3896 Résultats
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8 volumes : illustrations (some color), maps, portrait, charts (tables), plates ; 26 cm
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8 volumes : illustrations (some color), maps, portrait, charts (tables), plates ; 26 cm
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Oxford University, London, Great Britain : Clarendon Press, 1954-1984., ©1954-1984
Oxford University, London, Great Britain : Clarendon Press, 1954-1984., ©1954-1984
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A history of technology / edited by Charles Singer [and others].
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8 volumes : illustrations (some color), maps, portrait, charts (tables), plates ; 26 cm
A history of technology / edited by Charles Singer [and others].
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8 volumes : illustrations (some color), maps, portrait, charts (tables), plates ; 26 cm
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livres
livres
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Oxford University, London, Great Britain : Clarendon Press, 1954-1984., ©1954-1984
Oxford University, London, Great Britain : Clarendon Press, 1954-1984., ©1954-1984
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livres
livres
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$33.95
(disponible en magasin)
Résumé:
With the many additions to the campus of Stanford university since the publication of this book, including the Frances Arrillaga alumni center by Hoover Associates / The SWA Group, the James H. Clark center for bio sciences – bio engineering by Foster and Partners / Peter Walker and Partners, and the Carnegie institution by Esherik Homsey Dodge and Davis, it is time for(...)
$33.95
(disponible en magasin)
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With the many additions to the campus of Stanford university since the publication of this book, including the Frances Arrillaga alumni center by Hoover Associates / The SWA Group, the James H. Clark center for bio sciences – bio engineering by Foster and Partners / Peter Walker and Partners, and the Carnegie institution by Esherik Homsey Dodge and Davis, it is time for(...)
Publication:
février 2006, New York
février 2006, New York
Titre:
Stanford university, second edition
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$33.95
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With the many additions to the campus of Stanford university since the publication of this book, including the Frances Arrillaga alumni center by Hoover Associates / The SWA Group, the James H. Clark center for bio sciences – bio engineering by Foster and Partners / Peter Walker and Partners, and the Carnegie institution by Esherik Homsey Dodge and Davis, it is time for a revised edition of this guide. The original 1891 campus, conceived by Frederick Law Olmsted and executed by architects Shepley, Rutan and Coolidge, balances architecture, landscapes, and the natural surroundings in a composition of classic formal beauty. Stanford is a model of university design, from the nineteenth-century Memorial court and Main quad to twentieth-century buildings and restorations that respect the historic campus while contributing to modern design. This revised edition features 16 new pages on the additions to the campus and many updated entries with new photography.
Stanford university, second edition
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$33.95
(disponible en magasin)
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With the many additions to the campus of Stanford university since the publication of this book, including the Frances Arrillaga alumni center by Hoover Associates / The SWA Group, the James H. Clark center for bio sciences – bio engineering by Foster and Partners / Peter Walker and Partners, and the Carnegie institution by Esherik Homsey Dodge and Davis, it is time for a revised edition of this guide. The original 1891 campus, conceived by Frederick Law Olmsted and executed by architects Shepley, Rutan and Coolidge, balances architecture, landscapes, and the natural surroundings in a composition of classic formal beauty. Stanford is a model of university design, from the nineteenth-century Memorial court and Main quad to twentieth-century buildings and restorations that respect the historic campus while contributing to modern design. This revised edition features 16 new pages on the additions to the campus and many updated entries with new photography.
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livres
livres
Publication:
février 2006, New York
février 2006, New York
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livres
livres
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$48.99
(disponible sur commande)
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Reinhold Martin and Claire Zimmerman bring together essays from an array of scholars exploring the troubled relationship between architecture and antidemocratic politics. Comprising detailed case studies throughout the world spanning from the early nineteenth century to the present, "Architecture against Democracy" analyzes crucial occasions when the built environment has(...)
