Projet
AP164.S1.2003.D12
Description:
The project series documents the commission for the new Gallery Building in Miami, Florida, United States. The museum would include the Rosa de la Cruz and Craig Robins’ art collections. The building was designed to include temporary and permanent exhibitions’ showrooms, offices, architectural promenade, esplanade, interior patio with a garden, etc. The gallery was never built. The firm identified this project as number 175. Documenting the project are conceptual, design development and presentation drawings, correspondence, invoices, notes, agreements, proposals, and reference and graphic materials.
2003-2006
The Collection building, Miami, United States (2003)
Actions:
AP164.S1.2003.D12
Description:
The project series documents the commission for the new Gallery Building in Miami, Florida, United States. The museum would include the Rosa de la Cruz and Craig Robins’ art collections. The building was designed to include temporary and permanent exhibitions’ showrooms, offices, architectural promenade, esplanade, interior patio with a garden, etc. The gallery was never built. The firm identified this project as number 175. Documenting the project are conceptual, design development and presentation drawings, correspondence, invoices, notes, agreements, proposals, and reference and graphic materials.
Project
2003-2006
Série(s)
AP144.S1
Description:
This series documents Cedric Price's student work and includes material from his studies at the University of Cambridge School of Architecture (now known as the Department of Architecture), at St. John's College in Cambridge, England, as well as the Architectural Association School of Architecture in London, including his thesis project for Oldham Town Centre in Oldham, Greater Manchester, England, United Kingdom. Price's professional memberships and lectures from this time are also documented, as well as RIBA examinations. The series also includes other material produced approximately during Price's student years, including artwork and textual materials. Materials in this series was produced between 1949 and 1960, but predominantly between 1953 and 1957. The series contains design development drawings, reference drawings, other drawings, presentation panels, photographic materials, posters, and textual records for various school projects. Price's time at the University of Cambridge is documented through notes, drawinexerciseses and some projects. Materials from the AA School of Architecture are mostly for projects, including an ice rink, the British Transport Commission offices, exhibition halls and restaurants, a wholesale gown showroom and offices, the Eel and Elephant pub and restaurant, and a design for the Auschwitz Memorial competition, entered jointly with Richard Padovan. Other materials show work-for-hire done by Price, such aillustrations,s; designs for letterheads, advertisements and brochures, and architectural sketches. Material relating to the AA School of Architecture's annual student exhibition in 1956, of which Price was director, are also included.
1949-1960, predominant 1953-1957
Student Work
Actions:
AP144.S1
Description:
This series documents Cedric Price's student work and includes material from his studies at the University of Cambridge School of Architecture (now known as the Department of Architecture), at St. John's College in Cambridge, England, as well as the Architectural Association School of Architecture in London, including his thesis project for Oldham Town Centre in Oldham, Greater Manchester, England, United Kingdom. Price's professional memberships and lectures from this time are also documented, as well as RIBA examinations. The series also includes other material produced approximately during Price's student years, including artwork and textual materials. Materials in this series was produced between 1949 and 1960, but predominantly between 1953 and 1957. The series contains design development drawings, reference drawings, other drawings, presentation panels, photographic materials, posters, and textual records for various school projects. Price's time at the University of Cambridge is documented through notes, drawinexerciseses and some projects. Materials from the AA School of Architecture are mostly for projects, including an ice rink, the British Transport Commission offices, exhibition halls and restaurants, a wholesale gown showroom and offices, the Eel and Elephant pub and restaurant, and a design for the Auschwitz Memorial competition, entered jointly with Richard Padovan. Other materials show work-for-hire done by Price, such aillustrations,s; designs for letterheads, advertisements and brochures, and architectural sketches. Material relating to the AA School of Architecture's annual student exhibition in 1956, of which Price was director, are also included.
Series
1949-1960, predominant 1953-1957
archives
Niveau de description archivistique:
Fonds
AP194
Résumé:
The Johan Bettum OCEAN North projects records, 1995-2000, consist of born-digital files and a physical drawing that document three projects by the OCEAN North collective: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (competition, 1997), and Tölöö Football Stadium (competition, 1997). The archive also includes a small amount of additional born-digital reference materials on 11 projects from the collective, including the three projects mentioned above.
1995-2000
Documents d’archives de Johan Bettum pour les projets de OCEAN North
Actions:
AP194
Résumé:
The Johan Bettum OCEAN North projects records, 1995-2000, consist of born-digital files and a physical drawing that document three projects by the OCEAN North collective: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (competition, 1997), and Tölöö Football Stadium (competition, 1997). The archive also includes a small amount of additional born-digital reference materials on 11 projects from the collective, including the three projects mentioned above.
archives
Niveau de description archivistique:
Fonds
1995-2000
DR2019:0018
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
between 1983 and 1995
Photograph of model for Folly Four: Pascal's Sphere
Actions:
DR2019:0018
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
between 1983 and 1995
DR2019:0019
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
between 1983 and 1995
Photograph of model for Folly Three: The Rigorous Abolition of History
Actions:
DR2019:0019
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
between 1983 and 1995
DR2019:0020
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
between 1983 and 1995?
Photograph of model for Folly Two: Six Hundred Leagues of Stone
Actions:
DR2019:0020
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
between 1983 and 1995?
D’abord, les forêts
*D’abord, les forêts* s’intéresse aux relations encore inexplorées qu’entretient la foresterie avec l’urbanisme et le design. Envisageant la foresterie en tant qu’activité créant des environnements extrêmement construits, à une échelle, une précision et une ambition sans précédent, l’exposition permet de mieux comprendre les liens qui existent entre ressources naturelles,(...)
