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livres
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Biblical in origin, the Sukkah is a fascinating 1,500-year-old Jewish ritual of construction and habitation. Erected for only one week in the fall, its premise is paradoxical, as it encompasses issues of both diaspora and belonging. The construction guidelines are as follows: a Sukkah must have at least two-and-a-half walls and a thatched roof through which the stars are(...)
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Biblical in origin, the Sukkah is a fascinating 1,500-year-old Jewish ritual of construction and habitation. Erected for only one week in the fall, its premise is paradoxical, as it encompasses issues of both diaspora and belonging. The construction guidelines are as follows: a Sukkah must have at least two-and-a-half walls and a thatched roof through which the stars are(...)
Publication:
mars 2011
mars 2011
Titre:
Home is anywhere: Jewish culture and the architecture of the Sukkah
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Biblical in origin, the Sukkah is a fascinating 1,500-year-old Jewish ritual of construction and habitation. Erected for only one week in the fall, its premise is paradoxical, as it encompasses issues of both diaspora and belonging. The construction guidelines are as follows: a Sukkah must have at least two-and-a-half walls and a thatched roof through which the stars are visible. Here, Mimi Levy Lipis' photographs record examples of contemporary Sukkah architecture from Europe, Israel and the U.S. These include a Sukkah on a truck parked in front of a restaurant in Manhattan; Sukkot on lonely parking lots in London; a Sukkah built for eternity in Berlin; criss-cross stacked booths in Jerusalem; and Sukkot made of the same fabric in London and Tel Aviv.
Home is anywhere: Jewish culture and the architecture of the Sukkah
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Biblical in origin, the Sukkah is a fascinating 1,500-year-old Jewish ritual of construction and habitation. Erected for only one week in the fall, its premise is paradoxical, as it encompasses issues of both diaspora and belonging. The construction guidelines are as follows: a Sukkah must have at least two-and-a-half walls and a thatched roof through which the stars are visible. Here, Mimi Levy Lipis' photographs record examples of contemporary Sukkah architecture from Europe, Israel and the U.S. These include a Sukkah on a truck parked in front of a restaurant in Manhattan; Sukkot on lonely parking lots in London; a Sukkah built for eternity in Berlin; criss-cross stacked booths in Jerusalem; and Sukkot made of the same fabric in London and Tel Aviv.
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livres
livres
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mars 2011
mars 2011
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xxxii, 252 pages : illustrations (some color) ; 26 cm
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xxxii, 252 pages : illustrations (some color) ; 26 cm
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Cambridge ; New York, NY, USA : Cambridge University Press, 2002., ©1992
Cambridge ; New York, NY, USA : Cambridge University Press, 2002., ©1992
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Mughal and Rajput painting / Milo Cleveland Beach.
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xxxii, 252 pages : illustrations (some color) ; 26 cm
Mughal and Rajput painting / Milo Cleveland Beach.
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xxxii, 252 pages : illustrations (some color) ; 26 cm
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Cambridge ; New York, NY, USA : Cambridge University Press, 2002., ©1992
Cambridge ; New York, NY, USA : Cambridge University Press, 2002., ©1992
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119 pages : illustrations (some color) ; 21 cm + 1 poster
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119 pages : illustrations (some color) ; 21 cm + 1 poster
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Vancouver : Contemporary Art Gallery/Arsenal Pulp Press, 2002., ©2002
Vancouver : Contemporary Art Gallery/Arsenal Pulp Press, 2002., ©2002
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Stan Douglas : every building on 100 West Hastings / edited by Reid Shier.
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119 pages : illustrations (some color) ; 21 cm + 1 poster
Stan Douglas : every building on 100 West Hastings / edited by Reid Shier.
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119 pages : illustrations (some color) ; 21 cm + 1 poster
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Vancouver : Contemporary Art Gallery/Arsenal Pulp Press, 2002., ©2002
Vancouver : Contemporary Art Gallery/Arsenal Pulp Press, 2002., ©2002
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$63.00
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This book is a comprehensive investigation into photographic works by artists from the African continent and its diaspora. Taking the politics of the “colonial gaze” as its starting point, Events of the Social looks at the diverse complexity of the nineteenth-century archive through a selection of vintage portraits, cartes de visite, postcards and album pages. Three(...)
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This book is a comprehensive investigation into photographic works by artists from the African continent and its diaspora. Taking the politics of the “colonial gaze” as its starting point, Events of the Social looks at the diverse complexity of the nineteenth-century archive through a selection of vintage portraits, cartes de visite, postcards and album pages. Three(...)
