Nouveau Projet 32
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À lire dans ce numéro printemps-été 2026: Clara Champagne explore la popularité renouvelée de la culture western pour comprendre ce que l’éthos du cowboy révèle des malaises de l’hypermodernité; Juliette De Maeyer nous offre un reportage sur le jardinage comme geste de solidarité; Catherine Pelchat rencontre des mères mexicaines cherchant justice pour le meurtre de leur(...)
Nouveau Projet 32
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À lire dans ce numéro printemps-été 2026: Clara Champagne explore la popularité renouvelée de la culture western pour comprendre ce que l’éthos du cowboy révèle des malaises de l’hypermodernité; Juliette De Maeyer nous offre un reportage sur le jardinage comme geste de solidarité; Catherine Pelchat rencontre des mères mexicaines cherchant justice pour le meurtre de leur fille; Nicolas Langelier raconte l’histoire de son oncle, le felquiste Pierre-Paul Geoffroy; Laurence Côté-Fournier questionne le rôle excessif accordé à l’amitié dans l’imaginaire contemporain.
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Vie des arts 280
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À l’occasion du 70e anniversaire de Vie des arts, qui de mieux qu’une artiste centenaire pour incarner cette traversée du siècle dernier, dont l’élan se prolonge dans le temps comme une onde ? La pratique de Sullivan se renouvelle sans cesse, réactivée par les manières artistiques de faire, dansée par d’autres corps, reprise dans les manifestes d’aujourd’hui. Son travail(...)
Vie des arts 280
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À l’occasion du 70e anniversaire de Vie des arts, qui de mieux qu’une artiste centenaire pour incarner cette traversée du siècle dernier, dont l’élan se prolonge dans le temps comme une onde ? La pratique de Sullivan se renouvelle sans cesse, réactivée par les manières artistiques de faire, dansée par d’autres corps, reprise dans les manifestes d’aujourd’hui. Son travail permet de réécrire les théories en esquivant des discours dominants, présents notamment au sein de réseaux longtemps hiérarchisés et dirigés par le genre masculin. Créer d’après et après Sullivan, c’est accepter d’être déplacé·e·s et inscrit·e·s dans une lignée créatrice sans balises, hors normes, c’est mesurer comment la pluridisciplinarité de son travail et comment sa pensée pionnière ont élargi l’horizon des générations subséquentes puis influencé leurs trajectoires, c’est prendre conscience que son œuvre a constitué un des vecteurs essentiels d’émergence des luttes émancipatrices au Québec.
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Apartamento 37 Spring 2026
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Featuring: Eileen Myles, Rosalind Nashashibi, Kwangho Lee, Mariana Chkonia, Enzo Cucchi, Jerry Torre: The Marble Faun of Grey Gardens, Suzanne Jackson, Kazunori Hamana, Lucy + Jorge + Leo Orta = The Legacy of Les Moulins, Priyanka Sharma & Dushyant Bansal, Paolo Deganello, Sofía von Ellrichshausen & Mauricio Pezo, Rodrigo Sorogoyen, and Jean-Paul Beaujard. Plus: "In the(...)
Apartamento 37 Spring 2026
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Featuring: Eileen Myles, Rosalind Nashashibi, Kwangho Lee, Mariana Chkonia, Enzo Cucchi, Jerry Torre: The Marble Faun of Grey Gardens, Suzanne Jackson, Kazunori Hamana, Lucy + Jorge + Leo Orta = The Legacy of Les Moulins, Priyanka Sharma & Dushyant Bansal, Paolo Deganello, Sofía von Ellrichshausen & Mauricio Pezo, Rodrigo Sorogoyen, and Jean-Paul Beaujard. Plus: "In the Heart of the Cat," a story by Jina Khayyer (tr. Joel Scott), ‘How to build Max Lamb’s DIY Baby Chair’, a comic by Dimitri Broquard of FLAG, and an homage to the life and work of George Tourkovasilis.
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Good design has the power to influence and support the human healing process. Because recovery is a process rather than a static state, it requires transitional spaces that foster transformation and facilitate social interaction. In this context, space does not merely serve as a form of complementary medicine; it is an environment with an agency of its own. Often, it(...)
Detail 4 2026 : Healthcare buildings
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Good design has the power to influence and support the human healing process. Because recovery is a process rather than a static state, it requires transitional spaces that foster transformation and facilitate social interaction. In this context, space does not merely serve as a form of complementary medicine; it is an environment with an agency of its own. Often, it is only the absence of health that prompts us to truly examine it. This was the case for Charles Jencks, who, following his wife’s cancer diagnosis, laid the foundations for the therapy centres named after Maggie Keswick Jencks. Jencks described the first Maggie’s Centre, which opened 20 years ago in Edinburgh, as an “architecture of hope”. Similarly, Roger S. Ulrich, most recently a professor of architecture in Sweden, investigated the impact of nature on health in the mid-1980s while facing his own illness. His personal experience of nature’s restorative power led him to publish the seminal study that underpins all subsequent design approaches within the field of “healing architecture”. This issue presents exemplary special-purpose buildings from the healthcare sector that achieve exactly this. The mental health clinic by C. F. Møller in London, Dorte Mandrup Arkitekter’s healthcare centre in Copenhagen, and the Children’s Hospital in Zurich by Herzog & de Meuron are contrasted with smaller-scale pilot projects, such as the health kiosks designed by Pasel-K Architects as rural primary care infrastructure in Thüringen. Healing, it seems, knows no scale. The complex correlations between architecture and life are far from fully understood. As a young discipline, this field of architecture remains in constant flux.
