5778 Résultats
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$49.00
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Ever since the discovery of the cave, humans have made use of nature’s geological formations. Only recently, however, have developments in structural engineering made it possible to engage the earth’s surface as a building element in its own right. With an increasing awareness of our planet’s limited natural resources, the most acclaimed architectural practices from(...)
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Résumé:
Ever since the discovery of the cave, humans have made use of nature’s geological formations. Only recently, however, have developments in structural engineering made it possible to engage the earth’s surface as a building element in its own right. With an increasing awareness of our planet’s limited natural resources, the most acclaimed architectural practices from(...)
Titre:
Landscrapers : building with the land
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$49.00
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Ever since the discovery of the cave, humans have made use of nature’s geological formations. Only recently, however, have developments in structural engineering made it possible to engage the earth’s surface as a building element in its own right. With an increasing awareness of our planet’s limited natural resources, the most acclaimed architectural practices from around the world are building into the earth and merging man-made forms with the contours of the land. The results are at once preternatural and breathtaking. From Zaha Hadid’s Tram Terminal in France to Snøhetta’s Bibliotheca Alexandrina in Egypt, from Future System’s hill-burrowing house in Wales to Antoine Predock’s Spencer Theater in the United States, over fifty projects displayed here expose the breadth and depth of this new direction in architecture. Aaron Betsky first considers our historical preoccupation with communing with the land through building, then four central chapters – ‘Engineered Utopias’, ‘Caves and Caverns’, ‘Unfolding the Land’ and ‘A New Nature’ – explore the ways in which ‘geotecture’ responds to, becomes a part of and yet remains distinctive within our natural landscape.
Landscrapers : building with the land
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$49.00
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Ever since the discovery of the cave, humans have made use of nature’s geological formations. Only recently, however, have developments in structural engineering made it possible to engage the earth’s surface as a building element in its own right. With an increasing awareness of our planet’s limited natural resources, the most acclaimed architectural practices from around the world are building into the earth and merging man-made forms with the contours of the land. The results are at once preternatural and breathtaking. From Zaha Hadid’s Tram Terminal in France to Snøhetta’s Bibliotheca Alexandrina in Egypt, from Future System’s hill-burrowing house in Wales to Antoine Predock’s Spencer Theater in the United States, over fifty projects displayed here expose the breadth and depth of this new direction in architecture. Aaron Betsky first considers our historical preoccupation with communing with the land through building, then four central chapters – ‘Engineered Utopias’, ‘Caves and Caverns’, ‘Unfolding the Land’ and ‘A New Nature’ – explore the ways in which ‘geotecture’ responds to, becomes a part of and yet remains distinctive within our natural landscape.
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livres
livres
Publication:
mars 2006, New York
mars 2006, New York
Sujet:
Architecture écologique
Architecture écologique
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livres
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xvii, 143 pages : illustrations, plans ; 25 cm.
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xvii, 143 pages : illustrations, plans ; 25 cm.
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Genève : MētisPresses, [2025]
Genève : MētisPresses, [2025]
Titre:
La ville et son sol / Hans Bernoulli ; texte traduit de l'allemand par Arlette Senn-Borloz ; révisé par Martine Sgard.
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xvii, 143 pages : illustrations, plans ; 25 cm.
La ville et son sol / Hans Bernoulli ; texte traduit de l'allemand par Arlette Senn-Borloz ; révisé par Martine Sgard.
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xvii, 143 pages : illustrations, plans ; 25 cm.
