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Rudy Burckhardt (1914 – 1999) came to New York in 1935 from his native Switzerland, making the American metropolis his home for the rest of his life. His street scenes now rank among the icons of twentieth-century photography. In the 1950s, he took portraits of artists for Art News, such as Willem de Kooning, Jackson Pollock, or Mark Rothko.
Monographies photo
décembre 2005, Zürich
Rudy Burckhardt : New York moments - photographs and films
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Rudy Burckhardt (1914 – 1999) came to New York in 1935 from his native Switzerland, making the American metropolis his home for the rest of his life. His street scenes now rank among the icons of twentieth-century photography. In the 1950s, he took portraits of artists for Art News, such as Willem de Kooning, Jackson Pollock, or Mark Rothko.
Monographies photo
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DVD Release Date: June 21, 2009. Kamecke's film could be placed in a time capsule and removed some time in the distant future as an exact record of our feelings at the time." So said Kathleen Carroll of the New York Daily News in 1972. NASA commissioned director Theo Kamecke to make the documentary only six weeks before Apollo 11 s flight to the Moon in July 1969. But(...)
Moonwalk one, the director's cut
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DVD Release Date: June 21, 2009. Kamecke's film could be placed in a time capsule and removed some time in the distant future as an exact record of our feelings at the time." So said Kathleen Carroll of the New York Daily News in 1972. NASA commissioned director Theo Kamecke to make the documentary only six weeks before Apollo 11 s flight to the Moon in July 1969. But instead of a simple documentary film, what transpired was a philosophical and poetic record of Man s first attempt to walk on another world. Opening dramatically with another of mankind s great achievements Stonehenge the film puts the triumph of the Moon shot into its proper historical context. Filmed across the World as the mission unfolded, Moonwalk One uniquely captured the essence of Apollo 11 in a way that subsequent documentaries could only mimic. Combined with Charles Morrow s breathtaking, avant-garde score and Laurence Luckinbill s inspiring narration this is a classic film for all time and makes for fascinating viewing today from the perspective of the early 21st Century. As Joseph Gelmis of the New York daily Newsday declared in 1969; Moonwalk One deserves to be a companion piece to Stanley Kubrik s masterwork 2001: A Space Odyssey .
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237 pages : illustrations (some color), facsimiles, plans ; 23 cm
Berlin : Sternberg Press, [2017], ©2017
Botanical drift : protagonists of the invasive herbarium / edited by Khadija von Zinnenburg Carroll ; chapters by Germaine Greer [and twenty-five others].
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237 pages : illustrations (some color), facsimiles, plans ; 23 cm
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Berlin : Sternberg Press, [2017], ©2017
Michael Snow
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Few filmmakers have had as large an impact on the recent avant-garde film scene as Canadian Michael Snow (b. 1928). His works in a range of media—film, installation, video, painting, sculpture, sound, photography, drawing, writing, and music—address the fundamental properties of his materials, the conditions of perception and experience, questions of authorship in(...)
Michael Snow
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Few filmmakers have had as large an impact on the recent avant-garde film scene as Canadian Michael Snow (b. 1928). His works in a range of media—film, installation, video, painting, sculpture, sound, photography, drawing, writing, and music—address the fundamental properties of his materials, the conditions of perception and experience, questions of authorship in technologically reproducible media, and techniques of translation through written and pictorial representation. This volume collects essential texts on Snow's work, with essays and interviews spanning more than four decades.
Théorie de l’art
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Infra, Richard Mosse’s first book, offers a radical rethinking of how to depict a conflict as complex and intractable as that of the ongoing war in the Democratic Republic of Congo. Mosse photographs both the rich topography, inscribed with the traces of conflicting interests, as well as rebel groups of constantly shifting allegiances at war with the Congolese national(...)
Infra: photographs by Richard Mosse
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Infra, Richard Mosse’s first book, offers a radical rethinking of how to depict a conflict as complex and intractable as that of the ongoing war in the Democratic Republic of Congo. Mosse photographs both the rich topography, inscribed with the traces of conflicting interests, as well as rebel groups of constantly shifting allegiances at war with the Congolese national army (itself a patchwork of recently integrated warlords and their militias). For centuries, the Congo has repeatedly compelled and defied the western imagination. Mosse brings to this subject the use of a discontinued aerial surveillance film, a type of color infrared film called Kodak Aerochrome. The film, originally developed for military reconnaissance, registers an invisible spectrum of infrared light, rendering the green landscape in vivid hues of lavender, crimson and hot pink. The results offer a fevered inflation of the traditional reportage document, underlining the growing tension between art, fiction and photojournalism.
