3611 Résultats
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This publication accompanies the National Pavilion of the United Arab Emirates at la Biennale Di Venezia 2014.
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This publication accompanies the National Pavilion of the United Arab Emirates at la Biennale Di Venezia 2014.
Titre:
Lest We Forget: structures of Memory in the UAE, National Pavilion United Arab Emirates, la Biennale Di Venezia 2014
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This publication accompanies the National Pavilion of the United Arab Emirates at la Biennale Di Venezia 2014.
Lest We Forget: structures of Memory in the UAE, National Pavilion United Arab Emirates, la Biennale Di Venezia 2014
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This publication accompanies the National Pavilion of the United Arab Emirates at la Biennale Di Venezia 2014.
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Au seizième siècle, l’Empire ottoman est à son apogée. Alors que Michel-Ange travaille à la construction de Saint-Pierre du Vatican, Sinan, architecte impérial du sultan, érige les plus célèbres mosquées ottomanes, parmi lesquelles la Süleymaniye et la Selimye. Qui aurait pu prédire le destin de cet enfant chrétien – sa famille est originaire d’Arménie – arraché aux(...)
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Au seizième siècle, l’Empire ottoman est à son apogée. Alors que Michel-Ange travaille à la construction de Saint-Pierre du Vatican, Sinan, architecte impérial du sultan, érige les plus célèbres mosquées ottomanes, parmi lesquelles la Süleymaniye et la Selimye. Qui aurait pu prédire le destin de cet enfant chrétien – sa famille est originaire d’Arménie – arraché aux(...)
Titre:
Sinan, architecte de Soliman le magnifique
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Au seizième siècle, l’Empire ottoman est à son apogée. Alors que Michel-Ange travaille à la construction de Saint-Pierre du Vatican, Sinan, architecte impérial du sultan, érige les plus célèbres mosquées ottomanes, parmi lesquelles la Süleymaniye et la Selimye. Qui aurait pu prédire le destin de cet enfant chrétien – sa famille est originaire d’Arménie – arraché aux siens pour servir l’Empire ottoman ? Enrôlé et converti, le jeune Sinan parcourt le vaste territoire ottoman au sein du corps des janissaires. De Damas en Bulgarie, de Bagdad à Istanbul, ce fils de charpentier passe vingt-cinq ans dans le génie à construire et restaurer des ponts, des forteresses et autres édifices civils ou religieux. En 1538, il a cinquante ans quand, ses mérites reconnus, il est nommé architecte impérial sur ordre du sultan. Sous les règnes de Soliman le Magnifique, de Selim II, puis de Murat III, Sinan construit plus de cinq cents bâtiments (mosquées, palais, écoles, ponts, hôpitaux…) à travers l’empire. Illustré de photographies d’Ara Güler ainsi que de plans d’architecte, Sinan, architecte de Soliman le Magnifique présente les plus grandes réalisations de l’architecte ottoman et atteste l’accomplissement d’un homme qui a laissé son empreinte sur une civilisation entière. Son œuvre et ses mémoires constituent un témoignage essentiel sur l’âge d’or ottoman.
Sinan, architecte de Soliman le magnifique
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Au seizième siècle, l’Empire ottoman est à son apogée. Alors que Michel-Ange travaille à la construction de Saint-Pierre du Vatican, Sinan, architecte impérial du sultan, érige les plus célèbres mosquées ottomanes, parmi lesquelles la Süleymaniye et la Selimye. Qui aurait pu prédire le destin de cet enfant chrétien – sa famille est originaire d’Arménie – arraché aux siens pour servir l’Empire ottoman ? Enrôlé et converti, le jeune Sinan parcourt le vaste territoire ottoman au sein du corps des janissaires. De Damas en Bulgarie, de Bagdad à Istanbul, ce fils de charpentier passe vingt-cinq ans dans le génie à construire et restaurer des ponts, des forteresses et autres édifices civils ou religieux. En 1538, il a cinquante ans quand, ses mérites reconnus, il est nommé architecte impérial sur ordre du sultan. Sous les règnes de Soliman le Magnifique, de Selim II, puis de Murat III, Sinan construit plus de cinq cents bâtiments (mosquées, palais, écoles, ponts, hôpitaux…) à travers l’empire. Illustré de photographies d’Ara Güler ainsi que de plans d’architecte, Sinan, architecte de Soliman le Magnifique présente les plus grandes réalisations de l’architecte ottoman et atteste l’accomplissement d’un homme qui a laissé son empreinte sur une civilisation entière. Son œuvre et ses mémoires constituent un témoignage essentiel sur l’âge d’or ottoman.
