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Usually associated with Mies and Le Corbusier, the Modern Movement was instrumental in advancing new technologies of construction in architecture, including the use of glass, steel, and reinforced concrete. Renowned historian Kenneth Frampton offers a bold look at this crucial period, focusing on architects less commonly associated with the movement in order to reveal the(...)
The other Modern moverment: Architecture, 1920-1970
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Usually associated with Mies and Le Corbusier, the Modern Movement was instrumental in advancing new technologies of construction in architecture, including the use of glass, steel, and reinforced concrete. Renowned historian Kenneth Frampton offers a bold look at this crucial period, focusing on architects less commonly associated with the movement in order to reveal the breadth and complexity of architectural modernism. ''The other Modern movement'' profiles nineteen architects, each of whom consciously contributed to the evolution of a new architectural typology through a key work realized between 1922 and 1962. Frampton’s account offers new insights into iconic buildings like Eileen Gray’s E-1027 House in France and Richard Neutra’s Kaufmann House in Palm Springs, California, as well as lesser-known works such as Antonin Raymond’s Tokyo Golf Club and Alejandro de la Sota’s Maravillas School Gymnasium in Madrid. Foregrounding the ways that these diverse projects employed progressive models, advanced new methods in construction techniques, and displayed a new sociocultural awareness, Frampton shines a light on the rich legacy of the Modern Movement and the enduring potential of the unfinished modernist project.
Modernisme
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Place de la Madeleine, synonyme de l'alliance entre gatronomie et chic, mais aussi théâtre d'obsèques d'envergure nationale. Avec un budget serré et de nombreuses contraintes, L'agence h2o opère un changement majeur sur cet espace engorgé: la restitution de 4500 mètres carrés de sol aux piétons, un gain massif de 40 % accompli presque furtivement, en grapillant de(...)
H2O Architects: Faire place, Madeleine / Place-making at the Madeleine
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Place de la Madeleine, synonyme de l'alliance entre gatronomie et chic, mais aussi théâtre d'obsèques d'envergure nationale. Avec un budget serré et de nombreuses contraintes, L'agence h2o opère un changement majeur sur cet espace engorgé: la restitution de 4500 mètres carrés de sol aux piétons, un gain massif de 40 % accompli presque furtivement, en grapillant de l'espace partout ou l'occasion se présente. Quoi de plus luxueux à offrir aux Paridiens que ce dont ils ne jouissent que si peu : de l'espace non programmé, de la place, purement et simplement... / This is the first book of a monographic collection on the projects of h2o architectes. It showcases the construction of a residential building in Paris that features ashlar masonry facades. Requiring neither firing nor the addition of other products, stone material allows a 60% reduction in carbon emissions during the construction phase, in comparison to concrete, and a 35% reduction over a period of 50 years. The architects successfully demonstrate how load-bearing stone represents an economical alternative and lends a higher-quality standard of finish.
Architecture, monographies
livres
Description:
752 pages : illustrations (certaines en couleur) ; 25 cm
Paris : Presses du Réel, [2024]
L'art dans la vie : le constructivisme et le productivisme russe dans les textes / texte établis par Catherine Perrel et Valérie Pozner.
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752 pages : illustrations (certaines en couleur) ; 25 cm
livres
Paris : Presses du Réel, [2024]
livres
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127 pages : color illustrations ; 23 cm
Paris : Archibooks + Sautereau, [2010]
Les zénith en France : histoire de 1984 à nos jours / [Carol Maillard].
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127 pages : color illustrations ; 23 cm
livres
Paris : Archibooks + Sautereau, [2010]
livres
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160 p.
Lyon : ENBA Lyon 2019.
Découper le temps en son lieu / Cutting out time in its place. Parcours expérimental / Experimental journey. Yann Annicchiarico; Bernhard Rüdiger.
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160 p.
livres
Lyon : ENBA Lyon 2019.
$25.00
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New York City is home to some of the most recognizable places in the world. As familiar as the sight of New Year’s Eve in Times Square or a protest in front of City Hall may be to us, do we understand who controls what happens there? Kristine Miller delves into six of New York’s most important public spaces to trace how design influences their complicated lives. Miller(...)
Designs on the Public : The private lives of New York's public spaces
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New York City is home to some of the most recognizable places in the world. As familiar as the sight of New Year’s Eve in Times Square or a protest in front of City Hall may be to us, do we understand who controls what happens there? Kristine Miller delves into six of New York’s most important public spaces to trace how design influences their complicated lives. Miller chronicles controversies in the histories of New York locations including Times Square, Trump Tower, the IBM Atrium, and Sony Plaza. The story of each location reveals that public space is not a concrete or fixed reality, but rather a constantly changing situation open to the forces of law, corporations, bureaucracy, and government. The qualities of public spaces we consider essential, including accessibility, public ownership, and ties to democratic life, are, at best, temporary conditions and often completely absent. Design is, in Miller’s view, complicit in regulation of public spaces in New York City to exclude undesirables, restrict activities, and privilege commercial interests, and in this work she shows how design can reactivate public space and public life.
