3590 Résultats
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livres
livres
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CCCP (Multilingual Edition)
CCCP (Multilingual Edition)
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This publication explores 90 buildings in 14 former Soviet Republics. Each of these structures expresses what Chaubin considers the fourth age of Soviet architecture, an unknown burgeoning that took place from 1970 until 1990. Contrary to the 1920s and 1950s, no “school” or main trend emerges here. These buildings represent a chaotic impulse brought about by a decaying(...)
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This publication explores 90 buildings in 14 former Soviet Republics. Each of these structures expresses what Chaubin considers the fourth age of Soviet architecture, an unknown burgeoning that took place from 1970 until 1990. Contrary to the 1920s and 1950s, no “school” or main trend emerges here. These buildings represent a chaotic impulse brought about by a decaying(...)
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CCCP (Multilingual Edition)
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$26.95
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This publication explores 90 buildings in 14 former Soviet Republics. Each of these structures expresses what Chaubin considers the fourth age of Soviet architecture, an unknown burgeoning that took place from 1970 until 1990. Contrary to the 1920s and 1950s, no “school” or main trend emerges here. These buildings represent a chaotic impulse brought about by a decaying system. Taking advantage of the collapsing monolithic structure, architects went far beyond modernism, going back to the roots or freely innovating. Some of the daring ones completed projects that the Constructivists would have dreamt of (Druzhba Sanatorium, Yalta), others expressed their imagination in an expressionist way (Palace of Weddings, Tbilisi). A summer camp, inspired by sketches of a prototype lunar base, lays claim to Suprematist influence (Prometheus youth camp, Bogatyr). Then comes the “speaking architecture” widespread in the last years of the USSR: a crematorium adorned with concrete flames (Crematorium, Kiev), a technological institute with a flying saucer crashed on the roof (Institute of Scientific Research, Kiev), a political center watching you like Big Brother (House of Soviets, Kaliningrad).
CCCP (Multilingual Edition)
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This publication explores 90 buildings in 14 former Soviet Republics. Each of these structures expresses what Chaubin considers the fourth age of Soviet architecture, an unknown burgeoning that took place from 1970 until 1990. Contrary to the 1920s and 1950s, no “school” or main trend emerges here. These buildings represent a chaotic impulse brought about by a decaying system. Taking advantage of the collapsing monolithic structure, architects went far beyond modernism, going back to the roots or freely innovating. Some of the daring ones completed projects that the Constructivists would have dreamt of (Druzhba Sanatorium, Yalta), others expressed their imagination in an expressionist way (Palace of Weddings, Tbilisi). A summer camp, inspired by sketches of a prototype lunar base, lays claim to Suprematist influence (Prometheus youth camp, Bogatyr). Then comes the “speaking architecture” widespread in the last years of the USSR: a crematorium adorned with concrete flames (Crematorium, Kiev), a technological institute with a flying saucer crashed on the roof (Institute of Scientific Research, Kiev), a political center watching you like Big Brother (House of Soviets, Kaliningrad).
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livres
livres
Publication:
novembre 2017
novembre 2017
Sujet:
Photographie par région
Photographie par région
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livres
livres
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The rise of a prominent auditory culture, reveals the degree to which sound art is lending definition to the 21st Century. And yet sound art still lacks related literature to compliment, and expand, the realm of practice. Background Noise sets out an historical overview, while at the same time shaping that history according to what sound art reveals - the dynamics of art(...)
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The rise of a prominent auditory culture, reveals the degree to which sound art is lending definition to the 21st Century. And yet sound art still lacks related literature to compliment, and expand, the realm of practice. Background Noise sets out an historical overview, while at the same time shaping that history according to what sound art reveals - the dynamics of art(...)
Titre:
Background noise: perspectives on sound art
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The rise of a prominent auditory culture, reveals the degree to which sound art is lending definition to the 21st Century. And yet sound art still lacks related literature to compliment, and expand, the realm of practice. Background Noise sets out an historical overview, while at the same time shaping that history according to what sound art reveals - the dynamics of art to operate spatially, through media of reproduction and broadcast, and in relation to the intensities of communication and its contextual framework Brandon LaBelle is a writer and curator who currently lives in Denmark. From 1998 to 2002 he developed and curated an international sound art festival in Los Angeles, Beyond Music; in 2001 he developed and organized Social Music, a series of radio works for Kunstradio in Vienna; in 2002 he curated Concrete Feedback, an exhibition of sound installations working with architecture, presented at the Southern California Institute of Architecture; and in 2002-03 he researched and curated the music section to the exhibition, Beyond Geometry: Experiments in Form, 1940s - 1970s for the Los Angeles County Museum of Art.
