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In the decades following the Second World War, women from all walks of life became increasingly frustrated by the world around them. Drawing on long-standing political traditions, these women bound together to revolutionize social norms and contest gender inequality. In Montreal, women activists inspired by Red Power, Black Power, and Quebec liberation, among other social(...)
Countercurrents: Women's movements in postwar Montreal
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In the decades following the Second World War, women from all walks of life became increasingly frustrated by the world around them. Drawing on long-standing political traditions, these women bound together to revolutionize social norms and contest gender inequality. In Montreal, women activists inspired by Red Power, Black Power, and Quebec liberation, among other social movements, mounted a multifront campaign against social injustice. Bringing to light previously overlooked archival and oral sources, Amanda Ricci introduces a new cast of characters to the history of feminism in Quebec. The book presents a unique portrait of the resurgence of feminist activism, demonstrating its deep roots in Indigenous and Black communities, its transnational scope, and its wide-ranging inspirations and preoccupations.
Sociologie (Québec)
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In southern France, high above the villas and the pleasure palaces of the Côte d’Azur, there is the Alpine Extension of the Maginot Line. These little-known fortifications were built before the Second World War to protect France from Mussolini. But nobody has successfully invaded over the Alps since Napoleon, and things didn’t quite turn out as the French(...)
Bunker research: the hidden history of modernism in the mountains
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In southern France, high above the villas and the pleasure palaces of the Côte d’Azur, there is the Alpine Extension of the Maginot Line. These little-known fortifications were built before the Second World War to protect France from Mussolini. But nobody has successfully invaded over the Alps since Napoleon, and things didn’t quite turn out as the French expected. Now, the bunkers are marooned, forlorn and crumbling, in some of the most beautiful and remote parts of France. They are disappearing into the landscapes they once commanded, stray facts from a future passed, still waiting for an onslaught that never came.
Konrad Wachsmann's television: post-architectural transmissions. Critical spatial practice 11
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In this book, architectural historian Mark Wigley makes the surprising claim that the thinking behind modernist architect Konrad Wachsmann's legendary projects was dominated by the idea of television. Investigating the archives of one of the most influential designers of the twentieth century, Wigley scrutinizes Wachsmann's design, research, and teaching, closely reading(...)
Konrad Wachsmann's television: post-architectural transmissions. Critical spatial practice 11
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In this book, architectural historian Mark Wigley makes the surprising claim that the thinking behind modernist architect Konrad Wachsmann's legendary projects was dominated by the idea of television. Investigating the archives of one of the most influential designers of the twentieth century, Wigley scrutinizes Wachsmann's design, research, and teaching, closely reading a succession of unseen drawings, models, photographs, correspondence, publications, syllabi, reports, and manuscripts to argue that Wachsmann is an anti-architect—a student of some of the most influential designers of the 1920s who dedicated thirty-five post–Second World War years to the disappearance of architecture.
Théorie de l’architecture
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In ''Making Dystopia,'' architectural historian James Stevens Curl tells the story of the advent of architectural Modernism in the aftermath of the First World War, its protagonists, and its astonishing, almost global acceptance after 1945. He argues forcefully that the triumph of architectural Modernism in the second half of the twentieth century led to massive(...)
Making dystopia: the strange rise and survival of architectural barbarism
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In ''Making Dystopia,'' architectural historian James Stevens Curl tells the story of the advent of architectural Modernism in the aftermath of the First World War, its protagonists, and its astonishing, almost global acceptance after 1945. He argues forcefully that the triumph of architectural Modernism in the second half of the twentieth century led to massive destruction, the creation of alien urban landscapes, and a huge waste of resources. Moreover, the coming of Modernism was not an inevitable, seamless evolution, as many have insisted, but a massive, unparalled disruption that demanded a clean slate and the elimination of all ornament, decoration, and choice.
Théorie de l’architecture
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Aldo van Eyck: the Shape of Relativity is the first monograph on an architect whose poetic vision has exerted a far-reaching influence on architectural thinking since the Second World War. It is the story of an eventful career and an intensive study of an oeuvre. Far from limiting itself to architecture, this book deals primarily with the architect's ideas. The book(...)
Aldo van Eyck : the shape of relativity
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Aldo van Eyck: the Shape of Relativity is the first monograph on an architect whose poetic vision has exerted a far-reaching influence on architectural thinking since the Second World War. It is the story of an eventful career and an intensive study of an oeuvre. Far from limiting itself to architecture, this book deals primarily with the architect's ideas. The book contains more than 600 illustrations, of which 100 are in colour, a bibliography of writings by Aldo van Eyck, a selected bibliography of literature about Aldo van Eyck and a list of designs and completed works.
