5646 Résultats
Classification:
expositions
expositions
Actions:
Description:
*Montréal, ville fortifiée du XVIIIe siècle* explore l’évolution de la ville au XVIIIe siècle, alors qu’elle était une ville fortifiée. Cet événement offre une occasion unique de se renseigner sur l’essor de la ville commerciale et militaire à l’origine de la métropole actuelle. Couronnant presque quinze années de recherche et la création d’une(...)
*Montréal, ville fortifiée du XVIIIe siècle* explore l’évolution de la ville au XVIIIe siècle, alors qu’elle était une ville fortifiée. Cet événement offre une occasion unique de se renseigner sur l’essor de la ville commerciale et militaire à l’origine de la métropole actuelle. Couronnant presque quinze années de recherche et la création d’une(...)
Localisation:
Salles principales
Salles principales
Date:
8 septembre 1992 au 28 février 1993
8 septembre 1992 au 28 février 1993
Titre:
Montréal, ville fortifiée au XVIIIe siècle
Actions:
Description:
*Montréal, ville fortifiée du XVIIIe siècle* explore l’évolution de la ville au XVIIIe siècle, alors qu’elle était une ville fortifiée. Cet événement offre une occasion unique de se renseigner sur l’essor de la ville commerciale et militaire à l’origine de la métropole actuelle. Couronnant presque quinze années de recherche et la création d’une(...)
Montréal, ville fortifiée au XVIIIe siècle
Actions:
Description:
*Montréal, ville fortifiée du XVIIIe siècle* explore l’évolution de la ville au XVIIIe siècle, alors qu’elle était une ville fortifiée. Cet événement offre une occasion unique de se renseigner sur l’essor de la ville commerciale et militaire à l’origine de la métropole actuelle. Couronnant presque quinze années de recherche et la création d’une(...)
Classification:
expositions
expositions
Date:
8 septembre 1992 au
28 février 1993
8 septembre 1992 au
28 février 1993
Localisation:
Salles principales
Salles principales
Classification:
événements
événements
Titre:
L’enseignement de… Bahreïn
L’enseignement de… Bahreïn
Actions:
Description:
Noura al Sayeh présente la troisième conférence de la série L’enseignement du… Moyen-Orient. La présentation portera sur la documentation photographique de la côte de Bahreïn par le photographe Camille Zakharia. Les transformations des 30 dernières années ont redessiné le paysage urbain bahreïni et entraîné le développement d’une culture vernaculaire contemporaine. On y(...)
Noura al Sayeh présente la troisième conférence de la série L’enseignement du… Moyen-Orient. La présentation portera sur la documentation photographique de la côte de Bahreïn par le photographe Camille Zakharia. Les transformations des 30 dernières années ont redessiné le paysage urbain bahreïni et entraîné le développement d’une culture vernaculaire contemporaine. On y(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
6 octobre 2011 , 19h
6 octobre 2011 , 19h
Titre:
L’enseignement de… Bahreïn
Actions:
Description:
Noura al Sayeh présente la troisième conférence de la série L’enseignement du… Moyen-Orient. La présentation portera sur la documentation photographique de la côte de Bahreïn par le photographe Camille Zakharia. Les transformations des 30 dernières années ont redessiné le paysage urbain bahreïni et entraîné le développement d’une culture vernaculaire contemporaine. On y(...)
L’enseignement de… Bahreïn
Actions:
Description:
Noura al Sayeh présente la troisième conférence de la série L’enseignement du… Moyen-Orient. La présentation portera sur la documentation photographique de la côte de Bahreïn par le photographe Camille Zakharia. Les transformations des 30 dernières années ont redessiné le paysage urbain bahreïni et entraîné le développement d’une culture vernaculaire contemporaine. On y(...)