Salle octogonale
4 octobre 2012 au 6 janvier 2013
D’abord, les forêts
Actions:
Description:
*D’abord, les forêts* s’intéresse aux relations encore inexplorées qu’entretient la foresterie avec l’urbanisme et le design. Envisageant la foresterie en tant qu’activité créant des environnements extrêmement construits, à une échelle, une précision et une ambition sans précédent, l’exposition permet de mieux comprendre les liens qui existent entre ressources naturelles,(...)
Salle octogonale
Projet
Duck Land
AP144.S2.D153
Description:
File documents Price's participation in an international ideas workshop for a redundant docks area on the river Elbe in Hamburg, Germany. The workshop, entitled "IV. Hamburger Bauforum 1989", was designed as a simulated competition with different teams working separately. Price and his team proposed to turn the area into a large nature reserve for migratory waterfowl, and included a design for a self-powered floating walkway called the "mud-mobile". Although the project arose from the Hamburger Bauforum workshop, Price apparently pursued it further after the workshop was over. Included in this file are drawings of a room, possibly for an exhibition of the project (DR2004:0877). Material in this file was produced between 1989 and 1991. File contains conceptual drawings, presentation panels, a model, photographs, and textual records.
1989-1991
Duck Land
Actions:
AP144.S2.D153
Description:
File documents Price's participation in an international ideas workshop for a redundant docks area on the river Elbe in Hamburg, Germany. The workshop, entitled "IV. Hamburger Bauforum 1989", was designed as a simulated competition with different teams working separately. Price and his team proposed to turn the area into a large nature reserve for migratory waterfowl, and included a design for a self-powered floating walkway called the "mud-mobile". Although the project arose from the Hamburger Bauforum workshop, Price apparently pursued it further after the workshop was over. Included in this file are drawings of a room, possibly for an exhibition of the project (DR2004:0877). Material in this file was produced between 1989 and 1991. File contains conceptual drawings, presentation panels, a model, photographs, and textual records.
File 153
1989-1991
Projet
CI005.S1.1933.PR1
Description:
The director of the Metz & Co interior design firm, Joseph de Leeuw, commissioned furniture designs from several prominent Dutch artists and architects, including Oud, Van der Leck and Rietveld. Oud's four chair designs were featured in the company's exhibition, "Steel Furniture in 1934." The chairs were made of steel frames; the third chair featured angular rear supports with sharp front angles adjoining the front, while in the fourth, the chair front and rear leg supports were crossed. Oud also designed four more chair types in 1934, including the 07 series, which received critical acclaim (Taverne et al. 2001, 375-377). Project series includes drawings of sketch perspectives of chairs, a sketch plan for a house and unidentified details, possibly for Metz & Co, as well as photographs of the chairs.
1933-1934
Furniture Designs for Metz & Co, Amsterdam, Netherlands (1933-1934)
Actions:
CI005.S1.1933.PR1
Description:
The director of the Metz & Co interior design firm, Joseph de Leeuw, commissioned furniture designs from several prominent Dutch artists and architects, including Oud, Van der Leck and Rietveld. Oud's four chair designs were featured in the company's exhibition, "Steel Furniture in 1934." The chairs were made of steel frames; the third chair featured angular rear supports with sharp front angles adjoining the front, while in the fourth, the chair front and rear leg supports were crossed. Oud also designed four more chair types in 1934, including the 07 series, which received critical acclaim (Taverne et al. 2001, 375-377). Project series includes drawings of sketch perspectives of chairs, a sketch plan for a house and unidentified details, possibly for Metz & Co, as well as photographs of the chairs.
project
1933-1934
Projet
Shantasea Development
AP144.S2.D72
Description:
File documents an unexecuted project for a multiple use building in Birmingham, England, for Shantasea Limited. Cedric Price resigned as the architect for the project and took on the role of architect for Birmingham and Midland Institute (BMI), one of the proposed tenants for the Shantasea project. The multi-functional centre was to include a theatre, TV studios, an audio-visual exhibition area, retail stores, offices, a meeting hall, a gallery, a seminar area, a library, and parking within an approx. 3,500,000 square-foot area. Drawings include sections showing preliminary circulation patterns, and design development drawings for seven alternate schemes, each with different total square footage. Volumetric studies compare functions and areas for each design. Diagrammatic plans and sections explore vertical and horizontal circulation patterns, alternate layouts for parking, and the relationship between areas of the building for BMI and those shared by BMI and other tenants. Material in this file was produced between 1967 and 1970. File contains conceptual drawings, design development drawings, and textual records.
1967-1970
Shantasea Development
Actions:
AP144.S2.D72
Description:
File documents an unexecuted project for a multiple use building in Birmingham, England, for Shantasea Limited. Cedric Price resigned as the architect for the project and took on the role of architect for Birmingham and Midland Institute (BMI), one of the proposed tenants for the Shantasea project. The multi-functional centre was to include a theatre, TV studios, an audio-visual exhibition area, retail stores, offices, a meeting hall, a gallery, a seminar area, a library, and parking within an approx. 3,500,000 square-foot area. Drawings include sections showing preliminary circulation patterns, and design development drawings for seven alternate schemes, each with different total square footage. Volumetric studies compare functions and areas for each design. Diagrammatic plans and sections explore vertical and horizontal circulation patterns, alternate layouts for parking, and the relationship between areas of the building for BMI and those shared by BMI and other tenants. Material in this file was produced between 1967 and 1970. File contains conceptual drawings, design development drawings, and textual records.
File 72
1967-1970