$48.99
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Reinhold Martin and Claire Zimmerman bring together essays from an array of scholars exploring the troubled relationship between architecture and antidemocratic politics. Comprising detailed case studies throughout the world spanning from the early nineteenth century to the present, "Architecture against Democracy" analyzes crucial occasions when the built environment has(...)
Titre:
Architecture against democracy: histories of the nationalist international
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$48.99
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Reinhold Martin and Claire Zimmerman bring together essays from an array of scholars exploring the troubled relationship between architecture and antidemocratic politics. Comprising detailed case studies throughout the world spanning from the early nineteenth century to the present, "Architecture against Democracy" analyzes crucial occasions when the built environment has been harnessed as an instrument of authoritarian power. Alongside chapters focusing on paradigmatic episodes from twentieth-century German and Italian fascism, the contributors examine historic and contemporary events and subjects that are organized thematically, including the founding of the Smithsonian Institution, Ellis Island infrastructure, the aftermath of the Paris Commune, Cold War West Germany and Iraq, Frank Lloyd Wright’s domestic architecture, and Istanbul’s Taksim Square. Through the range and depth of these accounts, "Architecture against Democracy" presents a selective overview of antidemocratic processes as they unfold in the built environment throughout Western modernity, offering an architectural history of the recent "nationalist international."
Architecture against democracy: histories of the nationalist international
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$48.99
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Reinhold Martin and Claire Zimmerman bring together essays from an array of scholars exploring the troubled relationship between architecture and antidemocratic politics. Comprising detailed case studies throughout the world spanning from the early nineteenth century to the present, "Architecture against Democracy" analyzes crucial occasions when the built environment has been harnessed as an instrument of authoritarian power. Alongside chapters focusing on paradigmatic episodes from twentieth-century German and Italian fascism, the contributors examine historic and contemporary events and subjects that are organized thematically, including the founding of the Smithsonian Institution, Ellis Island infrastructure, the aftermath of the Paris Commune, Cold War West Germany and Iraq, Frank Lloyd Wright’s domestic architecture, and Istanbul’s Taksim Square. Through the range and depth of these accounts, "Architecture against Democracy" presents a selective overview of antidemocratic processes as they unfold in the built environment throughout Western modernity, offering an architectural history of the recent "nationalist international."
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livres
livres
Publication:
avril 2024
avril 2024
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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Un musée, un logotype
Un musée, un logotype
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$29.95
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Bureau 205, bureau de design graphique, a conçu l'identité visuelle du musée de l'Imprimerie et de la Communication graphique. Elle a cela de particulier qu'elle prend appui sur un logotype mobile, socle du langage visuel que les designers développent depuis 2013. Car, à l'image de son logotype, cette identité n'est pas figée mais continue à se construire au fil des(...)
$29.95
(disponible sur commande)
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Bureau 205, bureau de design graphique, a conçu l'identité visuelle du musée de l'Imprimerie et de la Communication graphique. Elle a cela de particulier qu'elle prend appui sur un logotype mobile, socle du langage visuel que les designers développent depuis 2013. Car, à l'image de son logotype, cette identité n'est pas figée mais continue à se construire au fil des(...)
Titre:
Un musée, un logotype
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$29.95
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Bureau 205, bureau de design graphique, a conçu l'identité visuelle du musée de l'Imprimerie et de la Communication graphique. Elle a cela de particulier qu'elle prend appui sur un logotype mobile, socle du langage visuel que les designers développent depuis 2013. Car, à l'image de son logotype, cette identité n'est pas figée mais continue à se construire au fil des événements et expositions : un processus ouvert et itératif qui projette le musée de l'Imprimerie dans le domaine de la communication graphique. À partir de ce travail, c'est la question du statut d'une identité visuelle pour une institution qui est posée. Les designers s'interrogent sur le rôle d'une charte graphique et de son obsolescence programmée si l'identité n'est pas réfléchie pour pouvoir évoluer avec les besoins auxquels elle est censée s'adapter. Une réflexion nécessaire à une époque où flexibilité et réorganisation sont, de fait, imposées.
