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In his photographs, Olivo Barbieri (born 1954) depicts inhabited environments in such a way that unexplored facets of reality come to light. Urban centers in China or America dominate his series, alongside locations such as the Dolomite Mountains, the Alps or Capri as well as waterfalls in Canada, Argentina and Zimbabwe. From 2003 to 2013 he photographed more than 40(...)
Olivio Barbieri: ersatz lights
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In his photographs, Olivo Barbieri (born 1954) depicts inhabited environments in such a way that unexplored facets of reality come to light. Urban centers in China or America dominate his series, alongside locations such as the Dolomite Mountains, the Alps or Capri as well as waterfalls in Canada, Argentina and Zimbabwe. From 2003 to 2013 he photographed more than 40 cities and megacities worldwide. One of the distinctive features of his photographs is an extremely low depth of focus that creates the impression that they depict miniature models. This feeling of estrangement is further intensified by his lengthy exposures of artificial illumination. Barbieri produced his first nightlight photographs in the early 80s in Italy. Ersatz Lights presents all of the artist's night landscapes for the first time.
Monographies photo
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Description:
140 pages : illustrations (some color) ; 24 cm.
[Milan] : Electa ; New York : Rizzoli, 1985.
The concept of dwelling : on the way to figurative architecture / Christian Norberg-Schulz.
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140 pages : illustrations (some color) ; 24 cm.
livres
[Milan] : Electa ; New York : Rizzoli, 1985.
$30.00
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In 2021, Etel Adnan and Simone Fattal recorded an intimate conversation about the Mediterranean at their Parisian home: "There are many Mediterraneans: the geographical, the historical, the philosophical... the personal, the one we swim, and we have swum in. It‘s an experience to swim, it is something you can‘t explain to somebody who never swam. This feeling of being(...)
Thus waves come in pairs: Thinking with the Mediterraneans
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In 2021, Etel Adnan and Simone Fattal recorded an intimate conversation about the Mediterranean at their Parisian home: "There are many Mediterraneans: the geographical, the historical, the philosophical... the personal, the one we swim, and we have swum in. It‘s an experience to swim, it is something you can‘t explain to somebody who never swam. This feeling of being held up by this water." The third cycle of TBA21–Academy’s curatorial fellowship program "The Current", spanning from 2021–2023 focused on the Mediterraneans in a program entitled "Thus waves come in pairs" after a line from Adnan’s poem "Sea and Fog." It pointed to the necessity of thinking of, and thinking with, the Mediterraneans as plural—plural as their interconnected cultures, and bodies of sweet and salty water, and possibilities of narrating their current transformations.
Théorie de l’art
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This book applauds the union of architecture and engineering both today and throughout the history of building and construction. The relationship between the two fields is multifaceted. Some architects may have had an engineering background, and some engineers have experience of architecture. Some unacknowledged engineers have stood modestly behind great architects,(...)
Architects + engineers = structures
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This book applauds the union of architecture and engineering both today and throughout the history of building and construction. The relationship between the two fields is multifaceted. Some architects may have had an engineering background, and some engineers have experience of architecture. Some unacknowledged engineers have stood modestly behind great architects, and a number of architects have been encouraged and supported by their engineer-collaborators in designing structures that appear to defy gravity. "Architects + engineers = structures" focuses on the ideal: on a cohesive building design team where the members contribute equally, resulting in unique and exceptional designs. These are architects and engineers who entice beauty into buildings not just with lines on paper and calculations but with intuition, innovation and feeling for the needs of people, materials, strength, proportion, lightness and elegance.
Structures d’ingénierie
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What “really constitutes an architectural atmosphere,” Peter Zumthor says, is “this singular density and mood, this feeling of presence, well-being, harmony, beauty ... under whose spell I experience what I otherwise would not experience in precisely this way.” In nine short, illustrated chapters framed as a process of self-observation, Peter Zumthor describes what he has(...)
Peter Zumthor : atmospheres : architectural environments - surrounding objects
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What “really constitutes an architectural atmosphere,” Peter Zumthor says, is “this singular density and mood, this feeling of presence, well-being, harmony, beauty ... under whose spell I experience what I otherwise would not experience in precisely this way.” In nine short, illustrated chapters framed as a process of self-observation, Peter Zumthor describes what he has on his mind as he sets about creating the atmosphere of his houses. Images of spaces and buildings that affect him are every bit as important as particular pieces of music or books that inspire him. From the composition and “presence” of the materials to the handling of proportions and the effect of light, this poetics of architecture enables the reader to recapitulate what really matters in the process of house design.
