3909 Résultats
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livres
livres
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$64.95
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''Duodji Reader'' is a selection of twelve essays on duodji by Sámi duojárat and writers from the past 60 years. The craft practices of Indigenous peoples from all over the world have been getting increased attention and appreciation globally over the last few decades. It has also become a topic that has occupied its fair share of discourse in academia and in art(...)
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''Duodji Reader'' is a selection of twelve essays on duodji by Sámi duojárat and writers from the past 60 years. The craft practices of Indigenous peoples from all over the world have been getting increased attention and appreciation globally over the last few decades. It has also become a topic that has occupied its fair share of discourse in academia and in art(...)
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Duodji reader: Twelve essays on duodji by Sámi writers
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''Duodji Reader'' is a selection of twelve essays on duodji by Sámi duojárat and writers from the past 60 years. The craft practices of Indigenous peoples from all over the world have been getting increased attention and appreciation globally over the last few decades. It has also become a topic that has occupied its fair share of discourse in academia and in art education. As a contribution to this interest in Indigenous art and crafts practices, we offer this book on Sámi duodji. Duodji is the artistic crafts form of the Indigenous people of the European Arctic. Duodji refers not only to the end result, the finished object itself, but also describes the whole process - from the incipient idea to the final product. Duodji demonstrates a holistic circle of creation, how nature and humans collaborate in recognising, visualising, and shaping items that serve the need for both practical use and aesthetic form. ''Duodji reader: Twelve essays on duodji by Sámi writers'' is produced by Sámi Allaskuvla and Norwegian Crafts. The publication is edited by the professors Gunvor Guttorm and Harald Gaski, and contains essays from eleven prominent Sámi scholars, duojárat, and writers from North, South, and Lule Sámi areas. The essays are presented in Lule, South or North Sámi as well as in English. The publication also contains a wide-ranging selection of photographs of duodji by more than thirty contemporary duojárat. The book is well-suited both as background and text material for education in crafts, as well as a resource for the theory and practice of Sámi duodji as an Indigenous art form with long roots in the Arctic North.
Duodji reader: Twelve essays on duodji by Sámi writers
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''Duodji Reader'' is a selection of twelve essays on duodji by Sámi duojárat and writers from the past 60 years. The craft practices of Indigenous peoples from all over the world have been getting increased attention and appreciation globally over the last few decades. It has also become a topic that has occupied its fair share of discourse in academia and in art education. As a contribution to this interest in Indigenous art and crafts practices, we offer this book on Sámi duodji. Duodji is the artistic crafts form of the Indigenous people of the European Arctic. Duodji refers not only to the end result, the finished object itself, but also describes the whole process - from the incipient idea to the final product. Duodji demonstrates a holistic circle of creation, how nature and humans collaborate in recognising, visualising, and shaping items that serve the need for both practical use and aesthetic form. ''Duodji reader: Twelve essays on duodji by Sámi writers'' is produced by Sámi Allaskuvla and Norwegian Crafts. The publication is edited by the professors Gunvor Guttorm and Harald Gaski, and contains essays from eleven prominent Sámi scholars, duojárat, and writers from North, South, and Lule Sámi areas. The essays are presented in Lule, South or North Sámi as well as in English. The publication also contains a wide-ranging selection of photographs of duodji by more than thirty contemporary duojárat. The book is well-suited both as background and text material for education in crafts, as well as a resource for the theory and practice of Sámi duodji as an Indigenous art form with long roots in the Arctic North.
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livres
livres
Publication:
février 2022
février 2022
Sujet:
Théorie de l’art
Théorie de l’art
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livres
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Description:
354 pages, 24 unnumbered pages of plates : illustrations ; 24 cm
Description:
354 pages, 24 unnumbered pages of plates : illustrations ; 24 cm
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Cleveland, [OH] : World Pub. Co., [1961], ©1961
Cleveland, [OH] : World Pub. Co., [1961], ©1961
Titre:
Russian theater : from the Empire to the Soviets / by Marc Slonim.
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Description:
354 pages, 24 unnumbered pages of plates : illustrations ; 24 cm
Russian theater : from the Empire to the Soviets / by Marc Slonim.
