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As every year since 1993, the Yearbook of 'AV Monographs gathers' gathers the best buildings completed in Spain over the past twelve months, taking stock of its characteristic high quality despite the crisis that still affects the field. The year that saw the Pritzker go to the Catalan studio RCR Arquitectes, and the establishment of the Norman Foster Foundation in(...)
AV Monographs 203-204 : Spain yearbook
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As every year since 1993, the Yearbook of 'AV Monographs gathers' gathers the best buildings completed in Spain over the past twelve months, taking stock of its characteristic high quality despite the crisis that still affects the field. The year that saw the Pritzker go to the Catalan studio RCR Arquitectes, and the establishment of the Norman Foster Foundation in Madrid, also witnessed important inaugurations like that of the Botín Centre in Santander – the first building by Renzo Piano in Spain –, the Congress Center in Palma by Francisco Mangado, or the new stadium of Atlético de Madrid in the old ‘Peineta’, by Cruz & Ortiz.
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C3 394 : urban university
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This issue focuses on three subjects: Urban University, Library Today, and Mexican Concrete. The first examines how new needs and material structures combine to offer opportunities for designers to experiment with innovative layouts and a new formal repertoire that can affect urban dynamics. Examples include Cornell Tech, Central European University, and the Southern Utah(...)
C3 394 : urban university
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This issue focuses on three subjects: Urban University, Library Today, and Mexican Concrete. The first examines how new needs and material structures combine to offer opportunities for designers to experiment with innovative layouts and a new formal repertoire that can affect urban dynamics. Examples include Cornell Tech, Central European University, and the Southern Utah Museum of Art. Recent developments in the design of media libraries as an evolution of traditional ones feature in Library Today, with projects by OMA + Barcode Architects, Jean-Pierre Lott, and MVRDV. Lastly, the issue takes stock of concrete’s revision and continuation in today’s Mexican architecture.
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The taste for industrial aesthetics, just one of many reasons for the popularity of industrial conversions today, saw its beginnings during the age of post-war modernism, popularised by architects such as Le Corbusier, Gropius, and Mies van der Rohe. Yet the trend to rethink industrial structures also signals the imbalance of production and consumption that has arisen(...)
C3 special : post-industrial conversions
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The taste for industrial aesthetics, just one of many reasons for the popularity of industrial conversions today, saw its beginnings during the age of post-war modernism, popularised by architects such as Le Corbusier, Gropius, and Mies van der Rohe. Yet the trend to rethink industrial structures also signals the imbalance of production and consumption that has arisen since the 1970s. Currently, however, rehabilitation initiatives are bringing production back to the city through projects like the thirteen examples in this special issue. Included are the Baltic Station Market by KOKO architects, Zeitz MOCAA by Heatherwick Studio, Malmö Market Hall by Wingårdh, and The Silo by COBE.
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D'a (D'architectures) 261
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The last issue is now in store!
D'a (D'architectures) 261
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The last issue is now in store!
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Esse 93
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The last issue is now in store!
The plan 105
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The last issue is now in store!
The plan 105
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The last issue is now in store!
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Urbania no.47
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Dernier numéro disponible en librairie.
Urbania no.47
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Dernier numéro disponible en librairie.
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For their latest issue, Flaneur immersed itself in the complex layers of São Paulo's Treze de Maio. In collaboration with multi-disciplinary artists, academics, and locals, Flaneur embraces the street's complexity, its layers and fragmented nature with a literary approach. The street Treze de Maio (13th of May) here is both a place and a time: the 13th of May 1888, the(...)
Flaneur Issue 07: Treze de Maio, Sao Paulo
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For their latest issue, Flaneur immersed itself in the complex layers of São Paulo's Treze de Maio. In collaboration with multi-disciplinary artists, academics, and locals, Flaneur embraces the street's complexity, its layers and fragmented nature with a literary approach. The street Treze de Maio (13th of May) here is both a place and a time: the 13th of May 1888, the day of the official abolishment of slavery in Brazil. In that way the issue reads the city layer by layer, forming a multi-voiced collection of contributions that are interwoven with the editor's outsider voice that explores the reoccurring themes within them. With contributions by, among others, Karlla Girotto and Alessandro Marques, Camila Svenson and Pétala Lopes, Paulo Nimer Pjota, Guilherme Wisnik, Tatewaki Nio and Andre Collazio.
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pippo ciorra | giovanni corbellini | anna contati | silvia dalzero | giorgia de pasquale | delphine desert | sara favargiotti | maddalena ferretti | paola galante | guiomar martín domínguez | giulia menzietti | caterina micucci | marion nielsen | luigi pintacuda | laura pujia | chiara rizzi | alessandro tessari | giulio testori | moira valeri | paola zanotto
Investigate: Villardjournal 01.2018
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pippo ciorra | giovanni corbellini | anna contati | silvia dalzero | giorgia de pasquale | delphine desert | sara favargiotti | maddalena ferretti | paola galante | guiomar martín domínguez | giulia menzietti | caterina micucci | marion nielsen | luigi pintacuda | laura pujia | chiara rizzi | alessandro tessari | giulio testori | moira valeri | paola zanotto
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fig.3 : paradoxe
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Dans ce troisième numéro de fig., le sens commun des choses, et leur complexité inattendue, sont mis au défi ou simplement démontrés. Le paradoxe est en effet un outil de réflexion capable de limiter une idée ou au contraire de la renforcer. Tous les figurants y sont des rêveurs, en phase de sommeil paradoxal, mais les yeux bien ouverts; curieux d’aller fouiller dans la(...)
fig.3 : paradoxe
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Dans ce troisième numéro de fig., le sens commun des choses, et leur complexité inattendue, sont mis au défi ou simplement démontrés. Le paradoxe est en effet un outil de réflexion capable de limiter une idée ou au contraire de la renforcer. Tous les figurants y sont des rêveurs, en phase de sommeil paradoxal, mais les yeux bien ouverts; curieux d’aller fouiller dans la cave et le grenier de l’architecture, du graphisme et de l’opinion publique.
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