Série(s)
AP174.S1
Description:
This series contains records relating to four projects by Testa & Weiser: Kings Road Apparel Shop (1999), Carbon Tower (2001), Filament Tower (2006), and Strand Tower (2006). The bulk of the records in the series are digital files, the majority of which relate to the unbuilt research projects Carbon Tower (2001) and Strand Tower (2006). These files include files relating to the conceptual design and design development of the projects, production of presentation materials and 3D printed physical models, and exhibition of the projects in museums and galleries. For the Kings Road Apparel Shop and Filament Tower projects, the Testa & Weiser records contain only a single digital folio each. In addition to the digital files, this series contains eight 3D printed models of Carbon Tower and Strand Tower and 56 paper drawings of Carbon Tower.
2002-2014
Projects
Actions:
AP174.S1
Description:
This series contains records relating to four projects by Testa & Weiser: Kings Road Apparel Shop (1999), Carbon Tower (2001), Filament Tower (2006), and Strand Tower (2006). The bulk of the records in the series are digital files, the majority of which relate to the unbuilt research projects Carbon Tower (2001) and Strand Tower (2006). These files include files relating to the conceptual design and design development of the projects, production of presentation materials and 3D printed physical models, and exhibition of the projects in museums and galleries. For the Kings Road Apparel Shop and Filament Tower projects, the Testa & Weiser records contain only a single digital folio each. In addition to the digital files, this series contains eight 3D printed models of Carbon Tower and Strand Tower and 56 paper drawings of Carbon Tower.
Series
2002-2014
photographies
AP207.S4.017
Description:
Includes reference slides on designs by Memphis' groups (including Ettore Sotsass Senior), Studio Alchimia's work (including Ettore Sotsass Senior), and Alessandro Mendini's works, and views of an exhibition entitled "Arte Austriaca 1960-1984" in Bologna in 1984.
1970s-1990s
References slides used as teaching material
Actions:
AP207.S4.017
Description:
Includes reference slides on designs by Memphis' groups (including Ettore Sotsass Senior), Studio Alchimia's work (including Ettore Sotsass Senior), and Alessandro Mendini's works, and views of an exhibition entitled "Arte Austriaca 1960-1984" in Bologna in 1984.
photographies
1970s-1990s
Projet
AP164.S1.2003.D12
Description:
The project series documents the commission for the new Gallery Building in Miami, Florida, United States. The museum would include the Rosa de la Cruz and Craig Robins’ art collections. The building was designed to include temporary and permanent exhibitions’ showrooms, offices, architectural promenade, esplanade, interior patio with a garden, etc. The gallery was never built. The firm identified this project as number 175. Documenting the project are conceptual, design development and presentation drawings, correspondence, invoices, notes, agreements, proposals, and reference and graphic materials.
2003-2006
The Collection building, Miami, United States (2003)
Actions:
AP164.S1.2003.D12
Description:
The project series documents the commission for the new Gallery Building in Miami, Florida, United States. The museum would include the Rosa de la Cruz and Craig Robins’ art collections. The building was designed to include temporary and permanent exhibitions’ showrooms, offices, architectural promenade, esplanade, interior patio with a garden, etc. The gallery was never built. The firm identified this project as number 175. Documenting the project are conceptual, design development and presentation drawings, correspondence, invoices, notes, agreements, proposals, and reference and graphic materials.
Project
2003-2006
Série(s)
AP144.S1
Description:
This series documents Cedric Price's student work and includes material from his studies at the University of Cambridge School of Architecture (now known as the Department of Architecture), at St. John's College in Cambridge, England, as well as the Architectural Association School of Architecture in London, including his thesis project for Oldham Town Centre in Oldham, Greater Manchester, England, United Kingdom. Price's professional memberships and lectures from this time are also documented, as well as RIBA examinations. The series also includes other material produced approximately during Price's student years, including artwork and textual materials. Materials in this series was produced between 1949 and 1960, but predominantly between 1953 and 1957. The series contains design development drawings, reference drawings, other drawings, presentation panels, photographic materials, posters, and textual records for various school projects. Price's time at the University of Cambridge is documented through notes, drawinexerciseses and some projects. Materials from the AA School of Architecture are mostly for projects, including an ice rink, the British Transport Commission offices, exhibition halls and restaurants, a wholesale gown showroom and offices, the Eel and Elephant pub and restaurant, and a design for the Auschwitz Memorial competition, entered jointly with Richard Padovan. Other materials show work-for-hire done by Price, such aillustrations,s; designs for letterheads, advertisements and brochures, and architectural sketches. Material relating to the AA School of Architecture's annual student exhibition in 1956, of which Price was director, are also included.
1949-1960, predominant 1953-1957
Student Work
Actions:
AP144.S1
Description:
This series documents Cedric Price's student work and includes material from his studies at the University of Cambridge School of Architecture (now known as the Department of Architecture), at St. John's College in Cambridge, England, as well as the Architectural Association School of Architecture in London, including his thesis project for Oldham Town Centre in Oldham, Greater Manchester, England, United Kingdom. Price's professional memberships and lectures from this time are also documented, as well as RIBA examinations. The series also includes other material produced approximately during Price's student years, including artwork and textual materials. Materials in this series was produced between 1949 and 1960, but predominantly between 1953 and 1957. The series contains design development drawings, reference drawings, other drawings, presentation panels, photographic materials, posters, and textual records for various school projects. Price's time at the University of Cambridge is documented through notes, drawinexerciseses and some projects. Materials from the AA School of Architecture are mostly for projects, including an ice rink, the British Transport Commission offices, exhibition halls and restaurants, a wholesale gown showroom and offices, the Eel and Elephant pub and restaurant, and a design for the Auschwitz Memorial competition, entered jointly with Richard Padovan. Other materials show work-for-hire done by Price, such aillustrations,s; designs for letterheads, advertisements and brochures, and architectural sketches. Material relating to the AA School of Architecture's annual student exhibition in 1956, of which Price was director, are also included.
Series
1949-1960, predominant 1953-1957
D’abord, les forêts
*D’abord, les forêts* s’intéresse aux relations encore inexplorées qu’entretient la foresterie avec l’urbanisme et le design. Envisageant la foresterie en tant qu’activité créant des environnements extrêmement construits, à une échelle, une précision et une ambition sans précédent, l’exposition permet de mieux comprendre les liens qui existent entre ressources naturelles,(...)
Salle octogonale
4 octobre 2012 au 6 janvier 2013
D’abord, les forêts
Actions:
Description:
*D’abord, les forêts* s’intéresse aux relations encore inexplorées qu’entretient la foresterie avec l’urbanisme et le design. Envisageant la foresterie en tant qu’activité créant des environnements extrêmement construits, à une échelle, une précision et une ambition sans précédent, l’exposition permet de mieux comprendre les liens qui existent entre ressources naturelles,(...)
Salle octogonale
DR2019:0018
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
between 1983 and 1995
Photograph of model for Folly Four: Pascal's Sphere
Actions:
DR2019:0018
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
between 1983 and 1995
DR2019:0019
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
between 1983 and 1995
Photograph of model for Folly Three: The Rigorous Abolition of History
Actions:
DR2019:0019
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
between 1983 and 1995
DR2019:0020
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
between 1983 and 1995?
Photograph of model for Folly Two: Six Hundred Leagues of Stone
Actions:
DR2019:0020
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
between 1983 and 1995?
archives
Niveau de description archivistique:
Fonds
AP194
Résumé:
The Johan Bettum OCEAN North projects records, 1995-2000, consist of born-digital files and a physical drawing that document three projects by the OCEAN North collective: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (competition, 1997), and Tölöö Football Stadium (competition, 1997). The archive also includes a small amount of additional born-digital reference materials on 11 projects from the collective, including the three projects mentioned above.
1995-2000
Documents d’archives de Johan Bettum pour les projets de OCEAN North
Actions:
AP194
Résumé:
The Johan Bettum OCEAN North projects records, 1995-2000, consist of born-digital files and a physical drawing that document three projects by the OCEAN North collective: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (competition, 1997), and Tölöö Football Stadium (competition, 1997). The archive also includes a small amount of additional born-digital reference materials on 11 projects from the collective, including the three projects mentioned above.
archives
Niveau de description archivistique:
Fonds
1995-2000
Les enseignements de Bernard Rudofsky est la première rétrospective qui examine la vie et l’œuvre de l’architecte, designer et critique controversé, dont les constructions, les expositions et les concepts de mode ont remis en question les idées mêmes de confort et de culture dans le monde occidental. L’exposition jette un regard sur la diversité des contributions d’un(...)
Salles principales
4 juillet 2007 au 30 septembre 2007
Les enseignements de Bernard Rudofsky
Actions:
Description:
Les enseignements de Bernard Rudofsky est la première rétrospective qui examine la vie et l’œuvre de l’architecte, designer et critique controversé, dont les constructions, les expositions et les concepts de mode ont remis en question les idées mêmes de confort et de culture dans le monde occidental. L’exposition jette un regard sur la diversité des contributions d’un(...)
Salles principales