369 Résultats
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livres
livres
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A celestial bathroom
A celestial bathroom
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$24.95
(disponible en magasin)
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A project to approach both movie icons’ and stars’ beauty: a homage to the female form and to the rite that has celebrated its beauty from time immemorial, bathing. Through photographs that came to light in the Getty Images archives, shining stars of the cinema, women in art, poetry muses, female athletes and starlets of 20th Century enjoy their bodies, relax in their(...)
$24.95
(disponible en magasin)
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A project to approach both movie icons’ and stars’ beauty: a homage to the female form and to the rite that has celebrated its beauty from time immemorial, bathing. Through photographs that came to light in the Getty Images archives, shining stars of the cinema, women in art, poetry muses, female athletes and starlets of 20th Century enjoy their bodies, relax in their(...)
Titre:
A celestial bathroom
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$24.95
(disponible en magasin)
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A project to approach both movie icons’ and stars’ beauty: a homage to the female form and to the rite that has celebrated its beauty from time immemorial, bathing. Through photographs that came to light in the Getty Images archives, shining stars of the cinema, women in art, poetry muses, female athletes and starlets of 20th Century enjoy their bodies, relax in their bathtubs, appear from behind a shower curtain.
A celestial bathroom
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$24.95
(disponible en magasin)
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A project to approach both movie icons’ and stars’ beauty: a homage to the female form and to the rite that has celebrated its beauty from time immemorial, bathing. Through photographs that came to light in the Getty Images archives, shining stars of the cinema, women in art, poetry muses, female athletes and starlets of 20th Century enjoy their bodies, relax in their bathtubs, appear from behind a shower curtain.
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livres
livres
Publication:
juillet 2010
juillet 2010
Sujet:
Photographie- collections
Photographie- collections
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livres
livres
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$49.95
(disponible en magasin)
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In The Official Picture, Carol Payne argues that the Still Photography Division played a significant role in Canadian nation-building during WWII and the two decades that followed. Payne examines key images, themes, and periods in the Division's history - including the depiction of women munitions workers, landscape photography in the 1950s and 60s, and portraits of(...)
$49.95
(disponible en magasin)
Résumé:
In The Official Picture, Carol Payne argues that the Still Photography Division played a significant role in Canadian nation-building during WWII and the two decades that followed. Payne examines key images, themes, and periods in the Division's history - including the depiction of women munitions workers, landscape photography in the 1950s and 60s, and portraits of(...)
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The official picture : the National Film Board of Canada's still photography division and the image of Canada, 1941-1971
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$49.95
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In The Official Picture, Carol Payne argues that the Still Photography Division played a significant role in Canadian nation-building during WWII and the two decades that followed. Payne examines key images, themes, and periods in the Division's history - including the depiction of women munitions workers, landscape photography in the 1950s and 60s, and portraits of Canadians during the Centennial in 1967 - to demonstrate how abstract concepts of nationhood and citizenship, as well as attitudes toward gender, class, linguistic identity, and conceptions of race were reproduced in photographs.
The official picture : the National Film Board of Canada's still photography division and the image of Canada, 1941-1971
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$49.95
(disponible en magasin)
Résumé:
In The Official Picture, Carol Payne argues that the Still Photography Division played a significant role in Canadian nation-building during WWII and the two decades that followed. Payne examines key images, themes, and periods in the Division's history - including the depiction of women munitions workers, landscape photography in the 1950s and 60s, and portraits of Canadians during the Centennial in 1967 - to demonstrate how abstract concepts of nationhood and citizenship, as well as attitudes toward gender, class, linguistic identity, and conceptions of race were reproduced in photographs.
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livres
livres
Publication:
juin 2013
juin 2013
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
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Description:
xvii, 518 pages : illustrations, black and white photographs ; 23 cm
Description:
xvii, 518 pages : illustrations, black and white photographs ; 23 cm
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Chicago : The University of Chicago Press, [1975], ©1941.
Chicago : The University of Chicago Press, [1975], ©1941.
Titre:
Old Chicago houses / by John Drury.