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livres
livres
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Genève : MētisPresses, [2025]
Genève : MētisPresses, [2025]
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vidéo
vidéo
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1 online resource (1 video file (37 sec.)) : sound, color
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1 online resource (1 video file (37 sec.)) : sound, color
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[Montréal] : CCA, [2008]
[Montréal] : CCA, [2008]
Titre:
Actions : what you can do with the city, 26 November 2008-19 April 2009 = comment s'approprier la ville, 26 novembre 2008-19 avril 2009
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1 online resource (1 video file (37 sec.)) : sound, color
Actions : what you can do with the city, 26 November 2008-19 April 2009 = comment s'approprier la ville, 26 novembre 2008-19 avril 2009
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1 online resource (1 video file (37 sec.)) : sound, color
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vidéo
vidéo
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[Montréal] : CCA, [2008]
[Montréal] : CCA, [2008]
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livres
livres
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$130.00
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Résumé:
For five decades, photographer Gianfranco Gorgoni (1941-2019) built his reputation as the premier documentarian of Land Art in the US and beyond. After leaving Italy, Gorgoni started making portraits of the major artists of the New York scene, including Michael Heizer, Robert Smithson, Nancy Holt, Walter De Maria, Carl Andre, and Richard Serra. It was not long before he(...)
$130.00
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For five decades, photographer Gianfranco Gorgoni (1941-2019) built his reputation as the premier documentarian of Land Art in the US and beyond. After leaving Italy, Gorgoni started making portraits of the major artists of the New York scene, including Michael Heizer, Robert Smithson, Nancy Holt, Walter De Maria, Carl Andre, and Richard Serra. It was not long before he(...)
Titre:
Gianfranco Gorgoni: Land Art photographs
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$130.00
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For five decades, photographer Gianfranco Gorgoni (1941-2019) built his reputation as the premier documentarian of Land Art in the US and beyond. After leaving Italy, Gorgoni started making portraits of the major artists of the New York scene, including Michael Heizer, Robert Smithson, Nancy Holt, Walter De Maria, Carl Andre, and Richard Serra. It was not long before he was traveling with Heizer, Smithson, and De Maria to the American West in the late 1960s to plot the works that would famously break art practice out of the confines of the gallery world. In Nevada, New Mexico, and Utah, these artists embarked on major Land Art installations that would redefine contemporary art practice of the era. In many cases, Gorgoni was the only photographer on the ground to document their projects, and his images often serve as the definitive photographic record of the planning and creation of these groundbreaking works. Published to coincide with the first major exhibition of Gorgoni's photographic Land Art images at the Nevada Museum of Art, featuring over fifty of his large-scale photographs, "Gianfranco Gorgoni: Land Art Photographs" includes an introduction by Ann M. Wolfe, Andrea and John C. Deane Family senior curator and deputy director at the Nevada Museum of Art, an essay by the late art historian and critic Germano Celant, whose contribution here is among the last he wrote before his death in 2020, and William L. Fox, the Peter E. Pool Director of the Center for Art + Environment.
Gianfranco Gorgoni: Land Art photographs
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$130.00
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For five decades, photographer Gianfranco Gorgoni (1941-2019) built his reputation as the premier documentarian of Land Art in the US and beyond. After leaving Italy, Gorgoni started making portraits of the major artists of the New York scene, including Michael Heizer, Robert Smithson, Nancy Holt, Walter De Maria, Carl Andre, and Richard Serra. It was not long before he was traveling with Heizer, Smithson, and De Maria to the American West in the late 1960s to plot the works that would famously break art practice out of the confines of the gallery world. In Nevada, New Mexico, and Utah, these artists embarked on major Land Art installations that would redefine contemporary art practice of the era. In many cases, Gorgoni was the only photographer on the ground to document their projects, and his images often serve as the definitive photographic record of the planning and creation of these groundbreaking works. Published to coincide with the first major exhibition of Gorgoni's photographic Land Art images at the Nevada Museum of Art, featuring over fifty of his large-scale photographs, "Gianfranco Gorgoni: Land Art Photographs" includes an introduction by Ann M. Wolfe, Andrea and John C. Deane Family senior curator and deputy director at the Nevada Museum of Art, an essay by the late art historian and critic Germano Celant, whose contribution here is among the last he wrote before his death in 2020, and William L. Fox, the Peter E. Pool Director of the Center for Art + Environment.
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livres
livres
Publication:
août 2021
août 2021
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Monographies photo
Monographies photo
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livres
livres
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47 pages : illustrations (some color), plans ; 27 x 23 cm
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47 pages : illustrations (some color), plans ; 27 x 23 cm
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[Forstinning] : [Kastner & Callwey], [1996]
[Forstinning] : [Kastner & Callwey], [1996]
Titre:
Kunstsammlung Ständehaus : Machbarkeitsstudie / im Auftrag des Ministeriums Bauen und Wohnen NRW Kiessler + Partner, Architekten.
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47 pages : illustrations (some color), plans ; 27 x 23 cm
Kunstsammlung Ständehaus : Machbarkeitsstudie / im Auftrag des Ministeriums Bauen und Wohnen NRW Kiessler + Partner, Architekten.
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47 pages : illustrations (some color), plans ; 27 x 23 cm
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livres
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[Forstinning] : [Kastner & Callwey], [1996]
[Forstinning] : [Kastner & Callwey], [1996]
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livres
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187 pages : illustrations ; 25 cm
Description:
187 pages : illustrations ; 25 cm
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Salzburg : Pustet, 1997.
Salzburg : Pustet, 1997.
Titre:
Historische Wirtschaftsarchitektur in Salzburg : Bauten - Einrichtungen - Werkzeuge / Manfred W.K. Fischer [and others] ; herausgegeben von Roland Floimair.
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187 pages : illustrations ; 25 cm
Historische Wirtschaftsarchitektur in Salzburg : Bauten - Einrichtungen - Werkzeuge / Manfred W.K. Fischer [and others] ; herausgegeben von Roland Floimair.
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187 pages : illustrations ; 25 cm
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livres
livres
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Salzburg : Pustet, 1997.
Salzburg : Pustet, 1997.
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livres
livres
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[viii], 160 pages ; 21 cm
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[viii], 160 pages ; 21 cm
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Munich ; Berlin : J. Jehle, 1937.
Munich ; Berlin : J. Jehle, 1937.
Titre:
Das baupolizeiliche Siedlungsrecht : die Gesetze über die Aufschliessung von Wohnsiedlungsgebieten, zur Ordnung des deutschen Siedlungswesens und über den Verkehr mit landwirtschaftlichen Grundstücken samt allen Ergänzungsvorschriften des Reiches und der Länder / herausgegeben und erl̈autert von R. Weinisch.
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[viii], 160 pages ; 21 cm
Das baupolizeiliche Siedlungsrecht : die Gesetze über die Aufschliessung von Wohnsiedlungsgebieten, zur Ordnung des deutschen Siedlungswesens und über den Verkehr mit landwirtschaftlichen Grundstücken samt allen Ergänzungsvorschriften des Reiches und der Länder / herausgegeben und erl̈autert von R. Weinisch.
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[viii], 160 pages ; 21 cm
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livres
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Munich ; Berlin : J. Jehle, 1937.
Munich ; Berlin : J. Jehle, 1937.
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livres
livres
Titre:
The ethics of earth art
The ethics of earth art
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$27.95
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Résumé:
Since its inception in the 1960s, the earth art movement has sought to make visible the elusive presence of nature. Though most often associated with monumental land-based sculptures, earth art encompasses a wide range of media, from sculpture, body art performances, and installations to photographic interventions, public protest art, and community projects. In this(...)
$27.95
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Résumé:
Since its inception in the 1960s, the earth art movement has sought to make visible the elusive presence of nature. Though most often associated with monumental land-based sculptures, earth art encompasses a wide range of media, from sculpture, body art performances, and installations to photographic interventions, public protest art, and community projects. In this(...)
Titre:
The ethics of earth art
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$27.95
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Since its inception in the 1960s, the earth art movement has sought to make visible the elusive presence of nature. Though most often associated with monumental land-based sculptures, earth art encompasses a wide range of media, from sculpture, body art performances, and installations to photographic interventions, public protest art, and community projects. In this book, Amanda Boetzkes analyzes the development of the earth art movement, arguing that such diverse artists as Robert Smithson, Ana Mendieta, James Turrell, Jackie Brookner, Olafur Eliasson, Basia Irland, and Ichi Ikeda are connected through their elucidation of the earth as a domain of ethical concern. Boetzkes contends that in basing their works’ relationship to the natural world on receptivity rather than representation, earth artists take an ethical stance that counters both the instrumental view that seeks to master nature and the Romantic view that posits a return to a mythical state of unencumbered continuity with nature. By incorporating receptive surfaces into their work—film footage of glaring sunlight, an aperture in a chamber that opens to the sky, or a porous armature on which vegetation grows—earth artists articulate the dilemma of representation that nature presents. Revealing the fundamental difference between the human world and the earth, Boetzkes shows that earth art mediates the sensations of nature while allowing nature itself to remain irreducible to human signification.
