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Les expériences de "musée durable" sont encore peu nombreuses. Cette enquête sociologique originale permet de montrer comment les Muséums nature de Montréal font du développement durable une de leurs valeurs essentielles. Le développement durable est-il un projet modèle, une utopie ? Cette étude empirique d'une expérience institutionnelle concrète apporte des éléments de(...)
Musées & développement durable : les Muséums nature de Montréal
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Les expériences de "musée durable" sont encore peu nombreuses. Cette enquête sociologique originale permet de montrer comment les Muséums nature de Montréal font du développement durable une de leurs valeurs essentielles. Le développement durable est-il un projet modèle, une utopie ? Cette étude empirique d'une expérience institutionnelle concrète apporte des éléments de réflexion.
Architecture du Québec
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La fabrique de la «ville» en tant que démarche concrète allant de la conception à la réalisation des projets se renouvelle sans cesse. Les démarches s'enrichissent mais diffèrent en fonction des pays, des villes, des acteurs, des perceptions et du «style» des concepteurs. Elles se différencient surtout en fonction des échelles et des temporalités propres à chaque acteur.
Échelles et temporalités des projets urbains
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La fabrique de la «ville» en tant que démarche concrète allant de la conception à la réalisation des projets se renouvelle sans cesse. Les démarches s'enrichissent mais diffèrent en fonction des pays, des villes, des acteurs, des perceptions et du «style» des concepteurs. Elles se différencient surtout en fonction des échelles et des temporalités propres à chaque acteur.
Théorie de l’urbanisme
livres
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Aalto's career overlapped both chronologically and ideologically with those of Le Corbusier and Mies van der Rohe, but his commitment to a humanitarian ideal, inspired by nature, set him apart from his purist Modernist contemporaries. His beautiful buildings, including the Paimio Sanatorium, Villa Mairea, Jyvaskla Worker's Club, Church of the Three Crosses and Baker House(...)
Architecture, monographies
avril 2007, London
Alvar Aalto : trough the eyes of shigeru ban
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Aalto's career overlapped both chronologically and ideologically with those of Le Corbusier and Mies van der Rohe, but his commitment to a humanitarian ideal, inspired by nature, set him apart from his purist Modernist contemporaries. His beautiful buildings, including the Paimio Sanatorium, Villa Mairea, Jyvaskla Worker's Club, Church of the Three Crosses and Baker House Dormitory, with their curving facades, careful interaction of wood, concrete and brick, and innovative uses of emerging technologies, show the touch of a true master. With contributions from Colin St John Wilson (architect of the British Library), Juhani Pallasmaa (Aalto specialist at the University of Technology, Helsinki), as well as an exclusive interview with Shigeru Ban, Alvar Aalto: Through the Eyes of Shigeru Ban offers a refreshing new take on Aalto's architecture and design. Added to this, three new translations of Aalto's own writings provide an insight into the workings of his mind, and the theoretical and philosophical discussions that he was engaging with in the 1920s and 30s. Beautifully illustrated, Alvar Aalto: Through the Eyes of Shigeru Ban features stunning new images by photographer Judith Turner, whose abstract interpretation of Aalto's work brings out the poetry of his buildings, and shows them in a whole new light. Hitherto unseen archive images from the Aalto foundation are also published for the first time, making this a truly unique publication. The environmental concerns of the twenty-first century mean that Aalto’s legacies have become ever more apparent. This timely retrospective pays tribute to one of the great masters of architecture and is essential reading for architects, designers and anyone interested in the origins of contemporary architecture and culture.
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avril 2007, London
Architecture, monographies
New retail
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about the book In the decades since the advent of the shopping mall, shopping has become synonymous with entertainment and the retail store a key player in establishing brand identity. In a growing trend, high-profile architects are designing provocative storefronts and interiors that create an aura of exclusivity, draw in customers, and attract media attention(...)
