26387 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP142.S2.D4
Description:
File documents an exhibition on Aldo Rossi that was held in 1991 at the Centre Georges Pompidou, Paris, France, at Stichting de Beurs van Berlage, Amsterdam, Netherlands (1992), and at Berlinische Galerie, Berlin, Germany (1993), at Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (1993). The exhibition travelled or was intended to travel to Brussels, Belgium, Santiago de Compostela, Spain, Moscow, Russia, New York City, United States, and Tokyo, Japan. Further research may confirm these and other sites for the exhibition. Material in this file was produced in 1991 and 1993. File contains textual records, including sketches, drawings, correspondence, architect's statements, estimates, appraisals, invoices, calculations, administrative records, financial records, price lists, clippings, business cards, memorandums, layouts, lists of exhibited works, a list of donated works, acquisitions lists, lists of lenders of works, lists of photographs for the catalogue, lists of projects by Aldo Rossi, a schedule for drawings, imprints and draft imprints, exhibition plans and layouts, invitations, an exhibition guide book, a pamphlet on the furniture of Aldo Rossi, a calendar, a bibliography, a biographical chronology, drafts and the published exhibition catalogue 'Aldo Rossi par Aldo Rossi, architecte', and material for Alberto Ferlenga's 'Aldo Rossi: Architetture 1988-1992', a floppy disk, drafts for the exhibition and exhibition catalogue, draft exhibition labels, a document label, a report, notes, photocopies of views of drawings, views of models, and views of completed projects, negatives, and photographs, including contact sheets, views of models, views of an exhibition showing drawings and models, and views of completed projects by Aldo Rossi.
AP142.S2.D4
Description:
File documents an exhibition on Aldo Rossi that was held in 1991 at the Centre Georges Pompidou, Paris, France, at Stichting de Beurs van Berlage, Amsterdam, Netherlands (1992), and at Berlinische Galerie, Berlin, Germany (1993), at Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (1993). The exhibition travelled or was intended to travel to Brussels, Belgium, Santiago de Compostela, Spain, Moscow, Russia, New York City, United States, and Tokyo, Japan. Further research may confirm these and other sites for the exhibition. Material in this file was produced in 1991 and 1993. File contains textual records, including sketches, drawings, correspondence, architect's statements, estimates, appraisals, invoices, calculations, administrative records, financial records, price lists, clippings, business cards, memorandums, layouts, lists of exhibited works, a list of donated works, acquisitions lists, lists of lenders of works, lists of photographs for the catalogue, lists of projects by Aldo Rossi, a schedule for drawings, imprints and draft imprints, exhibition plans and layouts, invitations, an exhibition guide book, a pamphlet on the furniture of Aldo Rossi, a calendar, a bibliography, a biographical chronology, drafts and the published exhibition catalogue 'Aldo Rossi par Aldo Rossi, architecte', and material for Alberto Ferlenga's 'Aldo Rossi: Architetture 1988-1992', a floppy disk, drafts for the exhibition and exhibition catalogue, draft exhibition labels, a document label, a report, notes, photocopies of views of drawings, views of models, and views of completed projects, negatives, and photographs, including contact sheets, views of models, views of an exhibition showing drawings and models, and views of completed projects by Aldo Rossi.
Personnes et institutions:
Date:
1991-1993
1991-1993
Titre:
Mostra AR Parigi
Actions:
AP142.S2.D4
Description:
File documents an exhibition on Aldo Rossi that was held in 1991 at the Centre Georges Pompidou, Paris, France, at Stichting de Beurs van Berlage, Amsterdam, Netherlands (1992), and at Berlinische Galerie, Berlin, Germany (1993), at Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (1993). The exhibition travelled or was intended to travel to Brussels, Belgium, Santiago de Compostela, Spain, Moscow, Russia, New York City, United States, and Tokyo, Japan. Further research may confirm these and other sites for the exhibition. Material in this file was produced in 1991 and 1993. File contains textual records, including sketches, drawings, correspondence, architect's statements, estimates, appraisals, invoices, calculations, administrative records, financial records, price lists, clippings, business cards, memorandums, layouts, lists of exhibited works, a list of donated works, acquisitions lists, lists of lenders of works, lists of photographs for the catalogue, lists of projects by Aldo Rossi, a schedule for drawings, imprints and draft imprints, exhibition plans and layouts, invitations, an exhibition guide book, a pamphlet on the furniture of Aldo Rossi, a calendar, a bibliography, a biographical chronology, drafts and the published exhibition catalogue 'Aldo Rossi par Aldo Rossi, architecte', and material for Alberto Ferlenga's 'Aldo Rossi: Architetture 1988-1992', a floppy disk, drafts for the exhibition and exhibition catalogue, draft exhibition labels, a document label, a report, notes, photocopies of views of drawings, views of models, and views of completed projects, negatives, and photographs, including contact sheets, views of models, views of an exhibition showing drawings and models, and views of completed projects by Aldo Rossi.
