5778 Résultats
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR2019:0017
Description:
Elevations for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
DR2019:0017
Description:
Elevations for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
Personnes et institutions:
Date:
1983
1983
Titre:
Elevations for Folly Four: Pascal's Sphere
Actions:
DR2019:0017
Description:
Elevations for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
Elevations for Folly Four: Pascal's Sphere
Actions:
DR2019:0017
Description:
Elevations for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
Classification:
dessins
dessins
Date:
1983
1983
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1999.PR05
Description:
This project series documents the Casa Museo Jose Regio in Villa do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 110/90. The office assigned the dates 1999 to this project. The museum was the house of the poet José Régio. This project included renovations to the building, as well as the construction of a new building. The proposed renovations were mainly done to the structure with some upgrades to the mechanical installations. The design for the new building included exhibition halls and spaces for work. The project was not realized. Documenting this project are studies, plans, and a building program.
AP178.S1.1999.PR05
Description:
This project series documents the Casa Museo Jose Regio in Villa do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 110/90. The office assigned the dates 1999 to this project. The museum was the house of the poet José Régio. This project included renovations to the building, as well as the construction of a new building. The proposed renovations were mainly done to the structure with some upgrades to the mechanical installations. The design for the new building included exhibition halls and spaces for work. The project was not realized. Documenting this project are studies, plans, and a building program.
Personnes et institutions:
Date:
1999
1999
Titre:
Casa Museu José Régio [José Régio House Museum], Villa do Conde, Portugal (1999)
Actions:
AP178.S1.1999.PR05
Description:
This project series documents the Casa Museo Jose Regio in Villa do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 110/90. The office assigned the dates 1999 to this project. The museum was the house of the poet José Régio. This project included renovations to the building, as well as the construction of a new building. The proposed renovations were mainly done to the structure with some upgrades to the mechanical installations. The design for the new building included exhibition halls and spaces for work. The project was not realized. Documenting this project are studies, plans, and a building program.
Casa Museu José Régio [José Régio House Museum], Villa do Conde, Portugal (1999)
Actions:
AP178.S1.1999.PR05
Description:
This project series documents the Casa Museo Jose Regio in Villa do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 110/90. The office assigned the dates 1999 to this project. The museum was the house of the poet José Régio. This project included renovations to the building, as well as the construction of a new building. The proposed renovations were mainly done to the structure with some upgrades to the mechanical installations. The design for the new building included exhibition halls and spaces for work. The project was not realized. Documenting this project are studies, plans, and a building program.
Niveau de description archivistique:
Project
Project
Date:
1999
1999
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
DR2019:0010
Description:
Elevations and plan for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
DR2019:0010
Description:
Elevations and plan for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
Personnes et institutions:
Date:
1983
1983
Titre:
Elevations and plan for Folly Two: Six Hundred Leagues of Stone
Actions:
DR2019:0010
Description:
Elevations and plan for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
Elevations and plan for Folly Two: Six Hundred Leagues of Stone
Actions:
DR2019:0010
Description:
Elevations and plan for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
Classification:
dessins
dessins
Date:
1983
1983
Personnes et institutions:
Classification:
expositions
expositions
Description:
Alors que le débat politique contemporain se préoccupe particulièrement de notre santé, les architectes, urbanistes et architectes du paysage développent-ils un nouveau programme politique et moral pour répondre à ces préoccupations sociétales? En imparfaite santé étudie la complexité, la corrélation et l’émergence de ces problèmes sanitaires contemporains au travers des(...)
Alors que le débat politique contemporain se préoccupe particulièrement de notre santé, les architectes, urbanistes et architectes du paysage développent-ils un nouveau programme politique et moral pour répondre à ces préoccupations sociétales? En imparfaite santé étudie la complexité, la corrélation et l’émergence de ces problèmes sanitaires contemporains au travers des(...)
Localisation:
Salles principales Mot(s)-clé(s):
en imparfaite santé, giovanna borasi, mirko zardini, kersten geers, david van severen, office, kgdvs
Salles principales Mot(s)-clé(s):
en imparfaite santé, giovanna borasi, mirko zardini, kersten geers, david van severen, office, kgdvs
Date:
25 octobre 2011 au 15 avril 2012
25 octobre 2011 au 15 avril 2012
Titre:
En imparfaite santé : La médicalisation de l’architecture
Actions:
Description:
Alors que le débat politique contemporain se préoccupe particulièrement de notre santé, les architectes, urbanistes et architectes du paysage développent-ils un nouveau programme politique et moral pour répondre à ces préoccupations sociétales? En imparfaite santé étudie la complexité, la corrélation et l’émergence de ces problèmes sanitaires contemporains au travers des(...)