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Description:
354 pages, 24 unnumbered pages of plates : illustrations ; 24 cm
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livres
livres
Publication:
Cleveland, [OH] : World Pub. Co., [1961], ©1961
Cleveland, [OH] : World Pub. Co., [1961], ©1961
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livres
livres
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$41.00
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Ramia Mazé is a design researcher, manager, and educator. Her own education is in interaction design (an MA from the Royal College of Art, London) and in architecture (BA from Barnard College, Columbia University, New York). She has worked as a designer at MetaDesign San Francisco, Philips Research Lab in the UK, and on a freelance basis. At the Interactive Institute in(...)
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Ramia Mazé is a design researcher, manager, and educator. Her own education is in interaction design (an MA from the Royal College of Art, London) and in architecture (BA from Barnard College, Columbia University, New York). She has worked as a designer at MetaDesign San Francisco, Philips Research Lab in the UK, and on a freelance basis. At the Interactive Institute in(...)
Titre:
Occupying time: design, technology, and the form of interaction
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Ramia Mazé is a design researcher, manager, and educator. Her own education is in interaction design (an MA from the Royal College of Art, London) and in architecture (BA from Barnard College, Columbia University, New York). She has worked as a designer at MetaDesign San Francisco, Philips Research Lab in the UK, and on a freelance basis. At the Interactive Institute in Sweden since 2001, she has been involved in a series of interdiciplinary and international research projects - it is this work that forms the basis of this book. Occupying Time: Design, Technology, and the Form of Interaction is her PhD thesis in interaction design through Malmö University, in collaboration with Blekinge Technical University, and sponsored by the Interactive Institute.
Occupying time: design, technology, and the form of interaction
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Ramia Mazé is a design researcher, manager, and educator. Her own education is in interaction design (an MA from the Royal College of Art, London) and in architecture (BA from Barnard College, Columbia University, New York). She has worked as a designer at MetaDesign San Francisco, Philips Research Lab in the UK, and on a freelance basis. At the Interactive Institute in Sweden since 2001, she has been involved in a series of interdiciplinary and international research projects - it is this work that forms the basis of this book. Occupying Time: Design, Technology, and the Form of Interaction is her PhD thesis in interaction design through Malmö University, in collaboration with Blekinge Technical University, and sponsored by the Interactive Institute.
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livres
livres
Publication:
janvier 1900, Stockholm
janvier 1900, Stockholm
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Titre:
Commons in design
Commons in design
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$47.00
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The scarcity of resources, climate change, and the digitalization of everyday life are fuelling the economy of swapping, sharing, and lending—all of which are in some way linked to a culture of commoning. In this context, we understand commons as community-based processes that use, collectively manage, and organize generally accessible resources—referring to both goods(...)
$47.00
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The scarcity of resources, climate change, and the digitalization of everyday life are fuelling the economy of swapping, sharing, and lending—all of which are in some way linked to a culture of commoning. In this context, we understand commons as community-based processes that use, collectively manage, and organize generally accessible resources—referring to both goods(...)
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Commons in design
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$47.00
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The scarcity of resources, climate change, and the digitalization of everyday life are fuelling the economy of swapping, sharing, and lending—all of which are in some way linked to a culture of commoning. In this context, we understand commons as community-based processes that use, collectively manage, and organize generally accessible resources—referring to both goods and knowledge. "Commons in design" explores the meaning and impact of commons—especially knowledge-based peer commons—and acts of commoning in design. It discusses networked, participatory, and open procedures based on the commons and commoning, testing models that negotiate the use of commons within design processes. In doing so, it critically engages with questions regarding designers’ positionings, everyday practices, self-understandings, ways of working, and approaches to education.
Commons in design
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The scarcity of resources, climate change, and the digitalization of everyday life are fuelling the economy of swapping, sharing, and lending—all of which are in some way linked to a culture of commoning. In this context, we understand commons as community-based processes that use, collectively manage, and organize generally accessible resources—referring to both goods and knowledge. "Commons in design" explores the meaning and impact of commons—especially knowledge-based peer commons—and acts of commoning in design. It discusses networked, participatory, and open procedures based on the commons and commoning, testing models that negotiate the use of commons within design processes. In doing so, it critically engages with questions regarding designers’ positionings, everyday practices, self-understandings, ways of working, and approaches to education.
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livres
livres
Publication:
février 2024
février 2024
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livres
livres
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Ceci n'est pas un portrait.