Architecture, monographies
Xanti Schawinsky
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In his lifetime, "Xanti" (Alexander) Schawinsky (1904-79) was best known for his work in the theater department at the Bauhaus. Fleeing Germany before the beginning of the Second World War, he landed at Black Mountain College in North Carolina, where in the 1930s he developed his theory of the "Spectodrama." Involving multimedia productions examining elementary phenomena(...)
mars 2015
Xanti Schawinsky
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In his lifetime, "Xanti" (Alexander) Schawinsky (1904-79) was best known for his work in the theater department at the Bauhaus. Fleeing Germany before the beginning of the Second World War, he landed at Black Mountain College in North Carolina, where in the 1930s he developed his theory of the "Spectodrama." Involving multimedia productions examining elementary phenomena such as space, motion, light, sound or color from scientific, technical and performance-based perspectives, the Spectodrama represents an early form of the "happening." Beyond the avant-garde utopias of the Bauhaus and his proto-happening art, Schawinsky also worked as a painter and graphic designer.
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In the period following the Second World War, the Architectural Association (AA) became the only British school of architecture of truly global renown. It was one of only two schools in the world which fully embraced and promoted the pedagogical ideals put forward by CIAM (Congrès Internationaux d’Architecture Moderne), and emerged as an admired example for architectural(...)
The Architectural Association in the postwar years
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In the period following the Second World War, the Architectural Association (AA) became the only British school of architecture of truly global renown. It was one of only two schools in the world which fully embraced and promoted the pedagogical ideals put forward by CIAM (Congrès Internationaux d’Architecture Moderne), and emerged as an admired example for architectural education in other countries. Many of the most famous British architects and critics of the past 60 years attended the AA. This book traces the history of the school from the end of the war until the mid-1960's, when it surrendered its position as the pacemaker in British architectural education in order to safeguard its institutional independence. Alvin Boyarsky, who became chairman in 1971, remodeled the AA as a postmodern, "internationalist" school and detached it from its modernist, British origins. Thus, there has been no research into the AA’s postwar history, which remains dominated by myths and half-truths. The book replaces these myths with an in-depth account of what really happened.
Théorie de l’architecture
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In "Tower and Office", Spanish architects Inaki Abalos and Juan Herreros look at the role and impact of advanced building technologies in American architecture since World War II. The war, they claim, marked the end of the first cycle of modernism, challenging the belief that technological progress alone could produce a perpetually better future. At the same time, the war(...)
octobre 2005, Cambridge
Tower and office : from Modernist theory to contemporary practice
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In "Tower and Office", Spanish architects Inaki Abalos and Juan Herreros look at the role and impact of advanced building technologies in American architecture since World War II. The war, they claim, marked the end of the first cycle of modernism, challenging the belief that technological progress alone could produce a perpetually better future. At the same time, the war was the source of powerful new structural models and construction methods. The authors examine the ways these technologies have been inflected over the last half century by more subjective and integrated processes of spatial organization. In the first part of the book, Abalos and Herreros focus on the work of Le Corbusier, revealing the degree of complexity achieved in his interpretation of the modern skyscraper. In the second part, they look at the intersection of technical and cultural determinants in the design of high-rise structures since World War II. Among the issues they consider are the evolution of the load-bearing frame, the impact of high-tech systems on tall buildings, and the transparent building skin. In the third part, they address developments in office design and planning, tracing an evolution from the repetitive and homogeneous office skyscraper to the present-day mixed-use structure. Overall they demonstrate how the objective technical analysis associated with modernist architectural theory has given way in recent building practice to a variety of flexible, pragmatic, and environmental approaches. These, they suggest, have opened the way to new urban and architectural forms.
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This revised edition presents new photographs and line drawings, a concise, illustrated glossary, and accessible information on twenty-two major styles of American architecture from the past 300 years. Organized chronologically to put information at your fingertips, "What style is it?" presents succinct summaries of architectural styles, discusses their development and(...)
Histoire jusqu’à 1900
octobre 2003, Hoboken
What style is it ? A guide to American architecture
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This revised edition presents new photographs and line drawings, a concise, illustrated glossary, and accessible information on twenty-two major styles of American architecture from the past 300 years. Organized chronologically to put information at your fingertips, "What style is it?" presents succinct summaries of architectural styles, discusses their development and notable characteristics, and mentions where real-world examples can be found. This guide is packed with more than 200 descriptive photographs and illustrations, accompanied by nontechnical explanations that help to identify the most significant styles of architecture--from Early Colonial, Federal, and Second Empire to Neoclassical, pre-Civil War Romanesque Revival, and late nineteenth- and early twentieth-century Rustic styles.
Histoire jusqu’à 1900
Prefab homes
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At the end of the Second World War Winston Churchill promised to manufacture half a million prefabricated bungalows to ease the housing shortage; in the end more than 156,000 temporary ‘prefabs’ were delivered. Nicknamed ‘Palaces for the People’, and with convenient kitchens, bathrooms and heating systems, they proved popular and instead of being demolished as intended(...)
Prefab homes
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At the end of the Second World War Winston Churchill promised to manufacture half a million prefabricated bungalows to ease the housing shortage; in the end more than 156,000 temporary ‘prefabs’ were delivered. Nicknamed ‘Palaces for the People’, and with convenient kitchens, bathrooms and heating systems, they proved popular and instead of being demolished as intended they were defended by residents who campaigned to keep their family homes and communities. Nearly seventy years later, as the last of these two bedroom homes are being demolished, Elisabeth Blanchet tells the story of these popular dwellings and their gardens and shows the various designs that were produced.
Architecture préfabriquée