Morphosis
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This monograph is the first to document all of the built work by Morphosis, a Los Angeles-based practice headed by Thom Mayne and one of the most influential architecture firms of the past twenty years. Morphosis's unconventional geometries, sculptural models and complex, computer-generated drawings helped to usher in a new era of architectural experimentation in the(...)
Morphosis
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This monograph is the first to document all of the built work by Morphosis, a Los Angeles-based practice headed by Thom Mayne and one of the most influential architecture firms of the past twenty years. Morphosis's unconventional geometries, sculptural models and complex, computer-generated drawings helped to usher in a new era of architectural experimentation in the early 1980's. This book is comprised of bold, documentary-style colour photographs of thirty-five completed buildings presented in an almost cinematic layout, and publishes for the first time together all of Morphosis's completed work, from the early residential and restaurant projects in Los Angeles to the most recent large-scale work beyond California and the United States in Canada, Taiwan, Korea, Japan and Austria. Thom Mayne founded Morphosis in 1972 in partnership with Michael Rotondi, who now has his own firm. Over the past twenty years, Mayne's academic posts have included teaching positions at Columbia University, Harvard University, Yale University, the Berlage Institute in the Netherlands and the Bartlett School of Architecture in London.
Architecture, monographies
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Modernism, characterized by geometric shapes and flat roofs, is one of the defining architectural styles of the twentieth century throughout the world. And nowhere is it more in abundance than in Faro, capital of Portugal’s Algarve region. There are over 500 Modernist buildings in Faro, the highest concentration of these types of buildings in Southern Europe. The city now(...)
Faro Modernism: Buildings, heritage, culture
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Modernism, characterized by geometric shapes and flat roofs, is one of the defining architectural styles of the twentieth century throughout the world. And nowhere is it more in abundance than in Faro, capital of Portugal’s Algarve region. There are over 500 Modernist buildings in Faro, the highest concentration of these types of buildings in Southern Europe. The city now has a specific Modernist buildings area, through which guided tours show the full range of detached and semidetached grand houses, large-scale apartment blocks, and little roads of terraced houses that are in fact cleverly disguised maisonettes. The architectural ringleader was Manuel Gomes da Costa, an Algarvian by birth, who had gone to South America in search of work but came back in the 1950s to transform the city. Inspired by the work of earlier architects, including Le Corbusier and Oscar Niemeyer, Costa and his colleagues set about creating a Modernist paradise in the southern sun. This book will give fans of inspirational architecture the first real opportunity to delve deep into Southern Europe’s "Palm Springs."
Modernisme
Joseph Beuys and history
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Joseph Beuys (1921–1986) was one of the most significant artists of the twentieth century—and one of the most controversial. Working in Germany in the aftermath of World War II, he explored a radically expanded concept of art through a practice that ranged from performative actions to large-scale sculptural ensembles. While some contemporaries found his claim that(...)
Joseph Beuys and history
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Joseph Beuys (1921–1986) was one of the most significant artists of the twentieth century—and one of the most controversial. Working in Germany in the aftermath of World War II, he explored a radically expanded concept of art through a practice that ranged from performative actions to large-scale sculptural ensembles. While some contemporaries found his claim that “everyone is an artist” liberating, even revolutionary, others accused him of fostering a dangerous cult of personality. In "Joseph Beuys and History", the first rigorous art historical study of the artist in English, Daniel Spaulding presents a striking new interpretation of Beuys’s work and career. By putting Beuys in the context of Germany’s postwar recovery, Spaulding shows that the artist’s superimposed biological, political, and economic metaphors offered a powerful way to think about the trajectory of human freedom, the place of art in capitalist modernity, and the possibility of an ecological aesthetics. At the same time, his oeuvre’s disquieting echoes of the Nazi past suggest that not everything could be reconciled in what Beuys called “social sculpture.”
livres
The London town garden
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Much has been written about London’s terraced houses with their simple dignity, their economical use of space, and their sense of comfort and human scale. Yet the small gardens that lie before or behind the houses in this great city have until now been overlooked. In this groundbreaking (...)
The London town garden
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Much has been written about London’s terraced houses with their simple dignity, their economical use of space, and their sense of comfort and human scale. Yet the small gardens that lie before or behind the houses in this great city have until now been overlooked. In this groundbreaking account of the development of the private garden in London, eminent garden historian Todd Longstaffe-Gowan provides a delightful remedy to the oversight. Recognizing the contribution of modest domestic gardens to the texture of eighteenth- and early nineteenth-century London, Longstaffe-Gowan explores in full detail the small gardens, their owners, and their significance to the development of the metropolis. Some two hundred illustrations enhance this rich and fascinating discussion. Town gardening was conventionally maligned as a trifling pursuit conducted within inhospitable and infertile enclosures. This view changed during the eighteenth century as middle class Londoners found in gardening activities an outlet for personal enjoyment and expression. This book describes how gardening affected the lives of many, becoming part of the ritual of the daily round and gratifying material aspirations.
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juin 2001, London / New Haven
Jardins
livres
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George Nelson (1908-1986) was a pioneering modernist who ranks with such outstanding American designers as Raymond Loewy, Charles Eames, and Eliot Noyes. Nelson's office produced some of the twentieth century's canonical pieces of industrial design, many of which(...)
George Nelson : the design of modern design
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George Nelson (1908-1986) was a pioneering modernist who ranks with such outstanding American designers as Raymond Loewy, Charles Eames, and Eliot Noyes. Nelson's office produced some of the twentieth century's canonical pieces of industrial design, many of which are still in production: the ball clock, the bubble lamp, and the sling sofa. Nelson also made major contributions to the storage wall, the shopping mall, the multimedia presentation, and the open-plan office system. The author of this definitive biography was given access to Nelson's office archives and personal papers. He also interviewed more than seventy of Nelson's friends, colleagues, employees, and clients, and obtained many previously unpublished images from corporate and private archives. The full range of Nelson's work is represented, from product and furniture design to packaging and graphics to large-scale projects such as the Fairchild house and the 1959 American National Exhibition in Moscow. Because Nelson was a serious and original thinker about design issues, Abercrombie quotes extensively from his published and unpublished writings, offering provocative new material to students of design theory and philosophy.
livres
octobre 2000, Cambridge, Mass.
Design, monographies
$28.00
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Catastrophes, bombed-out cities, large-scale political transformations: “Image complexes” of humanitarian and ecological upheaval document the world as a sequence of catastrophes. But who decides how events are presented, determines the resolution of our visual worlds, and controls the circulation or censorship of images? Eyal and Ines Weizman trace the history of the(...)
Before & After: The architecture of disaster
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Catastrophes, bombed-out cities, large-scale political transformations: “Image complexes” of humanitarian and ecological upheaval document the world as a sequence of catastrophes. But who decides how events are presented, determines the resolution of our visual worlds, and controls the circulation or censorship of images? Eyal and Ines Weizman trace the history of the before-and-after image from nineteenth-century photography to contemporary satellite images and discover a gap that not only conceals the devastating event: it is the human subject itself that is in danger of disappearing from the images. Does humanitarian work, the documentation and reconstruction of war crimes, in which people’s fates and rights should be at the center of attention, paradoxically enter a post-human phase? How can the gap between images become a site of critical counter-reading rather than a symbol of erasure? In the context of their current research, Eyal and Ines Weizman discuss the history, present, and future of the paradigm of the before-and-after image in an exclusive conversation with Marie Glassl.
Théorie de l’architecture
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This book is a real first in the world of architecture publishing. It is the first time that the work of Donald Judd has been fully expounded in an architectural context. As one of the most important exponents of American minimal art, Donald Judd (1928–1994) has exerted a lasting influence in the field of architecture. Among the lesser-known aspects of his work is a(...)
Architecture, monographies
septembre 2007, Basel, Boston, Berlin
Donald Judd : Architecture in Marfa, Texas
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This book is a real first in the world of architecture publishing. It is the first time that the work of Donald Judd has been fully expounded in an architectural context. As one of the most important exponents of American minimal art, Donald Judd (1928–1994) has exerted a lasting influence in the field of architecture. Among the lesser-known aspects of his work is a large collection of architectural designs that explore the relationship between architecture and art. Of special importance for Judd’s work in this field is a former military fort in Marfa, Texas, part of which he purchased and then, beginning in 1971, transformed into one of the largest existing ensembles of contemporary art. The Marfa buildings have for the first time been carefully measured and drawn to scale by the author and his students. Using standard CAD drawings together with historical and contemporary photographs, this volume illustrates Judd’s architectural alterations to the buildings in Marfa, and discusses and describes them in its accompanying text. The result is an invaluable source of inspiration for contemporary architecture.
Architecture, monographies
Richard Meier museums
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Richard Meier, one of America's most influential and widely emulated architects, began his career in the early 1960s designing private residential projects, whose elegant modernist style and white facades have become icons of modern architecture. Renowned as the designer of large-scale works around the world, including the Jubilee Church in Rome and the Getty Center in(...)
Architecture, monographies
novembre 2006, New York
Richard Meier museums
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Richard Meier, one of America's most influential and widely emulated architects, began his career in the early 1960s designing private residential projects, whose elegant modernist style and white facades have become icons of modern architecture. Renowned as the designer of large-scale works around the world, including the Jubilee Church in Rome and the Getty Center in Los Angeles, Meier has set an international style all his own based on the purity and power of his unique vision. This beautifully photographed volume is the first to document Meier's complete catalogue of museum and gallery projects, including the seminal High Museum in Atlanta (recently featured on a U.S. postage stamp in a series that includes the Guggenheim Museum and the Chrysler Building), the Museum of Contemporary Art in Barcelona, the Gagosian Gallery in Beverly Hills, the Getty Center, and the Ara Pacis Museum in Rome. Richard Meier Museums presents these and other celebrated projects in stunning full-color interior and exterior photography and extensive drawings and plans to give the fullest understanding of this modernist master's remarkable contribution to the art of museum design.
Architecture, monographies
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Since its inception, T.O.P. office has boosted architecture as an uncompromising social tool to persistently question the terrestrial scale and the delicate balance with mankind. Whichever way you turn it, Earth – the orb – is the undeniable alpha and omega for any future stance, action or intervention. An insight Luc Deleu & T.O.P. office have never failed to underscore(...)
Luc Deleu & T.O.P. office. Future Plans 1970-2020
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Since its inception, T.O.P. office has boosted architecture as an uncompromising social tool to persistently question the terrestrial scale and the delicate balance with mankind. Whichever way you turn it, Earth – the orb – is the undeniable alpha and omega for any future stance, action or intervention. An insight Luc Deleu & T.O.P. office have never failed to underscore – or challenge. Armed with an unsparing but humorous logic, a firm belief in the freedom of the individual, and a persistent commitment to ecology, T.O.P. office continues to hold up a mirror to society. Always unsolicited. Simply because they have to. For this publication, editors Peter Swinnen and Anne Judong were given unlimited access to the archives of T.O.P. office. The title is also the filter through which to examine the living archive. Which projects – whether conceived in the 1970s or 2000s – retain the intelligent promise of a future plan? And how can they enlighten designers, architects, urban planners, ecologists, cultural workers, administrations and policymakers of today and tomorrow? A future plan in itself.
Architecture, monographies
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An exploration of the art and writing of Louise Bourgeois through the lens of her relationship with Freudian psychoanalysis. From 1952 to 1985, Louise Bourgeois (1911–2010) underwent extensive Freudian analysis that probed her family history, marriage, motherhood, and artistic ambition—and generated inspiration for her artwork. Examining the impact of psychoanalysis on(...)
Louise Bourgeois: Freud's daughter
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An exploration of the art and writing of Louise Bourgeois through the lens of her relationship with Freudian psychoanalysis. From 1952 to 1985, Louise Bourgeois (1911–2010) underwent extensive Freudian analysis that probed her family history, marriage, motherhood, and artistic ambition—and generated inspiration for her artwork. Examining the impact of psychoanalysis on Bourgeois’s work, this volume offers insight into her creative process. Philip Larratt-Smith, Bourgeois’s literary archivist, provides an overview of the artist’s life and work and the ways in which the psychoanalytic process informed her artistic practice. An essay by Juliet Mitchell offers a cutting-edge feminist psychoanalyst’s viewpoint on the artist’s long and complex relationship with therapy. In addition, a short text written by Bourgeois (first published in 1991) addresses Freud’s own relationship to art and artists. Featuring excerpts from Bourgeois’s copious diaries, rarely seen notebook pages, and archival family photographs, Louise Bourgeois, "Freud’s daughter" opens exciting new avenues for understanding an innovative, influential, and groundbreaking artist whose wide-ranging work includes not only renowned large-scale sculptures but also a plethora of paintings and prints.