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Architecture and tourism in Italian colonial Libya : an ambivalent modernism / Brian L. McLaren.
Architecture and tourism in Italian colonial Libya : an ambivalent modernism / Brian L. McLaren.
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xi, 287 pages, 16 pages of plates : illustrations (some color), maps (some color) ; 27 cm.
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xi, 287 pages, 16 pages of plates : illustrations (some color), maps (some color) ; 27 cm.
Auteur:
Sujet:
- Architecture and tourism Libya.,
- Architecture, Colonial Libya.,
- Architecture, Italian Libya.,
- Fascism and architecture Libya.,
- Architecture et tourisme Libye.,
- Architecture coloniale Libye.,
- Architecture italienne Libye.,
- Fascisme et architecture Libye.,
- Architecture and tourism.,
- Architecture, Colonial.,
- Architecture, Italian.,
- Fascism and architecture.,
- Architektur,
- Faschismus,
- Kolonie,
- Tourismus,
- Libya History 1912-1951.,
- Libye Histoire 1912-1951.,
- Libya.,
- Italien,
- Libyen,
- Libya History.,
- History.
Publication:
Seattle : University of Washington Press, ©2006.
Seattle : University of Washington Press, ©2006.
Titre:
Architecture and tourism in Italian colonial Libya : an ambivalent modernism / Brian L. McLaren.
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xi, 287 pages, 16 pages of plates : illustrations (some color), maps (some color) ; 27 cm.
Architecture and tourism in Italian colonial Libya : an ambivalent modernism / Brian L. McLaren.
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xi, 287 pages, 16 pages of plates : illustrations (some color), maps (some color) ; 27 cm.
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livres
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Seattle : University of Washington Press, ©2006.
Seattle : University of Washington Press, ©2006.
Auteur:
Sujet:
- Architecture and tourism Libya.,
- Architecture, Colonial Libya.,
- Architecture, Italian Libya.,
- Fascism and architecture Libya.,
- Architecture et tourisme Libye.,
- Architecture coloniale Libye.,
- Architecture italienne Libye.,
- Fascisme et architecture Libye.,
- Architecture and tourism.,
- Architecture, Colonial.,
- Architecture, Italian.,
- Fascism and architecture.,
- Architektur,
- Faschismus,
- Kolonie,
- Tourismus,
- Libya History 1912-1951.,
- Libye Histoire 1912-1951.,
- Libya.,
- Italien,
- Libyen,
- Libya History.,
- History.
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livres
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221 pages : illustrations (chiefly color) ; 22 cm
Description:
221 pages : illustrations (chiefly color) ; 22 cm
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- Future in art 21st century.,
- Ecology in art 21st century.,
- Human ecology in art 21st century.,
- Social justice in art 21st century.,
- Art and society 21st century.,
- Art Political aspects 21st century.,
- Minorities in art 21st century.,
- Minorities Social conditions 21st century.,
- Future in art.,
- Human ecology in art.,
- Social justice in art.,
- Art and society.,
- Minorities in art.,
- Minorities Social conditions.,
- Futur dans l'art.,
- Écologie humaine dans l'art.,
- Justice sociale dans l'art.,
- Art et société.,
- Art Aspect politique.,
- Minorités dans l'art.,
- Minorités Conditions sociales.,
- Futur dans l'art 21e siècle.,
- Écologie humaine dans l'art 21e siècle.,
- Justice sociale dans l'art 21e siècle.,
- Art et société 21e siècle.,
- Minorités dans l'art 21e siècle.,
- Minorités Conditions sociales 21e siècle.,
- political art.,
- Art Political aspects.,
- Ecology in art.
Publication:
London : Sternberg Press, [2023], ©2023
London : Sternberg Press, [2023], ©2023
Titre:
Radical futurisms : ecologies of collapse, chronopolitics and justice-to-come / T.J. Demos.
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221 pages : illustrations (chiefly color) ; 22 cm
Radical futurisms : ecologies of collapse, chronopolitics and justice-to-come / T.J. Demos.