En imparfaite santé : La médicalisation de l’architecture
Actions:
Description:
Alors que le débat politique contemporain se préoccupe particulièrement de notre santé, les architectes, urbanistes et architectes du paysage développent-ils un nouveau programme politique et moral pour répondre à ces préoccupations sociétales? En imparfaite santé étudie la complexité, la corrélation et l’émergence de ces problèmes sanitaires contemporains au travers des(...)
Classification:
expositions
expositions
Date:
25 octobre 2011 au
15 avril 2012
25 octobre 2011 au
15 avril 2012
Localisation:
Salles principales Mot(s)-clé(s):
en imparfaite santé, giovanna borasi, mirko zardini, kersten geers, david van severen, office, kgdvs
Salles principales Mot(s)-clé(s):
en imparfaite santé, giovanna borasi, mirko zardini, kersten geers, david van severen, office, kgdvs
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR2019:0015
Description:
Plan and sections for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
DR2019:0015
Description:
Plan and sections for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
Personnes et institutions:
Date:
1983
1983
Titre:
Sections and plan for Folly Three: The Rigorous Abolition of History
Actions:
DR2019:0015
Description:
Plan and sections for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
Sections and plan for Folly Three: The Rigorous Abolition of History
Actions:
DR2019:0015
Description:
Plan and sections for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
Classification:
dessins
dessins
Date:
1983
1983
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
DR2019:0016
Description:
Elevation and plan for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
DR2019:0016
Description:
Elevation and plan for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
Personnes et institutions:
Date:
1983
1983
Titre:
Elevation and plan for Folly One: The Circular Time
Actions:
DR2019:0016
Description:
Elevation and plan for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
Elevation and plan for Folly One: The Circular Time
Actions:
DR2019:0016
Description:
Elevation and plan for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
Classification:
dessins
dessins
Date:
1983
1983
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
AP207.S4.017
Description:
Includes reference slides on designs by Memphis' groups (including Ettore Sotsass Senior), Studio Alchimia's work (including Ettore Sotsass Senior), and Alessandro Mendini's works, and views of an exhibition entitled "Arte Austriaca 1960-1984" in Bologna in 1984.
AP207.S4.017
Description:
Includes reference slides on designs by Memphis' groups (including Ettore Sotsass Senior), Studio Alchimia's work (including Ettore Sotsass Senior), and Alessandro Mendini's works, and views of an exhibition entitled "Arte Austriaca 1960-1984" in Bologna in 1984.
Personnes et institutions:
Date:
1970s-1990s
1970s-1990s
Titre:
References slides used as teaching material
Actions:
AP207.S4.017
Description:
Includes reference slides on designs by Memphis' groups (including Ettore Sotsass Senior), Studio Alchimia's work (including Ettore Sotsass Senior), and Alessandro Mendini's works, and views of an exhibition entitled "Arte Austriaca 1960-1984" in Bologna in 1984.
References slides used as teaching material
Actions:
AP207.S4.017
Description:
Includes reference slides on designs by Memphis' groups (including Ettore Sotsass Senior), Studio Alchimia's work (including Ettore Sotsass Senior), and Alessandro Mendini's works, and views of an exhibition entitled "Arte Austriaca 1960-1984" in Bologna in 1984.
