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52 pages : facsimiles ; 28 cm.
Tucson, Arizona : Center for Creative Photography, University of Arizona : Distributed by Center for Creative Photography, University of Arizona, ©1986.
Edward Weston papers / compiled by Amy Stark.
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52 pages : facsimiles ; 28 cm.
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Tucson, Arizona : Center for Creative Photography, University of Arizona : Distributed by Center for Creative Photography, University of Arizona, ©1986.
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Résumé:
In ''Street Archives and City Life'', Emily Callaci maps a new terrain of political and cultural production in mid- to late twentieth-century Tanzanian urban landscapes. While the postcolonial Tanzanian ruling party (TANU) adopted a policy of rural socialism known as Ujamaa between 1967 and 1985, an influx of youth migrants to the city of Dar es Salaam generated(...)
Street archives and city life: popular intellectuals in postcolonial Tanzania
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In ''Street Archives and City Life'', Emily Callaci maps a new terrain of political and cultural production in mid- to late twentieth-century Tanzanian urban landscapes. While the postcolonial Tanzanian ruling party (TANU) adopted a policy of rural socialism known as Ujamaa between 1967 and 1985, an influx of youth migrants to the city of Dar es Salaam generated innovative forms of urbanism through the production and circulation of what Callaci calls street archives. These urban intellectuals neither supported nor contested the ruling party's anti-city philosophy; rather, they navigated the complexities of inhabiting unplanned African cities during economic crisis and social transformation through various forms of popular texts that included women's Christian advice literature, newspaper columns, self-published pulp fiction novellas, and song lyrics. Through these textual networks, Callaci shows how youth migrants and urban intellectuals in Dar es Salaam fashioned a collective ethos of postcolonial African citizenship. This spirit ushered in a revolution rooted in the city and its networks—an urban revolution that arose in spite of the nation-state's pro-rural ideology.
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349 pages : illustrations (chiefly color) ; 25 cm
Berkeley, California : University of California, Berkeley Art Museum & Pacific Film Archive, [2016]
Architecture of life / Lawrence Rinder ; With essays by Sabrina Dalla Valle, Padma D. Maitland, Spyros Papapetros, Lisa Robertson, Rebecca Solnit.
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349 pages : illustrations (chiefly color) ; 25 cm
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Berkeley, California : University of California, Berkeley Art Museum & Pacific Film Archive, [2016]
$38.99
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In 1982, the protests of antiporn feminists sparked the censorship of the ''Diary of a Conference on Sexuality'', a radical and sexually evocative image-text volume whose silencing became a symbol for the irresolvable feminist sex wars. ''In Visible archives'' documents the community networks that produced this resonant artifact and others, analyzing how visual culture(...)
In Visible archives: Queer and feminist visual culture in the 1980s
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In 1982, the protests of antiporn feminists sparked the censorship of the ''Diary of a Conference on Sexuality'', a radical and sexually evocative image-text volume whose silencing became a symbol for the irresolvable feminist sex wars. ''In Visible archives'' documents the community networks that produced this resonant artifact and others, analyzing how visual culture provided a vital space for women artists to theorize and visualize their own bodies and sexualities. Margaret Galvan explores a number of feminist and cultural touchstones—the feminist sex wars, the HIV/AIDS crisis, the women in print movement, and countercultural grassroots periodical networks—and examines how visual culture interacts with these pivotal moments. She goes deep into the records to bring together a decade’s worth of research in grassroots and university archives that include comics, collages, photographs, drawings, and other image-text media produced by women, including Hannah Alderfer, Beth Jaker, Marybeth Nelson, Roberta Gregory, Lee Marrs, Alison Bechdel, Gloria Anzaldúa, and Nan Goldin. The art highlighted in ''In Visible archives'' demonstrates how women represented their bodies and sexualities on their own terms and created visibility for new, diverse identities, thus serving as blueprints for future activism and advocacy—work that is urgent now more than ever as LGBTQ+ and women’s rights face challenges and restrictions across the nation.
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Writing architectural history : evidence and narrative in the twenty-first century / Aggregate.
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ix, 350 pages : illustrations, maps ; 23 cm
Pittsburgh, Pa. : University of Pittsburgh Press, [2021], ©2021
Writing architectural history : evidence and narrative in the twenty-first century / Aggregate.
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ix, 350 pages : illustrations, maps ; 23 cm
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Pittsburgh, Pa. : University of Pittsburgh Press, [2021], ©2021
livres
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1 online resource (76 PDF pages) : illustrations
Paris : Onestar Press, 2007
Fishfinder / hand drawings by Constantin Luser (AT) and CAD drawings by Yngve Holen (NO), photography by Marlie Mul (NL)
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1 online resource (76 PDF pages) : illustrations
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Paris : Onestar Press, 2007
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1 online resource (76 PDF pages) : illustrations
Paris : Onestar Press, 2014
Types du Caucase / Taus Makhacheva
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1 online resource (76 PDF pages) : illustrations
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Paris : Onestar Press, 2014
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The Interpreter Dis/Appears.
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1 online resource
[Place of publication not identified] : EECLECTIC, 2025., [Place of publication not identified] : Scriptings, 2025., [Place of publication not identified] : Archive Books, 2025.
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[Place of publication not identified] : EECLECTIC, 2025., [Place of publication not identified] : Scriptings, 2025., [Place of publication not identified] : Archive Books, 2025.
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287 pages : illustrations ; 21 x 26 cm
Cleveland, Ohio : Belt Publishing, [2019], ©2019
Midwest architecture journeys / edited by Zach Mortice ; introduction by Alexandra Lange.
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287 pages : illustrations ; 21 x 26 cm
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Cleveland, Ohio : Belt Publishing, [2019], ©2019
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2 preliminary leaves 60 plates 30 cm
[Baltimore] [N.T, A. Munder & Co., printers] 1911.
A book of pictures in Roland Park, Baltimore, Maryland.
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2 preliminary leaves 60 plates 30 cm
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[Baltimore] [N.T, A. Munder & Co., printers] 1911.