Théorie de l’urbanisme
livres
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319 pages : illustrations (chiefly color) ; 24 cm
Paris : Carré, [2021]
Les communautés à l'œuvre = Communities at work / sous la direction de Christophe Hutin.
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319 pages : illustrations (chiefly color) ; 24 cm
livres
Paris : Carré, [2021]
$45.95
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Dials, knobs, microphones, clocks; heads, hands, breath, voices. Ernst Schoen joined Frankfurt Radio in the 1920s as programmer and accelerated the potentials of this collision of bodies and technologies. As with others of his generation, Schoen experienced crisis after crisis, from the violence of war, the suicide of friends, economic collapse, and a brief episode of(...)
Dissonant waves: Ernst Schoen and experimental sound in the 20th century
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Dials, knobs, microphones, clocks; heads, hands, breath, voices. Ernst Schoen joined Frankfurt Radio in the 1920s as programmer and accelerated the potentials of this collision of bodies and technologies. As with others of his generation, Schoen experienced crisis after crisis, from the violence of war, the suicide of friends, economic collapse, and a brief episode of permitted experimentalism under the Weimar Republic for those who would foster aesthetic, technical, and political revolution. The counterreaction was Nazism—and Schoen and his milieux fell victim to it, found ways out of it, or hit against it with all their might. ''Dissonant waves'' tracks the life of Ernst Schoen—poet, composer, radio programmer, theorist, and best friend of Walter Benjamin from childhood—as he moves between Frankfurt, Berlin, Paris, and London. It casts radio history and practice into concrete spaces, into networks of friends and institutions, into political exigencies and domestic plights, and into broader aesthetic discussions of the politicization of art and the aestheticization of politics. Through friendship and comradeship, a position in state-backed radio, imprisonment, exile, networking in a new country, re-emigration, ill-treatment, neglect, Schoen suffers the century and articulates its broken promises.
Acoustique
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''Who is the architect?'' explores how the figure of the architect has been constructed and challenged in recent years. Traditionally perceived as male, Western and individualistic, architects are now being urged to redefine themselves in a more diverse, inclusive manner. The publication discusses the need to challenge norms and establish caring as an essential quality in(...)
Building diversity: Who is the architect?
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''Who is the architect?'' explores how the figure of the architect has been constructed and challenged in recent years. Traditionally perceived as male, Western and individualistic, architects are now being urged to redefine themselves in a more diverse, inclusive manner. The publication discusses the need to challenge norms and establish caring as an essential quality in the architectural discourse. With the threat of environmental collapse and other societal challenges, the need for collective teamwork and empathy has become central in establishing a common understanding that includes all beings. ''Building diversity'' aims to tackle these issues and explore topics on diversity and equality in the architectural field's past, present and future. The publication features thoughts and ideas from a broad range of countries and diverse perspectives on the architectural field, contributing to a wider dialogue about inclusion, intersectionality and progress. ''Building diversity'' is not intended to provide concrete solutions but aims to stimulate discussion and open up venues for hosting dialogues pointing to possible paths and the expansion of perspectives. It is an important contribution to the ongoing conversation about diversity and equality in the architectural field.
Théorie de l’architecture
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From the swooping concrete vaults of the TWA Terminal at JFK Airport to the 630-foot-tall Gateway Arch in St. Louis, the iconic designs of Eero Saarinen (1910–1961) captured the aspirations and values of mid-20th-century America. Potent expressions of national power, these and other Saarinen-designed structures—including the GM Technical Center, Dulles International(...)
Architecture, monographies
novembre 2006, New Haven / London
Eero Saarinen : shaping the future
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From the swooping concrete vaults of the TWA Terminal at JFK Airport to the 630-foot-tall Gateway Arch in St. Louis, the iconic designs of Eero Saarinen (1910–1961) captured the aspirations and values of mid-20th-century America. Potent expressions of national power, these and other Saarinen-designed structures—including the GM Technical Center, Dulles International Airport, and John Deere headquarters—helped create the international image of the United States in the decades following World War II. Eero Saarinen: Shaping the Future offers a new and wide-ranging look at the entire scope of Saarinen’s career. This is the first book on Saarinen to incorporate significant research and materials from the newly available archives of his office, and includes the most complete portfolio of Saarinen's projects to date—a chronological survey of more than 100 built and unbuilt works, previously unpublished photographs, plans, and working drawings. Lavishly illustrated, this major study shows how Saarinen gave his structures an expressive dimension and helped introduce modern architecture to the mainstream of American practice. In his search for a richer and more varied modern architecture, Saarinen become one of the most prolific and controversial practitioners of his time.
Architecture, monographies