : la valeur du plan,(...)
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Comment comprendre l'architecture? Comment rendre compte de ce qui est à la fois expérience perceptive, projet artistique, décision d'urbanisme et choix politique? " Le plan et le détail " expose la philosophie d'un nouvel esprit architectural, déconstruit et remodèle les convictions et les notions sur lesquelles se fonde le travail de l'architecte : la valeur du plan,(...)
Titre:
Le plan et le détail : une philosophie de l'architecture et de la ville
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Comment comprendre l'architecture? Comment rendre compte de ce qui est à la fois expérience perceptive, projet artistique, décision d'urbanisme et choix politique? " Le plan et le détail " expose la philosophie d'un nouvel esprit architectural, déconstruit et remodèle les convictions et les notions sur lesquelles se fonde le travail de l'architecte : la valeur du plan, la construction du cadre de l'habitat, l'insertion du bâti dans le tissu urbain, la relation de l'architecture et de l'urbanisme, le rationalisme technique, l'invention du détail. L'auteur permet de repenser les problèmes généraux de l'espace urbain aujourd'hui - dans un dialogue serré et fécond avec de grands créateurs du XX°siècle, et avec leurs oeuvres : Loos et Le Corbusier, Mies van der Rohe, Louis Kahn, Aldo Rossi, Peter Eisenman, et Rem Koolhaas. Fortement documenté, et illustré (52 illustrations et photographies noir et blanc; 8 planches couleurs).
Le plan et le détail : une philosophie de l'architecture et de la ville
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$47.75
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Comment comprendre l'architecture? Comment rendre compte de ce qui est à la fois expérience perceptive, projet artistique, décision d'urbanisme et choix politique? " Le plan et le détail " expose la philosophie d'un nouvel esprit architectural, déconstruit et remodèle les convictions et les notions sur lesquelles se fonde le travail de l'architecte : la valeur du plan, la construction du cadre de l'habitat, l'insertion du bâti dans le tissu urbain, la relation de l'architecture et de l'urbanisme, le rationalisme technique, l'invention du détail. L'auteur permet de repenser les problèmes généraux de l'espace urbain aujourd'hui - dans un dialogue serré et fécond avec de grands créateurs du XX°siècle, et avec leurs oeuvres : Loos et Le Corbusier, Mies van der Rohe, Louis Kahn, Aldo Rossi, Peter Eisenman, et Rem Koolhaas. Fortement documenté, et illustré (52 illustrations et photographies noir et blanc; 8 planches couleurs).
Classification:
livres
livres
Publication:
novembre 2001, Nîmes
novembre 2001, Nîmes
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$12.99
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The model is one of the oldest means of architectural representation and comes in an extravagant variety of forms, from miniaturizations of reality mesmerizing in their exactness to wildly energetic sculptural representations. "Modeling Messages: The Architect and the Model" is a study of the contemporary model, American and international, and its myriad uses in(...)
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The model is one of the oldest means of architectural representation and comes in an extravagant variety of forms, from miniaturizations of reality mesmerizing in their exactness to wildly energetic sculptural representations. "Modeling Messages: The Architect and the Model" is a study of the contemporary model, American and international, and its myriad uses in(...)
Titre:
Modeling messages : the architect and the model
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$12.99
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The model is one of the oldest means of architectural representation and comes in an extravagant variety of forms, from miniaturizations of reality mesmerizing in their exactness to wildly energetic sculptural representations. "Modeling Messages: The Architect and the Model" is a study of the contemporary model, American and international, and its myriad uses in architectural practice. Among the illustrations are inventive designs by architects Peter Eisenman, Frank Gehry, Zaha Hadid, and Rem Koolhaas. Author Karen Moon discusses the meaning of the model for the architect, the relationship between model and building, and the impact of scale. She also explores how architects use models for presentation and the creation of a public image. In addition, she focuses on the practice of model making: the relationship between the architect and the maker; the materials and new technologies that are transforming model making.
Modeling messages : the architect and the model
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$12.99
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The model is one of the oldest means of architectural representation and comes in an extravagant variety of forms, from miniaturizations of reality mesmerizing in their exactness to wildly energetic sculptural representations. "Modeling Messages: The Architect and the Model" is a study of the contemporary model, American and international, and its myriad uses in architectural practice. Among the illustrations are inventive designs by architects Peter Eisenman, Frank Gehry, Zaha Hadid, and Rem Koolhaas. Author Karen Moon discusses the meaning of the model for the architect, the relationship between model and building, and the impact of scale. She also explores how architects use models for presentation and the creation of a public image. In addition, she focuses on the practice of model making: the relationship between the architect and the maker; the materials and new technologies that are transforming model making.
Classification:
livres
livres
Publication:
juin 2004, New York
juin 2004, New York