Titre:
Events of the social: portraiture and collective agency
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This book is a comprehensive investigation into photographic works by artists from the African continent and its diaspora. Taking the politics of the “colonial gaze” as its starting point, Events of the Social looks at the diverse complexity of the nineteenth-century archive through a selection of vintage portraits, cartes de visite, postcards and album pages. Three generations of African artists from the 1940s till now then chart the changing features of African societies through portraiture, exploring notions of the self, gender, sexuality, race, social status and politics. The book also examines landscape and the built environment, showing how architecture and spatial planning convey social order and ideology while reflecting experiences of migration, colonialism, war and industrialization. Another group of artists, born after the mid-1970s, explores issues of social identity, lineage, questions of belonging and personal experiences.
Events of the social: portraiture and collective agency
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This book is a comprehensive investigation into photographic works by artists from the African continent and its diaspora. Taking the politics of the “colonial gaze” as its starting point, Events of the Social looks at the diverse complexity of the nineteenth-century archive through a selection of vintage portraits, cartes de visite, postcards and album pages. Three generations of African artists from the 1940s till now then chart the changing features of African societies through portraiture, exploring notions of the self, gender, sexuality, race, social status and politics. The book also examines landscape and the built environment, showing how architecture and spatial planning convey social order and ideology while reflecting experiences of migration, colonialism, war and industrialization. Another group of artists, born after the mid-1970s, explores issues of social identity, lineage, questions of belonging and personal experiences.
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livres
livres
Publication:
février 2023
février 2023
Sujet:
Photographie- collections
Photographie- collections
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livres
livres
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"The Eyes of the Skin" has become a classic of architectural theory and consists of two extended essays. The first surveys the historical development of the ocular-centric paradigm in western culture since the Greeks and its impact on the experience of the world and the nature of architecture. The second examines the role of the other senses in authentic architectural(...)
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"The Eyes of the Skin" has become a classic of architectural theory and consists of two extended essays. The first surveys the historical development of the ocular-centric paradigm in western culture since the Greeks and its impact on the experience of the world and the nature of architecture. The second examines the role of the other senses in authentic architectural(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
avril 2005, Chichester, England
avril 2005, Chichester, England
Titre:
The eyes of the skin : architecture and the senses
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"The Eyes of the Skin" has become a classic of architectural theory and consists of two extended essays. The first surveys the historical development of the ocular-centric paradigm in western culture since the Greeks and its impact on the experience of the world and the nature of architecture. The second examines the role of the other senses in authentic architectural experiences, and points the way towards a multi-sensory architecture which facilitates a sense of belonging and integration. Since the book's first publication, interest in the role of the body and the senses has been emerging in both architectural philosophy and teaching. This new, revised and extended edition of this seminal work will not only inspire architects and students to design more holistic architecture, but will enrich the general reader's perception of the world around them. Preface by Steven Holl.
The eyes of the skin : architecture and the senses
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"The Eyes of the Skin" has become a classic of architectural theory and consists of two extended essays. The first surveys the historical development of the ocular-centric paradigm in western culture since the Greeks and its impact on the experience of the world and the nature of architecture. The second examines the role of the other senses in authentic architectural experiences, and points the way towards a multi-sensory architecture which facilitates a sense of belonging and integration. Since the book's first publication, interest in the role of the body and the senses has been emerging in both architectural philosophy and teaching. This new, revised and extended edition of this seminal work will not only inspire architects and students to design more holistic architecture, but will enrich the general reader's perception of the world around them. Preface by Steven Holl.
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livres
livres
Publication:
avril 2005, Chichester, England
avril 2005, Chichester, England
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$35.95
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The logistics of agricultural society resulted in global warming and hardwired dangerous ideas about life-forms into the human mind. Dark ecology puts us in an uncanny position of radical self-knowledge, illuminating our place in the biosphere and our belonging to a species in a sense that is far less obvious than we like to think. Morton explores the logical foundations(...)
$35.95
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The logistics of agricultural society resulted in global warming and hardwired dangerous ideas about life-forms into the human mind. Dark ecology puts us in an uncanny position of radical self-knowledge, illuminating our place in the biosphere and our belonging to a species in a sense that is far less obvious than we like to think. Morton explores the logical foundations(...)
Titre:
Dark ecology : for a logic of future coexistence
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The logistics of agricultural society resulted in global warming and hardwired dangerous ideas about life-forms into the human mind. Dark ecology puts us in an uncanny position of radical self-knowledge, illuminating our place in the biosphere and our belonging to a species in a sense that is far less obvious than we like to think. Morton explores the logical foundations of the ecological crisis, which is suffused with the melancholy and negativity of coexistence yet evolving, as we explore its loop form, into something playful, anarchic, and comedic. His work is a skilled fusion of humanities and scientific scholarship, incorporating the theories and findings of philosophy, anthropology, literature, ecology, biology, and physics. Morton hopes to reestablish our ties to nonhuman beings and to help us rediscover the playfulness and joy that can brighten the dark, strange loop we traverse.
