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Berlin artist Susanne Pomrehn collects photographs on specific themes, taking them from personal and public archives and the Internet as well as producing her own. Modifying these images via cropping, rotation and folding, she uses the results to construct delicate photographic paper objects, which in turn become installations, accumulating fresh associations in their(...)
Susanne Pomren: Kollektive formation
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Berlin artist Susanne Pomrehn collects photographs on specific themes, taking them from personal and public archives and the Internet as well as producing her own. Modifying these images via cropping, rotation and folding, she uses the results to construct delicate photographic paper objects, which in turn become installations, accumulating fresh associations in their dimensionality.
vidéo
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2 videocassettes (Mini-DV) (approximately 70 min.) : sound, color ; 1/4 in. master, 2 videodiscs (DVD) (71 min., 38 sec.) : digital ; 12 cm consultation copy, 1 streaming...
Curator's talk : the UbuWeb Archive : Thursday night feature = Causerie avec le commissaire : le dépôt d'archives UbuWeb : soirée du jeudi, 2010 January.
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2 videocassettes (Mini-DV) (approximately 70 min.) : sound, color ; 1/4 in. master, 2 videodiscs (DVD) (71 min., 38 sec.) : digital ; 12 cm consultation copy, 1 streaming...
vidéo
livres
Description:
48 unnumbered leaves : chiefly illustrations ; 32 cm
Neusattl bei Elbogen, Tschechoslovakei (Böhmen) : Aktien-Gesellschaft für Glasindustrie vorm. Friedr. Siemens, [approximately 1933]
Siemens : Glas = glass = verre = vetro = vidrio.
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48 unnumbered leaves : chiefly illustrations ; 32 cm
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Neusattl bei Elbogen, Tschechoslovakei (Böhmen) : Aktien-Gesellschaft für Glasindustrie vorm. Friedr. Siemens, [approximately 1933]
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The 3rd International Biennial film+arc.graz, held in 1997 in Graz, Austria, presented 29 film and video works as well as 21 CD-Rom and internet projects. This book presents an overview of the festival which focuses on the artistic and theoretical consideration of architecture, urbanity, and society using visual media as the plane of reflection.
avril 1998, Graz
Film + arc.graz : 3rd international biennial
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The 3rd International Biennial film+arc.graz, held in 1997 in Graz, Austria, presented 29 film and video works as well as 21 CD-Rom and internet projects. This book presents an overview of the festival which focuses on the artistic and theoretical consideration of architecture, urbanity, and society using visual media as the plane of reflection.
livres
avril 1998, Graz
livres
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142 pages, 88 pages of plates in various pagings : illustrations, portraits, plans ; 26 cm
Washington, District of Columbia : Dumbarton Oaks Trustees for Harvard University, 1982., ©1982
Beatrix Jones Farrand (1872-1959) : fifty years of American landscape architecture.
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142 pages, 88 pages of plates in various pagings : illustrations, portraits, plans ; 26 cm
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Washington, District of Columbia : Dumbarton Oaks Trustees for Harvard University, 1982., ©1982
livres
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284 pages : illustrations, maps ; 26 cm.
Washington, D.C. : Dumbarton Oaks Research Library and Collection, [2000], ©2000
Environmentalism in landscape architecture / edited by Michel Conan.
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284 pages : illustrations, maps ; 26 cm.
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Washington, D.C. : Dumbarton Oaks Research Library and Collection, [2000], ©2000
$48.00
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Online privacy is under constant attack by social media and big data technologies. But we cannot rely on individual actions to remedy this—it is a matter of social justice. Alice E. Marwick offers a new way of understanding how privacy is jeopardized, particularly for marginalized and disadvantaged communities—including immigrants, the poor, people of color, LGBTQ+(...)
The private is political: networked privacy and social media
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Online privacy is under constant attack by social media and big data technologies. But we cannot rely on individual actions to remedy this—it is a matter of social justice. Alice E. Marwick offers a new way of understanding how privacy is jeopardized, particularly for marginalized and disadvantaged communities—including immigrants, the poor, people of color, LGBTQ+ populations, and victims of online harassment. Marwick shows that few resources or regulations for preventing personal information from spreading on the internet. Through a new theory of ''networked privacy,'' she reveals how current legal and technological frameworks are woefully inadequate in addressing issues of privacy—often by design. Drawing from interviews and focus groups encompassing a diverse group of Americans, Marwick shows that even heavy social media users care deeply about privacy and engage in extensive ''privacy work'' to protect it. But people are up against the violation machine of the modern internet. Safeguarding privacy must happen at the collective level.
Social
World brain
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In a series of talks and essays in 1937, H. G. Wells proselytized for what he called a "World Brain," as manifested in a World Encyclopedia--a repository of scientifically established knowledge--that would spread enlightenment around the world and lead to world peace. Wells, known to readers today as the author of "The War of the Worlds" and other science fiction(...)
World brain
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In a series of talks and essays in 1937, H. G. Wells proselytized for what he called a "World Brain," as manifested in a World Encyclopedia--a repository of scientifically established knowledge--that would spread enlightenment around the world and lead to world peace. Wells, known to readers today as the author of "The War of the Worlds" and other science fiction classics, was imagining something like a predigital Wikipedia. The World Encyclopedia would provide a summary of verified reality (in about forty volumes); it would be widely available, free of copyright, and utilize the latest technology. Of course, as Bruce Sterling points out in the foreword to this edition of Wells's work, the World Brain didn't happen; the internet did. And yet, Wells anticipated aspects of the internet, envisioning the World Brain as a technical system of networked knowledge (in Sterling's words, a "hypothetical super-gadget"). Wells's optimism about the power of information might strike readers today as naïvely utopian, but possibly also inspirational.
Wild club
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Des tours place de l’opéra Bastille, des intrus installés sur l’avenue de France, un autre paysage pour l'île Seguin ou encore le périphérique envahi par une végétation luxuriante ... cet ouvrage rassemble l’ensemble des folles projections urbaines imaginées par les membres du Wild Club* qui depuis plus de deux ans revisitent, transforment, caricaturent ou détournent sur(...)
Wild club
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Des tours place de l’opéra Bastille, des intrus installés sur l’avenue de France, un autre paysage pour l'île Seguin ou encore le périphérique envahi par une végétation luxuriante ... cet ouvrage rassemble l’ensemble des folles projections urbaines imaginées par les membres du Wild Club* qui depuis plus de deux ans revisitent, transforment, caricaturent ou détournent sur internet des lieux emblématiques de la métropole parisienne.
Architecture contemporaine
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The history of computing could be told as the story of hardware and software, or the story of the Internet, or the story of "smart" hand-held devices, with subplots involving IBM, Microsoft, Apple, Facebook, and Twitter. In this concise and accessible account of the invention and development of digital technology, computer historian Paul Ceruzzi offers a broader and more(...)
juin 2012
Computing : a concise history
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The history of computing could be told as the story of hardware and software, or the story of the Internet, or the story of "smart" hand-held devices, with subplots involving IBM, Microsoft, Apple, Facebook, and Twitter. In this concise and accessible account of the invention and development of digital technology, computer historian Paul Ceruzzi offers a broader and more useful perspective.