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221 pages : illustrations (chiefly color) ; 22 cm
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London : Sternberg Press, [2023], ©2023
London : Sternberg Press, [2023], ©2023
Auteur:
Sujet:
- Future in art 21st century.,
- Ecology in art 21st century.,
- Human ecology in art 21st century.,
- Social justice in art 21st century.,
- Art and society 21st century.,
- Art Political aspects 21st century.,
- Minorities in art 21st century.,
- Minorities Social conditions 21st century.,
- Future in art.,
- Human ecology in art.,
- Social justice in art.,
- Art and society.,
- Minorities in art.,
- Minorities Social conditions.,
- Futur dans l'art.,
- Écologie humaine dans l'art.,
- Justice sociale dans l'art.,
- Art et société.,
- Art Aspect politique.,
- Minorités dans l'art.,
- Minorités Conditions sociales.,
- Futur dans l'art 21e siècle.,
- Écologie humaine dans l'art 21e siècle.,
- Justice sociale dans l'art 21e siècle.,
- Art et société 21e siècle.,
- Minorités dans l'art 21e siècle.,
- Minorités Conditions sociales 21e siècle.,
- political art.,
- Art Political aspects.,
- Ecology in art.
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90 p. : color illustrations, maps, portraits ; 21 cm
Description:
90 p. : color illustrations, maps, portraits ; 21 cm
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- Mathare,
- Slums Kenya Nairobi.,
- Squatter settlements Kenya Nairobi.,
- Environmental management Kenya Nairobi.,
- Urban gardening Kenya Nairobi.,
- Land use Kenya Nairobi.,
- slum,
- byplanlægning,
- uplanlagte byer,
- hovedstæder,
- byliv,
- renovation,
- affaldshåndtering,
- skoler,
- urban gardening,
- byhaver,
- kulturliv,
- hverdagsliv,
- Bidonvilles Kenya Nairobi.,
- Environnement Gestion Kenya Nairobi.,
- Jardinage urbain Kenya Nairobi.,
- Utilisation du sol Kenya Nairobi.,
- Environmental management,
- Land use,
- Slums,
- Squatter settlements,
- Urban gardening,
- Mathare (Nairobi, Kenya),
- Kenya Nairobi
Publication:
New York : Actar, 2013.
New York : Actar, 2013.
Titre:
Slum insider : Mathare, Nairobi.
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90 p. : color illustrations, maps, portraits ; 21 cm
Slum insider : Mathare, Nairobi.
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90 p. : color illustrations, maps, portraits ; 21 cm
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Publication:
New York : Actar, 2013.
New York : Actar, 2013.
Auteur:
Sujet:
- Mathare,
- Slums Kenya Nairobi.,
- Squatter settlements Kenya Nairobi.,
- Environmental management Kenya Nairobi.,
- Urban gardening Kenya Nairobi.,
- Land use Kenya Nairobi.,
- slum,
- byplanlægning,
- uplanlagte byer,
- hovedstæder,
- byliv,
- renovation,
- affaldshåndtering,
- skoler,
- urban gardening,
- byhaver,
- kulturliv,
- hverdagsliv,
- Bidonvilles Kenya Nairobi.,
- Environnement Gestion Kenya Nairobi.,
- Jardinage urbain Kenya Nairobi.,
- Utilisation du sol Kenya Nairobi.,
- Environmental management,
- Land use,
- Slums,
- Squatter settlements,
- Urban gardening,
- Mathare (Nairobi, Kenya),
- Kenya Nairobi
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Description:
180 pages : illustrations ; 31 cm
Description:
180 pages : illustrations ; 31 cm
Auteur:
- Stein, Sally.,
- Gutmann, John.,
- Rule, Amy.,
- University of Arizona. Center for Creative Photography.
Sujet:
- Gutmann, John Exhibitions.,
- Gutmann, John,
- Gutmann, John 1905-1998,
- Gutmann, John utställningskataloger.,
- Photojournalism Exhibitions.,
- Photographie de presse Expositions.,
- Photojournalism,
- Fotografie,
- Dokumentarphotographie.,
- Photographie.,
- Jewish photographers,
- Photographers United States Biography,
- Photographs United States,
- Fotografi Förenta staterna 1900-talet.,
- USA,
- Exhibition catalogues.,
- Exhibition catalogs.,
- Photography, Artistic.
Publication:
Tucson : Center for Creative Photography, the University of Arizona ; New Haven [Conn.] : in association with Yale University Press, 2009.
Tucson : Center for Creative Photography, the University of Arizona ; New Haven [Conn.] : in association with Yale University Press, 2009.
Titre:
John Gutmann : the photographer at work / Sally Stein ; foreword by Douglas R. Nickel ; with a contribution by Amy Rule.
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180 pages : illustrations ; 31 cm
John Gutmann : the photographer at work / Sally Stein ; foreword by Douglas R. Nickel ; with a contribution by Amy Rule.
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180 pages : illustrations ; 31 cm
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Publication:
Tucson : Center for Creative Photography, the University of Arizona ; New Haven [Conn.] : in association with Yale University Press, 2009.