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Sara Cwynar: Glass Life
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An investigation of color and image-driven consumer culture, Glass Life brings together Sara Cwynar’s multilayered portraits and stills from the films Soft Film (2016), Rose Gold (2017), and Red Film (2018). Cwynar’s research-driven and visually complex images constitute the hallmarks of contemporary post–Pictures Generation work—in which photography is pursued in(...)
Sara Cwynar: Glass Life
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An investigation of color and image-driven consumer culture, Glass Life brings together Sara Cwynar’s multilayered portraits and stills from the films Soft Film (2016), Rose Gold (2017), and Red Film (2018). Cwynar’s research-driven and visually complex images constitute the hallmarks of contemporary post–Pictures Generation work—in which photography is pursued in relation to film, sculpture, digital culture, and the cultural and technological history of image-making. Cwynar’s work revolves around her interest in subjective notions of beauty through images; the fetishization of consumer objects and colors; and the exploration of the informal image archives that have emerged around the industrialization and capitalization of these ideas. As part of her core practice, Cwynar collects, arranges, and archives her eBay purchases and creates studio studies of these consumer objects, exploring how images circulate online and how the lives and purposes of both physical objects and their likenesses change over time.
Monographies photo
Chris Marker : la jetée
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A reconsideration of Chris Markers famous film, examining its treatment of time, its use of sound, the influence of the comic book form, and other topics.
Chris Marker : la jetée
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A reconsideration of Chris Markers famous film, examining its treatment of time, its use of sound, the influence of the comic book form, and other topics.
Théorie de l’art
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This book brings together frames from all of the Super-8 and video films made by the Swiss artist Roman Signer. As fractions of time, the stills mark key moments in Signers precisely choreographed work: moments of collapse, of extreme acceleration and of temporary or prolonged hiatus, of transformation, of consolidation and dispersion.
Projections, super-8 films and videos 1975-2008
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This book brings together frames from all of the Super-8 and video films made by the Swiss artist Roman Signer. As fractions of time, the stills mark key moments in Signers precisely choreographed work: moments of collapse, of extreme acceleration and of temporary or prolonged hiatus, of transformation, of consolidation and dispersion.
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In 2009 André Príncipe and Marco Martins travelled to Tokyo to shoot a film about elliptical narratives and the importance of the diaristic practise in Japanese photography. During a month and in a totally improvised way, the Portuguese filmmakers shot hours of 16mm footage and thousands of photographs of their daily life as well as their encounters with(...)
André Príncipe and Marco Martins : Tokyo diaries
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In 2009 André Príncipe and Marco Martins travelled to Tokyo to shoot a film about elliptical narratives and the importance of the diaristic practise in Japanese photography. During a month and in a totally improvised way, the Portuguese filmmakers shot hours of 16mm footage and thousands of photographs of their daily life as well as their encounters with photographers such as Nobuyoshi Araki, Daido Moriyama, Takuma Nakahira, Hiromix, Kohei Yushiyuki and Kajii Syoin. Traces of a Diary was shown in film festivals around the world and received the jury prize at Documenta Madrid.
livres
avril 2015
Monographies photo
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Printed on newsprint, Coco X Love With Stranger references 1980s teenage pulp novels. The film and its soundtrack will be released in Spring 2013, on a usb silicone necklace made in collaboration with designer Arielle de Pinto. The book explores different tropes of female identity - mixing personas, identities, some parafictional, some actual. Based on the narrative(...)
Illustration
octobre 2012
Margaret Haines: Coco X Love with stranger
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Printed on newsprint, Coco X Love With Stranger references 1980s teenage pulp novels. The film and its soundtrack will be released in Spring 2013, on a usb silicone necklace made in collaboration with designer Arielle de Pinto. The book explores different tropes of female identity - mixing personas, identities, some parafictional, some actual. Based on the narrative structure of Don Quixote, the book revolves around three female protagonists—Coco, a character that appears in Haines’ forthcoming film, Los Angeles artist and cult figure, Cameron, and Haines’s own ruminations. Published in an edition of 500.
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