Classification:
événements
événements
Date:
6 octobre 2011
19h
6 octobre 2011
19h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH255577
Description:
20 publications including: Tall building structure: a world view / Council on Tall Buildings and Urban Habitat; Bauwelt 6 Aug. 1962 Hugo Weber: Mies van der Rohe; L'architettura July-Aug. 1955 annotated in graphite "M.G. Thesis"; Bauen & Wohnen July 1972; Arts & Architecture Nov. 1956; Western Architect & Engineer Feb. 1961; Architectural Forum Feb. 1959, June 1959, April 1961 and May 1962; Polytechnisch Tydschrift 12 Sept. 1957; Architectural Review Oct. 1977; Architectural Record Oct. 1960; Document Architettura v.1 no.14; Casabella Jan-Feb 1988; Columus Indiana: central area plan; Elkhart Indiana: Comprehensive plan for parks, recreation and open land; Elkhat Indiana: central area plan; Mauna City: a city within a city
ARCH255577
Description:
20 publications including: Tall building structure: a world view / Council on Tall Buildings and Urban Habitat; Bauwelt 6 Aug. 1962 Hugo Weber: Mies van der Rohe; L'architettura July-Aug. 1955 annotated in graphite "M.G. Thesis"; Bauen & Wohnen July 1972; Arts & Architecture Nov. 1956; Western Architect & Engineer Feb. 1961; Architectural Forum Feb. 1959, June 1959, April 1961 and May 1962; Polytechnisch Tydschrift 12 Sept. 1957; Architectural Review Oct. 1977; Architectural Record Oct. 1960; Document Architettura v.1 no.14; Casabella Jan-Feb 1988; Columus Indiana: central area plan; Elkhart Indiana: Comprehensive plan for parks, recreation and open land; Elkhat Indiana: central area plan; Mauna City: a city within a city
Personnes et institutions:
Date:
1951-1966
1951-1966
Titre:
Misc. publications and magazines of architecture
Actions:
ARCH255577
Description:
20 publications including: Tall building structure: a world view / Council on Tall Buildings and Urban Habitat; Bauwelt 6 Aug. 1962 Hugo Weber: Mies van der Rohe; L'architettura July-Aug. 1955 annotated in graphite "M.G. Thesis"; Bauen & Wohnen July 1972; Arts & Architecture Nov. 1956; Western Architect & Engineer Feb. 1961; Architectural Forum Feb. 1959, June 1959, April 1961 and May 1962; Polytechnisch Tydschrift 12 Sept. 1957; Architectural Review Oct. 1977; Architectural Record Oct. 1960; Document Architettura v.1 no.14; Casabella Jan-Feb 1988; Columus Indiana: central area plan; Elkhart Indiana: Comprehensive plan for parks, recreation and open land; Elkhat Indiana: central area plan; Mauna City: a city within a city
Misc. publications and magazines of architecture
Actions:
ARCH255577
Description:
20 publications including: Tall building structure: a world view / Council on Tall Buildings and Urban Habitat; Bauwelt 6 Aug. 1962 Hugo Weber: Mies van der Rohe; L'architettura July-Aug. 1955 annotated in graphite "M.G. Thesis"; Bauen & Wohnen July 1972; Arts & Architecture Nov. 1956; Western Architect & Engineer Feb. 1961; Architectural Forum Feb. 1959, June 1959, April 1961 and May 1962; Polytechnisch Tydschrift 12 Sept. 1957; Architectural Review Oct. 1977; Architectural Record Oct. 1960; Document Architettura v.1 no.14; Casabella Jan-Feb 1988; Columus Indiana: central area plan; Elkhart Indiana: Comprehensive plan for parks, recreation and open land; Elkhat Indiana: central area plan; Mauna City: a city within a city
Classification:
documents textuels
documents textuels
Date:
1951-1966
1951-1966
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Yasser Elsheshtawy présente la deuxième conférence de la série L’enseignement du… Moyen-Orient.Si l’on présente souvent Dubaï comme un terrain de jeu pour les privilégiés, un lieu de consommation à outrance parfaitement assumé ou un cas d’étude par excellence de l’exploitation capitaliste, de tels portraits ne montrent finalement qu’une seule facette de la ville. La(...)
Yasser Elsheshtawy présente la deuxième conférence de la série L’enseignement du… Moyen-Orient.Si l’on présente souvent Dubaï comme un terrain de jeu pour les privilégiés, un lieu de consommation à outrance parfaitement assumé ou un cas d’étude par excellence de l’exploitation capitaliste, de tels portraits ne montrent finalement qu’une seule facette de la ville. La(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
29 septembre 2011 , 19h
29 septembre 2011 , 19h
Titre:
L'enseignement de... Dubaï : Yasser Elsheshtawy
Actions:
Description:
Yasser Elsheshtawy présente la deuxième conférence de la série L’enseignement du… Moyen-Orient.Si l’on présente souvent Dubaï comme un terrain de jeu pour les privilégiés, un lieu de consommation à outrance parfaitement assumé ou un cas d’étude par excellence de l’exploitation capitaliste, de tels portraits ne montrent finalement qu’une seule facette de la ville. La(...)