Classification:
photographies
photographies
Date:
1970s-1990s
1970s-1990s
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2014.PR01
Description:
The project series documents the installation "Architettura "Correta"" designed by Pettena for the exhibition "Soleil Politique" at the Museion in Bolzano, in 2014. The project was a design for a new museum entrance. The installation was made of three glass walls on which were drawn facade details of three historical buildings of the city. The central glass wall represents the entrance from the Piacentini square in Bolzano, with, at its left, a ‘serlian’ arch, and, at its right, a detail of the portico of a ‘Piazza d’Italia’ by Giorgio de Chirico. The idea was to "connect the museum to the city’s history, an architectural element was chosen, one which, in addition to favoring the idea of ‘entrance’ to the exhibit also permitted a view both of the urban and the natural setting, the sky, the mountains, an environment typical of the area in which the city itself rises." [1] The project series contains a sketch and a spiral bound volume with correspondence between Pettena and Pierre Bal Blanc, curator of the exhibitions, and proposals for the installation. The project series also contains photographs of the installation, including printouts. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-revised-architecture-2014/ (last accessed 27 January 2020)
AP207.S1.2014.PR01
Description:
The project series documents the installation "Architettura "Correta"" designed by Pettena for the exhibition "Soleil Politique" at the Museion in Bolzano, in 2014. The project was a design for a new museum entrance. The installation was made of three glass walls on which were drawn facade details of three historical buildings of the city. The central glass wall represents the entrance from the Piacentini square in Bolzano, with, at its left, a ‘serlian’ arch, and, at its right, a detail of the portico of a ‘Piazza d’Italia’ by Giorgio de Chirico. The idea was to "connect the museum to the city’s history, an architectural element was chosen, one which, in addition to favoring the idea of ‘entrance’ to the exhibit also permitted a view both of the urban and the natural setting, the sky, the mountains, an environment typical of the area in which the city itself rises." [1] The project series contains a sketch and a spiral bound volume with correspondence between Pettena and Pierre Bal Blanc, curator of the exhibitions, and proposals for the installation. The project series also contains photographs of the installation, including printouts. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-revised-architecture-2014/ (last accessed 27 January 2020)
Personnes et institutions:
Date:
2014-2015
2014-2015
Titre:
Architettura "Correta" ["Revised" Architecture] (2014)
Actions:
AP207.S1.2014.PR01
Description:
The project series documents the installation "Architettura "Correta"" designed by Pettena for the exhibition "Soleil Politique" at the Museion in Bolzano, in 2014. The project was a design for a new museum entrance. The installation was made of three glass walls on which were drawn facade details of three historical buildings of the city. The central glass wall represents the entrance from the Piacentini square in Bolzano, with, at its left, a ‘serlian’ arch, and, at its right, a detail of the portico of a ‘Piazza d’Italia’ by Giorgio de Chirico. The idea was to "connect the museum to the city’s history, an architectural element was chosen, one which, in addition to favoring the idea of ‘entrance’ to the exhibit also permitted a view both of the urban and the natural setting, the sky, the mountains, an environment typical of the area in which the city itself rises." [1] The project series contains a sketch and a spiral bound volume with correspondence between Pettena and Pierre Bal Blanc, curator of the exhibitions, and proposals for the installation. The project series also contains photographs of the installation, including printouts. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-revised-architecture-2014/ (last accessed 27 January 2020)
Architettura "Correta" ["Revised" Architecture] (2014)
Actions:
AP207.S1.2014.PR01
Description:
The project series documents the installation "Architettura "Correta"" designed by Pettena for the exhibition "Soleil Politique" at the Museion in Bolzano, in 2014. The project was a design for a new museum entrance. The installation was made of three glass walls on which were drawn facade details of three historical buildings of the city. The central glass wall represents the entrance from the Piacentini square in Bolzano, with, at its left, a ‘serlian’ arch, and, at its right, a detail of the portico of a ‘Piazza d’Italia’ by Giorgio de Chirico. The idea was to "connect the museum to the city’s history, an architectural element was chosen, one which, in addition to favoring the idea of ‘entrance’ to the exhibit also permitted a view both of the urban and the natural setting, the sky, the mountains, an environment typical of the area in which the city itself rises." [1] The project series contains a sketch and a spiral bound volume with correspondence between Pettena and Pierre Bal Blanc, curator of the exhibitions, and proposals for the installation. The project series also contains photographs of the installation, including printouts. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-revised-architecture-2014/ (last accessed 27 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2014-2015
2014-2015
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP174.S1
Description:
This series contains records relating to four projects by Testa & Weiser: Kings Road Apparel Shop (1999), Carbon Tower (2001), Filament Tower (2006), and Strand Tower (2006). The bulk of the records in the series are digital files, the majority of which relate to the unbuilt research projects Carbon Tower (2001) and Strand Tower (2006). These files include files relating to the conceptual design and design development of the projects, production of presentation materials and 3D printed physical models, and exhibition of the projects in museums and galleries. For the Kings Road Apparel Shop and Filament Tower projects, the Testa & Weiser records contain only a single digital folio each. In addition to the digital files, this series contains eight 3D printed models of Carbon Tower and Strand Tower and 56 paper drawings of Carbon Tower.