Background noise: perspectives on sound art
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$30.95
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The rise of a prominent auditory culture, reveals the degree to which sound art is lending definition to the 21st Century. And yet sound art still lacks related literature to compliment, and expand, the realm of practice. Background Noise sets out an historical overview, while at the same time shaping that history according to what sound art reveals - the dynamics of art to operate spatially, through media of reproduction and broadcast, and in relation to the intensities of communication and its contextual framework Brandon LaBelle is a writer and curator who currently lives in Denmark. From 1998 to 2002 he developed and curated an international sound art festival in Los Angeles, Beyond Music; in 2001 he developed and organized Social Music, a series of radio works for Kunstradio in Vienna; in 2002 he curated Concrete Feedback, an exhibition of sound installations working with architecture, presented at the Southern California Institute of Architecture; and in 2002-03 he researched and curated the music section to the exhibition, Beyond Geometry: Experiments in Form, 1940s - 1970s for the Los Angeles County Museum of Art.
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livres
livres
Publication:
avril 2006, New York, London
avril 2006, New York, London
Sujet:
Acoustique
Acoustique
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livres
livres
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$97.95
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The desire to have a home of one’s own is still the leading motivation for those who wish to construct or purchase buildings. Row and twin houses and ribbon developments constitute an affordable alternative to the single-family house, especially for young families. In times of tight budgets and rising investment costs, they represent a sensible alternative to the(...)
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The desire to have a home of one’s own is still the leading motivation for those who wish to construct or purchase buildings. Row and twin houses and ribbon developments constitute an affordable alternative to the single-family house, especially for young families. In times of tight budgets and rising investment costs, they represent a sensible alternative to the(...)
Sujet:
Architecture résidentielle
Architecture résidentielle
Publication:
juillet 2006, Basel Boston Berlin
juillet 2006, Basel Boston Berlin
Titre:
In detail : semi-detached and terraced houses
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The desire to have a home of one’s own is still the leading motivation for those who wish to construct or purchase buildings. Row and twin houses and ribbon developments constitute an affordable alternative to the single-family house, especially for young families. In times of tight budgets and rising investment costs, they represent a sensible alternative to the freestanding single-family house, particularly in terms of their use of open space. That they can also be appealing, high-quality houses is shown by the selected international examples in this new volume in the series In Detail. The projects presented are organized by building material and clearly documented with an area map, ground plans, and interrelated sections. The documentation of examples is supplemented by technical articles offering concrete support and assistance for the planner and building sponsor. In addition to analyzing the typology of the high-density, single-family house, the volume introduces different planning and financing models as well as energy-saving building methods and construction with prefabricated parts.
In detail : semi-detached and terraced houses
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The desire to have a home of one’s own is still the leading motivation for those who wish to construct or purchase buildings. Row and twin houses and ribbon developments constitute an affordable alternative to the single-family house, especially for young families. In times of tight budgets and rising investment costs, they represent a sensible alternative to the freestanding single-family house, particularly in terms of their use of open space. That they can also be appealing, high-quality houses is shown by the selected international examples in this new volume in the series In Detail. The projects presented are organized by building material and clearly documented with an area map, ground plans, and interrelated sections. The documentation of examples is supplemented by technical articles offering concrete support and assistance for the planner and building sponsor. In addition to analyzing the typology of the high-density, single-family house, the volume introduces different planning and financing models as well as energy-saving building methods and construction with prefabricated parts.
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livres
livres
Publication:
juillet 2006, Basel Boston Berlin
juillet 2006, Basel Boston Berlin
Sujet:
Architecture résidentielle
Architecture résidentielle
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livres
livres
Titre:
Andy Warhol: blow job
Andy Warhol: blow job
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In Andy Warhol's silent black-and-white movie, Blow Job (1964), a youth is filmed as he is apparently being given the sex act named in the title. The 35-minute film is accentuated by the paucity of expression on the actor's face: we see only his head and shoulders, rigidly framed so that all offscreen space has to be imagined, or avoided. In this extended examination of(...)
$16.00
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In Andy Warhol's silent black-and-white movie, Blow Job (1964), a youth is filmed as he is apparently being given the sex act named in the title. The 35-minute film is accentuated by the paucity of expression on the actor's face: we see only his head and shoulders, rigidly framed so that all offscreen space has to be imagined, or avoided. In this extended examination of(...)
Titre:
Andy Warhol: blow job
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In Andy Warhol's silent black-and-white movie, Blow Job (1964), a youth is filmed as he is apparently being given the sex act named in the title. The 35-minute film is accentuated by the paucity of expression on the actor's face: we see only his head and shoulders, rigidly framed so that all offscreen space has to be imagined, or avoided. In this extended examination of Blow Job, Peter Gidal deciphers the structures, abstract and concrete, of Warhol's crucial film. Warhol's techniques—the use of the close-up, the general use of camera movement, and the complete theatrical mise en scène—(especially when compared to the Godardian cinéma vérité of the time) make the materiality of the film process, its making and viewing, ineluctably present. An important experimental filmmaker, Gidal has had retrospectives at the London Film-Maker's Co-op; the Centre Pompidou, Paris; the National Film Theatre, London, as well as in Japan and San Francisco. He taught advanced film theory at the Royal College of Art, London, from 1971-1983.
Andy Warhol: blow job
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In Andy Warhol's silent black-and-white movie, Blow Job (1964), a youth is filmed as he is apparently being given the sex act named in the title. The 35-minute film is accentuated by the paucity of expression on the actor's face: we see only his head and shoulders, rigidly framed so that all offscreen space has to be imagined, or avoided. In this extended examination of Blow Job, Peter Gidal deciphers the structures, abstract and concrete, of Warhol's crucial film. Warhol's techniques—the use of the close-up, the general use of camera movement, and the complete theatrical mise en scène—(especially when compared to the Godardian cinéma vérité of the time) make the materiality of the film process, its making and viewing, ineluctably present. An important experimental filmmaker, Gidal has had retrospectives at the London Film-Maker's Co-op; the Centre Pompidou, Paris; the National Film Theatre, London, as well as in Japan and San Francisco. He taught advanced film theory at the Royal College of Art, London, from 1971-1983.
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livres
livres
Publication:
janvier 1900, London
janvier 1900, London
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$64.00
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Between the disciplines of art history and the history of science lies a growing field of inquiry into what science and art share as both image-making and knowledge-producing activities. The contributors of Picturing Science, Producing Art occupy this intermediate zone to analyze both scientific and aesthetic representations, utilizing disciplinary perspectives that range(...)
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Between the disciplines of art history and the history of science lies a growing field of inquiry into what science and art share as both image-making and knowledge-producing activities. The contributors of Picturing Science, Producing Art occupy this intermediate zone to analyze both scientific and aesthetic representations, utilizing disciplinary perspectives that range(...)
Titre:
Picturing science producing art
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Between the disciplines of art history and the history of science lies a growing field of inquiry into what science and art share as both image-making and knowledge-producing activities. The contributors of Picturing Science, Producing Art occupy this intermediate zone to analyze both scientific and aesthetic representations, utilizing disciplinary perspectives that range from art history to sociology, history and philosophy of science to gender studies, cultural history to the philosophy of mind. Organized in five sites--Styles, The Body, Seeing Wonders, Objectivity/Subjectivity, and Cultures of Vision--their topics extend from Cinquecento theories of female reproduction to the technologies of cloning, from medieval depictions of the stigmata to electrical metaphors for sex, from astronomical drawings to radioencephalography, from Phoenician griffons carved in ivory to factories cast in concrete. The internationally renowned contributors go beyond both science wars and culture wars by exploring substantive links between systems of visual representation and knowledge in science and art. Contributors include Svetlana Alpers, Jonathan Crary, Arnold Davidson, Carlo Ginzburg, Donna Haraway, Bruno Latour, and Simon Schaffer.
Picturing science producing art
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Between the disciplines of art history and the history of science lies a growing field of inquiry into what science and art share as both image-making and knowledge-producing activities. The contributors of Picturing Science, Producing Art occupy this intermediate zone to analyze both scientific and aesthetic representations, utilizing disciplinary perspectives that range from art history to sociology, history and philosophy of science to gender studies, cultural history to the philosophy of mind. Organized in five sites--Styles, The Body, Seeing Wonders, Objectivity/Subjectivity, and Cultures of Vision--their topics extend from Cinquecento theories of female reproduction to the technologies of cloning, from medieval depictions of the stigmata to electrical metaphors for sex, from astronomical drawings to radioencephalography, from Phoenician griffons carved in ivory to factories cast in concrete. The internationally renowned contributors go beyond both science wars and culture wars by exploring substantive links between systems of visual representation and knowledge in science and art. Contributors include Svetlana Alpers, Jonathan Crary, Arnold Davidson, Carlo Ginzburg, Donna Haraway, Bruno Latour, and Simon Schaffer.
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livres
livres
Publication:
juin 1998
juin 1998
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livres
livres
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Hermann & Valentiny first came to public attention in the 1980s with their villa in the Rauchstrasse, a part of the International Building Exhibition in Berlin, when postmodernism was at its peak in Europe. Since then the office which is based in Vienna and Remerschen has built in Austria, Luxembourg and Germany, and its architecture has progressed in both form and(...)
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Hermann & Valentiny first came to public attention in the 1980s with their villa in the Rauchstrasse, a part of the International Building Exhibition in Berlin, when postmodernism was at its peak in Europe. Since then the office which is based in Vienna and Remerschen has built in Austria, Luxembourg and Germany, and its architecture has progressed in both form and(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
mai 2001, Basel / Boston / Berlin
mai 2001, Basel / Boston / Berlin
Titre:
Hermann & Valentiny and partners : jetz / now
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$99.00
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Hermann & Valentiny first came to public attention in the 1980s with their villa in the Rauchstrasse, a part of the International Building Exhibition in Berlin, when postmodernism was at its peak in Europe. Since then the office which is based in Vienna and Remerschen has built in Austria, Luxembourg and Germany, and its architecture has progressed in both form and content. Representing Luxembourg at the architecture biennale in Venice, Hermann & Valentiny reveal how architecture and art can be successfully combined. This up-to-date report "Now" illustrates how conceptual questions and a comparatively restricted choice of materials dominate the work of Hermann & Valentiny. Wherever possible they use concrete to replace plaster; glass maintains its unique role; metal mesh acts as a membrane, allowing historical architecture to shimmer through. Moreover, colour has a special function in their architecture. Not just black and white, but also tomato red, melon yellow, peppermint green... Finally, the book reveals the architects' general concepts which incorporate the living, the natural surroundings in the plans.
Hermann & Valentiny and partners : jetz / now
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$99.00
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Hermann & Valentiny first came to public attention in the 1980s with their villa in the Rauchstrasse, a part of the International Building Exhibition in Berlin, when postmodernism was at its peak in Europe. Since then the office which is based in Vienna and Remerschen has built in Austria, Luxembourg and Germany, and its architecture has progressed in both form and content. Representing Luxembourg at the architecture biennale in Venice, Hermann & Valentiny reveal how architecture and art can be successfully combined. This up-to-date report "Now" illustrates how conceptual questions and a comparatively restricted choice of materials dominate the work of Hermann & Valentiny. Wherever possible they use concrete to replace plaster; glass maintains its unique role; metal mesh acts as a membrane, allowing historical architecture to shimmer through. Moreover, colour has a special function in their architecture. Not just black and white, but also tomato red, melon yellow, peppermint green... Finally, the book reveals the architects' general concepts which incorporate the living, the natural surroundings in the plans.
Classification:
livres
livres
Publication:
mai 2001, Basel / Boston / Berlin
mai 2001, Basel / Boston / Berlin
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
Prix:
$140.00
(disponible sur commande)
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Bar, surface, body, and space are the fundamental elements of the design process. Every form, however complex, may be understood as a variation of them. And underlying every concrete design is a design methodology that can be analyzed, taught, and learned as a transformation of these four categories. Taking this theory as its starting point, this book is nothing less(...)
$140.00
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Bar, surface, body, and space are the fundamental elements of the design process. Every form, however complex, may be understood as a variation of them. And underlying every concrete design is a design methodology that can be analyzed, taught, and learned as a transformation of these four categories. Taking this theory as its starting point, this book is nothing less(...)
Titre:
Transformation: basic principles and methodology of design
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$140.00
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Bar, surface, body, and space are the fundamental elements of the design process. Every form, however complex, may be understood as a variation of them. And underlying every concrete design is a design methodology that can be analyzed, taught, and learned as a transformation of these four categories. Taking this theory as its starting point, this book is nothing less than a foundational work for architects, designers, and lay people with an interest in cultural history. It details what could be called the unrivaled grammar of design. With a systematic aim and progressively increasing complexity, it unfolds the creative potential of these categories with succinct texts, uniform drawings, and a broad array of examples from architecture, design, and art. However, the book also occupies an exceptional position as a physical book: the layout makes it especially easy to compare and combine different design steps, and the separate binding of individual groups of pages makes doing so even easier. The result is a kind of construction set that invites the reader to play as well as research.
Transformation: basic principles and methodology of design
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$140.00
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Bar, surface, body, and space are the fundamental elements of the design process. Every form, however complex, may be understood as a variation of them. And underlying every concrete design is a design methodology that can be analyzed, taught, and learned as a transformation of these four categories. Taking this theory as its starting point, this book is nothing less than a foundational work for architects, designers, and lay people with an interest in cultural history. It details what could be called the unrivaled grammar of design. With a systematic aim and progressively increasing complexity, it unfolds the creative potential of these categories with succinct texts, uniform drawings, and a broad array of examples from architecture, design, and art. However, the book also occupies an exceptional position as a physical book: the layout makes it especially easy to compare and combine different design steps, and the separate binding of individual groups of pages makes doing so even easier. The result is a kind of construction set that invites the reader to play as well as research.
Classification:
livres
livres
Publication:
avril 2008, Basel, Berlin, Boston
avril 2008, Basel, Berlin, Boston
Sujet:
Design d’intérieur
Design d’intérieur
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livres
livres
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$99.99
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This second volume of "The Details of Modern Architecture" continues the study of the relationships of the ideals of design and the realities of construction in modern architecture, beginning in the late 1920s and extending to the present day. It contains a wealth of new (...)
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This second volume of "The Details of Modern Architecture" continues the study of the relationships of the ideals of design and the realities of construction in modern architecture, beginning in the late 1920s and extending to the present day. It contains a wealth of new (...)
Publication:
juin 1996, Cambridge, Mass.
juin 1996, Cambridge, Mass.
Titre:
Details of modern architecture - volume 2 : 1928-1988
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This second volume of "The Details of Modern Architecture" continues the study of the relationships of the ideals of design and the realities of construction in modern architecture, beginning in the late 1920s and extending to the present day. It contains a wealth of new information on the construction of modern architecture at a variety of scales from minute details to general principles. There are over 500 illustrations, including 130 original photographs and 230 original axonometric drawings, arranged to explain the technical, aesthetic, and historical aspects of the building form. Individual chapters treat the work of Eliel and Eero Saarinen, Eric Gunnar Asplund, Richard Neutra, Alvar Aalto, Le Corbusier, and Louis Kahn, as well as the Case Study, High Tech, Postmodern, and Deconstructivist architects. Among the individual buildings documented are Eliel Saarinen's Cranbrook School, Asplund's Woodland Cemetery, Fuller's Dymaxion house, the Venturi house, the Eames and other Case Study houses, the concrete buildings of Le Corbusier, Aalto's Säynätsalo Town Hall, and Kahn's Exeter Library and Salk Institute -- with many details published for the first time.
Details of modern architecture - volume 2 : 1928-1988
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This second volume of "The Details of Modern Architecture" continues the study of the relationships of the ideals of design and the realities of construction in modern architecture, beginning in the late 1920s and extending to the present day. It contains a wealth of new information on the construction of modern architecture at a variety of scales from minute details to general principles. There are over 500 illustrations, including 130 original photographs and 230 original axonometric drawings, arranged to explain the technical, aesthetic, and historical aspects of the building form. Individual chapters treat the work of Eliel and Eero Saarinen, Eric Gunnar Asplund, Richard Neutra, Alvar Aalto, Le Corbusier, and Louis Kahn, as well as the Case Study, High Tech, Postmodern, and Deconstructivist architects. Among the individual buildings documented are Eliel Saarinen's Cranbrook School, Asplund's Woodland Cemetery, Fuller's Dymaxion house, the Venturi house, the Eames and other Case Study houses, the concrete buildings of Le Corbusier, Aalto's Säynätsalo Town Hall, and Kahn's Exeter Library and Salk Institute -- with many details published for the first time.
Classification:
livres
livres
Publication:
juin 1996, Cambridge, Mass.
juin 1996, Cambridge, Mass.
Classification:
livres
livres
Titre:
Rent
Rent
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$23.95
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The problem of rent is at the root of vital social concerns in the twenty-first century, ranging from the climate emergency and spiralling economic inequality to the repercussions of global economic crises. But while many of us may be familiar with rent (especially paying it), how should we really understand it? Examining both concrete contexts and complex concepts,(...)
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The problem of rent is at the root of vital social concerns in the twenty-first century, ranging from the climate emergency and spiralling economic inequality to the repercussions of global economic crises. But while many of us may be familiar with rent (especially paying it), how should we really understand it? Examining both concrete contexts and complex concepts,(...)