mai 2005, London, New York
New retail
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about the book In the decades since the advent of the shopping mall, shopping has become synonymous with entertainment and the retail store a key player in establishing brand identity. In a growing trend, high-profile architects are designing provocative storefronts and interiors that create an aura of exclusivity, draw in customers, and attract media attention rivaling the goods within. New Retail examines this phenomenon with an overview of 24 of the most innovative retail spaces built around the world in recent years, designed by high-profile international architects as well as smaller cutting-edge firms. Projects in the book include the Carlos Miele store in New York (Asymptote), three stores for Louis Vuitton in New York and Tokyo (Jun Aoki), Selfridges in Birmingham, the UK (Future Systems), two clothing boutiques in São Paulo (Isay Weinfeld), the Mandarina Duck store in Paris (NL Architects), and the Mpries Supermarket in Austria (Dominique Perrault), among others. More than 250 color photographs as well as floor plans and site plans showcase the architectural and interior design, lighting, and often experimental materials that create these ultimate retail spaces. For the Selfridges department store, for example, Future Systems clad the building with 15,000 aluminum disks attached to a sprayed concrete surface. In New York, the interior of the Carlos Miele store by Asymptote features a sensual, sculptural white ceiling of molded high-gloss PVC-based material. Each project is accompanied by a 500-to-700-word description that explains the design concept, site, program, and significant building technologies and materials. A general introduction discusses precedents to these projects and current issues in the architecture and design of retail spaces.
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This second volume of "The details of modern architecture" continues the study of the relationships of the ideals of design and the realities of construction in modern architecture, beginning in the late 1920s and extending to the present day. It contains a wealth of new information on the construction of modern architecture at a variety of scales from minute details to(...)
octobre 2003, Cambridge, Mass.
The details of modern architecture volume 2 : 1928 to 1988
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This second volume of "The details of modern architecture" continues the study of the relationships of the ideals of design and the realities of construction in modern architecture, beginning in the late 1920s and extending to the present day. It contains a wealth of new information on the construction of modern architecture at a variety of scales from minute details to general principles. There are over 500 illustrations, including 130 original photographs and 230 original axonometric drawings, arranged to explain the technical, aesthetic, and historical aspects of the building form. Most of the modern movements in architecture have identified some paradigm of good construction, arguing that buildings should be built like Gothic cathedrals, like airplanes, like automobiles, like ships, or like primitive dwellings. Ford examines the degree to which these models were followed, either in spirit or in form, and reveals much about both the theories and techniques of modern architecture, including the extent to which the current constructional theories of high tech and deconstruction are dependent on the traditional modernist paradigms, as well as the ways in which all of these theories differ from the realities of modern building. Individual chapters treat the work of Eliel and Eero Saarinen, Eric Gunnar Asplund, Richard Neutra, Alvar Aalto, Le Corbusier, and Louis Kahn, as well as the Case Study, high tech, postmodern, and deconstructivist architects. Among the individual buildings documented are Eliel Saarinen's Cranbrook School, Asplund's Woodland Cemetery, Fuller's Dymaxion house, the Venturi house, the Eames and other Case Study houses, the concrete buildings of Le Corbusier, Aalto's Säynätsalo Town Hall, and Kahn's Exeter Library and Salk Institute.
L'oeuvre des matières
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« L’œuvre des matières » est le reflet d’une pensée qui tente de lier le corps et l’esprit. Une exploration poétique des mécanismes de la pensée dans l'acte de construire. Ivry Serres est un architecte et un promeneur attentif qui cultive un regard singulier sur le monde. De ces instants naissent une culture. Une culture empreinte de réalité, à la fois concrète et sensible.
L'oeuvre des matières
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« L’œuvre des matières » est le reflet d’une pensée qui tente de lier le corps et l’esprit. Une exploration poétique des mécanismes de la pensée dans l'acte de construire. Ivry Serres est un architecte et un promeneur attentif qui cultive un regard singulier sur le monde. De ces instants naissent une culture. Une culture empreinte de réalité, à la fois concrète et sensible.
Théorie de l’architecture
A brief history of new music
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Hans Ulrich Obrist’s interviews map the evolution of the new music in Europe and America across all of its genres, from musique concrète to the recent hybridizations between pop and avant-garde, as techniques from both realms cross-pollinate. A Brief History of New Music is an ideal introduction to the experimental and new classical music of the past half-century.
A brief history of new music
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Hans Ulrich Obrist’s interviews map the evolution of the new music in Europe and America across all of its genres, from musique concrète to the recent hybridizations between pop and avant-garde, as techniques from both realms cross-pollinate. A Brief History of New Music is an ideal introduction to the experimental and new classical music of the past half-century.
Acoustique
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Le premier recueil d'écrits et de discours traduits en français d'Adriano Olivetti (1901-1960), entrepreneur et éditeur italien qui a transformé son usine d'appareils d'écriture et de calcul en un laboratoire d'expérimentation d'un nouveau modèle de vie sociale, politique et culturelle : un modèle d'« utopie concrète » fondé sur l'idée de communauté et centré sur(...)