Mostra AR Parigi
Actions:
AP142.S2.D4
Description:
File documents an exhibition on Aldo Rossi that was held in 1991 at the Centre Georges Pompidou, Paris, France, at Stichting de Beurs van Berlage, Amsterdam, Netherlands (1992), and at Berlinische Galerie, Berlin, Germany (1993), at Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (1993). The exhibition travelled or was intended to travel to Brussels, Belgium, Santiago de Compostela, Spain, Moscow, Russia, New York City, United States, and Tokyo, Japan. Further research may confirm these and other sites for the exhibition. Material in this file was produced in 1991 and 1993. File contains textual records, including sketches, drawings, correspondence, architect's statements, estimates, appraisals, invoices, calculations, administrative records, financial records, price lists, clippings, business cards, memorandums, layouts, lists of exhibited works, a list of donated works, acquisitions lists, lists of lenders of works, lists of photographs for the catalogue, lists of projects by Aldo Rossi, a schedule for drawings, imprints and draft imprints, exhibition plans and layouts, invitations, an exhibition guide book, a pamphlet on the furniture of Aldo Rossi, a calendar, a bibliography, a biographical chronology, drafts and the published exhibition catalogue 'Aldo Rossi par Aldo Rossi, architecte', and material for Alberto Ferlenga's 'Aldo Rossi: Architetture 1988-1992', a floppy disk, drafts for the exhibition and exhibition catalogue, draft exhibition labels, a document label, a report, notes, photocopies of views of drawings, views of models, and views of completed projects, negatives, and photographs, including contact sheets, views of models, views of an exhibition showing drawings and models, and views of completed projects by Aldo Rossi.
Niveau de description archivistique:
File 4
File 4
Date:
1991-1993
1991-1993
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2018:0005:016
Description:
Photograph by Stefano Graziani of the following work: Model Room, Sir John Soane's Museum, London Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:016
Description:
Photograph by Stefano Graziani of the following work: Model Room, Sir John Soane's Museum, London Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2017
2017
Titre:
Questioning Pictures: Photograph of Model Room at Sir John Soane's Museum, 2017
Actions:
PH2018:0005:016
Description:
Photograph by Stefano Graziani of the following work: Model Room, Sir John Soane's Museum, London Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of Model Room at Sir John Soane's Museum, 2017
Actions:
PH2018:0005:016
Description:
Photograph by Stefano Graziani of the following work: Model Room, Sir John Soane's Museum, London Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2017
2017
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2018:0005:020
Description:
Photograph by Stefano Graziani of the following work: Viaggio de Karnak to the island of Philae Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:020
Description:
Photograph by Stefano Graziani of the following work: Viaggio de Karnak to the island of Philae Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2012
2012
Titre:
Questioning Pictures: Photograph of column capital at Karnak in Philae
Actions:
PH2018:0005:020
Description:
Photograph by Stefano Graziani of the following work: Viaggio de Karnak to the island of Philae Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of column capital at Karnak in Philae
Actions:
PH2018:0005:020
Description:
Photograph by Stefano Graziani of the following work: Viaggio de Karnak to the island of Philae Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2012
2012
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2018:0005:029
Description:
Photograph by Stefano Graziani of the following work: Painting Cabinet, Sir John Soane's Museum, London Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:029
Description:
Photograph by Stefano Graziani of the following work: Painting Cabinet, Sir John Soane's Museum, London Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2017
2017
Titre:
Questioning Pictures: Photograph of Painting Cabinet, Sir John Soane's Museum, 2017
Actions:
PH2018:0005:029
Description:
Photograph by Stefano Graziani of the following work: Painting Cabinet, Sir John Soane's Museum, London Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of Painting Cabinet, Sir John Soane's Museum, 2017
Actions:
PH2018:0005:029
Description:
Photograph by Stefano Graziani of the following work: Painting Cabinet, Sir John Soane's Museum, London Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2017