L'enseignement de... Dubaï : Yasser Elsheshtawy
Actions:
Description:
Yasser Elsheshtawy présente la deuxième conférence de la série L’enseignement du… Moyen-Orient.Si l’on présente souvent Dubaï comme un terrain de jeu pour les privilégiés, un lieu de consommation à outrance parfaitement assumé ou un cas d’étude par excellence de l’exploitation capitaliste, de tels portraits ne montrent finalement qu’une seule facette de la ville. La(...)
Classification:
événements
événements
Date:
29 septembre 2011
19h
29 septembre 2011
19h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transpiration network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transpiration network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
Personnes et institutions:
Date:
circa 1975-2003
circa 1975-2003
Titre:
Linear city, Chandigarh, India (circa 1975-1987)
Actions:
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transpiration network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
Linear city, Chandigarh, India (circa 1975-1987)
Actions:
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transpiration network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
Niveau de description archivistique:
Project
Project
Date:
circa 1975-2003
circa 1975-2003
Personnes et institutions:
Classification:
articles
articles
Titre:
Paysages vivants
Paysages vivants
Actions:
Robyn Adams, Julia Pingeton et Marie Pontais s’intéressent à l’espace transitoire qu’est le littoral
Titre:
Paysages vivants
Robyn Adams, Julia Pingeton et Marie Pontais s’intéressent à l’espace transitoire qu’est le littoral
Actions:
Paysages vivants
Robyn Adams, Julia Pingeton et Marie Pontais s’intéressent à l’espace transitoire qu’est le littoral
Actions:
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1985:0415
Description:
- DR1985:0415 presents a cartographic survey of Wimbledon Park as "improved" in the second half of the eighteenth century. Covering some 1,200 acres, the park as shown in this plan contains all the elements of Capability Brown's mature landscape style: expanses of grass traversed by meandering paths, irregular plantings of trees placed singly and in clumps, and winding streams dammed to create a large, irregular lake near the centre of the property and several small ponds about the periphery. The main house (built 1732-33 for Sarah, the Duchess of Marlborough), its outbuildings, and the village church are shown at the southern end of the park, as is a kitchen garden dating from an earlier period. Roads, lanes, and neighbouring properties are neatly labelled in the draughtsman's hand, and the fall of the land has been indicated in shade lines.
DR1985:0415
Description:
- DR1985:0415 presents a cartographic survey of Wimbledon Park as "improved" in the second half of the eighteenth century. Covering some 1,200 acres, the park as shown in this plan contains all the elements of Capability Brown's mature landscape style: expanses of grass traversed by meandering paths, irregular plantings of trees placed singly and in clumps, and winding streams dammed to create a large, irregular lake near the centre of the property and several small ponds about the periphery. The main house (built 1732-33 for Sarah, the Duchess of Marlborough), its outbuildings, and the village church are shown at the southern end of the park, as is a kitchen garden dating from an earlier period. Roads, lanes, and neighbouring properties are neatly labelled in the draughtsman's hand, and the fall of the land has been indicated in shade lines.
Personnes et institutions:
Sujet:
architecture de paysage, topographique
architecture de paysage, topographique
Date:
between 1765 and 1785
between 1765 and 1785
Titre:
A survey plan of Wimbledon Park as designed for Lord Spencer by Capability Brown
Actions:
DR1985:0415
Description:
- DR1985:0415 presents a cartographic survey of Wimbledon Park as "improved" in the second half of the eighteenth century. Covering some 1,200 acres, the park as shown in this plan contains all the elements of Capability Brown's mature landscape style: expanses of grass traversed by meandering paths, irregular plantings of trees placed singly and in clumps, and winding streams dammed to create a large, irregular lake near the centre of the property and several small ponds about the periphery. The main house (built 1732-33 for Sarah, the Duchess of Marlborough), its outbuildings, and the village church are shown at the southern end of the park, as is a kitchen garden dating from an earlier period. Roads, lanes, and neighbouring properties are neatly labelled in the draughtsman's hand, and the fall of the land has been indicated in shade lines.
