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L’utopie d’une langue universelle et d’un urbanisme rassembleur, d’une compréhension mutuelle et d’une harmonie mondiale, qui remonte au mythe de la tour de Babel, est remplacée aujourd’hui par le techno-utopisme de la Silicon Valley. Aujourd’hui, nous croyons encore que la possibilité de communiquer par-delà nos particularismes religieux et culturels, la reconnaissance(...)
Inter art actuel 146 : Babel et la crise du symbolisme
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L’utopie d’une langue universelle et d’un urbanisme rassembleur, d’une compréhension mutuelle et d’une harmonie mondiale, qui remonte au mythe de la tour de Babel, est remplacée aujourd’hui par le techno-utopisme de la Silicon Valley. Aujourd’hui, nous croyons encore que la possibilité de communiquer par-delà nos particularismes religieux et culturels, la reconnaissance de nos intérêts communs et le partage de nos savoirs et de nos trésors culturels, tout cela devrait nous permettre de transcender la malédiction de Babel. Le capitalisme de surveillance remplace les noms par des code-barres, des codes QR ou des puces. Le projet de la modernité d’instaurer l’universalité (de la justice, du beau, des luttes d’émancipation et des savoirs) est identifié à l’hubris des premiers habitants de Babel. Aujourd’hui, l’hubris moderne d’unifier le monde est frappé par la malédiction de Babel : les cultures se révèlent irréconciliables, chacune possède son langage et ses traumas distinctifs, son éthique d’équité et ses revendications de justice sociale.
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Pica 16 : Momentum
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En physique, le Momentum représente une force en mouvement, une énergie en devenir. C’est une dynamique qui, une fois orientée, peut changer une trajectoire entière. Mais le Momentum dépasse le cadre de la science : c’est le point de départ de quelque chose de plus grand. Le Momentum c’est un processus qui évolue dans le temps. Le Momentum, c’est une expérience intime et(...)
Pica 16 : Momentum
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En physique, le Momentum représente une force en mouvement, une énergie en devenir. C’est une dynamique qui, une fois orientée, peut changer une trajectoire entière. Mais le Momentum dépasse le cadre de la science : c’est le point de départ de quelque chose de plus grand. Le Momentum c’est un processus qui évolue dans le temps. Le Momentum, c’est une expérience intime et collective à la fois.
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Eliot Weinberger on the Art of the Essay: “I have no interest in first-person investigation. Personally, I’ve never found myself an interesting person.” Maggie Nelson on the Art of Nonfiction: “It’s important to notice when the spark of magic or curiosity is there and what snuffs it out, and being around too many writers, for me, snuffs it out.” Prose by Anne(...)
The Paris Review n.253, fall 2025
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Eliot Weinberger on the Art of the Essay: “I have no interest in first-person investigation. Personally, I’ve never found myself an interesting person.” Maggie Nelson on the Art of Nonfiction: “It’s important to notice when the spark of magic or curiosity is there and what snuffs it out, and being around too many writers, for me, snuffs it out.” Prose by Anne Carson, Renny Gong, Aurora Huiza, Jordy Rosenberg, Bud Smith, and Yan Lianke. Poetry by Roque Dalton, Ishion Hutchinson, Patricia Lockwood, Mariano Melgar, Eileen Myles, Katie Peterson, and authors unknown.
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n+1 #51
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New AI & I literature. Relate, revolt! Does Trump hate art? Idiocracy now. The new faces of ICE. Fiction by Elizabeth Schambelan.
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"Building trans communities" is an invitation to approach trans identities and political struggles around the world through two angles: their collective dimension and their forever escape from clear-cut definitions, in particular those emerging from the West. Contributions includes reflections about/from Colombia (La Liga de Salud Trans), colonized Casablanca and Cairo(...)
The Funambulist n.62 EN : Building trans communities
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"Building trans communities" is an invitation to approach trans identities and political struggles around the world through two angles: their collective dimension and their forever escape from clear-cut definitions, in particular those emerging from the West. Contributions includes reflections about/from Colombia (La Liga de Salud Trans), colonized Casablanca and Cairo (Beshouy Botros), Britain (Mijke van der Drift and Nat Raha), India (Shripad Sinnakaar), newly independent Malaysia (Hoo Fan Chon and William Tham), Mexico (Mikaelah Drullard), and the US (Dean Spade and Ohan Breiding).
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Apartamento 36
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Featuring: Noreen Masud on Charleston House, Louis Fratino, Dea Kulumbegashvili, Zizipho Poswa, Valerie Giampietro & Alessandro Cicoria, Ignasi Monreal, Graciela Iturbide, the Lijadu Sisters, Takashi Homma, Simon Costin, Christian Kerez, Isamaya Ffrench, Moki Cherry’s Schoolhouse, Konstantin Kakanias & Joe Pickman, Anita Vitale, and Lourdes Castro.