Dark ecology : for a logic of future coexistence
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The logistics of agricultural society resulted in global warming and hardwired dangerous ideas about life-forms into the human mind. Dark ecology puts us in an uncanny position of radical self-knowledge, illuminating our place in the biosphere and our belonging to a species in a sense that is far less obvious than we like to think. Morton explores the logical foundations of the ecological crisis, which is suffused with the melancholy and negativity of coexistence yet evolving, as we explore its loop form, into something playful, anarchic, and comedic. His work is a skilled fusion of humanities and scientific scholarship, incorporating the theories and findings of philosophy, anthropology, literature, ecology, biology, and physics. Morton hopes to reestablish our ties to nonhuman beings and to help us rediscover the playfulness and joy that can brighten the dark, strange loop we traverse.
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livres
livres
Publication:
avril 2016
avril 2016
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viii, 224 pages : illustrations ; (some color) ; 26 cm
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viii, 224 pages : illustrations ; (some color) ; 26 cm
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Wellington : Millwood Press, 1977.
Wellington : Millwood Press, 1977.
Titre:
Early Wellington churches / Charles Fearnley ; edited by Julie Bremner.
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Description:
viii, 224 pages : illustrations ; (some color) ; 26 cm
Early Wellington churches / Charles Fearnley ; edited by Julie Bremner.
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viii, 224 pages : illustrations ; (some color) ; 26 cm
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livres
Publication:
Wellington : Millwood Press, 1977.
Wellington : Millwood Press, 1977.
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$84.00
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This groundbreaking project summarizes how contemporary Indigenous photographers have taken over the conversation about how their cultures and lives are depicted through their dynamic embrace of three interwoven themes: Survivance, Nation and Indigenous Visuality. These photographers enact a key shift away from privileging settler-colonialism, foregrounding instead an(...)
$84.00
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This groundbreaking project summarizes how contemporary Indigenous photographers have taken over the conversation about how their cultures and lives are depicted through their dynamic embrace of three interwoven themes: Survivance, Nation and Indigenous Visuality. These photographers enact a key shift away from privileging settler-colonialism, foregrounding instead an(...)
Titre:
Speaking with light: contemporary indigenous photography
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$84.00
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This groundbreaking project summarizes how contemporary Indigenous photographers have taken over the conversation about how their cultures and lives are depicted through their dynamic embrace of three interwoven themes: Survivance, Nation and Indigenous Visuality. These photographers enact a key shift away from privileging settler-colonialism, foregrounding instead an Indigenous sense of community and visuality. ''Speaking with Light'' reveals and examines these Indigenous artists’ explorations of themes such as identity, the contribution of customary practice to contemporary life, belonging and the assistance that Indigenous worldviews can provide to building healthier relationships with each other and the earth. The book comprises four sections bridged by transitions and ending with a globalization of the discussion. Texts by key Indigenous scholars are followed by a series of plates illustrating many of the exhibition works. ''Speaking with Light'' is a summary statement about the preoccupations and dynamism of Indigenous photography today.
Speaking with light: contemporary indigenous photography
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$84.00
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This groundbreaking project summarizes how contemporary Indigenous photographers have taken over the conversation about how their cultures and lives are depicted through their dynamic embrace of three interwoven themes: Survivance, Nation and Indigenous Visuality. These photographers enact a key shift away from privileging settler-colonialism, foregrounding instead an Indigenous sense of community and visuality. ''Speaking with Light'' reveals and examines these Indigenous artists’ explorations of themes such as identity, the contribution of customary practice to contemporary life, belonging and the assistance that Indigenous worldviews can provide to building healthier relationships with each other and the earth. The book comprises four sections bridged by transitions and ending with a globalization of the discussion. Texts by key Indigenous scholars are followed by a series of plates illustrating many of the exhibition works. ''Speaking with Light'' is a summary statement about the preoccupations and dynamism of Indigenous photography today.
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livres
livres
Publication:
novembre 2023
novembre 2023
Sujet:
Photographie- collections
Photographie- collections
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livres
livres
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$16.00
(disponible en magasin)
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Aglaia Konrad’s work often takes the form of a book, each conceived as an edited archive of the ways in which she uses photography to investigate urban landscapes. Two of her book projects were part of "The lives of documents—Photography as project", the project curated by Stefano Graziani and Bas Princen, and it was while putting this exhibition together that Konrad(...)
$16.00
(disponible en magasin)
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Aglaia Konrad’s work often takes the form of a book, each conceived as an edited archive of the ways in which she uses photography to investigate urban landscapes. Two of her book projects were part of "The lives of documents—Photography as project", the project curated by Stefano Graziani and Bas Princen, and it was while putting this exhibition together that Konrad(...)