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Description:
xvii, 518 pages : illustrations, black and white photographs ; 23 cm
Old Chicago houses / by John Drury.
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Description:
xvii, 518 pages : illustrations, black and white photographs ; 23 cm
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livres
livres
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Chicago : The University of Chicago Press, [1975], ©1941.
Chicago : The University of Chicago Press, [1975], ©1941.
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livres
livres
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$54.95
(disponible sur commande)
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Long out of print, this seminal collection of essays and photographs are by artist, theorist and filmmaker, Allan Sekula. Originally published by the Nova Scotia College of Art and Design in 1984, in these essays and images Sekula sought to portray the inextricable bond between labour and material culture, drawing deeply on Marxist theory to argue passionately for a(...)
$54.95
(disponible sur commande)
Résumé:
Long out of print, this seminal collection of essays and photographs are by artist, theorist and filmmaker, Allan Sekula. Originally published by the Nova Scotia College of Art and Design in 1984, in these essays and images Sekula sought to portray the inextricable bond between labour and material culture, drawing deeply on Marxist theory to argue passionately for a(...)
Titre:
Photography against the grain: essays and photo works 1973-1983
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$54.95
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Long out of print, this seminal collection of essays and photographs are by artist, theorist and filmmaker, Allan Sekula. Originally published by the Nova Scotia College of Art and Design in 1984, in these essays and images Sekula sought to portray the inextricable bond between labour and material culture, drawing deeply on Marxist theory to argue passionately for a collective model of progress. Sekula taught at California Institute of Arts (CalArts) from 1985 until his death in 2013, and from that insider's position he critiqued photography and the circumstances of its production and consumption, exposing what the medium failed to represent – women, labourers, minorities and the institutional structures that reinforce cultural biases.
Photography against the grain: essays and photo works 1973-1983
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$54.95
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Long out of print, this seminal collection of essays and photographs are by artist, theorist and filmmaker, Allan Sekula. Originally published by the Nova Scotia College of Art and Design in 1984, in these essays and images Sekula sought to portray the inextricable bond between labour and material culture, drawing deeply on Marxist theory to argue passionately for a collective model of progress. Sekula taught at California Institute of Arts (CalArts) from 1985 until his death in 2013, and from that insider's position he critiqued photography and the circumstances of its production and consumption, exposing what the medium failed to represent – women, labourers, minorities and the institutional structures that reinforce cultural biases.
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livres
livres
Publication:
octobre 2016
octobre 2016
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$45.95
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Preserving New York: Winning the Right to Protect A Citys Landmarks is the largely unknown inspiring story of the origins of New York Citys nationally acclaimed landmarks law. The decades of struggle behind the law, its intellectual origins, the men and women who fought for it, the forces that shaped it, and the buildings lost and saved on the way to its ultimate passage,(...)
$45.95
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Preserving New York: Winning the Right to Protect A Citys Landmarks is the largely unknown inspiring story of the origins of New York Citys nationally acclaimed landmarks law. The decades of struggle behind the law, its intellectual origins, the men and women who fought for it, the forces that shaped it, and the buildings lost and saved on the way to its ultimate passage,(...)
Publication:
octobre 2007, New York, London
octobre 2007, New York, London
Titre:
Preserving New York: winning the right to protect a City's landmark
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$45.95
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Preserving New York: Winning the Right to Protect A Citys Landmarks is the largely unknown inspiring story of the origins of New York Citys nationally acclaimed landmarks law. The decades of struggle behind the law, its intellectual origins, the men and women who fought for it, the forces that shaped it, and the buildings lost and saved on the way to its ultimate passage, span from 1913 to 1965. Intended for the interested public as well as students of New York City history, architecture, and preservation itself, over 100 illustrations help reveal a history richer and more complex than the accepted myth that the landmarks law sprang from the wreckage of the great Pennsylvania Station. Images include those by noted historic photographers as well as those from newspaper accounts of the time. Forgotten civic leaders such as Albert S. Bard and lost buildings including the Brokaw Mansions, are unveiled in an extensively researched narrative bringing this essential episode in New Yorks history to futuregenerations tasked with protecting the citys landmarks. For the first time, the story of how New York won the right to protect its treasured buildings, neighborhoods and special places is brought together to enjoy, inform, and inspire all who love New York.
Preserving New York: winning the right to protect a City's landmark
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$45.95
(disponible sur commande)
Résumé:
Preserving New York: Winning the Right to Protect A Citys Landmarks is the largely unknown inspiring story of the origins of New York Citys nationally acclaimed landmarks law. The decades of struggle behind the law, its intellectual origins, the men and women who fought for it, the forces that shaped it, and the buildings lost and saved on the way to its ultimate passage, span from 1913 to 1965. Intended for the interested public as well as students of New York City history, architecture, and preservation itself, over 100 illustrations help reveal a history richer and more complex than the accepted myth that the landmarks law sprang from the wreckage of the great Pennsylvania Station. Images include those by noted historic photographers as well as those from newspaper accounts of the time. Forgotten civic leaders such as Albert S. Bard and lost buildings including the Brokaw Mansions, are unveiled in an extensively researched narrative bringing this essential episode in New Yorks history to futuregenerations tasked with protecting the citys landmarks. For the first time, the story of how New York won the right to protect its treasured buildings, neighborhoods and special places is brought together to enjoy, inform, and inspire all who love New York.
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livres
livres
Publication:
octobre 2007, New York, London
octobre 2007, New York, London
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livres
livres
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Description:
351 pages : illustrations (chiefly color), portraits ; 30 cm
Description:
351 pages : illustrations (chiefly color), portraits ; 30 cm
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London : Phaidon Press Limited ; New York, NY : Phaidon Press Inc., 2021., ©2021
London : Phaidon Press Limited ; New York, NY : Phaidon Press Inc., 2021., ©2021
Titre:
African artists : from 1882 to now / [commissioning editor, Rebecca Morrill ; project editor, Simon Hunegs ; introduction, Chika Okeke-Agulu].
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351 pages : illustrations (chiefly color), portraits ; 30 cm
African artists : from 1882 to now / [commissioning editor, Rebecca Morrill ; project editor, Simon Hunegs ; introduction, Chika Okeke-Agulu].
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Description:
351 pages : illustrations (chiefly color), portraits ; 30 cm
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livres
livres
Publication:
London : Phaidon Press Limited ; New York, NY : Phaidon Press Inc., 2021., ©2021
London : Phaidon Press Limited ; New York, NY : Phaidon Press Inc., 2021., ©2021
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livres
livres
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$72.00
(disponible sur commande)
Résumé:
"First photographs" is an extraordinary view into the origins of photography. This monograph includes many hitherto unpublished images of landscapes, architectural studies, and portraits from Talbot’s personal archive and selections from his detailed research notebooks made during the 1830s and 1840s and currently housed at Lacock Abbey in England. A gentleman and an(...)
$72.00
(disponible sur commande)
Résumé:
"First photographs" is an extraordinary view into the origins of photography. This monograph includes many hitherto unpublished images of landscapes, architectural studies, and portraits from Talbot’s personal archive and selections from his detailed research notebooks made during the 1830s and 1840s and currently housed at Lacock Abbey in England. A gentleman and an(...)
Sujet:
Monographies photo
Monographies photo
Publication:
octobre 2002, New York
octobre 2002, New York
Titre:
First photographs : William Henry Fox Talbot and the birth of photography
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$72.00
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Résumé:
"First photographs" is an extraordinary view into the origins of photography. This monograph includes many hitherto unpublished images of landscapes, architectural studies, and portraits from Talbot’s personal archive and selections from his detailed research notebooks made during the 1830s and 1840s and currently housed at Lacock Abbey in England. A gentleman and an intellectual, Talbot was a great student of the Arts and Sciences and kept detailed notes of his activities and experiments. He discovered the negative/positive paper process which made multiple reproductions of a single image possible, and which distinguished it from its contemporary, the one-of-a-kind daguerreotype. Talbot first announced his invention to the public in 1839 in his paper “An account of the art of photogenic drawing or the process by which natural objects may be made to delineate themselves without the aid of the artist’s pencil”. The work he did during this time established in principle and in practice the foundation of modern photography—the basis of the process that is still used today. In addition to Talbot’s technological contributions, his photographs represent exceptional artistic achievement. "First photographs" includes a significant text by Michael Gray, who provides a comprehensive essay, biography, and timeline of Talbot’s life and revolutionary work. Arthur Ollman, gives an in-depth analysis of the aesthetic and social significance of Talbot’s first image, the “Oriel window.” Curator Carol McCusker considers how the Romantic Movement and the women of the Lacock household influenced Talbot’s aesthetic choices. "First photographs" and the accompanying exhibition provide a rare opportunity for contemporary audiences to experience these uncommon images and the personal, cultural, and scientific contexts in which they were made.
First photographs : William Henry Fox Talbot and the birth of photography
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$72.00
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Résumé:
"First photographs" is an extraordinary view into the origins of photography. This monograph includes many hitherto unpublished images of landscapes, architectural studies, and portraits from Talbot’s personal archive and selections from his detailed research notebooks made during the 1830s and 1840s and currently housed at Lacock Abbey in England. A gentleman and an intellectual, Talbot was a great student of the Arts and Sciences and kept detailed notes of his activities and experiments. He discovered the negative/positive paper process which made multiple reproductions of a single image possible, and which distinguished it from its contemporary, the one-of-a-kind daguerreotype. Talbot first announced his invention to the public in 1839 in his paper “An account of the art of photogenic drawing or the process by which natural objects may be made to delineate themselves without the aid of the artist’s pencil”. The work he did during this time established in principle and in practice the foundation of modern photography—the basis of the process that is still used today. In addition to Talbot’s technological contributions, his photographs represent exceptional artistic achievement. "First photographs" includes a significant text by Michael Gray, who provides a comprehensive essay, biography, and timeline of Talbot’s life and revolutionary work. Arthur Ollman, gives an in-depth analysis of the aesthetic and social significance of Talbot’s first image, the “Oriel window.” Curator Carol McCusker considers how the Romantic Movement and the women of the Lacock household influenced Talbot’s aesthetic choices. "First photographs" and the accompanying exhibition provide a rare opportunity for contemporary audiences to experience these uncommon images and the personal, cultural, and scientific contexts in which they were made.
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livres
livres
Publication:
octobre 2002, New York
octobre 2002, New York
Sujet:
Monographies photo
Monographies photo
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livres
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Description:
ix, 385 pages : illustrations ; 29 cm
Description:
ix, 385 pages : illustrations ; 29 cm
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Baltimore : Johns Hopkins University Press, 1996.
Baltimore : Johns Hopkins University Press, 1996.
Titre:
An architectural history of Harford County, Maryland / Christopher Weeks.
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Description:
ix, 385 pages : illustrations ; 29 cm
An architectural history of Harford County, Maryland / Christopher Weeks.
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Description:
ix, 385 pages : illustrations ; 29 cm
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livres
livres
Publication:
Baltimore : Johns Hopkins University Press, 1996.
Baltimore : Johns Hopkins University Press, 1996.
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Description:
351 pages : illustrations (some color) ; 32 cm
Description:
351 pages : illustrations (some color) ; 32 cm
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Los Angeles : Los Angeles County Museum of Art ; Berkeley : University of California Press, 2000.
Los Angeles : Los Angeles County Museum of Art ; Berkeley : University of California Press, 2000.
Titre:
Made in California : art, image, and identity, 1900-2000 / Stephanie Barron, Sheri Bernstein, Ilene Susan Fort ; with essays by Stephanie Barron [and others].
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Description:
351 pages : illustrations (some color) ; 32 cm
Made in California : art, image, and identity, 1900-2000 / Stephanie Barron, Sheri Bernstein, Ilene Susan Fort ; with essays by Stephanie Barron [and others].
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Description:
351 pages : illustrations (some color) ; 32 cm
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livres
livres
Publication:
Los Angeles : Los Angeles County Museum of Art ; Berkeley : University of California Press, 2000.
Los Angeles : Los Angeles County Museum of Art ; Berkeley : University of California Press, 2000.
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