AP174.S1
Description:
This series contains records relating to four projects by Testa & Weiser: Kings Road Apparel Shop (1999), Carbon Tower (2001), Filament Tower (2006), and Strand Tower (2006). The bulk of the records in the series are digital files, the majority of which relate to the unbuilt research projects Carbon Tower (2001) and Strand Tower (2006). These files include files relating to the conceptual design and design development of the projects, production of presentation materials and 3D printed physical models, and exhibition of the projects in museums and galleries. For the Kings Road Apparel Shop and Filament Tower projects, the Testa & Weiser records contain only a single digital folio each. In addition to the digital files, this series contains eight 3D printed models of Carbon Tower and Strand Tower and 56 paper drawings of Carbon Tower.
Personnes et institutions:
Date:
2002-2014
2002-2014
Titre:
Projects
Actions:
AP174.S1
Description:
This series contains records relating to four projects by Testa & Weiser: Kings Road Apparel Shop (1999), Carbon Tower (2001), Filament Tower (2006), and Strand Tower (2006). The bulk of the records in the series are digital files, the majority of which relate to the unbuilt research projects Carbon Tower (2001) and Strand Tower (2006). These files include files relating to the conceptual design and design development of the projects, production of presentation materials and 3D printed physical models, and exhibition of the projects in museums and galleries. For the Kings Road Apparel Shop and Filament Tower projects, the Testa & Weiser records contain only a single digital folio each. In addition to the digital files, this series contains eight 3D printed models of Carbon Tower and Strand Tower and 56 paper drawings of Carbon Tower.
Projects
Actions:
AP174.S1
Description:
This series contains records relating to four projects by Testa & Weiser: Kings Road Apparel Shop (1999), Carbon Tower (2001), Filament Tower (2006), and Strand Tower (2006). The bulk of the records in the series are digital files, the majority of which relate to the unbuilt research projects Carbon Tower (2001) and Strand Tower (2006). These files include files relating to the conceptual design and design development of the projects, production of presentation materials and 3D printed physical models, and exhibition of the projects in museums and galleries. For the Kings Road Apparel Shop and Filament Tower projects, the Testa & Weiser records contain only a single digital folio each. In addition to the digital files, this series contains eight 3D printed models of Carbon Tower and Strand Tower and 56 paper drawings of Carbon Tower.
Niveau de description archivistique:
Series
Series
Date:
2002-2014
2002-2014
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2003.D12
Description:
The project series documents the commission for the new Gallery Building in Miami, Florida, United States. The museum would include the Rosa de la Cruz and Craig Robins’ art collections. The building was designed to include temporary and permanent exhibitions’ showrooms, offices, architectural promenade, esplanade, interior patio with a garden, etc. The gallery was never built. The firm identified this project as number 175. Documenting the project are conceptual, design development and presentation drawings, correspondence, invoices, notes, agreements, proposals, and reference and graphic materials.
AP164.S1.2003.D12
Description:
The project series documents the commission for the new Gallery Building in Miami, Florida, United States. The museum would include the Rosa de la Cruz and Craig Robins’ art collections. The building was designed to include temporary and permanent exhibitions’ showrooms, offices, architectural promenade, esplanade, interior patio with a garden, etc. The gallery was never built. The firm identified this project as number 175. Documenting the project are conceptual, design development and presentation drawings, correspondence, invoices, notes, agreements, proposals, and reference and graphic materials.
Personnes et institutions:
Date:
2003-2006
2003-2006
Titre:
The Collection building, Miami, United States (2003)
Actions:
AP164.S1.2003.D12
Description:
The project series documents the commission for the new Gallery Building in Miami, Florida, United States. The museum would include the Rosa de la Cruz and Craig Robins’ art collections. The building was designed to include temporary and permanent exhibitions’ showrooms, offices, architectural promenade, esplanade, interior patio with a garden, etc. The gallery was never built. The firm identified this project as number 175. Documenting the project are conceptual, design development and presentation drawings, correspondence, invoices, notes, agreements, proposals, and reference and graphic materials.
The Collection building, Miami, United States (2003)
Actions:
AP164.S1.2003.D12
Description:
The project series documents the commission for the new Gallery Building in Miami, Florida, United States. The museum would include the Rosa de la Cruz and Craig Robins’ art collections. The building was designed to include temporary and permanent exhibitions’ showrooms, offices, architectural promenade, esplanade, interior patio with a garden, etc. The gallery was never built. The firm identified this project as number 175. Documenting the project are conceptual, design development and presentation drawings, correspondence, invoices, notes, agreements, proposals, and reference and graphic materials.
Niveau de description archivistique:
Project
Project
Date:
2003-2006
2003-2006
Personnes et institutions:
