Unidentified flying object for contemporary architecture: ufo's experiments between political
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The contemporary context is defined by a unique conjuncture. On one hand, we witness the revival of the radical architecture that from the avant-garde experiments of the origins recovers creative processes and iconographic fragments while nullifying the original ideological and political values. On the other hand, we see social protests in defense of fundamental rights(...)
Théorie de l’architecture
mai 2022
Unidentified flying object for contemporary architecture: ufo's experiments between political
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$60.00
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The contemporary context is defined by a unique conjuncture. On one hand, we witness the revival of the radical architecture that from the avant-garde experiments of the origins recovers creative processes and iconographic fragments while nullifying the original ideological and political values. On the other hand, we see social protests in defense of fundamental rights of democracy, as in 1968. Architecture is now reinvestigating those ephemeral experiments that have endured half a century as new "stone monuments" capable of indicating new perspectives for both research and design. Placing UFO group at the core of the contemporary debate means investigating their formal and seductive aspects, but also the ideological, political and social values with which objects, installations and happenings have been innervated, transforming them into devices of an architecture nourished by literature, art and political commitment for the foundation of an eloquent and activist project even more radical than the well-known Superstudio and Archizoom. The collaboration between Beatrice Lampariello and False Mirror Office lead to a monograph focused on the UFO’s work and an evaluation of their legacy relative to contemporary architecture.
Théorie de l’architecture
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In three decades of visits to China, photographer Lois Conner has witnessed firsthand the monumental physical transformation of the country. Nowhere is this change more dramatic than in the capital city of Beijing, the subject of Conner's new book Beijing: Contemporary and Imperial. Conner's black-and-white panoramas reveal an ancient city in thrall to change, where the(...)
mars 2014
Beijing: contemporary and imperial
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In three decades of visits to China, photographer Lois Conner has witnessed firsthand the monumental physical transformation of the country. Nowhere is this change more dramatic than in the capital city of Beijing, the subject of Conner's new book Beijing: Contemporary and Imperial. Conner's black-and-white panoramas reveal an ancient city in thrall to change, where the lingering splendor of a dynastic past is cast into shadow by rising concrete and steel.
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A newly released reprint of Ferriss's Power in Buildings, originally published in 1953. Text and drawings by Ferriss.
Power in buildings : an artist's view of contemporary architecture
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A newly released reprint of Ferriss's Power in Buildings, originally published in 1953. Text and drawings by Ferriss.
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février 1998, Santa Monica
Architecture, monographies
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Today, landscape architecture often stands at the centre of attention – perhaps more frequently than is desirable for its own sake? Designing with “nature”, whether in urban spaces or in company grounds, at horticultural shows or in “temporary gardens” generates an attractive and immediate emotional impact. It is not just architects and artists who incorporate landscape(...)
Event landscape? : contemporary German landscape architecture
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Today, landscape architecture often stands at the centre of attention – perhaps more frequently than is desirable for its own sake? Designing with “nature”, whether in urban spaces or in company grounds, at horticultural shows or in “temporary gardens” generates an attractive and immediate emotional impact. It is not just architects and artists who incorporate landscape features in their designs today, but also local authorities and well-known companies wishing to promote an image of ecological responsibility combined with innovative design. The result is a kind of landscape-based event culture with popular appeal. “Event Landscape?” describes the current state of this wide-sweeping development. A wide array of recent landscape designs with detailed information are presented, revealing how landscape architecture can play a part in solving major issues of public space: the sustainable renewal of towns, the transformation of farmland into new cultural landscapes, the role of historic gardens and parks.
Jardins
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111 pages : illustrations (chiefly color), facsimiles, plans ; 20 cm
[United Kingdom] : MACK, 2024.
Minnette de Silva : intersections / Anooradha Iyer Siddiqi.
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111 pages : illustrations (chiefly color), facsimiles, plans ; 20 cm
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[United Kingdom] : MACK, 2024.
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64 pages : illustrations (some color) ; 30 cm
Munich ; New York : Prestel, [1999], ©1999
Daniel Libeskind : Jewish Museum Berlin : between the lines / preface by Daniel Libeskind ; text by Bernhard Schneider ; photographs by Stefan Müller ; [translated from the German by John William Gabriel].
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64 pages : illustrations (some color) ; 30 cm
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Munich ; New York : Prestel, [1999], ©1999
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399 pages : illustrations (chiefly color), plans ; 32 cm
New York : The Monacelli Press, [2014], ©2014
Designs for living : houses by Robert A.M. Stern Architects / Roger H. Seifter, Randy M. Correll, Grant F. Marani, Gary L. Brewer ; foreword by Robert A.M. Stern ; interview by Paul Goldberger ; edited by Peter Morris Dixon and Jonathan Grzywacz ; written with Marc Kristal.
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399 pages : illustrations (chiefly color), plans ; 32 cm
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New York : The Monacelli Press, [2014], ©2014
Contemporary art in Québec
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Contemporary art in Québec, a guide to the collection at the Musée national des beaux-arts de Québec.
Contemporary art in Québec
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Contemporary art in Québec, a guide to the collection at the Musée national des beaux-arts de Québec.
Architecture du Québec
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160 pages : illustrations (some color), map ; 28 cm
New York : Rizzoli : Distributed by St. Martin's Press, 1997.
Michele Saee : buildings + projects / introduction by Thom Mayne ; essays by Aris Janigian, Frédéric Migayrou, and Michele Saee.
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160 pages : illustrations (some color), map ; 28 cm
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New York : Rizzoli : Distributed by St. Martin's Press, 1997.
Reality machines : mirroring the real in contemporary Dutch architecture, photography and design
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"Reality machines" features work by young contemporary Dutch architects, industrial designers, fashion designers, graphic designers and photographers. This book examines the stance adopted by Dutch designers in the 1990s and today. Militating against the 'makability' of a fully designed landscape, they deliberately seek to distort and alineate reality. Five themed groups(...)
janvier 2003, Rotterdam
Reality machines : mirroring the real in contemporary Dutch architecture, photography and design
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"Reality machines" features work by young contemporary Dutch architects, industrial designers, fashion designers, graphic designers and photographers. This book examines the stance adopted by Dutch designers in the 1990s and today. Militating against the 'makability' of a fully designed landscape, they deliberately seek to distort and alineate reality. Five themed groups - PhotoShop reality; come back effect; back to basics; no original; and are you serious? - pull the various disciplines into confrontation. An introductory article by Pauline Terreehorst charts the state of play within those disciplines; this in response to the question of how the Dutch design world will shape up in a future marked by changed economic and political circumstances. Largely given over to illustrations, the book includes work by architects (West 8, MVRDV, NL Architects, One Architecture), industrial designers (Hella Jongerius, Arnout Visser, Jurgen Bey, Marcel Wanders, Richard Hutten), fashion designers (Alexander van Slobbe, Saskia van Drimmelen, Pascale Gatzen, Aziz Bekkaoui, Niels Klavers), graphic designers (Jop van Bennekom, Daniël van der Velden & Maureen Mooren, Thonik) and photographers (Anuschka Blommers & Niels Schumm, Vivianne Sassen). Exhibition in the Netherlands Architecture Institute until April 21, 2003. Graphic design by Jop van Nennekom.