Ceci n'est pas un portrait.
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$63.00
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"Ceci n'est pas un portrait" is a possible comprehensive depiction of the production of a new generation of Portuguese practices. The publication brings together a collection of more than 300 photographs by Francisco Ascensão illustrating about 70 projects made by young architecture offices in Portugal."Today, it is nearly impossible to distinguish architectural schools(...)
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"Ceci n'est pas un portrait" is a possible comprehensive depiction of the production of a new generation of Portuguese practices. The publication brings together a collection of more than 300 photographs by Francisco Ascensão illustrating about 70 projects made by young architecture offices in Portugal."Today, it is nearly impossible to distinguish architectural schools(...)
Publication:
décembre 2024
décembre 2024
Titre:
Ceci n'est pas un portrait.
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$63.00
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"Ceci n'est pas un portrait" is a possible comprehensive depiction of the production of a new generation of Portuguese practices. The publication brings together a collection of more than 300 photographs by Francisco Ascensão illustrating about 70 projects made by young architecture offices in Portugal."Today, it is nearly impossible to distinguish architectural schools or styles. Regional schools are homogenized by a universal system of education and references, temporal periodization is absorbed by the ‘contemporary’. In the book there is no claim about a certain tendency. The absence of captions is programmatic. Rather than competing for clients and attention the images show a culture of generosity and mutual curiosity, a culture of openness and collectivity, immediacy and care, optimism and liveliness. A new beginning." - Philip Ursprung, 2024
Ceci n'est pas un portrait.
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$63.00
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"Ceci n'est pas un portrait" is a possible comprehensive depiction of the production of a new generation of Portuguese practices. The publication brings together a collection of more than 300 photographs by Francisco Ascensão illustrating about 70 projects made by young architecture offices in Portugal."Today, it is nearly impossible to distinguish architectural schools or styles. Regional schools are homogenized by a universal system of education and references, temporal periodization is absorbed by the ‘contemporary’. In the book there is no claim about a certain tendency. The absence of captions is programmatic. Rather than competing for clients and attention the images show a culture of generosity and mutual curiosity, a culture of openness and collectivity, immediacy and care, optimism and liveliness. A new beginning." - Philip Ursprung, 2024
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livres
livres
Publication:
décembre 2024
décembre 2024
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livres
livres
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$45.99
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How can a political or social movement create so many positive changes, while simultaneously developing negative connotations? Such is the central paradox of feminism for the editors of this book. The dwindling interest of students to continue an academic career after their studies has been called "cooling out" by Burton Clark. The collaborative exhibition project took(...)
$45.99
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Résumé:
How can a political or social movement create so many positive changes, while simultaneously developing negative connotations? Such is the central paradox of feminism for the editors of this book. The dwindling interest of students to continue an academic career after their studies has been called "cooling out" by Burton Clark. The collaborative exhibition project took(...)
Sujet:
Théorie de l’art
Théorie de l’art
Publication:
octobre 2007, Zürich
octobre 2007, Zürich
Titre:
Cooling out-on the paradox of feminism
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How can a political or social movement create so many positive changes, while simultaneously developing negative connotations? Such is the central paradox of feminism for the editors of this book. The dwindling interest of students to continue an academic career after their studies has been called "cooling out" by Burton Clark. The collaborative exhibition project took this term to describe the disinterest of young women toward ideas and forms of feminism, resulting from a lack of palpable aims on the one hand, and the acceptance of existing structures on the other. The exhibition "Cooling Out" examined through the works of contemporary female and male artists the influences of the media, education, and existing social structures on the constitution of a gender identity.
Cooling out-on the paradox of feminism
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How can a political or social movement create so many positive changes, while simultaneously developing negative connotations? Such is the central paradox of feminism for the editors of this book. The dwindling interest of students to continue an academic career after their studies has been called "cooling out" by Burton Clark. The collaborative exhibition project took this term to describe the disinterest of young women toward ideas and forms of feminism, resulting from a lack of palpable aims on the one hand, and the acceptance of existing structures on the other. The exhibition "Cooling Out" examined through the works of contemporary female and male artists the influences of the media, education, and existing social structures on the constitution of a gender identity.