Un musée, un logotype
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$29.95
(disponible sur commande)
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Bureau 205, bureau de design graphique, a conçu l'identité visuelle du musée de l'Imprimerie et de la Communication graphique. Elle a cela de particulier qu'elle prend appui sur un logotype mobile, socle du langage visuel que les designers développent depuis 2013. Car, à l'image de son logotype, cette identité n'est pas figée mais continue à se construire au fil des événements et expositions : un processus ouvert et itératif qui projette le musée de l'Imprimerie dans le domaine de la communication graphique. À partir de ce travail, c'est la question du statut d'une identité visuelle pour une institution qui est posée. Les designers s'interrogent sur le rôle d'une charte graphique et de son obsolescence programmée si l'identité n'est pas réfléchie pour pouvoir évoluer avec les besoins auxquels elle est censée s'adapter. Une réflexion nécessaire à une époque où flexibilité et réorganisation sont, de fait, imposées.
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livres
livres
Publication:
décembre 2017
décembre 2017
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livres
livres
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$31.50
(disponible sur commande)
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In this new book, Bruno Latour offers answers to questions raised in "We Have Never Been Modern", a work that interrogated the connections between nature and culture. If not modern, he asked, what have we been, and what values should we inherit? Over the last twenty-five years, Latour has developed a research protocol different from the actor-network theory with which his(...)
$31.50
(disponible sur commande)
Résumé:
In this new book, Bruno Latour offers answers to questions raised in "We Have Never Been Modern", a work that interrogated the connections between nature and culture. If not modern, he asked, what have we been, and what values should we inherit? Over the last twenty-five years, Latour has developed a research protocol different from the actor-network theory with which his(...)
Titre:
An inquiry into modes of existence: an anthropology of the moderns
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$31.50
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In this new book, Bruno Latour offers answers to questions raised in "We Have Never Been Modern", a work that interrogated the connections between nature and culture. If not modern, he asked, what have we been, and what values should we inherit? Over the last twenty-five years, Latour has developed a research protocol different from the actor-network theory with which his name is now associated—a research protocol that follows the different types of connectors that provide specific truth conditions. These are the connectors that prompt a climate scientist challenged by a captain of industry to appeal to the "institution" of science, with its army of researchers and mountains of data, rather than to “capital-S Science” as a higher authority. Such modes of extension—or modes of existence, Latour argues here—account for the many differences between law, science, politics, and other domains of knowledge.
An inquiry into modes of existence: an anthropology of the moderns
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$31.50
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In this new book, Bruno Latour offers answers to questions raised in "We Have Never Been Modern", a work that interrogated the connections between nature and culture. If not modern, he asked, what have we been, and what values should we inherit? Over the last twenty-five years, Latour has developed a research protocol different from the actor-network theory with which his name is now associated—a research protocol that follows the different types of connectors that provide specific truth conditions. These are the connectors that prompt a climate scientist challenged by a captain of industry to appeal to the "institution" of science, with its army of researchers and mountains of data, rather than to “capital-S Science” as a higher authority. Such modes of extension—or modes of existence, Latour argues here—account for the many differences between law, science, politics, and other domains of knowledge.
Classification:
livres
livres
Publication:
juin 2018
juin 2018
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
Prix:
$56.95
(disponible sur commande)
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Why did British industrial cities build art museums? By exploring the histories of the municipal art museums in Birmingham, Liverpool, and Manchester, Transformative Beauty examines the underlying logic of the Victorian art museum movement. These museums attempted to create a space free from the moral and physical ugliness of industrial capitalism. Deeply engaged with(...)
$56.95
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Why did British industrial cities build art museums? By exploring the histories of the municipal art museums in Birmingham, Liverpool, and Manchester, Transformative Beauty examines the underlying logic of the Victorian art museum movement. These museums attempted to create a space free from the moral and physical ugliness of industrial capitalism. Deeply engaged with(...)