2017
Personnes et institutions:
Classification:
événements
événements
Actions:
Localisation:
Salle d’étude Mot(s)-clé(s):
chercheur en résidence 2018, Hans-Georg von Arburg, logement social, Allemagne, jouets
Salle d’étude Mot(s)-clé(s):
chercheur en résidence 2018, Hans-Georg von Arburg, logement social, Allemagne, jouets
Date:
9 août 2018, 18h30
9 août 2018, 18h30
Classification:
événements
événements
Date:
9 août 2018
18h30
9 août 2018
18h30
Localisation:
Salle d’étude Mot(s)-clé(s):
chercheur en résidence 2018, Hans-Georg von Arburg, logement social, Allemagne, jouets
Salle d’étude Mot(s)-clé(s):
chercheur en résidence 2018, Hans-Georg von Arburg, logement social, Allemagne, jouets
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2018:0005:036
Description:
Photograph by Stefano Graziani of the following work: Antonio Canova, Palamede, Gypsotheca e Museo Antonio Canova, Possagno Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:036
Description:
Photograph by Stefano Graziani of the following work: Antonio Canova, Palamede, Gypsotheca e Museo Antonio Canova, Possagno Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2017
2017
Titre:
Questioning Pictures: Photograph of Palamede, sculpture by Antonio Canova
Actions:
PH2018:0005:036
Description:
Photograph by Stefano Graziani of the following work: Antonio Canova, Palamede, Gypsotheca e Museo Antonio Canova, Possagno Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of Palamede, sculpture by Antonio Canova
Actions:
PH2018:0005:036
Description:
Photograph by Stefano Graziani of the following work: Antonio Canova, Palamede, Gypsotheca e Museo Antonio Canova, Possagno Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2017
2017
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2018:0005:014
Description:
Photograph by Stefano Graziani of the following work: Adolf Loos, Villa Muller, 1928, The City of Prague Museum Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:014
Description:
Photograph by Stefano Graziani of the following work: Adolf Loos, Villa Muller, 1928, The City of Prague Museum Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2017
2017
Titre:
Questioning Pictures: Photograph of Villa Muller, inkjet print by Adolf Loos, 1928
Actions:
PH2018:0005:014
Description:
Photograph by Stefano Graziani of the following work: Adolf Loos, Villa Muller, 1928, The City of Prague Museum Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of Villa Muller, inkjet print by Adolf Loos, 1928
Actions:
PH2018:0005:014
Description:
Photograph by Stefano Graziani of the following work: Adolf Loos, Villa Muller, 1928, The City of Prague Museum Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2017
2017
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Projects and events
Projects and events
Numéro de référence:
AP170.S3
Description:
Series 3, Projects and events, 1992 – 2014, documents each major installation of the Hyposurface project and consists of more than 10,000 digital files. These files include exhibition layout planning, Aegis simulator software demonstrating Hyposurface, event photographs and video, and ACDC and Aegis software related to specific events. This series also includes the majority of the material Paul Steenhuisen G5 Mac computer and the related Hyposurface audio installations. The bulk of the materials dates from 2000 – 2007. Events represented include Venice Biennale (Venice, 2000); CeBIT Technology Fair (Hannover, Germany, 2002); International Manufacturing Technology Show (IMTS, Chicago, 2006); BIO exhibition (Boston, 2007); and the Canadian Centre for Architecture (Montreal, 2013-2014). This series also contains a number of unidentified projects, including projects in Brisbane, Australia; Amsterdam, the Netherlands; and possibly Russia and Spain. There is also video documentation related to a Hyposurface proposal for BMW, as well as what appears to be a tour of Kuka Robotics staff through dECOi’s laboratory. This series contains nearly 3100 Aegis pattern files, which are identifiable by their file extension (.aeg). An additional 3100 files are plain text files, executable files, or an unidentified format, and appear to relate to other dECOi software. This series notably contains more than 2000 audio files related to the Paul Steenhuisen installations. The rest of the series contains largely still images and video, as well as a small number of AutoCAD and Rhino files. This series overlaps with Series 2: Software and related documentation. This series contains only software related to a specific project or event, while Series 2 contains software generally related to Hyposurface.