Apartamento 36
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Featuring: Noreen Masud on Charleston House, Louis Fratino, Dea Kulumbegashvili, Zizipho Poswa, Valerie Giampietro & Alessandro Cicoria, Ignasi Monreal, Graciela Iturbide, the Lijadu Sisters, Takashi Homma, Simon Costin, Christian Kerez, Isamaya Ffrench, Moki Cherry’s Schoolhouse, Konstantin Kakanias & Joe Pickman, Anita Vitale, and Lourdes Castro.
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GA Houses 200
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‘GA Houses’ documents outstanding new residential architecture from all over the world. With projects by Steven Holl, Chenchow Little, nanometer architecture, Phorm architecture + design, Maki Onishi + Yuki Hyakuda, Yolodi + Maria Architects, Wiyoga Nurdiansyah, Yo Shimada, Nielsen Jenkins, and Taichi Mitsuya.
GA Houses 200
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‘GA Houses’ documents outstanding new residential architecture from all over the world. With projects by Steven Holl, Chenchow Little, nanometer architecture, Phorm architecture + design, Maki Onishi + Yuki Hyakuda, Yolodi + Maria Architects, Wiyoga Nurdiansyah, Yo Shimada, Nielsen Jenkins, and Taichi Mitsuya.
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This issue’s main feature focuses on the circular economy, a topical theme explored through works by Herzog & de Meuron, BeAr, and Harquitectes, among others, and commentary by architect Mireia Luzárraga of Barcelona-based TAKK studio. In connection with this subject there is a conversation with the curators of the Spanish Pavilion at the Venice Biennale, Manuel Bouzas(...)
AV Proyectos 130 : Circular economy
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This issue’s main feature focuses on the circular economy, a topical theme explored through works by Herzog & de Meuron, BeAr, and Harquitectes, among others, and commentary by architect Mireia Luzárraga of Barcelona-based TAKK studio. In connection with this subject there is a conversation with the curators of the Spanish Pavilion at the Venice Biennale, Manuel Bouzas and Roi Salgueiro. In addition, the construction of the new building by OFFICE Kersten Geers David Van Severen for Swiss Radio and Television in Lausanne is covered, plus an illustrated travelogue of editor Luis Fernández-Galiano’s recent trip to China with Gong Dong, head of Vector Architects.
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Experimental and radical, material and gestural are adjectives that could define the suggestive projects of the studio led by Anne Holtrop (Netherlands, 1977). On the border between art and architecture, his work avoids typological reference and is built from unexpected elements: topography, trail layouts, material molds, textures extracted from everyday objects, or(...)
AV Monographs 277: Studio Anne Holtrop
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Experimental and radical, material and gestural are adjectives that could define the suggestive projects of the studio led by Anne Holtrop (Netherlands, 1977). On the border between art and architecture, his work avoids typological reference and is built from unexpected elements: topography, trail layouts, material molds, textures extracted from everyday objects, or traces of natural processes that become the starting point for architectural definition. AV Monographs presents this intuitive practice through a selection of works and projects – with an introduction by Adrian Lahoud –, which take stock too of the life course of their author: from the beginnings at his home country to the move to the Persian Gulf.
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The eighth issue of Errant Journal questions the ways in which hegemonic culture and discourse tends to prioritize the ideal of openness, access, transparency, and visibility. Delving into topics such as face coverings, ‘'coming out'’ in queer discourses, the use of opacity in transformative justice, and different strategies of (visual) resistance, ‘'Against Visibility'’(...)
Errant Journal #8 : Against visibility (or, the right to opacity)
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The eighth issue of Errant Journal questions the ways in which hegemonic culture and discourse tends to prioritize the ideal of openness, access, transparency, and visibility. Delving into topics such as face coverings, ‘'coming out'’ in queer discourses, the use of opacity in transformative justice, and different strategies of (visual) resistance, ‘'Against Visibility'’ can be read as a proposition of refusal of the paradigm of visibility and access that permeates all areas of western thinking. At a moment in which representation and uncovering ‘'lost'’ histories are trending, Errant asks what is being erased in a world where everything must always be visible. When Édouard Glissant proclaimed the right to opacity, he sought not to be reduced or to be measured against an ideal scale in order to be understood and accepted. Expanding from this, ''Against Visibility'' looks into the ways in which unlearning imperialism also includes unlearning the ideal of visibility itself.
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