Titre:
Alina, Barbara, Halina, Helena, Zofia
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Aglaia Konrad’s work often takes the form of a book, each conceived as an edited archive of the ways in which she uses photography to investigate urban landscapes. Two of her book projects were part of "The lives of documents—Photography as project", the project curated by Stefano Graziani and Bas Princen, and it was while putting this exhibition together that Konrad shared her enthusiasm after researching the work of five women that conceived several residential neighbourhoods in Warsaw after the Second World War and redefined the city as a green haven. If the two book projects she presented in our exhibition—Atlas (2000) and Copy Cities (2003–2004)—brought together multiple fragments of her extensive and systematic documentary work on cities, her survey of the work of Alina Scholtz, Barbara Brukalska, Halina Skibniewska, Helena Syrkus, and Zofia Hansen leads now to a travel diary that reflects on the role of architecture and landscape architecture in defining places of bonding and belonging.
Alina, Barbara, Halina, Helena, Zofia
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$16.00
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Résumé:
Aglaia Konrad’s work often takes the form of a book, each conceived as an edited archive of the ways in which she uses photography to investigate urban landscapes. Two of her book projects were part of "The lives of documents—Photography as project", the project curated by Stefano Graziani and Bas Princen, and it was while putting this exhibition together that Konrad shared her enthusiasm after researching the work of five women that conceived several residential neighbourhoods in Warsaw after the Second World War and redefined the city as a green haven. If the two book projects she presented in our exhibition—Atlas (2000) and Copy Cities (2003–2004)—brought together multiple fragments of her extensive and systematic documentary work on cities, her survey of the work of Alina Scholtz, Barbara Brukalska, Halina Skibniewska, Helena Syrkus, and Zofia Hansen leads now to a travel diary that reflects on the role of architecture and landscape architecture in defining places of bonding and belonging.
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livres
livres
Publication:
novembre 2024
novembre 2024
Sujet:
Publications du CCA
Publications du CCA
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livres
livres
Titre:
Report (not announcement)
Report (not announcement)
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$18.00
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"The local price of a cheeseburger, medium Coke and French fries is the quickest way to estimate the cost of living in each country," writes artist Francis Alys in Report (Not Announcement). "There's always everything has been done and nothing has been tried at the same time," writes Karl Holmqvist. Both observations are part of this intriguing book by artists, curators,(...)
$18.00
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Résumé:
"The local price of a cheeseburger, medium Coke and French fries is the quickest way to estimate the cost of living in each country," writes artist Francis Alys in Report (Not Announcement). "There's always everything has been done and nothing has been tried at the same time," writes Karl Holmqvist. Both observations are part of this intriguing book by artists, curators,(...)
Titre:
Report (not announcement)
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$18.00
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"The local price of a cheeseburger, medium Coke and French fries is the quickest way to estimate the cost of living in each country," writes artist Francis Alys in Report (Not Announcement). "There's always everything has been done and nothing has been tried at the same time," writes Karl Holmqvist. Both observations are part of this intriguing book by artists, curators, and critics reflecting on traveling in many ways: their own ontological states of leaving and arriving from the zone of transition, non-belonging, and suspension, exploring what international cultural practitioners lose and gain in their constant travels. A project by BAK (basis voor actuele kunst) in collaboration with e-flux (electronic flux corporation). With contributions by Francis Alys, Tobias Berger, Mariana Castillo Deball & Daniela Franco, Jeremiah Day, Liam Gillick, Marina Grzinic, Mika Hannula, Hou Hanru, Thomas Hirschhorn, Jens Hoffmann, Karl Holmqvist, Hans Ulrich Obrist & Philippe Parreno, Raqs Media Collective, Martha Rosler, Kuang-Yu Tsui, Haegue Yang, and many others. **EPUISÉ / OUT OF PRINT**
Report (not announcement)
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$18.00
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Résumé:
"The local price of a cheeseburger, medium Coke and French fries is the quickest way to estimate the cost of living in each country," writes artist Francis Alys in Report (Not Announcement). "There's always everything has been done and nothing has been tried at the same time," writes Karl Holmqvist. Both observations are part of this intriguing book by artists, curators, and critics reflecting on traveling in many ways: their own ontological states of leaving and arriving from the zone of transition, non-belonging, and suspension, exploring what international cultural practitioners lose and gain in their constant travels. A project by BAK (basis voor actuele kunst) in collaboration with e-flux (electronic flux corporation). With contributions by Francis Alys, Tobias Berger, Mariana Castillo Deball & Daniela Franco, Jeremiah Day, Liam Gillick, Marina Grzinic, Mika Hannula, Hou Hanru, Thomas Hirschhorn, Jens Hoffmann, Karl Holmqvist, Hans Ulrich Obrist & Philippe Parreno, Raqs Media Collective, Martha Rosler, Kuang-Yu Tsui, Haegue Yang, and many others. **EPUISÉ / OUT OF PRINT**
Classification:
livres
livres
Publication:
juin 2007, Frankfurt
juin 2007, Frankfurt