AP170.S3
Description:
Series 3, Projects and events, 1992 – 2014, documents each major installation of the Hyposurface project and consists of more than 10,000 digital files. These files include exhibition layout planning, Aegis simulator software demonstrating Hyposurface, event photographs and video, and ACDC and Aegis software related to specific events. This series also includes the majority of the material Paul Steenhuisen G5 Mac computer and the related Hyposurface audio installations. The bulk of the materials dates from 2000 – 2007. Events represented include Venice Biennale (Venice, 2000); CeBIT Technology Fair (Hannover, Germany, 2002); International Manufacturing Technology Show (IMTS, Chicago, 2006); BIO exhibition (Boston, 2007); and the Canadian Centre for Architecture (Montreal, 2013-2014). This series also contains a number of unidentified projects, including projects in Brisbane, Australia; Amsterdam, the Netherlands; and possibly Russia and Spain. There is also video documentation related to a Hyposurface proposal for BMW, as well as what appears to be a tour of Kuka Robotics staff through dECOi’s laboratory. This series contains nearly 3100 Aegis pattern files, which are identifiable by their file extension (.aeg). An additional 3100 files are plain text files, executable files, or an unidentified format, and appear to relate to other dECOi software. This series notably contains more than 2000 audio files related to the Paul Steenhuisen installations. The rest of the series contains largely still images and video, as well as a small number of AutoCAD and Rhino files. This series overlaps with Series 2: Software and related documentation. This series contains only software related to a specific project or event, while Series 2 contains software generally related to Hyposurface.
Personnes et institutions:
Date:
1992 - 2014
1992 - 2014
Titre:
Projects and events
Actions:
AP170.S3
Description:
Series 3, Projects and events, 1992 – 2014, documents each major installation of the Hyposurface project and consists of more than 10,000 digital files. These files include exhibition layout planning, Aegis simulator software demonstrating Hyposurface, event photographs and video, and ACDC and Aegis software related to specific events. This series also includes the majority of the material Paul Steenhuisen G5 Mac computer and the related Hyposurface audio installations. The bulk of the materials dates from 2000 – 2007. Events represented include Venice Biennale (Venice, 2000); CeBIT Technology Fair (Hannover, Germany, 2002); International Manufacturing Technology Show (IMTS, Chicago, 2006); BIO exhibition (Boston, 2007); and the Canadian Centre for Architecture (Montreal, 2013-2014). This series also contains a number of unidentified projects, including projects in Brisbane, Australia; Amsterdam, the Netherlands; and possibly Russia and Spain. There is also video documentation related to a Hyposurface proposal for BMW, as well as what appears to be a tour of Kuka Robotics staff through dECOi’s laboratory. This series contains nearly 3100 Aegis pattern files, which are identifiable by their file extension (.aeg). An additional 3100 files are plain text files, executable files, or an unidentified format, and appear to relate to other dECOi software. This series notably contains more than 2000 audio files related to the Paul Steenhuisen installations. The rest of the series contains largely still images and video, as well as a small number of AutoCAD and Rhino files. This series overlaps with Series 2: Software and related documentation. This series contains only software related to a specific project or event, while Series 2 contains software generally related to Hyposurface.
Projects and events
Actions:
AP170.S3
Description:
Series 3, Projects and events, 1992 – 2014, documents each major installation of the Hyposurface project and consists of more than 10,000 digital files. These files include exhibition layout planning, Aegis simulator software demonstrating Hyposurface, event photographs and video, and ACDC and Aegis software related to specific events. This series also includes the majority of the material Paul Steenhuisen G5 Mac computer and the related Hyposurface audio installations. The bulk of the materials dates from 2000 – 2007. Events represented include Venice Biennale (Venice, 2000); CeBIT Technology Fair (Hannover, Germany, 2002); International Manufacturing Technology Show (IMTS, Chicago, 2006); BIO exhibition (Boston, 2007); and the Canadian Centre for Architecture (Montreal, 2013-2014). This series also contains a number of unidentified projects, including projects in Brisbane, Australia; Amsterdam, the Netherlands; and possibly Russia and Spain. There is also video documentation related to a Hyposurface proposal for BMW, as well as what appears to be a tour of Kuka Robotics staff through dECOi’s laboratory. This series contains nearly 3100 Aegis pattern files, which are identifiable by their file extension (.aeg). An additional 3100 files are plain text files, executable files, or an unidentified format, and appear to relate to other dECOi software. This series notably contains more than 2000 audio files related to the Paul Steenhuisen installations. The rest of the series contains largely still images and video, as well as a small number of AutoCAD and Rhino files. This series overlaps with Series 2: Software and related documentation. This series contains only software related to a specific project or event, while Series 2 contains software generally related to Hyposurface.
