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Economies, like currents, are in constant flux; stories, like buildings, frame moments within larger systems. In ''Common Currencies'', we aim to highlight the transactions that take place at this juncture, the values that are being defined and re-defined, and the new commons that are in the making.
$25.00
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Résumé:
Economies, like currents, are in constant flux; stories, like buildings, frame moments within larger systems. In ''Common Currencies'', we aim to highlight the transactions that take place at this juncture, the values that are being defined and re-defined, and the new commons that are in the making.
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Site, series 1 vol. 3 : Common currencies
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Economies, like currents, are in constant flux; stories, like buildings, frame moments within larger systems. In ''Common Currencies'', we aim to highlight the transactions that take place at this juncture, the values that are being defined and re-defined, and the new commons that are in the making.
Site, series 1 vol. 3 : Common currencies
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$25.00
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Résumé:
Economies, like currents, are in constant flux; stories, like buildings, frame moments within larger systems. In ''Common Currencies'', we aim to highlight the transactions that take place at this juncture, the values that are being defined and re-defined, and the new commons that are in the making.
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août 2024
août 2024
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Revues
Revues
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Grey Room 96
Grey Room 96
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New issue now available at the bookstore!
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New issue now available at the bookstore!
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Grey Room 96
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New issue now available at the bookstore!
Grey Room 96
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New issue now available at the bookstore!
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août 2024
août 2024
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Revues
Revues
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e-flux Index #2
e-flux Index #2
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"It’s always too late, whenever you take a photograph." This laconic remark, which I heard during a recent artist’s talk in Berlin, bubbled up from a discussion upon the often-tragic indexicality or nonindexicality of contemporary photographic practice. JPEGs taken for wonders. Smoke plumes without embers. Footprints crossing the beaches of abandoned resorts. Hands that(...)
$65.00
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Résumé:
"It’s always too late, whenever you take a photograph." This laconic remark, which I heard during a recent artist’s talk in Berlin, bubbled up from a discussion upon the often-tragic indexicality or nonindexicality of contemporary photographic practice. JPEGs taken for wonders. Smoke plumes without embers. Footprints crossing the beaches of abandoned resorts. Hands that(...)
Titre:
e-flux Index #2
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"It’s always too late, whenever you take a photograph." This laconic remark, which I heard during a recent artist’s talk in Berlin, bubbled up from a discussion upon the often-tragic indexicality or nonindexicality of contemporary photographic practice. JPEGs taken for wonders. Smoke plumes without embers. Footprints crossing the beaches of abandoned resorts. Hands that point at nothing in particular, and the gullible eyes that follow the lead of pointing index fingers. There is indeed something awkward to the snapshot’s belatedness. Its untimeliness. The ways in which, the second the shutter clicks—or that our thumb melds with the appropriate region of our phone’s liquid plasma displays and the resultant file is uploaded to a distant server—the instant we sought to "capture" has passed by and something else enters the frame. Someone blinks, the rubble dust envelopes the scene, the light changes, the hoodie we saw underground bearing the phrase "THEIR DESTINIES WOULD INTERTWINE" disappears behind an arriving subway’s blur, the wind cajoles a neighboring branch we hadn’t before noticed into the family portrait. Photography then remains, contrary to the terms in which it is sold to us by Silicon Valley manufacturers who stress its total immediacy as an instrument for perceiving the world, a stubbornly untimely pursuit. Can we not also say, "It’s always too late, whenever you start to index"?
e-flux Index #2
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"It’s always too late, whenever you take a photograph." This laconic remark, which I heard during a recent artist’s talk in Berlin, bubbled up from a discussion upon the often-tragic indexicality or nonindexicality of contemporary photographic practice. JPEGs taken for wonders. Smoke plumes without embers. Footprints crossing the beaches of abandoned resorts. Hands that point at nothing in particular, and the gullible eyes that follow the lead of pointing index fingers. There is indeed something awkward to the snapshot’s belatedness. Its untimeliness. The ways in which, the second the shutter clicks—or that our thumb melds with the appropriate region of our phone’s liquid plasma displays and the resultant file is uploaded to a distant server—the instant we sought to "capture" has passed by and something else enters the frame. Someone blinks, the rubble dust envelopes the scene, the light changes, the hoodie we saw underground bearing the phrase "THEIR DESTINIES WOULD INTERTWINE" disappears behind an arriving subway’s blur, the wind cajoles a neighboring branch we hadn’t before noticed into the family portrait. Photography then remains, contrary to the terms in which it is sold to us by Silicon Valley manufacturers who stress its total immediacy as an instrument for perceiving the world, a stubbornly untimely pursuit. Can we not also say, "It’s always too late, whenever you start to index"?