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Border Crossings 170: Canada
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Issue #170 of Border Crossings explores contemporary Canadian art, examining social themes, materiality, and notable practises. Feature interviews in this issue include artists Abbas Akhavan, Brenda Draney, and Nadia Myre. Works by Carrie Allison, Donigan Cumming, Sylvia Matas, Annie MacDonell, An Te Liu, Shannon Bool, Bea Parsons, and M.E. Sparks are covered. Plus pages(...)
Border Crossings 170: Canada
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Issue #170 of Border Crossings explores contemporary Canadian art, examining social themes, materiality, and notable practises. Feature interviews in this issue include artists Abbas Akhavan, Brenda Draney, and Nadia Myre. Works by Carrie Allison, Donigan Cumming, Sylvia Matas, Annie MacDonell, An Te Liu, Shannon Bool, Bea Parsons, and M.E. Sparks are covered. Plus pages from the Border Crossings' archive.
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Trans 48: Pseudo
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Unfolding across five parts, this issue frames the notion of pseudo along and beyond its ties with the "fake". While part one, "Simulation," blends the artificial with the familiar – whether in scale models or controlled biomes – the following part, "Promise," explores how futures are staged to organise the present. "Role" examines how identities become naturalized(...)
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mars 2026
Trans 48: Pseudo
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Unfolding across five parts, this issue frames the notion of pseudo along and beyond its ties with the "fake". While part one, "Simulation," blends the artificial with the familiar – whether in scale models or controlled biomes – the following part, "Promise," explores how futures are staged to organise the present. "Role" examines how identities become naturalized through space, claiming to be neutral, caring or traditional. "Scam" investigates architecture and urbanism as credible deceptive practices, where authenticity is fabricated and images pave the way for a collective participation in illusions. "Construction" examines how territorial interventions, such as camps, corridors, or quarries, produce political realities and stabilise power, turning narration into infrastructure. Ultimately, pseudo emerges as a condition that both shifts and suspends reality: not fully true, yet never entirely false.
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GRAM is a multiple research tool that combines graphic investigations with architectural explorations. It portrays the methods and processes of architecture offices throughout the length of ten emails. The outcomes are both theoretical and practical, and opens the doors to the endless thought processes behind the production of space. This publication is a(...)
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novembre 2025
Gram 07 : Nicolas Dorval-Bory
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GRAM is a multiple research tool that combines graphic investigations with architectural explorations. It portrays the methods and processes of architecture offices throughout the length of ten emails. The outcomes are both theoretical and practical, and opens the doors to the endless thought processes behind the production of space. This publication is a re-transcription of emails conversations with Nicolas Dorval-Bory Architectes.
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PB 06 In Class with Tavora
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The 6th title in the AMAG Pocket Books Collection explores the enduring pedagogical legacy of Fernando Távora, a pivotal figure in Portuguese architecture and a key influence on the Porto School. Celebrating the continued relevance of his teachings, the authors delve into his philosophy of making architecture for living, emphasizing the interplay between modernity and(...)
PB 06 In Class with Tavora
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The 6th title in the AMAG Pocket Books Collection explores the enduring pedagogical legacy of Fernando Távora, a pivotal figure in Portuguese architecture and a key influence on the Porto School. Celebrating the continued relevance of his teachings, the authors delve into his philosophy of making architecture for living, emphasizing the interplay between modernity and tradition, the humanity of space, and the essence of spatial composition. While numerous studies on Távora exist, most remain within Portugal; this volume seeks to bring his insights to a broader audience, reaffirming his influence on new generations of architects.
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Contributors: Jackson Arn, Michael Piantini, Tizziana Baldenebro, Kate Wagner, Aidan Mantho, Paul Goldberger, Mark Krotov, Randle Browning, Thomas de Monchaux, Eric Schwartau, Jonathan Tarleton, Oksana Mironova, Jennifer Kabat, Travis Diehl, Lora Kelley, Andy Battle, Ross Wolfe, Casey Mack, Moze Halperin, Ann Manov, & Nicolas Kemper.
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avril 2026
NYRA 50: New York Review of Architecture issue #50
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Contributors: Jackson Arn, Michael Piantini, Tizziana Baldenebro, Kate Wagner, Aidan Mantho, Paul Goldberger, Mark Krotov, Randle Browning, Thomas de Monchaux, Eric Schwartau, Jonathan Tarleton, Oksana Mironova, Jennifer Kabat, Travis Diehl, Lora Kelley, Andy Battle, Ross Wolfe, Casey Mack, Moze Halperin, Ann Manov, & Nicolas Kemper.
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This issue looks at continuity, disruption, and evolution in the works of Christ & Gantebein. For this Basel-based firm, founded in 1998 and headed by Emanuel Christ and Christoph Gantenbein, constraints in site and programme are welcome opportunities to create spatial surprises. Whether through experimentations in the museum typology, such as the extension of the Swiss(...)
a+u 662 : Christ & Gantenbein - 10 years
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This issue looks at continuity, disruption, and evolution in the works of Christ & Gantebein. For this Basel-based firm, founded in 1998 and headed by Emanuel Christ and Christoph Gantenbein, constraints in site and programme are welcome opportunities to create spatial surprises. Whether through experimentations in the museum typology, such as the extension of the Swiss National Museum, or domestic architecture, as evidenced by Vaugirard Social Housing, their approach goes beyond recreating basic functions to provide sensitive solutions in terms of urban repair and contemporary spatial issues. Besides recent projects, the issue contains a conversation with the architects.
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