Niveau de description archivistique:
Series
Series
Date:
1992 - 2014
1992 - 2014
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Architectural projects
Architectural projects
Numéro de référence:
AP164.S1
Description:
This series documents the architectural projects of Ábalos&Herreros from 1986 to 2006 and represents over 150 projects, including exhibitions. The firm worked on a wide variety of projects from commercial and residential structures to libraries and sewage treatment plants. The firm's design process was research oriented and involved conversations between Ábalos and Herreros, office collaborators, artists who partook in the projects, as well as other architects. Several projects found in this series were developed in collaboration with other architects including: José Manuel Ábalos; Salvador Pérez Arroyo; Filippo Costi; Ángel Jaramillo Esteban; Javier Fresneda; Eduardo Horta; Martín Marciano; Ángel Jaramillo Sánchez; Renata Sentkiewicz; and Héctor Vigliecca. Most projects were designed for the city of Madrid and the Community of Madrid. Projects were also developed for other sites in Spain, including the Canary Islands, as well as for sites in Portugal, Germany, the United States, and Brazil. Ábalos & Herreros often created new projects from the firm's existing work. The firm also identified their projects numerically. These identification numbers are documented at the project series level for each project. Among the materials documenting the firm's projects are conceptual, design development, presentation, and working drawings, as well as panels. There are also several CAD drawings and prints of born digital drawings. Documenting the firms conceptual process are collages and photomontages. Photographic materials included in this series depict project sites and built projects. Also included are a variety of research reference materials, correspondence, project documentation, and project submissions. Although creating models was not a common practice for the firm, there are a few project series which include models.
AP164.S1
Description:
This series documents the architectural projects of Ábalos&Herreros from 1986 to 2006 and represents over 150 projects, including exhibitions. The firm worked on a wide variety of projects from commercial and residential structures to libraries and sewage treatment plants. The firm's design process was research oriented and involved conversations between Ábalos and Herreros, office collaborators, artists who partook in the projects, as well as other architects. Several projects found in this series were developed in collaboration with other architects including: José Manuel Ábalos; Salvador Pérez Arroyo; Filippo Costi; Ángel Jaramillo Esteban; Javier Fresneda; Eduardo Horta; Martín Marciano; Ángel Jaramillo Sánchez; Renata Sentkiewicz; and Héctor Vigliecca. Most projects were designed for the city of Madrid and the Community of Madrid. Projects were also developed for other sites in Spain, including the Canary Islands, as well as for sites in Portugal, Germany, the United States, and Brazil. Ábalos & Herreros often created new projects from the firm's existing work. The firm also identified their projects numerically. These identification numbers are documented at the project series level for each project. Among the materials documenting the firm's projects are conceptual, design development, presentation, and working drawings, as well as panels. There are also several CAD drawings and prints of born digital drawings. Documenting the firms conceptual process are collages and photomontages. Photographic materials included in this series depict project sites and built projects. Also included are a variety of research reference materials, correspondence, project documentation, and project submissions. Although creating models was not a common practice for the firm, there are a few project series which include models.
Personnes et institutions:
Date:
1953-2009
1953-2009
Titre:
Architectural projects
Actions:
AP164.S1
Description:
This series documents the architectural projects of Ábalos&Herreros from 1986 to 2006 and represents over 150 projects, including exhibitions. The firm worked on a wide variety of projects from commercial and residential structures to libraries and sewage treatment plants. The firm's design process was research oriented and involved conversations between Ábalos and Herreros, office collaborators, artists who partook in the projects, as well as other architects. Several projects found in this series were developed in collaboration with other architects including: José Manuel Ábalos; Salvador Pérez Arroyo; Filippo Costi; Ángel Jaramillo Esteban; Javier Fresneda; Eduardo Horta; Martín Marciano; Ángel Jaramillo Sánchez; Renata Sentkiewicz; and Héctor Vigliecca. Most projects were designed for the city of Madrid and the Community of Madrid. Projects were also developed for other sites in Spain, including the Canary Islands, as well as for sites in Portugal, Germany, the United States, and Brazil. Ábalos & Herreros often created new projects from the firm's existing work. The firm also identified their projects numerically. These identification numbers are documented at the project series level for each project. Among the materials documenting the firm's projects are conceptual, design development, presentation, and working drawings, as well as panels. There are also several CAD drawings and prints of born digital drawings. Documenting the firms conceptual process are collages and photomontages. Photographic materials included in this series depict project sites and built projects. Also included are a variety of research reference materials, correspondence, project documentation, and project submissions. Although creating models was not a common practice for the firm, there are a few project series which include models.