Tucson : Center for Creative Photography, the University of Arizona ; New Haven [Conn.] : in association with Yale University Press, 2009.
Auteur:
- Stein, Sally.,
- Gutmann, John.,
- Rule, Amy.,
- University of Arizona. Center for Creative Photography.
Sujet:
- Gutmann, John Exhibitions.,
- Gutmann, John,
- Gutmann, John 1905-1998,
- Gutmann, John utställningskataloger.,
- Photojournalism Exhibitions.,
- Photographie de presse Expositions.,
- Photojournalism,
- Fotografie,
- Dokumentarphotographie.,
- Photographie.,
- Jewish photographers,
- Photographers United States Biography,
- Photographs United States,
- Fotografi Förenta staterna 1900-talet.,
- USA,
- Exhibition catalogues.,
- Exhibition catalogs.,
- Photography, Artistic.
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xi, 187 pages : illustrations (some color) ; 26 cm
Description:
xi, 187 pages : illustrations (some color) ; 26 cm
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- Rand, Paul, 1914-1996 Criticism and interpretation.,
- Rand, Paul Criticism and interpretation.,
- Rand, Paul, 1914-1996,
- Rand, Paul (Künstler, 1914-1996),
- Design.,
- Commercial art.,
- Art Philosophy.,
- Industrial design.,
- Art publicitaire.,
- Art Philosophie.,
- industrial design.,
- design (discipline),
- commercial art.,
- Decorative arts.,
- Corporate identity,
- Graphic design,
- Logos and logotype,
- Art,
- Decoration and ornament, Architectural,
- Criticism, interpretation, etc.
Publication:
New Haven : Yale University Press, 1996.
New Haven : Yale University Press, 1996.
Titre:
From Lascaux to Brooklyn / Paul Rand.
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Description:
xi, 187 pages : illustrations (some color) ; 26 cm
From Lascaux to Brooklyn / Paul Rand.
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xi, 187 pages : illustrations (some color) ; 26 cm
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livres
Publication:
New Haven : Yale University Press, 1996.
New Haven : Yale University Press, 1996.
Auteur:
Sujet:
- Rand, Paul, 1914-1996 Criticism and interpretation.,
- Rand, Paul Criticism and interpretation.,
- Rand, Paul, 1914-1996,
- Rand, Paul (Künstler, 1914-1996),
- Design.,
- Commercial art.,
- Art Philosophy.,
- Industrial design.,
- Art publicitaire.,
- Art Philosophie.,
- industrial design.,
- design (discipline),
- commercial art.,
- Decorative arts.,
- Corporate identity,
- Graphic design,
- Logos and logotype,
- Art,
- Decoration and ornament, Architectural,
- Criticism, interpretation, etc.
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$85.00
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The ports of the Swahili coast-- Zanzibar and Mombasa among them-- have long been dynamic centers of trade where diverse peoples, ideas, and materials converge. With the arrival of photography in the mid-nineteenth century, these predominantly Muslim coastal communities cultivated and transformed the medium. "The surface of things" examines the complex maritime dynamics(...)
$85.00
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Résumé:
The ports of the Swahili coast-- Zanzibar and Mombasa among them-- have long been dynamic centers of trade where diverse peoples, ideas, and materials converge. With the arrival of photography in the mid-nineteenth century, these predominantly Muslim coastal communities cultivated and transformed the medium. "The surface of things" examines the complex maritime dynamics(...)
Titre:
The surface of things: A history of photography from the Swahili Coast
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$85.00
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The ports of the Swahili coast-- Zanzibar and Mombasa among them-- have long been dynamic centers of trade where diverse peoples, ideas, and materials converge. With the arrival of photography in the mid-nineteenth century, these predominantly Muslim coastal communities cultivated and transformed the medium. "The surface of things" examines the complex maritime dynamics that shaped the photography of coastal Africa, exploring the pleasure and power of beautiful things and the ways people and their pictures transcended the boundaries of the colonial world. Immersing readers in the globally interconnected networks of eastern Africa’s port cities, Prita Meier demonstrates how photographs are not static images but mobile objects with remarkable shape-shifting qualities.
The surface of things: A history of photography from the Swahili Coast
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$85.00
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The ports of the Swahili coast-- Zanzibar and Mombasa among them-- have long been dynamic centers of trade where diverse peoples, ideas, and materials converge. With the arrival of photography in the mid-nineteenth century, these predominantly Muslim coastal communities cultivated and transformed the medium. "The surface of things" examines the complex maritime dynamics that shaped the photography of coastal Africa, exploring the pleasure and power of beautiful things and the ways people and their pictures transcended the boundaries of the colonial world. Immersing readers in the globally interconnected networks of eastern Africa’s port cities, Prita Meier demonstrates how photographs are not static images but mobile objects with remarkable shape-shifting qualities.