Architecture, monographies
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''Come Closer: The Biennale Reader,'' published on the occasion of the inaugural Prague biennale, considers the present via counter-hegemonic readings of the past. The book explores various perspectives of class, race, and gender differences in post-socialist states, past and present. In societies today that can seem fragmented, alienated, and sealed-off, a feeling of(...)
Come closer: the Biennale reader
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''Come Closer: The Biennale Reader,'' published on the occasion of the inaugural Prague biennale, considers the present via counter-hegemonic readings of the past. The book explores various perspectives of class, race, and gender differences in post-socialist states, past and present. In societies today that can seem fragmented, alienated, and sealed-off, a feeling of "us" and "them" can potentially emerge. The reliance on a common language to bring people closer often does the opposite, leading to feelings of contempt, anxiety, and fear. By drawing attention to themes of intimacy, care, and empathy, the contributions in this book search for new types of communication that can bring people together. Like language, art can be used to mediate these differences, and to examine issues relating to how people coexist in society.
Théorie de l’art
$126.00
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Between 2007 and 2009, Chancel made several visits to the United Arab Emirates, and found a country overwhelming in its architectural giganticism and astounding in its determination to domesticate a hostile environment. The resultant feeling of artifice is ubiquitous: the desert grows green, seawater is desalinated and new islands rise out of the sea. Moving from one(...)
Philippe Chancel: desert spirit
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Between 2007 and 2009, Chancel made several visits to the United Arab Emirates, and found a country overwhelming in its architectural giganticism and astounding in its determination to domesticate a hostile environment. The resultant feeling of artifice is ubiquitous: the desert grows green, seawater is desalinated and new islands rise out of the sea. Moving from one air-conditioned space to another, from apartment to limousine, from limousine to shopping mall, from shopping mall to theme park, Chancel found irresistible pictures to take at every turn. Under his gaze, the United Arab Emirates is laid bare as the realization of the consumer society ideal, in which humans exist in a wholly manmade domain. With his characteristic frontal, distanced framing, devoid of judgment and emotion, Chancel portrays a country that is at once baffling and fascinating.
Monographies photo
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Digitalization is one of the elements of our modern world. While it is true we enjoy the benefits brought to our society by modern technology, we are beginning to rediscover the value of handmade effects and elements in design, advertising, and products. Inspired by the recent "healing boom" in Japan and the simple, modern designs in Europe, promotions, advertisements(...)
By hand: handmade elements in graphic design
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Digitalization is one of the elements of our modern world. While it is true we enjoy the benefits brought to our society by modern technology, we are beginning to rediscover the value of handmade effects and elements in design, advertising, and products. Inspired by the recent "healing boom" in Japan and the simple, modern designs in Europe, promotions, advertisements and/or graphic tools of trendy shops are using a homemade feeling in graphic design. Featuring many examples of "handmade elements" —designs that look as if they are hand drawn; homey collages with photographs, papers, and fabrics; warm and cozy designs with handwritten fonts or typographic letters; and old and weathered designs using rustic effects—By Hand is loaded with designs for posters, direct mails, flyers, shop tools, and more.
livres
onestar press Fälth & Hässler 2008
livres
onestar press Fälth & Hässler 2008
$36.00
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How do we break a culture of mistrust while suspicion of fellow humans, governments and capitalist enterprise seems to keep growing? Feelings of powerlessness are often cited as the main cause. We look for remedies in rules, contracts, assurances and audits, as well as in "good governance." But do they really provide trust? In ''Trust: Building on the Cultural Commons'',(...)
Trust: Building on the cultural commons
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How do we break a culture of mistrust while suspicion of fellow humans, governments and capitalist enterprise seems to keep growing? Feelings of powerlessness are often cited as the main cause. We look for remedies in rules, contracts, assurances and audits, as well as in "good governance." But do they really provide trust? In ''Trust: Building on the Cultural Commons'', featuring drawings by Karina Beumer (born 1988), sociologist of art and cultural politics Pascal Gielen (born 1970) highlights the crucial role played by the cultural commons, shared "common" life and its customs, practices, knowledge and values. Trust is, after all, a matter of culture, of feeling and even of aesthetics. Broad societal trust begins with sharing vulnerabilities, and the commons, according to Gielen, provides space for that—breathing space and experimental space. How could a society and a policy further build on this?
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