Architectural projects
Actions:
AP164.S1
Description:
This series documents the architectural projects of Ábalos&Herreros from 1986 to 2006 and represents over 150 projects, including exhibitions. The firm worked on a wide variety of projects from commercial and residential structures to libraries and sewage treatment plants. The firm's design process was research oriented and involved conversations between Ábalos and Herreros, office collaborators, artists who partook in the projects, as well as other architects. Several projects found in this series were developed in collaboration with other architects including: José Manuel Ábalos; Salvador Pérez Arroyo; Filippo Costi; Ángel Jaramillo Esteban; Javier Fresneda; Eduardo Horta; Martín Marciano; Ángel Jaramillo Sánchez; Renata Sentkiewicz; and Héctor Vigliecca. Most projects were designed for the city of Madrid and the Community of Madrid. Projects were also developed for other sites in Spain, including the Canary Islands, as well as for sites in Portugal, Germany, the United States, and Brazil. Ábalos & Herreros often created new projects from the firm's existing work. The firm also identified their projects numerically. These identification numbers are documented at the project series level for each project. Among the materials documenting the firm's projects are conceptual, design development, presentation, and working drawings, as well as panels. There are also several CAD drawings and prints of born digital drawings. Documenting the firms conceptual process are collages and photomontages. Photographic materials included in this series depict project sites and built projects. Also included are a variety of research reference materials, correspondence, project documentation, and project submissions. Although creating models was not a common practice for the firm, there are a few project series which include models.
Niveau de description archivistique:
Series
Series
Date:
1953-2009
1953-2009
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Hans and Wassili Luckhardt
Hans and Wassili Luckhardt
Numéro de référence:
AP162.S6
Description:
Series documents the contribution of architects Hans Luckhardt and Wasilli Luckhardt to the correspondence circle of Die gläserne Kette, with each writing under the pseudonyms Angkor and Zachen respectively. Born in Berlin in 1880, Hans Luckhardt studied architecture at the Technische Hochschule at Karlsruhe, Germany. In 1919, he joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians, and the Arbeitsrat für Kunst, lead by Bruno Taut. These two groups merged in November 1919. The same year, Luckhardt exhibitied his work at the Ausstellung für unbekannte Architekten and contributed to the organization of the Neues Bauen exhibition the next year. In 1921, Hans Luckhardt began his working collaboration with his brother Wassili. Born in Berlin in 1989, Wassili Luckhardt studied archictecture at the Technische Hochschule at Berlin-Charlottenburg and at the Technische Hochschule in Dresden. He undertook his military service from 1914 to 1918. Like his brother Hans, Wasilli joined the Novembergruppeand the Arbeitsrat für Kunst in 1919 and exhibited his work at the Ausstellung für unbekannte Architekten. During their collaboration, the Luckhardt brothers worked on designs for private commisions and competition schemes including some for Berlin and Hanover (1951-1952). Hans Luckhardt died in 1954 in Bad Wiessee. Wassili Luckhardt continued his work as an architect on various architectural projects. He died in 1972 in Berlin. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans and Wasilli Luckhardt to the Die gläserne Kette circle, along with related drawings and photographs. The series also includes a photograph of a architectural model for a project by the Luckhart brothers.
