AD: Typological urbanism
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How can architecture today be simultaneously relevant to its urban context and at the very forefront of design? For a decade or so, iconic architecture has been fuelled by the market economy and consumers' insatiable appetite for the novel and the different. The relentless speed and scale of urbanisation, with its ruptured, decentralised and fast-changing context, though,(...)
AD: Typological urbanism
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How can architecture today be simultaneously relevant to its urban context and at the very forefront of design? For a decade or so, iconic architecture has been fuelled by the market economy and consumers' insatiable appetite for the novel and the different. The relentless speed and scale of urbanisation, with its ruptured, decentralised and fast-changing context, though, demands a rethink of the role of the designer and the function of architecture. This title confronts and questions the profession's and academia's current inability to confidently and comprehensively describe, conceptualise, theorise and ultimately project new ideas for architecture in relation to the city. In so doing, it provides a potent alternative for projective cities: Typological Urbanism. This develops strategies of typological reasoning in order to re-engage architecture with the city in both a critical and speculative manner. Architecture and urbanism are no longer seen as separate domains, or subservient to each other, but as synthesising disciplines and processes that allow an integrating and controlling effect on both the city and its built environment.
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From high-rise to desert, urban sprawl to empty canyons, the American landscape is incredibly various : how does one even begin to take stock of its endlessly proliferating cityscapes and vast horizons? Reading the American Landscape rises marvelously to the challenge. For this anthropological epic, 25 landscape architects, urban designers, visual artists, photographers(...)
mars 2010
Reading the American landscape : an index of books and images
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From high-rise to desert, urban sprawl to empty canyons, the American landscape is incredibly various : how does one even begin to take stock of its endlessly proliferating cityscapes and vast horizons? Reading the American Landscape rises marvelously to the challenge. For this anthropological epic, 25 landscape architects, urban designers, visual artists, photographers and commentators on the American landscape were invited by The Netherlands Foundation for Visual Arts, Design and Architecture to undertake a journey through the United States, to study and record its history and development. Their study revolved around three themes or types of location : the city park as a social space in densely developed cities; landscapes on the periphery of expanding cities; and the development of large-scale rural areas as exercises in conservation. The writers for this project were each given a bibliography, from which they selected a single title as a starting point for their essays, on subjects ranging from parks and gardens to more general speculations on the unique features of the American landscape.
Idea 340: Forms of practice
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A number of young designers in Europe and America are attempting to develop their own paths in exploring graphic design through innovative small-scale practices. Many of the designers featured here were born in the 1970s and 1980s, coming of age in commercial practice in the digital environment. The majority of those featured operate within the sphere of graphic design(...)
Idea 340: Forms of practice
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A number of young designers in Europe and America are attempting to develop their own paths in exploring graphic design through innovative small-scale practices. Many of the designers featured here were born in the 1970s and 1980s, coming of age in commercial practice in the digital environment. The majority of those featured operate within the sphere of graphic design production from the approach of a more personal practice, inflecting their work with nuanced, idiosyncratic conceptual and formal approaches. While widely varied due to cultural context and social/environmental differences, all have a kinship in unique approaches to developing formal options for clients. The use of the word "option" as applied here is perhaps the most relevant key point for the latest wave of graphic design from abroad- perhaps the "solution" as an end result of graphic design as a process is a dead methodology. What are instead offered are graphic "options" in lieu of "solutions"- inquiries answered with inquiries, questions answered with questions. The work featured offers playful, tentative answers instead of cold, hard end results.
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Governor-General award winning architect Jeremy Sturgess recently celebrated thirty years in practice in Calgary, where he has been based his whole career. During that time, Sturgess has made a major contribution to transforming the architectural face of the city, from individual houses to large-scale public projects such as the Calgary Water Centre, the Grand Theatre,(...)
Architectes canadiens
octobre 2010
Full spectrum : the architecture of Jeremy Sturgess
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Governor-General award winning architect Jeremy Sturgess recently celebrated thirty years in practice in Calgary, where he has been based his whole career. During that time, Sturgess has made a major contribution to transforming the architectural face of the city, from individual houses to large-scale public projects such as the Calgary Water Centre, the Grand Theatre, and Calgarys most recent downtown LRT stations. This publication provides a comprehensive and multifaceted examination of Sturgesss architecture and urban design, and assesses his contribution to Canadian architecture generally and Calgary architecture in particular. Editor Geoffrey Simmins has gathered perspectives from a number of individuals with whom Sturgess has enjoyed long-term professional relationships - an artist, an urban designer, an architect colleague, an architectural critic, and a journalist. Along with reflections on Sturgesss personality, philosophy, and creative growth, these contributors provide in-depth discussions of a number of Sturgesss most celebrated projects. Simmins himself has drawn on Sturgesss papers and several personal interviews to craft an insightful introduction to the volume. Illustrated with architectural line drawings and with photos by photographer Robert Lemermeyer.
Architectes canadiens
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Despite the exaggerated news of the untimely 'death of the detail' by Greg Lynn, the architectural detail is now more lifelike and active than ever before. In this era of digital design and production technologies, new materials, parametrics, building information modeling (BIM), augmented realities and the nano-bio-information-computation consilience, the detail is now an(...)
AD 230, July/August 2014: future details of architecture
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Despite the exaggerated news of the untimely 'death of the detail' by Greg Lynn, the architectural detail is now more lifelike and active than ever before. In this era of digital design and production technologies, new materials, parametrics, building information modeling (BIM), augmented realities and the nano-bio-information-computation consilience, the detail is now an increasingly vital force in architecture. Though such digitally designed and produced details are diminishing in size to the molecular and nano levels, they are increasingly becoming more complex, multi-functional, high performance and self-replicating. Far from being a non-essential and final finish, this new type of highly evolved high-tech detail is rapidly becoming the indispensable and critical core, the (sometimes iconic) DNA of an innovative new species of built environmental form that is spawning in scale and prominence, across product, interior, urban and landscape design. This issue of AD re-examines the history, theories and design of the world’s most significant spatial details, and explores their innovative potentials and possibilities for the future of architecture.
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The Anatomy of the Architectural Book examines the relationships between book culture and building culture, making visible the axes along which architectural knowledge circulates through books into buildings and back. Using five conceptual tools—texture, surface, rhythm, structure, and scale—Tavares analyzes the material qualities of a wide range of books in order to(...)
mars 2016
The anatomy of the architectural book
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The Anatomy of the Architectural Book examines the relationships between book culture and building culture, making visible the axes along which architectural knowledge circulates through books into buildings and back. Using five conceptual tools—texture, surface, rhythm, structure, and scale—Tavares analyzes the material qualities of a wide range of books in order to assess these dynamics and intersections. This investigation confronts us with the rise of the industrialized book, and thus of the editor as an important intermediary between the author and the printer, as well as with the configuration of the book as a unique visual device (with the designer taking part in a progressively more complex chain of decision-making). Richly illustrated with samples from the CCA library, the volume discusses work by authors including William Morris, Gottfried Semper, El Lissitzky, Le Corbusier, and Frank Lloyd Wright, among others. A large portion of the research for the book was undertaken while Tavares was a Visiting Scholar at the CCA. It is co-published in English by Lars Müller Publishers and in Portuguese by Dafne Editora.
Ellsworth Kelly
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Accompanying the large-scale traveling exhibition "Ellsworth Kelly at 100", this volume celebrates the groundbreaking career of the beloved American abstractionist. This publication highlights key aspects of his multifaceted art?from his lifelong drawing practice through his later explorations of layered canvas panels. Kelly frequently revisited shapes and motifs observed(...)
février 2024
Ellsworth Kelly
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Accompanying the large-scale traveling exhibition "Ellsworth Kelly at 100", this volume celebrates the groundbreaking career of the beloved American abstractionist. This publication highlights key aspects of his multifaceted art?from his lifelong drawing practice through his later explorations of layered canvas panels. Kelly frequently revisited shapes and motifs observed throughout his career, exploring form, color, line and space through painting, sculpture, collage, drawing and photography. The fully illustrated publication highlights works from major public and private collections alongside key works from Glenstone's collection, including seminal early pieces such as "Painting for a White Wall" (1952) and "Painting in Three Panels" (1956), as well as examples from the iconic Chatham and Spectrum series. Also featured is "Yellow Curve" (1990), a monumental floor painting installation that spans nearly 1,000 square feet, on view for the first time in more than 30 years since it was conceived for an exhibition at Portikus am Main in Frankfurt. Essays by Jean-Pierre Criqui, Alex Da Corte, Suzanne Hudson, Corey Keller and others explore and expand upon Kelly’s canon. With three gatefolds and a tip-on cover image, the book also includes unpublished archival materials from the artist’s studio and the Glenstone archives.
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Using materials such as earth, wind, water, fire, wood, salt, rocks, mirrors and explosives, American artists of the 1960s began to move beyond the white cube gallery space to work directly in the land. With ties to Minimal and Conceptual art, these artists placed less emphasis on the discrete object and turned their attention to the experience of the artwork—however(...)
Groundswell: Women of land art
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Using materials such as earth, wind, water, fire, wood, salt, rocks, mirrors and explosives, American artists of the 1960s began to move beyond the white cube gallery space to work directly in the land. With ties to Minimal and Conceptual art, these artists placed less emphasis on the discrete object and turned their attention to the experience of the artwork—however fleeting or permanent that might be—foregrounding natural materials and the site itself to create large-scale works located outside of typical urban art-world circuits. Histories of Land art have long been dominated by men, but "Groundswell: Women of Land Art" shifts that focus to shed new light on the vast number of earthworks by women artists. While their careers ran parallel to those of their better-known male counterparts, they have received less recognition and representation in museum presentations—until now. This book includes five scholarly essays, as well as a detailed chronology, exhibition checklist and illustrated biographies of exhibition artists. "Groundswell" is a resource for readers interested in understanding the historical Land art movement and our own relationship to the earth.
Land Art
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"Horror in architecture" presents an unflinching look at how horror genre tropes manifest in the built environment. Spanning the realms of art, design, literature, and film, this newly revised and expanded edition compiles examples from all areas of popular culture to form a visual anthology of the architectural uncanny. Rooted in the Romantic and Gothic treatment of(...)
Horror in architecture: The reanimated edition
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"Horror in architecture" presents an unflinching look at how horror genre tropes manifest in the built environment. Spanning the realms of art, design, literature, and film, this newly revised and expanded edition compiles examples from all areas of popular culture to form a visual anthology of the architectural uncanny. Rooted in the Romantic and Gothic treatment of horror as a serious aesthetic category, "Horror in architecture" establishes incisive links between contemporary horror media and its parallel traits found in various architectural designs. Through chapters dedicated to distorted and monstrous buildings, abandoned spaces, extremes of scale, and other structural peculiarities, and featuring new essays on insurgent natures, blobs, and architectural puppets, this volume brings together diverse architectural anomalies and shows how their unsettling effects deepen our fascination with the unreal. Intended for both horror fans and students of visual culture, Horror in Architecture turns a unique lens on the relationship between the human body and the artificial landscapes it inhabits. Extensively illustrated with photographs, film stills, and diagrams, this book retrieves horror from the cultural fringes and demonstrates how its attributes permeate the modern condition and the material world.
Théorie de l’architecture
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Edward Burtynsky’s imagery explores the intricate link between industry and nature, combining the raw elements of mining, quarrying, shipping, oil production, and recycling into eloquent, highly expressive visions that find beauty and humanity in the most unlikely places. These images are metaphors for the dilemma of our modern existence: we are drawn by desire-the desire(...)
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janvier 2006, Göttingen
Burtynsky - China : the photographs of Edward Burtynsky
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Edward Burtynsky’s imagery explores the intricate link between industry and nature, combining the raw elements of mining, quarrying, shipping, oil production, and recycling into eloquent, highly expressive visions that find beauty and humanity in the most unlikely places. These images are metaphors for the dilemma of our modern existence: we are drawn by desire-the desire to live well and in comfort-yet we all know that the world is suffering to meet those demands. Our dependence on nature to provide the materials for our consumption and our concern for the health of our planet sets us into uneasy contradiction and feeds the dialogue in Burtynsky’s images between attraction and repulsion, seduction and fear. Burtysnky’s latest body of work gives visual form to the industrial and urban transformation of China, a place where industrial forces are gathering on a scale that the world has never experienced before. If the earth’s resources were up to now under siege through western colonialism and technological progress, then China is on the brink of a sweeping assault on the planet’s ecosystem that is only just forming and is nowhere close to expressing its full impact.
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