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In ''Cosmopolitics of the camera,'' the leading experts in the field present ''Les archives de la planète''—Albert Kahn’s stunning collection of early colour photography and documentary film—and discuss the extraordinary intellectual context from which it grew. The archives, collected between 1909 and 1932, show the cultural richness and diversity of humanity at a time of(...)
Cosmopolitics of the camera: Albert Kahn's Archives of the Planet
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In ''Cosmopolitics of the camera,'' the leading experts in the field present ''Les archives de la planète''—Albert Kahn’s stunning collection of early colour photography and documentary film—and discuss the extraordinary intellectual context from which it grew. The archives, collected between 1909 and 1932, show the cultural richness and diversity of humanity at a time of drastic geographical and historical change. Consisting of 183 thousand meters of film, 72 thousand autochromes and more than 6 thousand stereographs, it portrays the beauty and creativity of cultures whose fatal disappearance Kahn believed to be only a question of time.
Monographies photo
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Dvd. This 27-minute documentary film celebrates the fiftieth anniversary of the opening of Frank Lloyd Wright's Solomon R. Guggenheim Museum in New York, mixing historical footage with intimate recollections and assessments.
DVD vidéo
juillet 2009
art, architecture, and innovation: celebrating the Guggenheim Museum
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Dvd. This 27-minute documentary film celebrates the fiftieth anniversary of the opening of Frank Lloyd Wright's Solomon R. Guggenheim Museum in New York, mixing historical footage with intimate recollections and assessments.
DVD vidéo
livres
Description:
211 pages : illustrations, maps ; 27 cm + 2 videodiscs (sound, color ; 4 3/4 in.).
[Saint-Etienne] : Publications de l'Université de Saint-Etienne, ©2008.
Firminy : Le Corbusier en héritage / [sous la direction de Xavier Guillot ; photographies & films de Christian Garrier].
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211 pages : illustrations, maps ; 27 cm + 2 videodiscs (sound, color ; 4 3/4 in.).
livres
[Saint-Etienne] : Publications de l'Université de Saint-Etienne, ©2008.
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In recent years, Marcel Dzama (born 1974) has expanded his widely acclaimed drawing practice to incorporate theatrical realizations of his magical, myth-laden cosmology in three-dimensional dioramas and films. This publication provides a kind of sketchbook companion or dossier on the making of his latest film, A Game of Chess . This work draws on the importance of chess(...)
Marcel Dzama : behind every curtain
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In recent years, Marcel Dzama (born 1974) has expanded his widely acclaimed drawing practice to incorporate theatrical realizations of his magical, myth-laden cosmology in three-dimensional dioramas and films. This publication provides a kind of sketchbook companion or dossier on the making of his latest film, A Game of Chess . This work draws on the importance of chess for the early twentieth-century avant-garde (Man Ray, Duchamp, Picabia) and the game's curious overlap with dance, in films and ballets by René Clair and - of especial significance for Dzama - Oskar Schlemmer, whose 1922 Triadic Ballet included puppet-like masked figures performing on a checkered surface. In Dzama's film, characters based on chess pieces, clad in costumes made from papier-mâché, plaster and fiberglass and wearing elaborate masks, dance across a checkered board to engage their opponents in fatal skirmishes. Distinctions between reality and fiction collapse as both costumed and “real-life” characters in the film are killed. The filming and the creation of the costumes for A Game of Chess were carried out in Guadalajara, Mexico, and the influence of local crafts and religious traditions can also be felt throughout this body of work. Published on the occasion of Dzama's sixth solo exhibition at David Zwirner, this artist's book is packed with full-bleed drawings, sculptures, dioramas and film and production stills that give vivid testimony to the craft and thoroughness of his immensely popular art.
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In this notebook, artist William Kentridge and science historian and filmmaker Peter L. Galison preview their Documenta 13 collaboration on the subject of non-standardized temporality, realized in drawing, text, music and film.
Documenta series 09: William Kentridge and Peter L. Galison, the refusal of time
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In this notebook, artist William Kentridge and science historian and filmmaker Peter L. Galison preview their Documenta 13 collaboration on the subject of non-standardized temporality, realized in drawing, text, music and film.
Théorie de l’art
livres
Robinson in space
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"Robinson in Space" juxtaposes an annotated narrative of a fictitious journey through Britain with over 200 images of the present-day English landscape. The book is based on the film of the same name.
Robinson in space
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"Robinson in Space" juxtaposes an annotated narrative of a fictitious journey through Britain with over 200 images of the present-day English landscape. The book is based on the film of the same name.
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octobre 1998, London
Théorie du paysage
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Places through the body
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In this book geographers, architects, anthropologists, artists, film, cultural studies and psycho-analysis theorists, among others, work alongside each other to show how places through the body take shape at a variety of scales.
Places through the body
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In this book geographers, architects, anthropologists, artists, film, cultural studies and psycho-analysis theorists, among others, work alongside each other to show how places through the body take shape at a variety of scales.
livres
juin 1998, London
Théorie de l’architecture
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xxiv, 298 pages ; 23 cm
Chicago, Illinois : Society of American Archivists, [2014]
Through the archival looking glass : a reader on diversity and inclusion / edited by Mary A. Caldera and Kathryn M. Neal.
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xxiv, 298 pages ; 23 cm
livres
Chicago, Illinois : Society of American Archivists, [2014]
October 159
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Latest issue in store! At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media, photography, performance, sculpture, and literature—and their various contexts of interpretation.
October 159
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Latest issue in store! At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media, photography, performance, sculpture, and literature—and their various contexts of interpretation.
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October 138 : digital art
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At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media, photography, performance, sculpture, and literature—and their various contexts of interpretation. Issue 138 : Digital art
October 138 : digital art
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At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media, photography, performance, sculpture, and literature—and their various contexts of interpretation. Issue 138 : Digital art
Revues