Sujet:
Photographie- collections
Photographie- collections
Titre:
GRAFT: architecture activism
GRAFT: architecture activism
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Founded in Los Angeles in 1998, GRAFT is a global architectural practice which now maintains branches in Berlin and Beijing. The international practice, which is involved in architectural, urban, and product design – as well as branding – is known for its experimental and interdisciplinary designs as well as for its strong social commitment. The publication will document(...)
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Résumé:
Founded in Los Angeles in 1998, GRAFT is a global architectural practice which now maintains branches in Berlin and Beijing. The international practice, which is involved in architectural, urban, and product design – as well as branding – is known for its experimental and interdisciplinary designs as well as for its strong social commitment. The publication will document(...)
Titre:
GRAFT: architecture activism
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$65.95
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Founded in Los Angeles in 1998, GRAFT is a global architectural practice which now maintains branches in Berlin and Beijing. The international practice, which is involved in architectural, urban, and product design – as well as branding – is known for its experimental and interdisciplinary designs as well as for its strong social commitment. The publication will document only projects characteristic of this social responsibility – it portrays architecture as an active tool for driving, in a global context, the development of places worth living in. One key project is the Solar Kiosk developed in 2012, a high-output, solar-based unit which is already used by many communities in Sub-Saharan Africa to secure their power supply.
GRAFT: architecture activism
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$65.95
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Founded in Los Angeles in 1998, GRAFT is a global architectural practice which now maintains branches in Berlin and Beijing. The international practice, which is involved in architectural, urban, and product design – as well as branding – is known for its experimental and interdisciplinary designs as well as for its strong social commitment. The publication will document only projects characteristic of this social responsibility – it portrays architecture as an active tool for driving, in a global context, the development of places worth living in. One key project is the Solar Kiosk developed in 2012, a high-output, solar-based unit which is already used by many communities in Sub-Saharan Africa to secure their power supply.
Sujet:
Architecture, monographies
Architecture, monographies
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$90.00
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The leading Russian propaganda artist Aleksandr Zhitomirsky (1907–1993) made photomontages that were airdropped on German troops during World War II. He later worked for Pravda and other leading publications, satirizing American politics and finance from the Truman through the Reagan eras and educating his public about Egypt, South Africa, Vietnam, and Nicaragua as well.(...)
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The leading Russian propaganda artist Aleksandr Zhitomirsky (1907–1993) made photomontages that were airdropped on German troops during World War II. He later worked for Pravda and other leading publications, satirizing American politics and finance from the Truman through the Reagan eras and educating his public about Egypt, South Africa, Vietnam, and Nicaragua as well.(...)
Titre:
Aleksandr Zhitomirsky: photomontage as a weapon of WWII and the Cold War
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The leading Russian propaganda artist Aleksandr Zhitomirsky (1907–1993) made photomontages that were airdropped on German troops during World War II. He later worked for Pravda and other leading publications, satirizing American politics and finance from the Truman through the Reagan eras and educating his public about Egypt, South Africa, Vietnam, and Nicaragua as well. Zhitomirsky favored the grotesque and the eye-catching. In this comprehensive account of Zhitomirsky’s long career, Erika Wolf explores his connections to and long friendship with the German artist John Heartfield, whose work inspired his own. Wolf also examines more than 100 of Zhitomirsky’s photomontages and translates excerpts from his one published book, "The Art of Political Photomontage: Advice for the Artist" (1983).
Aleksandr Zhitomirsky: photomontage as a weapon of WWII and the Cold War
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Résumé:
The leading Russian propaganda artist Aleksandr Zhitomirsky (1907–1993) made photomontages that were airdropped on German troops during World War II. He later worked for Pravda and other leading publications, satirizing American politics and finance from the Truman through the Reagan eras and educating his public about Egypt, South Africa, Vietnam, and Nicaragua as well. Zhitomirsky favored the grotesque and the eye-catching. In this comprehensive account of Zhitomirsky’s long career, Erika Wolf explores his connections to and long friendship with the German artist John Heartfield, whose work inspired his own. Wolf also examines more than 100 of Zhitomirsky’s photomontages and translates excerpts from his one published book, "The Art of Political Photomontage: Advice for the Artist" (1983).
Sujet:
Expositions en cours
Expositions en cours