AP162.S6
Description:
Series documents the contribution of architects Hans Luckhardt and Wasilli Luckhardt to the correspondence circle of Die gläserne Kette, with each writing under the pseudonyms Angkor and Zachen respectively. Born in Berlin in 1880, Hans Luckhardt studied architecture at the Technische Hochschule at Karlsruhe, Germany. In 1919, he joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians, and the Arbeitsrat für Kunst, lead by Bruno Taut. These two groups merged in November 1919. The same year, Luckhardt exhibitied his work at the Ausstellung für unbekannte Architekten and contributed to the organization of the Neues Bauen exhibition the next year. In 1921, Hans Luckhardt began his working collaboration with his brother Wassili. Born in Berlin in 1989, Wassili Luckhardt studied archictecture at the Technische Hochschule at Berlin-Charlottenburg and at the Technische Hochschule in Dresden. He undertook his military service from 1914 to 1918. Like his brother Hans, Wasilli joined the Novembergruppeand the Arbeitsrat für Kunst in 1919 and exhibited his work at the Ausstellung für unbekannte Architekten. During their collaboration, the Luckhardt brothers worked on designs for private commisions and competition schemes including some for Berlin and Hanover (1951-1952). Hans Luckhardt died in 1954 in Bad Wiessee. Wassili Luckhardt continued his work as an architect on various architectural projects. He died in 1972 in Berlin. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans and Wasilli Luckhardt to the Die gläserne Kette circle, along with related drawings and photographs. The series also includes a photograph of a architectural model for a project by the Luckhart brothers.
Personnes et institutions:
Date:
1919-1920
1919-1920
Titre:
Hans and Wassili Luckhardt
Actions:
AP162.S6
Description:
Series documents the contribution of architects Hans Luckhardt and Wasilli Luckhardt to the correspondence circle of Die gläserne Kette, with each writing under the pseudonyms Angkor and Zachen respectively. Born in Berlin in 1880, Hans Luckhardt studied architecture at the Technische Hochschule at Karlsruhe, Germany. In 1919, he joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians, and the Arbeitsrat für Kunst, lead by Bruno Taut. These two groups merged in November 1919. The same year, Luckhardt exhibitied his work at the Ausstellung für unbekannte Architekten and contributed to the organization of the Neues Bauen exhibition the next year. In 1921, Hans Luckhardt began his working collaboration with his brother Wassili. Born in Berlin in 1989, Wassili Luckhardt studied archictecture at the Technische Hochschule at Berlin-Charlottenburg and at the Technische Hochschule in Dresden. He undertook his military service from 1914 to 1918. Like his brother Hans, Wasilli joined the Novembergruppeand the Arbeitsrat für Kunst in 1919 and exhibited his work at the Ausstellung für unbekannte Architekten. During their collaboration, the Luckhardt brothers worked on designs for private commisions and competition schemes including some for Berlin and Hanover (1951-1952). Hans Luckhardt died in 1954 in Bad Wiessee. Wassili Luckhardt continued his work as an architect on various architectural projects. He died in 1972 in Berlin. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans and Wasilli Luckhardt to the Die gläserne Kette circle, along with related drawings and photographs. The series also includes a photograph of a architectural model for a project by the Luckhart brothers.
Hans and Wassili Luckhardt
Actions:
AP162.S6
Description:
Series documents the contribution of architects Hans Luckhardt and Wasilli Luckhardt to the correspondence circle of Die gläserne Kette, with each writing under the pseudonyms Angkor and Zachen respectively. Born in Berlin in 1880, Hans Luckhardt studied architecture at the Technische Hochschule at Karlsruhe, Germany. In 1919, he joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians, and the Arbeitsrat für Kunst, lead by Bruno Taut. These two groups merged in November 1919. The same year, Luckhardt exhibitied his work at the Ausstellung für unbekannte Architekten and contributed to the organization of the Neues Bauen exhibition the next year. In 1921, Hans Luckhardt began his working collaboration with his brother Wassili. Born in Berlin in 1989, Wassili Luckhardt studied archictecture at the Technische Hochschule at Berlin-Charlottenburg and at the Technische Hochschule in Dresden. He undertook his military service from 1914 to 1918. Like his brother Hans, Wasilli joined the Novembergruppeand the Arbeitsrat für Kunst in 1919 and exhibited his work at the Ausstellung für unbekannte Architekten. During their collaboration, the Luckhardt brothers worked on designs for private commisions and competition schemes including some for Berlin and Hanover (1951-1952). Hans Luckhardt died in 1954 in Bad Wiessee. Wassili Luckhardt continued his work as an architect on various architectural projects. He died in 1972 in Berlin. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans and Wasilli Luckhardt to the Die gläserne Kette circle, along with related drawings and photographs. The series also includes a photograph of a architectural model for a project by the Luckhart brothers.
Niveau de description archivistique:
series
series
Date:
1919-1920
1919-1920
Personnes et institutions:
