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Armed by Design reflects on the intersection of graphic design and political solidarity work in revolutionary Cuba through the lens of the production of OSPAAAL, the Organization of Solidarity of the Peoples of Africa, Asia, and Latin America. OSPAAAL developed out of the 1966 Tricontinental Conference in Havana, a meeting of delegates representing national liberation(...)
Armed by design: osters and Publications of Cuba's OSPAAAL
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Armed by Design reflects on the intersection of graphic design and political solidarity work in revolutionary Cuba through the lens of the production of OSPAAAL, the Organization of Solidarity of the Peoples of Africa, Asia, and Latin America. OSPAAAL developed out of the 1966 Tricontinental Conference in Havana, a meeting of delegates representing national liberation movements and leftist political parties almost exclusively from the Global South. Based in Havana, OSPAAAL produced nearly five hundred posters, magazines, and books beginning in the late 1960s, with most of their work ceasing by the late 1980s. Until 2019, OSPAAAL was a political organization focused on fighting US imperialism and supporting liberation movements aroundthe world through poster production, regularly produced publications, and a series of books featuring the writings of the intellectual leadership of these movements. ''Armed By Design'' brings together artists and thinkers from around the world whose work has been impacted by the legacy of OSPAAAL. These contributions reflect on impacts of OSPAAAL's work on regional movements, including in the Arab world and Korea, design iconography, the evolution of tricontinentalism, our present-day.
Théorie de l’art
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"Against the grain" features the work of three studios of the Louis I. Kahn Visiting Assistant Professors at Yale. Marcelo Spina and Georgina Huljich in "Brutal beauty: piles, monoliths and the incongruous whole" explored ways to make mute icons through monolithic form so that the buildings were foreign to their context and difficult to read formally for a film center in(...)
Against the grain: Louis I. Kahn visiting assistant professorship
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"Against the grain" features the work of three studios of the Louis I. Kahn Visiting Assistant Professors at Yale. Marcelo Spina and Georgina Huljich in "Brutal beauty: piles, monoliths and the incongruous whole" explored ways to make mute icons through monolithic form so that the buildings were foreign to their context and difficult to read formally for a film center in Los Angeles. Dan Wood in "Boulevard Triumphant: ecological infrastructure, architecture, modernization, and the image of the city" a studio for a civic center in Gabon that challenged the architectural language in Africa beyond the clichés and nostalgia to create an architecture that embodied a new ambition. Lisa Gray and Alan Organschi in "Timber innovation district: new timber technologies and contemporary high performance wood architecture" researched wood as a material for larger-scale projects for a site on New Haven’s working waterfront, with projects ranging from bridges to manufacturing facilities and multi-family housing. Edited by Jackie Kow and Nina Rappaport the book is designed by MGMT.design and is distributed by Actar D.
Architecture contemporaine
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Mali, in North Africa, is home to the largest building made out of clay; the structure only took one year to complete. For the construction of Neuschwanstein Castle, 465 tons of marble were hefted to the Alps to the building site. The Atomium in Brussels boasts the longest escalators in Europe. The largest mosque in the world is as big as 56 football fields. "The(...)
The illustrated atlas of architecture and marvelous monuments
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Mali, in North Africa, is home to the largest building made out of clay; the structure only took one year to complete. For the construction of Neuschwanstein Castle, 465 tons of marble were hefted to the Alps to the building site. The Atomium in Brussels boasts the longest escalators in Europe. The largest mosque in the world is as big as 56 football fields. "The illustrated atlas of architecture and marvelous monuments" presents a world of breathtaking buildings and their incredible stories through illustrated maps and engaging factsheets. Sarah Tavernier and Alexandre Verhille have already deftly shown with "Legendary routes of the world" that they are experts in showcasing the biggest and the best. Now, for "The illustrated atlas of architecture and marvelous monuments", they researched the longest bridges, tallest towers, the most impressive cultural sites, and plenty of curiosities. Exciting facts are woven together with a myriad of architectural styles; the material feats are skillfully and artfully placed upon bold maps, situating the constructions within a geographic context.
Littérature jeunesse
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Iwan Baan is one of today’s leading photographers of architecture and urban design. His images document the growth of global megacities and portray buildings by prominent contemporary architects including Herzog & de Meuron, Rem Koolhaas and Zaha Hadid. Baan’s vibrant realism presents architecture not as an abstract ideal, but as the setting of everyday life, an organic(...)
Iwan Baan: Moments in architecture
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Iwan Baan is one of today’s leading photographers of architecture and urban design. His images document the growth of global megacities and portray buildings by prominent contemporary architects including Herzog & de Meuron, Rem Koolhaas and Zaha Hadid. Baan’s vibrant realism presents architecture not as an abstract ideal, but as the setting of everyday life, an organic part of the urban fabric- be it suburban sprawl or the booming metropoles of Africa and Asia. This first comprehensive publication on the Dutch photographer’s work includes a number of Baan’s iconic works, many of which are familiar from magazines and books, as well as photographs of vernacular and informal architecture all around the world, from the round Tulou of southern China to the rock-hewn churches of Ethiopia. In addition to extensive image plates, the publication includes several text contributions on topics such as the current discourse on architectural photography and the classification and contextualization of Baan's work within it. Interviews and narrative text elements offer insight into the artist’s creative process.
Monographies photo
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In "Histories of dirt," Stephanie Newell traces the ways in which urban spaces and urban dwellers come to be regarded as dirty, as exemplified in colonial and postcolonial Lagos. Newell conceives dirt as an interpretive category that facilitates moral, sanitary, economic, and aesthetic evaluations of other cultures under the rubric of uncleanliness. She examines a number(...)
Histories of dirt: media and urban life in Colonial and Postcolonial Lagos
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In "Histories of dirt," Stephanie Newell traces the ways in which urban spaces and urban dwellers come to be regarded as dirty, as exemplified in colonial and postcolonial Lagos. Newell conceives dirt as an interpretive category that facilitates moral, sanitary, economic, and aesthetic evaluations of other cultures under the rubric of uncleanliness. She examines a number of texts ranging from newspaper articles by elite Lagosians to colonial travel writing, public health films, and urban planning to show how understandings of dirt came to structure colonial governance. Seeing Lagosians as sources of contagion and dirt, British colonizers used racist ideologies and discourses of dirt to justify racial segregation and public health policies. Newell also explores possibilities for non-Eurocentric methods for identifying African urbanites' own values and opinions by foregrounding the voices of contemporary Lagosians through interviews and focus groups in which their responses to public health issues reflect local aesthetic tastes and values. In excavating the shifting role of dirt in structuring social and political life in Lagos, Newell provides new understandings of colonial and postcolonial urban history in West Africa.
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In this personal account of A.J. Diamond’s life and work, he shares how he came to be the founder of the leading architecture firm Diamond Schmitt, one of Canada’s most successful architecture companies. He also explains his principles of design, which at their core are about making a positive impact in the world, considering the needs of the content, client, and context.(...)
Context and content: The memoir of a fortunate architect
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In this personal account of A.J. Diamond’s life and work, he shares how he came to be the founder of the leading architecture firm Diamond Schmitt, one of Canada’s most successful architecture companies. He also explains his principles of design, which at their core are about making a positive impact in the world, considering the needs of the content, client, and context. Diamond gives insight into his design principles in relation to some of his most notable projects, including the Four Seasons Centre for the Performing Arts in Toronto, la Maison symphonique de Montréal, the Mariinsky II Theatre in Saint Petersburg. Diamond also chronicles his family ancestry, his childhood in South Africa, from his birth in his grandfather’s study in the small provincial town of Piet Retief on the borders of Eswatini (Swaziland) and Mozambique, to his university days at the University of Cape Town and Oxford and the University of Pennsylvania. His memoir traces his immigration to the U.S. and, eventually, Canada as well as his growing architectural practice in Toronto, where he focused on the issues facing his chosen city.
Architectes canadiens
Prefab houses
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A Prefab is a mass produced house, constructed in a factory and assembled on site in a few days or weeks. Once regarded as a cheap, easy solution for urgent housing problems, the prefab has evolved to become a synonym for ambitious design and sophisticated detailing solutions. The amazing history of prefabricated houses started in England in the 1830's with a building kit(...)
Prefab houses
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A Prefab is a mass produced house, constructed in a factory and assembled on site in a few days or weeks. Once regarded as a cheap, easy solution for urgent housing problems, the prefab has evolved to become a synonym for ambitious design and sophisticated detailing solutions. The amazing history of prefabricated houses started in England in the 1830's with a building kit for emigrants moving to Australia. Even today, prefabricated houses provide a high percentage of living spaces in many countries of the world. This book covers prefabs from the USA via Europe to Asia and Africa, giving insight into the various industrially prefabricated components, the difficulties of delivery to the building site, and the intricacies of assembly and completion. As well as tracing the liaison between modernism and industrialization that evolved to produce the latest prefabricated solutions, it also features a unique compilation of one-off prefabricated houses by well known international architects, as well as successful dwellings manufactured off-site for everyday modern living. Readers will also find contact details for relevant suppliers and manufacturers.
Architecture préfabriquée
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In Walled States, Waning Sovereignty, Wendy Brown considers the recent spate of wall building in contrast to the erosion of nation-state sovereignty. Drawing on classical and contemporary political theories of state sovereignty in order to understand how state power and national identity persist amid its decline, Brown considers both the need of the state for legitimacy(...)
Walled states, waning sovereignty
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In Walled States, Waning Sovereignty, Wendy Brown considers the recent spate of wall building in contrast to the erosion of nation-state sovereignty. Drawing on classical and contemporary political theories of state sovereignty in order to understand how state power and national identity persist amid its decline, Brown considers both the need of the state for legitimacy and the popular desires that incite the contemporary building of walls. The new walls—dividing Texas from Mexico, Israel from Palestine, South Africa from Zimbabwe—consecrate the broken boundaries they would seem to contest and signify the ungovernability of a range of forces unleashed by globalization. Yet these same walls often amount to little more than theatrical props, frequently breached, and blur the distinction between law and lawlessness that they are intended to represent. But if today's walls fail to resolve the conflicts between globalization and national identity, they nonetheless project a stark image of sovereign power. Walls, Brown argues, address human desires for containment and protection in a world increasingly without these provisions. Walls respond to the wish for horizons even as horizons are vanquished.
Théorie de l’architecture
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Description:
xvi, 291 pages ; 24 cm
Columbus, Ohio : Ohio State University Press, ©1998.
Getting around Brown : desegregation, development, and the Columbus public schools / Gregory S. Jacobs.
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xvi, 291 pages ; 24 cm
livres
Columbus, Ohio : Ohio State University Press, ©1998.
livres
Description:
xi, 228 pages : illustrations (some color) ; 21 cm.
Minneapolis : University of Minnesota Press, [2014]
The folklore of the freeway : race and revolt in the modernist city / Eric Avila.
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xi, 228 pages : illustrations (some color) ; 21 cm.
livres
Minneapolis : University of Minnesota Press, [2014]