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livres
livres
Publication:
octobre 2007, Zürich
octobre 2007, Zürich
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$37.50
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In 2019 the Bauhaus will celebrate its hundredth anniversary! Preparations for the centenary have raised a host of questions: To what extent is the Bauhaus tied to a place, and how can its essence be conveyed in a museum? How can the tension between school and museum — in particular the Bauhaus and its everyday presence — be given a productive role in fashioning new(...)
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In 2019 the Bauhaus will celebrate its hundredth anniversary! Preparations for the centenary have raised a host of questions: To what extent is the Bauhaus tied to a place, and how can its essence be conveyed in a museum? How can the tension between school and museum — in particular the Bauhaus and its everyday presence — be given a productive role in fashioning new(...)
Titre:
Bauhaus news: contemporary remarks
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In 2019 the Bauhaus will celebrate its hundredth anniversary! Preparations for the centenary have raised a host of questions: To what extent is the Bauhaus tied to a place, and how can its essence be conveyed in a museum? How can the tension between school and museum — in particular the Bauhaus and its everyday presence — be given a productive role in fashioning new models of cultural education? What stimuli can the Bauhaus provide for a critical practice in today’s globalized world? In the process of compiling Bauhaus News, international Bauhaus experts, curators, historians, philosophers, artists, architects, educators, and teachers were asked to consider the Bauhaus from a twenty-first-century perspective. The book presents contrasting contemporary and historical statements and stories about the Bauhaus world heritage.
Bauhaus news: contemporary remarks
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In 2019 the Bauhaus will celebrate its hundredth anniversary! Preparations for the centenary have raised a host of questions: To what extent is the Bauhaus tied to a place, and how can its essence be conveyed in a museum? How can the tension between school and museum — in particular the Bauhaus and its everyday presence — be given a productive role in fashioning new models of cultural education? What stimuli can the Bauhaus provide for a critical practice in today’s globalized world? In the process of compiling Bauhaus News, international Bauhaus experts, curators, historians, philosophers, artists, architects, educators, and teachers were asked to consider the Bauhaus from a twenty-first-century perspective. The book presents contrasting contemporary and historical statements and stories about the Bauhaus world heritage.
Classification:
livres
livres
Publication:
janvier 2015
janvier 2015
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$38.95
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The extent to which economic value is placed on knowledge today forces us to reconsider its social role and our relation to it. Research, the general category for processes of knowledge production, has become omnipresent in both education and practice. Today it’s not so important what you know but rather how you think. Progress, in this sense, is predicated by critical(...)
$38.95
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Résumé:
The extent to which economic value is placed on knowledge today forces us to reconsider its social role and our relation to it. Research, the general category for processes of knowledge production, has become omnipresent in both education and practice. Today it’s not so important what you know but rather how you think. Progress, in this sense, is predicated by critical(...)
Titre:
Volume 48: the research turn inset by Malkit Shoshan
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The extent to which economic value is placed on knowledge today forces us to reconsider its social role and our relation to it. Research, the general category for processes of knowledge production, has become omnipresent in both education and practice. Today it’s not so important what you know but rather how you think. Progress, in this sense, is predicated by critical reflection on ways of knowing and disciplinary traditions of thought. This issue of Volume – the second in our series on learning – is dedicated to mapping the contemporary field of research in architecture, art and the social sciences. We wanted to learn from those who have been instrumental in shifting the boundaries and shaping today’s landscape of creative knowledge production.
Volume 48: the research turn inset by Malkit Shoshan
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The extent to which economic value is placed on knowledge today forces us to reconsider its social role and our relation to it. Research, the general category for processes of knowledge production, has become omnipresent in both education and practice. Today it’s not so important what you know but rather how you think. Progress, in this sense, is predicated by critical reflection on ways of knowing and disciplinary traditions of thought. This issue of Volume – the second in our series on learning – is dedicated to mapping the contemporary field of research in architecture, art and the social sciences. We wanted to learn from those who have been instrumental in shifting the boundaries and shaping today’s landscape of creative knowledge production.
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livres
livres
Publication:
juillet 2016
juillet 2016
Sujet:
Revues
Revues
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livres
livres
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$50.00
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In her first artist's book, Cambridge, MA-based artist Katarina Burin (born 1975) creates a fictitious Czechoslovakian architect named Andrejova-Molnar, described as a pioneering architect of modern postwar Europe, as part of her investigation of architectural history. The book presents a biographical narrative about the education and design work of Andrejova-Molnar, and(...)