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Publication:
juillet 2024
juillet 2024
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Revues
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Safar 6 : Power
Safar 6 : Power
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In the sixth issue, "Power," Safar explores the commodification of academia as evaluation forms multiply and students worldwide stare out into computer screens; examines the extensive cultural and environmental narrative that Hezbollah has cultivated in Lebanon and beyond; discusses the process of dismantling racist and colonial powers structures in U.S. design(...)
$32.00
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In the sixth issue, "Power," Safar explores the commodification of academia as evaluation forms multiply and students worldwide stare out into computer screens; examines the extensive cultural and environmental narrative that Hezbollah has cultivated in Lebanon and beyond; discusses the process of dismantling racist and colonial powers structures in U.S. design(...)
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Safar 6 : Power
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In the sixth issue, "Power," Safar explores the commodification of academia as evaluation forms multiply and students worldwide stare out into computer screens; examines the extensive cultural and environmental narrative that Hezbollah has cultivated in Lebanon and beyond; discusses the process of dismantling racist and colonial powers structures in U.S. design institutions; shares artifacts tracing the long and complicated history of electricity shortages in Lebanon; considers the revolutionary potential of Palestinian printed material; and more.
Safar 6 : Power
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In the sixth issue, "Power," Safar explores the commodification of academia as evaluation forms multiply and students worldwide stare out into computer screens; examines the extensive cultural and environmental narrative that Hezbollah has cultivated in Lebanon and beyond; discusses the process of dismantling racist and colonial powers structures in U.S. design institutions; shares artifacts tracing the long and complicated history of electricity shortages in Lebanon; considers the revolutionary potential of Palestinian printed material; and more.
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Publication:
août 2021
août 2021
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Revues
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Titre:
032C Magazine 45
032C Magazine 45
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The latest issue is now available at the bookstore.
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The latest issue is now available at the bookstore.
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032C Magazine 45
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The latest issue is now available at the bookstore.
032C Magazine 45
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The latest issue is now available at the bookstore.
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juillet 2024
juillet 2024
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A'A' 461: Chili / Chile
A'A' 461: Chili / Chile
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Le nouveau numéro est maintenant disponible à la librairie.
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Le nouveau numéro est maintenant disponible à la librairie.
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A'A' 461: Chili / Chile
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Le nouveau numéro est maintenant disponible à la librairie.
A'A' 461: Chili / Chile
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Le nouveau numéro est maintenant disponible à la librairie.
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juin 2024
juin 2024
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The Plan 155
The Plan 155
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The latest issue is now available at the bookstore.
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The latest issue is now available at the bookstore.
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The Plan 155
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The latest issue is now available at the bookstore.
The Plan 155
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The latest issue is now available at the bookstore.
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Publication:
juin 2024
juin 2024
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Bordercrossings 165
Bordercrossings 165
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The latest issue is now available at the bookstore.
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The latest issue is now available at the bookstore.
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Bordercrossings 165
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The latest issue is now available at the bookstore.
Bordercrossings 165
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The latest issue is now available at the bookstore.
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août 2024
août 2024
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Frame 157
Frame 157
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The latest issue is now available at the bookstore.
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The latest issue is now available at the bookstore.
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Spacing #67: Noise
Spacing #67: Noise
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The latest issue is now available at the bookstore.
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The latest issue is now available at the bookstore.
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Spacing #67: Noise
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The latest issue is now available at the bookstore.
Spacing #67: Noise
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The latest issue is now available at the bookstore.
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août 2024
août 2024
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Revues
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