Théorie de l’architecture
avril 2023
Adriano Olivetti: Écrits et discours
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Le premier recueil d'écrits et de discours traduits en français d'Adriano Olivetti (1901-1960), entrepreneur et éditeur italien qui a transformé son usine d'appareils d'écriture et de calcul en un laboratoire d'expérimentation d'un nouveau modèle de vie sociale, politique et culturelle : un modèle d'« utopie concrète » fondé sur l'idée de communauté et centré sur l'individu, dont les instruments de réalisation sont l'architecture, l'urbanisme et le design.
Théorie de l’architecture
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From the summer of 1933 to the fall of 1934, more than 38 million fairgoers visited a 3-mile stretch along Lake Michigan, home to Chicago’s second World’s Fair. Millions more experienced the Century of Progress International Exposition through newspaper and magazine articles, newsreels, and souvenirs. Together, all marveled at the industrial, scientific, consumer, and(...)
août 2007, Minneapolis, London
Building a century of progress : the architecture of Chicago's 1933-34 World's Fair
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From the summer of 1933 to the fall of 1934, more than 38 million fairgoers visited a 3-mile stretch along Lake Michigan, home to Chicago’s second World’s Fair. Millions more experienced the Century of Progress International Exposition through newspaper and magazine articles, newsreels, and souvenirs. Together, all marveled at the industrial, scientific, consumer, and cultural displays, many of which were housed in fifty massive and colorful exhibition halls, the largest architectural project realized in the United States during the Great Depression. In the richly illustrated "Building a century of progress", Lisa D. Schrenk explores the pivotal role of the 1933 Chicago World’s Fair in modern American architecture. She recounts how the exposition’s architectural commission promoted a broad definition of modern architecture, not relying on purely aesthetic characteristics but instead focusing on new design solutions. The fair’s pavilions incorporated recently introduced building materials such as masonite and gypsum board; structural innovations (for example, the first thin-shell concrete roof and the first suspended roof structures built in the United States); and new construction processes, most notably the use of prefabrication. They also featured curiosities like the giant, constantly operating mayonnaise maker and the glass-walled House of Tomorrow, which had no operable windows. Schrenk shows how the halls’ designs reflected cultural and political developments of the period, including the expanding relationships between science, industry, and government; the rise of a corporate consumer culture; and the impact of the Great Depression. Many of the designs provoked intense responses from critics and other prominent architects, including Frank Lloyd Wright and Ralph Adams Cram, fueling heated debates over the appropriate direction for architecture in the United States. Demonstrating the rich diversity of progressive American building design seen at the fair, this book captures a crucial moment in American modernism.
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Los Angeles--the place without a sense of place, famous for sprawl and overdevelopment and defined by its car-clogged freeways--might seem inhospitable to efforts to connect with nature and community. But in Reinventing Los Angeles, educator and activist Robert Gottlieb describes how imaginative and innovative social movements have coalesced around the issues of water(...)
Reinventing Los Angeles : Nature and community in the global city
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Los Angeles--the place without a sense of place, famous for sprawl and overdevelopment and defined by its car-clogged freeways--might seem inhospitable to efforts to connect with nature and community. But in Reinventing Los Angeles, educator and activist Robert Gottlieb describes how imaginative and innovative social movements have coalesced around the issues of water development, cars and freeways, and land use, to create a more livable and sustainable city. Gottlieb traces the emergence of Los Angeles as a global city in the twentieth century and describes its continuing evolution today. He examines the powerful influences of immigration and economic globalization as they intersect with changes in the politics of water, transportation, and land use, and illustrates each of these core concerns with an account of grass roots and activist responses: efforts to reenvision the concrete-bound, fenced-off Los Angeles River as a natural resource; "Arroyofest," the closing of the Pasadena Freeway for a Sunday of walking and bike riding; and immigrants’ initiatives to create urban gardens and connect with their countries of origin. Reinventing Los Angeles is a unique blend of personal narrative (Gottlieb himself participated in several of the grass roots actions described in the book) and historical and theoretical discussion. It provides a road map for a new environmentalism of everyday life, demonstrating the opportunities for renewal in a global city. Robert Gottlieb is Henry R. Luce Professor of Urban and Environmental Policy and Director of the Urban and Environmental Policy Institute at Occidental College in Los Angeles. He is the author of Environmentalism Unbound: Exploring New Pathways for Change (MIT Press), Forcing the Spring: The Transformation of the American Environmental Movement, and other books.
Théorie de l’urbanisme