Titre:
Transformative beauty: art museums in industrial Britain
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$56.95
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Why did British industrial cities build art museums? By exploring the histories of the municipal art museums in Birmingham, Liverpool, and Manchester, Transformative Beauty examines the underlying logic of the Victorian art museum movement. These museums attempted to create a space free from the moral and physical ugliness of industrial capitalism. Deeply engaged with the social criticism of John Ruskin, reformers created a new, prominent urban institution, a domesticated public space that not only aimed to provide refuge from the corrosive effects of industrial society but also provided a remarkably unified secular alternative to traditional religion. Woodson-Boulton raises provocative questions about the meaning and use of art in relation to artistic practice, urban development, social justice, education, and class. In today's context of global austerity and shrinking government support of public cultural institutions, this book is a timely consideration of arts policy and purposes in modern society.
Transformative beauty: art museums in industrial Britain
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$56.95
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Why did British industrial cities build art museums? By exploring the histories of the municipal art museums in Birmingham, Liverpool, and Manchester, Transformative Beauty examines the underlying logic of the Victorian art museum movement. These museums attempted to create a space free from the moral and physical ugliness of industrial capitalism. Deeply engaged with the social criticism of John Ruskin, reformers created a new, prominent urban institution, a domesticated public space that not only aimed to provide refuge from the corrosive effects of industrial society but also provided a remarkably unified secular alternative to traditional religion. Woodson-Boulton raises provocative questions about the meaning and use of art in relation to artistic practice, urban development, social justice, education, and class. In today's context of global austerity and shrinking government support of public cultural institutions, this book is a timely consideration of arts policy and purposes in modern society.
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livres
livres
Publication:
mars 2012
mars 2012
Sujet:
Muséologie
Muséologie
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périodiques
périodiques
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1 online resource
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Kassel : Johannes-Stauda-Verlag, 1955-, Hannover : Lutherisches Verlagshaus, Göttingen : Vandenhoeck & Ruprecht
Kassel : Johannes-Stauda-Verlag, 1955-, Hannover : Lutherisches Verlagshaus, Göttingen : Vandenhoeck & Ruprecht
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périodiques
périodiques
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Kassel : Johannes-Stauda-Verlag, 1955-, Hannover : Lutherisches Verlagshaus, Göttingen : Vandenhoeck & Ruprecht
Kassel : Johannes-Stauda-Verlag, 1955-, Hannover : Lutherisches Verlagshaus, Göttingen : Vandenhoeck & Ruprecht
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périodiques
périodiques
Titre:
Politique étrangère.
Politique étrangère.
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1 online resource (volumes)
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Paris, Institut français des relations internationales
Paris, Institut français des relations internationales
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périodiques
périodiques
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Paris, Institut français des relations internationales
Paris, Institut français des relations internationales
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vii, 286 pages : color illustrations, map ; 24 cm.
Description:
vii, 286 pages : color illustrations, map ; 24 cm.
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Waterloo, Ontario : Wilfrid Laurier University Press, [2017], ©2017
Waterloo, Ontario : Wilfrid Laurier University Press, [2017], ©2017
Titre:
Landscapes and landmarks of Canada : real, imagined, (re)viewed / Maeve Conrick, Munroe Eagles, Jane Koustas, Caitríona Ní Chasaide, editors.
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vii, 286 pages : color illustrations, map ; 24 cm.
Landscapes and landmarks of Canada : real, imagined, (re)viewed / Maeve Conrick, Munroe Eagles, Jane Koustas, Caitríona Ní Chasaide, editors.
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vii, 286 pages : color illustrations, map ; 24 cm.
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livres
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Waterloo, Ontario : Wilfrid Laurier University Press, [2017], ©2017
Waterloo, Ontario : Wilfrid Laurier University Press, [2017], ©2017
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périodiques
périodiques
Titre:
Museum helveticum.
Museum helveticum.
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1 online resource
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Basel, B. Schwabe.
Basel, B. Schwabe.
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périodiques
périodiques
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Basel, B. Schwabe.
Basel, B. Schwabe.
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