A survey plan of Wimbledon Park as designed for Lord Spencer by Capability Brown
Actions:
DR1985:0415
Description:
- DR1985:0415 presents a cartographic survey of Wimbledon Park as "improved" in the second half of the eighteenth century. Covering some 1,200 acres, the park as shown in this plan contains all the elements of Capability Brown's mature landscape style: expanses of grass traversed by meandering paths, irregular plantings of trees placed singly and in clumps, and winding streams dammed to create a large, irregular lake near the centre of the property and several small ponds about the periphery. The main house (built 1732-33 for Sarah, the Duchess of Marlborough), its outbuildings, and the village church are shown at the southern end of the park, as is a kitchen garden dating from an earlier period. Roads, lanes, and neighbouring properties are neatly labelled in the draughtsman's hand, and the fall of the land has been indicated in shade lines.
Classification:
dessins
dessins
Date:
between 1765 and 1785
between 1765 and 1785
Personnes et institutions:
Sujet:
architecture de paysage, topographique
architecture de paysage, topographique
Classification:
expositions
expositions
Actions:
Description:
Dans la deuxième moitié du XIXe siècle, plusieurs photographes précurseurs voyagent au Moyen-Orient et en Afrique du Nord, et rapportent en Europe et en Amérique du Nord des images qui illustrent cette idée même de l’exotique. Qu’ils partent à la découverte des temples de la vallée du Nil, de la Terre sainte ou des costumes berbères, qu’ils soient amateurs ou pèlerins,(...)
Dans la deuxième moitié du XIXe siècle, plusieurs photographes précurseurs voyagent au Moyen-Orient et en Afrique du Nord, et rapportent en Europe et en Amérique du Nord des images qui illustrent cette idée même de l’exotique. Qu’ils partent à la découverte des temples de la vallée du Nil, de la Terre sainte ou des costumes berbères, qu’ils soient amateurs ou pèlerins,(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
30 janvier 2014 au 25 mai 2014
30 janvier 2014 au 25 mai 2014
Titre:
La photographie de la ville arabe au XIXe siècle
Actions:
Description:
Dans la deuxième moitié du XIXe siècle, plusieurs photographes précurseurs voyagent au Moyen-Orient et en Afrique du Nord, et rapportent en Europe et en Amérique du Nord des images qui illustrent cette idée même de l’exotique. Qu’ils partent à la découverte des temples de la vallée du Nil, de la Terre sainte ou des costumes berbères, qu’ils soient amateurs ou pèlerins,(...)
La photographie de la ville arabe au XIXe siècle
Actions:
Description:
Dans la deuxième moitié du XIXe siècle, plusieurs photographes précurseurs voyagent au Moyen-Orient et en Afrique du Nord, et rapportent en Europe et en Amérique du Nord des images qui illustrent cette idée même de l’exotique. Qu’ils partent à la découverte des temples de la vallée du Nil, de la Terre sainte ou des costumes berbères, qu’ils soient amateurs ou pèlerins,(...)
Classification:
expositions
expositions
Date:
30 janvier 2014 au
25 mai 2014
30 janvier 2014 au
25 mai 2014
Localisation:
Salle octogonale
Salle octogonale
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP195
Résumé:
The Zaha Hadid Architects Phaeno Science Centre project records, 1996-2015, consist of approximately 43,800 digital files that document the design and construction of an interactive science museum in Wolfsburg, Germany. Materials related to presentations, publications, events, and the press are also represented. Formats include chiefly CAD files, especially plotter files and AutoCAD drawings, though related text documents and images are also represented. The majority of the records date from 2000 to 2006.
AP195
Résumé:
The Zaha Hadid Architects Phaeno Science Centre project records, 1996-2015, consist of approximately 43,800 digital files that document the design and construction of an interactive science museum in Wolfsburg, Germany. Materials related to presentations, publications, events, and the press are also represented. Formats include chiefly CAD files, especially plotter files and AutoCAD drawings, though related text documents and images are also represented. The majority of the records date from 2000 to 2006.
Personnes et institutions:
Date:
1996 - 2015
1996 - 2015
Titre:
Documents d’archives de Zaha Hadid Architects pour le projet Phaeno Science Centre
Actions:
AP195
Résumé:
The Zaha Hadid Architects Phaeno Science Centre project records, 1996-2015, consist of approximately 43,800 digital files that document the design and construction of an interactive science museum in Wolfsburg, Germany. Materials related to presentations, publications, events, and the press are also represented. Formats include chiefly CAD files, especially plotter files and AutoCAD drawings, though related text documents and images are also represented. The majority of the records date from 2000 to 2006.
Documents d’archives de Zaha Hadid Architects pour le projet Phaeno Science Centre
Actions:
AP195
Résumé:
The Zaha Hadid Architects Phaeno Science Centre project records, 1996-2015, consist of approximately 43,800 digital files that document the design and construction of an interactive science museum in Wolfsburg, Germany. Materials related to presentations, publications, events, and the press are also represented. Formats include chiefly CAD files, especially plotter files and AutoCAD drawings, though related text documents and images are also represented. The majority of the records date from 2000 to 2006.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1996 - 2015
1996 - 2015
Personnes et institutions:
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR2007:0018:003
Description:
Page bound essay, "The Positive and Negative Influences of Electronic Systems on Architecture", 8 1/2" x 14", April 1983; summary presented at international conference in Warsaw, Poland, spring 1983; essay published as "Enjoying Electronic Mannerisms" in the journal CRIT, Fall 1984, pp. 14-18, as part of a special issue on "The Next Architecture" by Aaron Betsky; essay also published as "Sony Walkman-Adorned Teleriders Moving Through Cable Networks of Computerized Cottage Land, Under the Skies of Overcrowded Orbital Slots: Enjoying Electronic Mannerisms", The Fifth Column, Vo. 5, winter 1984 (Montreal); and parts of this project were discussed by Christopher Hume in The Toronto Star, January 19, 1985. Also, five original collage and colour pencil drawings on illustration board, each 8 1/2" x 14" that were the source of illustrations for the bound essay and the subsequent publications.
DR2007:0018:003
Description:
Page bound essay, "The Positive and Negative Influences of Electronic Systems on Architecture", 8 1/2" x 14", April 1983; summary presented at international conference in Warsaw, Poland, spring 1983; essay published as "Enjoying Electronic Mannerisms" in the journal CRIT, Fall 1984, pp. 14-18, as part of a special issue on "The Next Architecture" by Aaron Betsky; essay also published as "Sony Walkman-Adorned Teleriders Moving Through Cable Networks of Computerized Cottage Land, Under the Skies of Overcrowded Orbital Slots: Enjoying Electronic Mannerisms", The Fifth Column, Vo. 5, winter 1984 (Montreal); and parts of this project were discussed by Christopher Hume in The Toronto Star, January 19, 1985. Also, five original collage and colour pencil drawings on illustration board, each 8 1/2" x 14" that were the source of illustrations for the bound essay and the subsequent publications.
Personnes et institutions:
Date:
1983
1983
Titre:
Untitled work for the essay "The Positive and Negative Influences of Electronic Systems on Architecture"
Actions:
DR2007:0018:003
Description:
Page bound essay, "The Positive and Negative Influences of Electronic Systems on Architecture", 8 1/2" x 14", April 1983; summary presented at international conference in Warsaw, Poland, spring 1983; essay published as "Enjoying Electronic Mannerisms" in the journal CRIT, Fall 1984, pp. 14-18, as part of a special issue on "The Next Architecture" by Aaron Betsky; essay also published as "Sony Walkman-Adorned Teleriders Moving Through Cable Networks of Computerized Cottage Land, Under the Skies of Overcrowded Orbital Slots: Enjoying Electronic Mannerisms", The Fifth Column, Vo. 5, winter 1984 (Montreal); and parts of this project were discussed by Christopher Hume in The Toronto Star, January 19, 1985. Also, five original collage and colour pencil drawings on illustration board, each 8 1/2" x 14" that were the source of illustrations for the bound essay and the subsequent publications.
Untitled work for the essay "The Positive and Negative Influences of Electronic Systems on Architecture"
Actions:
DR2007:0018:003
Description:
Page bound essay, "The Positive and Negative Influences of Electronic Systems on Architecture", 8 1/2" x 14", April 1983; summary presented at international conference in Warsaw, Poland, spring 1983; essay published as "Enjoying Electronic Mannerisms" in the journal CRIT, Fall 1984, pp. 14-18, as part of a special issue on "The Next Architecture" by Aaron Betsky; essay also published as "Sony Walkman-Adorned Teleriders Moving Through Cable Networks of Computerized Cottage Land, Under the Skies of Overcrowded Orbital Slots: Enjoying Electronic Mannerisms", The Fifth Column, Vo. 5, winter 1984 (Montreal); and parts of this project were discussed by Christopher Hume in The Toronto Star, January 19, 1985. Also, five original collage and colour pencil drawings on illustration board, each 8 1/2" x 14" that were the source of illustrations for the bound essay and the subsequent publications.
Classification:
dessins
dessins
Date:
1983
1983
Personnes et institutions:
