3896 Résultats
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xiii, 348 pages : illustrations ; 24 cm.
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xiii, 348 pages : illustrations ; 24 cm.
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Berkeley : University of California Press, ©2004.
Berkeley : University of California Press, ©2004.
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The authority of everyday objects : a cultural history of West German industrial design / Paul Betts.
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xiii, 348 pages : illustrations ; 24 cm.
The authority of everyday objects : a cultural history of West German industrial design / Paul Betts.
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xiii, 348 pages : illustrations ; 24 cm.
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Berkeley : University of California Press, ©2004.
Berkeley : University of California Press, ©2004.
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111 pages : illustrations (some color) ; 30 cm
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111 pages : illustrations (some color) ; 30 cm
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New York, N.Y. : Aperture Foundation in association with University Art Museum, California State University, Long Beach and Norton Museum of Art, West Palm Beach, ©2004.
New York, N.Y. : Aperture Foundation in association with University Art Museum, California State University, Long Beach and Norton Museum of Art, West Palm Beach, ©2004.
Titre:
Candida Höfer : architecture of absence / with essays by Constance W. Glenn, Mary-Kay Lombino, Virginia Heckert.
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111 pages : illustrations (some color) ; 30 cm
Candida Höfer : architecture of absence / with essays by Constance W. Glenn, Mary-Kay Lombino, Virginia Heckert.
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111 pages : illustrations (some color) ; 30 cm
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New York, N.Y. : Aperture Foundation in association with University Art Museum, California State University, Long Beach and Norton Museum of Art, West Palm Beach, ©2004.
New York, N.Y. : Aperture Foundation in association with University Art Museum, California State University, Long Beach and Norton Museum of Art, West Palm Beach, ©2004.
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152 pages ; 17 cm.
Description:
152 pages ; 17 cm.
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[Paris] : Loco, [2023], ©2023
[Paris] : Loco, [2023], ©2023
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Femmes photographes : dix ans de luttes pour sortir de l'ombre / Sylviane Van de Moortele.
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152 pages ; 17 cm.
Femmes photographes : dix ans de luttes pour sortir de l'ombre / Sylviane Van de Moortele.
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152 pages ; 17 cm.
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[Paris] : Loco, [2023], ©2023
[Paris] : Loco, [2023], ©2023
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223 pages : illustrations ; 29 cm
Description:
223 pages : illustrations ; 29 cm
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New York : Princeton Architectural Press, 2013.
New York : Princeton Architectural Press, 2013.
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Theater of architecture / Hugh Hardy ; conversations with Mildred Friedman.
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223 pages : illustrations ; 29 cm
Theater of architecture / Hugh Hardy ; conversations with Mildred Friedman.
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223 pages : illustrations ; 29 cm
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livres
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New York : Princeton Architectural Press, 2013.
New York : Princeton Architectural Press, 2013.
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périodiques
périodiques
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1 online resource (volumes) : illustrations
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Firenze : Centro Di, 1975-, ©1975-
Firenze : Centro Di, 1975-, ©1975-
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Prospettiva : rivista di storia dell'arte antica e moderna.
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1 online resource (volumes) : illustrations
Prospettiva : rivista di storia dell'arte antica e moderna.
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1 online resource (volumes) : illustrations
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périodiques
périodiques
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Firenze : Centro Di, 1975-, ©1975-
Firenze : Centro Di, 1975-, ©1975-
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livres
livres
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$38.50
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Recalling the short-lived Bureau de recherches surréalistes of 1924–1925 - part information centre and ‘public relations’ office, and part surrealist archive - Mark Dion has trawled the Manchester Museum’s own collections and found the raw material for this book and a new installation in the museum. Museums’ attempts to classify and present the world in miniature(...)
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Recalling the short-lived Bureau de recherches surréalistes of 1924–1925 - part information centre and ‘public relations’ office, and part surrealist archive - Mark Dion has trawled the Manchester Museum’s own collections and found the raw material for this book and a new installation in the museum. Museums’ attempts to classify and present the world in miniature(...)
Titre:
Bureau of the Centre for the Study of Surrealism and its Legacy
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Recalling the short-lived Bureau de recherches surréalistes of 1924–1925 - part information centre and ‘public relations’ office, and part surrealist archive - Mark Dion has trawled the Manchester Museum’s own collections and found the raw material for this book and a new installation in the museum. Museums’ attempts to classify and present the world in miniature inevitably mean that much of their collections are forgotten and marginalized. Renowned for his work exploring taxonomy, archaeology and ecology, Mark Dion in his "Bureau" documents his opportunistic encounters with the Museum of Manchester’s neglected drawers and overlooked recesses that are home to redundant labels, orphaned mounts, defunct teaching models, botanical freaks, Egyptian fakes and the minutiae that have fallen through the cracks of museum practice and lain abandoned. Dion’s "Bureau of the Centre for the Study of Surrealism and its Legacy" is both a repository for the detritus of museum life and a working process, classifying the museum’s un-classifiable whilst exploring the bureaucratic workings of the institution.
Bureau of the Centre for the Study of Surrealism and its Legacy
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$38.50
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Recalling the short-lived Bureau de recherches surréalistes of 1924–1925 - part information centre and ‘public relations’ office, and part surrealist archive - Mark Dion has trawled the Manchester Museum’s own collections and found the raw material for this book and a new installation in the museum. Museums’ attempts to classify and present the world in miniature inevitably mean that much of their collections are forgotten and marginalized. Renowned for his work exploring taxonomy, archaeology and ecology, Mark Dion in his "Bureau" documents his opportunistic encounters with the Museum of Manchester’s neglected drawers and overlooked recesses that are home to redundant labels, orphaned mounts, defunct teaching models, botanical freaks, Egyptian fakes and the minutiae that have fallen through the cracks of museum practice and lain abandoned. Dion’s "Bureau of the Centre for the Study of Surrealism and its Legacy" is both a repository for the detritus of museum life and a working process, classifying the museum’s un-classifiable whilst exploring the bureaucratic workings of the institution.
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livres
livres
Publication:
avril 2005, London
avril 2005, London
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livres
livres
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$58.00
(disponible en magasin)
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The Ecole cantonale d'art de Lausanne (ECAL) has evolved from a regional school into an internationally renowned institution. This success story owes much to ECAL director Pierre Keller, but there is also a diverse team of instructors and students, whose work--much of which is quite well known--is showcased in this volume. Invaluable for any instructor in the field of(...)
$58.00
(disponible en magasin)
Résumé:
The Ecole cantonale d'art de Lausanne (ECAL) has evolved from a regional school into an internationally renowned institution. This success story owes much to ECAL director Pierre Keller, but there is also a diverse team of instructors and students, whose work--much of which is quite well known--is showcased in this volume. Invaluable for any instructor in the field of(...)
Titre:
ECAL : A success story in art and design
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$58.00
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The Ecole cantonale d'art de Lausanne (ECAL) has evolved from a regional school into an internationally renowned institution. This success story owes much to ECAL director Pierre Keller, but there is also a diverse team of instructors and students, whose work--much of which is quite well known--is showcased in this volume. Invaluable for any instructor in the field of design, the teaching principles that have led to ECAL's rise are documented, along with accounts of its subsequent successes. Today ECAL is at the top of the international game in graphic design, photography and, especially, industrial design. ECAL frequently garners commissions from museums and companies like Christofle, Swarovski, Nestle and Coca-Cola and has been included in numerous exhibitions and publications. In addition to staff and students, key players in the world of design and criticism, such as Paola Antonelli, Stephen Shore, Rolf Fehlbaum, Paolo Roversi, Ronan Bouroullec and Fernando and Humberto Company contribute a professional perspective.
ECAL : A success story in art and design
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$58.00
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Résumé:
The Ecole cantonale d'art de Lausanne (ECAL) has evolved from a regional school into an internationally renowned institution. This success story owes much to ECAL director Pierre Keller, but there is also a diverse team of instructors and students, whose work--much of which is quite well known--is showcased in this volume. Invaluable for any instructor in the field of design, the teaching principles that have led to ECAL's rise are documented, along with accounts of its subsequent successes. Today ECAL is at the top of the international game in graphic design, photography and, especially, industrial design. ECAL frequently garners commissions from museums and companies like Christofle, Swarovski, Nestle and Coca-Cola and has been included in numerous exhibitions and publications. In addition to staff and students, key players in the world of design and criticism, such as Paola Antonelli, Stephen Shore, Rolf Fehlbaum, Paolo Roversi, Ronan Bouroullec and Fernando and Humberto Company contribute a professional perspective.
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livres
livres
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décembre 2007, Laussane Zurich
décembre 2007, Laussane Zurich
Sujet:
Design industriel
Design industriel
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livres
livres
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$11.00
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Institution vieille de plus de cinq siècles, la Bibliothèque nationale de France a vécu ces dernières années une véritable révolution. La décision prise en 1998 par François Mitterrand d'édifier une bibliothèque " ouverte à tous " l'a conduite à élargir ses missions et à ne plus réserver ses collections au seul public de chercheurs. Le site Richelieu, déjà trop à(...)
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Institution vieille de plus de cinq siècles, la Bibliothèque nationale de France a vécu ces dernières années une véritable révolution. La décision prise en 1998 par François Mitterrand d'édifier une bibliothèque " ouverte à tous " l'a conduite à élargir ses missions et à ne plus réserver ses collections au seul public de chercheurs. Le site Richelieu, déjà trop à(...)
Titre:
Bibliothèque nationale de France
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$11.00
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Institution vieille de plus de cinq siècles, la Bibliothèque nationale de France a vécu ces dernières années une véritable révolution. La décision prise en 1998 par François Mitterrand d'édifier une bibliothèque " ouverte à tous " l'a conduite à élargir ses missions et à ne plus réserver ses collections au seul public de chercheurs. Le site Richelieu, déjà trop à l'étroit, ne pouvait plus répondre à cette demande. Il fallait un bâtiment nouveau. Le site de Tolbiac est choisi, ouvrant un énorme chantier qui bouleverse l'Est de Paris. Rarement construction de bibliothèque aura fait couler autant d'encre. Les polémiques sont nombreuses, le coût et l'ampleur des travaux font peur, les tours de verre étonnent. Mais la construction est menée tambour battant et le déménagement de plus de 10 millions de livres s'effectue dans l'ordre le plus parfait. Aujourd'hui, la BNF après avoir réparti ses extraordinaires collections sur deux grands sites, a trouvé un nouvel équilibre.
Bibliothèque nationale de France
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$11.00
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Institution vieille de plus de cinq siècles, la Bibliothèque nationale de France a vécu ces dernières années une véritable révolution. La décision prise en 1998 par François Mitterrand d'édifier une bibliothèque " ouverte à tous " l'a conduite à élargir ses missions et à ne plus réserver ses collections au seul public de chercheurs. Le site Richelieu, déjà trop à l'étroit, ne pouvait plus répondre à cette demande. Il fallait un bâtiment nouveau. Le site de Tolbiac est choisi, ouvrant un énorme chantier qui bouleverse l'Est de Paris. Rarement construction de bibliothèque aura fait couler autant d'encre. Les polémiques sont nombreuses, le coût et l'ampleur des travaux font peur, les tours de verre étonnent. Mais la construction est menée tambour battant et le déménagement de plus de 10 millions de livres s'effectue dans l'ordre le plus parfait. Aujourd'hui, la BNF après avoir réparti ses extraordinaires collections sur deux grands sites, a trouvé un nouvel équilibre.
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livres
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janvier 1900, Paris
janvier 1900, Paris
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petits formats
petits formats
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livres
livres
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$57.95
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Published on the occasion of the exhibition at National Portrait Gallery, Smithsonian Institution, March 27, 2009–August 2, 2009 Foreword by Martin E. Sullivan Although scholars have explored Duchamp's use of aliases, little attention has been paid to how this work played into, and against, existing portrait conventions. Nor has any study yet compared these(...)
$57.95
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Published on the occasion of the exhibition at National Portrait Gallery, Smithsonian Institution, March 27, 2009–August 2, 2009 Foreword by Martin E. Sullivan Although scholars have explored Duchamp's use of aliases, little attention has been paid to how this work played into, and against, existing portrait conventions. Nor has any study yet compared these(...)
Titre:
Inventing Marcel Duchamp: the dynamics of portraiture
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$57.95
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Published on the occasion of the exhibition at National Portrait Gallery, Smithsonian Institution, March 27, 2009–August 2, 2009 Foreword by Martin E. Sullivan Although scholars have explored Duchamp's use of aliases, little attention has been paid to how this work played into, and against, existing portrait conventions. Nor has any study yet compared these explicitly self-constructed projects with the large body of portraits of Duchamp by others. Inventing Marcel Duchamp showcases approximately one hundred never-before-assembled portraits and self-portraits of Duchamp. The (broadly defined) self-portraits and self-representations include the famous autobiographical suitcase Boîte-en-Valise and Self-Portrait in Profile, a torn silhouette that became very influential for future generations of artists. The portraits by other artists include works by Duchamp's contemporaries Man Ray, Alfred Stieglitz, Francis Picabia, Beatrice Wood, and Florine Stettheimer as well as portraits by more recent generations of artists, including Andy Warhol, Jasper Johns, Sturtevant, Yasumasa Morimura, David Hammons, and Douglas Gordon.
Inventing Marcel Duchamp: the dynamics of portraiture
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$57.95
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Published on the occasion of the exhibition at National Portrait Gallery, Smithsonian Institution, March 27, 2009–August 2, 2009 Foreword by Martin E. Sullivan Although scholars have explored Duchamp's use of aliases, little attention has been paid to how this work played into, and against, existing portrait conventions. Nor has any study yet compared these explicitly self-constructed projects with the large body of portraits of Duchamp by others. Inventing Marcel Duchamp showcases approximately one hundred never-before-assembled portraits and self-portraits of Duchamp. The (broadly defined) self-portraits and self-representations include the famous autobiographical suitcase Boîte-en-Valise and Self-Portrait in Profile, a torn silhouette that became very influential for future generations of artists. The portraits by other artists include works by Duchamp's contemporaries Man Ray, Alfred Stieglitz, Francis Picabia, Beatrice Wood, and Florine Stettheimer as well as portraits by more recent generations of artists, including Andy Warhol, Jasper Johns, Sturtevant, Yasumasa Morimura, David Hammons, and Douglas Gordon.
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livres
livres
Publication:
avril 2009
avril 2009
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livres
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$25.00
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In 2003, Columbia University began planning an expansion into neighboring Manhattanville, the site of the soon-to-open campus designed by the Renzo Piano Building Workshop and Skidmore, Owings & Merrill. The story of the project is a complex one—a university bursting at the seams, the changing imperatives of research facilities, large-scale investment in underground(...)
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In 2003, Columbia University began planning an expansion into neighboring Manhattanville, the site of the soon-to-open campus designed by the Renzo Piano Building Workshop and Skidmore, Owings & Merrill. The story of the project is a complex one—a university bursting at the seams, the changing imperatives of research facilities, large-scale investment in underground(...)
Titre:
Columbia in Manhattanville. Renzo Piano. Diller, Scofidio + Renfro.
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In 2003, Columbia University began planning an expansion into neighboring Manhattanville, the site of the soon-to-open campus designed by the Renzo Piano Building Workshop and Skidmore, Owings & Merrill. The story of the project is a complex one—a university bursting at the seams, the changing imperatives of research facilities, large-scale investment in underground infrastructures, a controversial use of eminent domain, the commissioning of celebrated architects, and a remarkable campaign of community engagement all combining to reshape the public face of a venerable institution. Bringing together conversations with the architects and planners designing the Manhattanville campus, the educators who will inhabit its buildings, and essays from urban and architectural historians, this book both documents the making of Manhattanville and engages the contested history of public planning and the private university.Featuring contributions from Amale Andraos, Carol Becker, Elizabeth Diller, Steven Gregory, Maxine Griffith, Tom Jessell, Robert Kasdin, Laura Kurgan, Reinhold Martin, Lois Mazzitelli, Philip Palmgren, Charles Renfro, Marilyn Taylor, and Anthony Vaccione.
Columbia in Manhattanville. Renzo Piano. Diller, Scofidio + Renfro.
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$25.00
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Résumé:
In 2003, Columbia University began planning an expansion into neighboring Manhattanville, the site of the soon-to-open campus designed by the Renzo Piano Building Workshop and Skidmore, Owings & Merrill. The story of the project is a complex one—a university bursting at the seams, the changing imperatives of research facilities, large-scale investment in underground infrastructures, a controversial use of eminent domain, the commissioning of celebrated architects, and a remarkable campaign of community engagement all combining to reshape the public face of a venerable institution. Bringing together conversations with the architects and planners designing the Manhattanville campus, the educators who will inhabit its buildings, and essays from urban and architectural historians, this book both documents the making of Manhattanville and engages the contested history of public planning and the private university.Featuring contributions from Amale Andraos, Carol Becker, Elizabeth Diller, Steven Gregory, Maxine Griffith, Tom Jessell, Robert Kasdin, Laura Kurgan, Reinhold Martin, Lois Mazzitelli, Philip Palmgren, Charles Renfro, Marilyn Taylor, and Anthony Vaccione.
Classification:
livres
livres
Publication:
novembre 2016
novembre 2016
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