Titre:
Rent
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$23.95
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The problem of rent is at the root of vital social concerns in the twenty-first century, ranging from the climate emergency and spiralling economic inequality to the repercussions of global economic crises. But while many of us may be familiar with rent (especially paying it), how should we really understand it? Examining both concrete contexts and complex concepts, in this book Joe Collins provides a comprehensive but concise survey of the theories and debates over rent and rentier capitalism. He examines global gentrification from São Paolo to Dublin, the tyranny of technology from Taipei to San Francisco, and the excesses of extractivism from Sekondi to Karratha. In doing so, he reveals how rent is fundamental to the current dominant form of capitalist social organization across the globe and how we can prevent the next generation from seeing our societies rent asunder. An essential resource for students and scholars alike, this groundbreaking book will be of interest to anyone working on capitalism, property, political economy, economic sociology and contemporary politics.
Rent
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$23.95
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The problem of rent is at the root of vital social concerns in the twenty-first century, ranging from the climate emergency and spiralling economic inequality to the repercussions of global economic crises. But while many of us may be familiar with rent (especially paying it), how should we really understand it? Examining both concrete contexts and complex concepts, in this book Joe Collins provides a comprehensive but concise survey of the theories and debates over rent and rentier capitalism. He examines global gentrification from São Paolo to Dublin, the tyranny of technology from Taipei to San Francisco, and the excesses of extractivism from Sekondi to Karratha. In doing so, he reveals how rent is fundamental to the current dominant form of capitalist social organization across the globe and how we can prevent the next generation from seeing our societies rent asunder. An essential resource for students and scholars alike, this groundbreaking book will be of interest to anyone working on capitalism, property, political economy, economic sociology and contemporary politics.
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livres
livres
Publication:
mars 2022
mars 2022
Sujet:
Social
Social
Classification:
livres
livres
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$24.50
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In Evocative Objects, Turkle collects writings by scientists, humanists, artists, and designers that trace the power of everyday things. These essays reveal objects as emotional and intellectual companions that anchor memory, sustain relationships, and provoke new ideas. These days, scholars show new interest in the importance of the concrete. This volume's special(...)
$24.50
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In Evocative Objects, Turkle collects writings by scientists, humanists, artists, and designers that trace the power of everyday things. These essays reveal objects as emotional and intellectual companions that anchor memory, sustain relationships, and provoke new ideas. These days, scholars show new interest in the importance of the concrete. This volume's special(...)
Titre:
Evocative objects : things we think with
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In Evocative Objects, Turkle collects writings by scientists, humanists, artists, and designers that trace the power of everyday things. These essays reveal objects as emotional and intellectual companions that anchor memory, sustain relationships, and provoke new ideas. These days, scholars show new interest in the importance of the concrete. This volume's special contribution is its focus on everyday riches: the simplest of objects - an apple, a datebook, a laptop computer - are shown to bring philosophy down to earth. The poet contends, "No ideas but in things." The notion of evocative objects goes further: objects carry both ideas and passions. In our relations to things, thought and feeling are inseparable. Whether it's a student's beloved 1964 Ford Falcon (left behind for a station wagon and motherhood), or a cello that inspires a meditation on fatherhood, the intimate objects in this collection are used to reflect on larger themes - the role of objects in design and play, discipline and desire, history and exchange, mourning and memory, transition and passage, meditation and new vision.
Evocative objects : things we think with
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Résumé:
In Evocative Objects, Turkle collects writings by scientists, humanists, artists, and designers that trace the power of everyday things. These essays reveal objects as emotional and intellectual companions that anchor memory, sustain relationships, and provoke new ideas. These days, scholars show new interest in the importance of the concrete. This volume's special contribution is its focus on everyday riches: the simplest of objects - an apple, a datebook, a laptop computer - are shown to bring philosophy down to earth. The poet contends, "No ideas but in things." The notion of evocative objects goes further: objects carry both ideas and passions. In our relations to things, thought and feeling are inseparable. Whether it's a student's beloved 1964 Ford Falcon (left behind for a station wagon and motherhood), or a cello that inspires a meditation on fatherhood, the intimate objects in this collection are used to reflect on larger themes - the role of objects in design and play, discipline and desire, history and exchange, mourning and memory, transition and passage, meditation and new vision.
Classification:
livres
livres
Publication:
juillet 2011
juillet 2011
Sujet:
Théorie du design
Théorie du design