The ethics of earth art
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$27.95
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Since its inception in the 1960s, the earth art movement has sought to make visible the elusive presence of nature. Though most often associated with monumental land-based sculptures, earth art encompasses a wide range of media, from sculpture, body art performances, and installations to photographic interventions, public protest art, and community projects. In this book, Amanda Boetzkes analyzes the development of the earth art movement, arguing that such diverse artists as Robert Smithson, Ana Mendieta, James Turrell, Jackie Brookner, Olafur Eliasson, Basia Irland, and Ichi Ikeda are connected through their elucidation of the earth as a domain of ethical concern. Boetzkes contends that in basing their works’ relationship to the natural world on receptivity rather than representation, earth artists take an ethical stance that counters both the instrumental view that seeks to master nature and the Romantic view that posits a return to a mythical state of unencumbered continuity with nature. By incorporating receptive surfaces into their work—film footage of glaring sunlight, an aperture in a chamber that opens to the sky, or a porous armature on which vegetation grows—earth artists articulate the dilemma of representation that nature presents. Revealing the fundamental difference between the human world and the earth, Boetzkes shows that earth art mediates the sensations of nature while allowing nature itself to remain irreducible to human signification.
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livres
livres
Publication:
juillet 2010
juillet 2010
Sujet:
Land Art
Land Art
Classification:
cartes
cartes
Titre:
Expo 2010, Shanghai, China : official map / edited by Shanghai Surveying and Mapping Institute.
Expo 2010, Shanghai, China : official map / edited by Shanghai Surveying and Mapping Institute.
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1 map : color ; 45 x 63 cm, on sheet 52 x 78 cm
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1 map : color ; 45 x 63 cm, on sheet 52 x 78 cm
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[Shanghai] : [Shanghai World Expo] : Produced by Shanghai DOW Culture and Media Co. Ltd., [2010]
[Shanghai] : [Shanghai World Expo] : Produced by Shanghai DOW Culture and Media Co. Ltd., [2010]
Titre:
Expo 2010, Shanghai, China : official map / edited by Shanghai Surveying and Mapping Institute.
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1 map : color ; 45 x 63 cm, on sheet 52 x 78 cm
Expo 2010, Shanghai, China : official map / edited by Shanghai Surveying and Mapping Institute.
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1 map : color ; 45 x 63 cm, on sheet 52 x 78 cm
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cartes
cartes
Publication:
[Shanghai] : [Shanghai World Expo] : Produced by Shanghai DOW Culture and Media Co. Ltd., [2010]
[Shanghai] : [Shanghai World Expo] : Produced by Shanghai DOW Culture and Media Co. Ltd., [2010]
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156 pages : chiefly illustrations (chiefly color), maps ; 28 x 36 cm
Description:
156 pages : chiefly illustrations (chiefly color), maps ; 28 x 36 cm
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Barcelona ; New York, NY : Actar, ©2008.
Barcelona ; New York, NY : Actar, ©2008.
Titre:
Creating environments : the world of André Jordan / [book coordinator, José Maria Ribeirinho with Vera Cardoso ; text, Colin Amery].
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156 pages : chiefly illustrations (chiefly color), maps ; 28 x 36 cm
Creating environments : the world of André Jordan / [book coordinator, José Maria Ribeirinho with Vera Cardoso ; text, Colin Amery].
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156 pages : chiefly illustrations (chiefly color), maps ; 28 x 36 cm
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livres
livres
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Barcelona ; New York, NY : Actar, ©2008.
Barcelona ; New York, NY : Actar, ©2008.
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