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In her first artist's book, Cambridge, MA-based artist Katarina Burin (born 1975) creates a fictitious Czechoslovakian architect named Andrejova-Molnar, described as a pioneering architect of modern postwar Europe, as part of her investigation of architectural history. The book presents a biographical narrative about the education and design work of Andrejova-Molnar, and(...)
Titre:
Katarina Burin: contribution and collaboration, the work of Petra Andrejova-Molnar (...)
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In her first artist's book, Cambridge, MA-based artist Katarina Burin (born 1975) creates a fictitious Czechoslovakian architect named Andrejova-Molnar, described as a pioneering architect of modern postwar Europe, as part of her investigation of architectural history. The book presents a biographical narrative about the education and design work of Andrejova-Molnar, and positions her work in relation to mid-20th-century female architects Charlotte Perriand and Eileen Grey. Burin’s Andrejova-Molnar project, which won the prestigious James and Audrey Foster Prize at the Institute of Contemporary Art in Boston in 2013, gives voice to female designers while questioning notions of authorship and authenticity, the relationship between gender and the archive, and the historical tension between national identity and internationalist aspirations.
Katarina Burin: contribution and collaboration, the work of Petra Andrejova-Molnar (...)
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In her first artist's book, Cambridge, MA-based artist Katarina Burin (born 1975) creates a fictitious Czechoslovakian architect named Andrejova-Molnar, described as a pioneering architect of modern postwar Europe, as part of her investigation of architectural history. The book presents a biographical narrative about the education and design work of Andrejova-Molnar, and positions her work in relation to mid-20th-century female architects Charlotte Perriand and Eileen Grey. Burin’s Andrejova-Molnar project, which won the prestigious James and Audrey Foster Prize at the Institute of Contemporary Art in Boston in 2013, gives voice to female designers while questioning notions of authorship and authenticity, the relationship between gender and the archive, and the historical tension between national identity and internationalist aspirations.
Classification:
livres
livres
Publication:
août 2016
août 2016
Classification:
livres
livres
Titre:
Shanghai: new botanic garden
Shanghai: new botanic garden
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To propose a botanical garden in one of the world's most rapidly expanding cities is of course a gesture that invokes ecological issues regarding sustainability and the conservation of plant life. The German landscape architect's planning group Valentien intend the garden that they are constructing, for Chenshan (Hill Chen) in the Song Jiang District of Shanghai (just(...)
$47.00
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To propose a botanical garden in one of the world's most rapidly expanding cities is of course a gesture that invokes ecological issues regarding sustainability and the conservation of plant life. The German landscape architect's planning group Valentien intend the garden that they are constructing, for Chenshan (Hill Chen) in the Song Jiang District of Shanghai (just(...)
Titre:
Shanghai: new botanic garden
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$47.00
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To propose a botanical garden in one of the world's most rapidly expanding cities is of course a gesture that invokes ecological issues regarding sustainability and the conservation of plant life. The German landscape architect's planning group Valentien intend the garden that they are constructing, for Chenshan (Hill Chen) in the Song Jiang District of Shanghai (just outside the city center), to be such a gesture, as well as a model of plant conservation and scientific research development-and one of Shanghai's most ambitious landmarks. The project is enormous, and informed throughout by the architects' ecological imperatives: Energy-saving technologies are to be utilized in the garden's buildings (greenhouses, laboratories and education center) and renewable materials will be deployed throughout.
Shanghai: new botanic garden
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To propose a botanical garden in one of the world's most rapidly expanding cities is of course a gesture that invokes ecological issues regarding sustainability and the conservation of plant life. The German landscape architect's planning group Valentien intend the garden that they are constructing, for Chenshan (Hill Chen) in the Song Jiang District of Shanghai (just outside the city center), to be such a gesture, as well as a model of plant conservation and scientific research development-and one of Shanghai's most ambitious landmarks. The project is enormous, and informed throughout by the architects' ecological imperatives: Energy-saving technologies are to be utilized in the garden's buildings (greenhouses, laboratories and education center) and renewable materials will be deployed throughout.
Classification:
livres
livres
Publication:
octobre 2008, Berlin
octobre 2008, Berlin
Sujet:
Jardins
Jardins
