livres
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x, 228 pages : illustrations ; 23 cm.
Hanover, NH : Dartmouth College Press : University Press of New England, ©2010.
The urban spectator : American concept cities from Kodak to Google / Eric Gordon.
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x, 228 pages : illustrations ; 23 cm.
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Hanover, NH : Dartmouth College Press : University Press of New England, ©2010.
$36.00
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Résumé:
In our culture, in which the media play a predominant role, there is an increasing emphasis on achieving visibility and transparency. Openness and communication are subservient to that visibility, and even seem to coincide with it more and more emphatically. At the same time, both notions form the foundations for social order and political power. In our over-visualized(...)
Open 8 : (in)visibility : beyond the image in art, culture and the public domain
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Résumé:
In our culture, in which the media play a predominant role, there is an increasing emphasis on achieving visibility and transparency. Openness and communication are subservient to that visibility, and even seem to coincide with it more and more emphatically. At the same time, both notions form the foundations for social order and political power. In our over-visualized culture, however, it seems as if every message or social agenda is being squeezed out in favour of styling, commerce and fashion. What position does art occupy in this, or what position should it occupy? In "Open" 8, guest editors Willem van Weelden and Jan van Grunsven write a general introduction, Brian Holmes explores (in)visibility as a tactic in art, and Jouke Kleerebezem asks who actually decides about (in)visibility in the public space; Camiel van Winkel writes over the visual deficit of contemporary culture; Dieter Lesage critically examines the proposals by OMA/AMO for a new iconography of Europe; Henk Oosterling investigates the FBI's prosecution of the Critical Art Ensemble; Jorinde Seijdel considers how media images are used as evidence for social and political events. "Open" 8 includes interviews with Arno van der Mark of DRFTWD, an Amsterdam-based multidisciplinary design bureau, and with the French research organization Bureau d'études, as well as an account of a roundtable discussion about a possible new legitimation for academic training in 'art and the public space'. The cahier also presents a column by the Belgian architect/author Wouter Davidts, photographic essays and book reviews.
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A room’s acoustic character seems at once the most technical and the most mystical of concerns. Since the early Enlightenment, European architects have systematically endeavored to represent and control the propagation of sound in large interior spaces. Their work has been informed by the science of sound but has also been entangled with debates on style, visualization(...)
Echo's chambers: architecture and the idea of acoustic space
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A room’s acoustic character seems at once the most technical and the most mystical of concerns. Since the early Enlightenment, European architects have systematically endeavored to represent and control the propagation of sound in large interior spaces. Their work has been informed by the science of sound but has also been entangled with debates on style, visualization techniques, performance practices, and the expansion of the listening public. Echo’s Chambers explores how architectural experimentation from the seventeenth through the mid-twentieth centuries laid the groundwork for concepts of acoustic space that are widely embraced in contemporary culture. It focuses on the role of echo and reverberation in the architecture of Pierre Patte, Claude-Nicolas Ledoux, Carl Ferdinand Langhans, and Le Corbusier, as well as the influential acoustic ideas of Athanasius Kircher, Richard Wagner, and Marshall McLuhan. Drawing on interdisciplinary theories of media and auditory culture, Joseph L. Clarke reveals how architecture has impacted the ways we continue to listen to, talk about, and creatively manipulate sound in the physical environment.
Théorie de l’architecture
audio
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1 online resource.
[Place of publication not identified] : The Funambulist, 2015.
From the Balkans to Lampedusa: Fortress Europe, Migrants, and Refugees.
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1 online resource.
audio
[Place of publication not identified] : The Funambulist, 2015.
audio
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1 online resource.
[Place of publication not identified] : Momus, 2020.
"What's Changed, and What Should?" with Alessandro Bava.
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1 online resource.
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[Place of publication not identified] : Momus, 2020.
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Galerija Škuc 2014
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Galerija Škuc 2014
livres
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282 pages : illustrations (chiefly color), maps ; 23 cm
Berlin : Ruby Press, [2020], ©2020
Migrant Marseille : architectures of social segregation and urban inclusivity / edited by Marc Angélil, Charlotte Malterre-Barthes and Something Fantastic.
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282 pages : illustrations (chiefly color), maps ; 23 cm
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Berlin : Ruby Press, [2020], ©2020
vidéo
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1 online resource (1 video file (44 minutes)) : sound, color
London, England : Pidgeon Digital, 2002.
Constructing the Idea / [presented by] Simon Allford (Allford Hall Monaghan Morris).
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1 online resource (1 video file (44 minutes)) : sound, color
vidéo
London, England : Pidgeon Digital, 2002.
livres
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143 p. : ill. (chiefly col.) ; 28 cm.
Ottawa : Canada Council for the Arts Art Bank = Banque d'oeuvres d'art du Conseil des arts du Canada, c2007.
Art at work / Peggy Gale ... [et al.] ; Victoria Henry, editor = L'art au travail / Peggy Gale ... [et al.] ; sous la direction de Victoria Henry.
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143 p. : ill. (chiefly col.) ; 28 cm.
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Ottawa : Canada Council for the Arts Art Bank = Banque d'oeuvres d'art du Conseil des arts du Canada, c2007.
audio
Shannon Mattern.
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1 online resource.
[Place of publication not identified] : Multispecies Worldbuilding Lab, 2022.
audio
[Place of publication not identified] : Multispecies Worldbuilding Lab, 2022.