3820 Résultats
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1 online resource (379 pages) : illustrations
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Amsterdam : Amsterdam University Press, 2004.
Amsterdam : Amsterdam University Press, 2004.
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Harun Farocki : working on the sight-lines / edited by Thomas Elsaesser.
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1 online resource (379 pages) : illustrations
Harun Farocki : working on the sight-lines / edited by Thomas Elsaesser.
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1 online resource (379 pages) : illustrations
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livres
livres
Publication:
Amsterdam : Amsterdam University Press, 2004.
Amsterdam : Amsterdam University Press, 2004.
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$34.95
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Pour Jean Viard, l'initiation populaire et inégalitaire aux temps libres et son corollaire, la mobilité de masse, ont modifié, bien au-delà de ces faits quantifiables, les façons de vivre. Pour lui, les gestes, les lieux, les normes et les valeurs construites pour occuper les temps libres sont en train de devenir les bases de la culture collective, bousculant les liens(...)
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Pour Jean Viard, l'initiation populaire et inégalitaire aux temps libres et son corollaire, la mobilité de masse, ont modifié, bien au-delà de ces faits quantifiables, les façons de vivre. Pour lui, les gestes, les lieux, les normes et les valeurs construites pour occuper les temps libres sont en train de devenir les bases de la culture collective, bousculant les liens(...)
Publication:
août 2006
août 2006
Titre:
Éloge de la mobilité : essai sur le capital temps libre et la valeur du travail
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Pour Jean Viard, l'initiation populaire et inégalitaire aux temps libres et son corollaire, la mobilité de masse, ont modifié, bien au-delà de ces faits quantifiables, les façons de vivre. Pour lui, les gestes, les lieux, les normes et les valeurs construites pour occuper les temps libres sont en train de devenir les bases de la culture collective, bousculant les liens sociaux et politiques, remettant en cause la place centrale du travail, favorisant l’étalement urbain. Il s’agit d’une culture individuelle et mobile où chacun joue sans cesse avec l’absence et l’abstention : zapping, divorce, déménagement, voyage, portable, internet… forment un tout, avec une privatisation des liens sociaux, des exclusions féroces, une crise du collectif et, malgré tout, certaines solidarités ainsi que d’extraordinaires libertés quand on accède au droit de choisir ses mobilités.
Éloge de la mobilité : essai sur le capital temps libre et la valeur du travail
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Pour Jean Viard, l'initiation populaire et inégalitaire aux temps libres et son corollaire, la mobilité de masse, ont modifié, bien au-delà de ces faits quantifiables, les façons de vivre. Pour lui, les gestes, les lieux, les normes et les valeurs construites pour occuper les temps libres sont en train de devenir les bases de la culture collective, bousculant les liens sociaux et politiques, remettant en cause la place centrale du travail, favorisant l’étalement urbain. Il s’agit d’une culture individuelle et mobile où chacun joue sans cesse avec l’absence et l’abstention : zapping, divorce, déménagement, voyage, portable, internet… forment un tout, avec une privatisation des liens sociaux, des exclusions féroces, une crise du collectif et, malgré tout, certaines solidarités ainsi que d’extraordinaires libertés quand on accède au droit de choisir ses mobilités.
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livres
livres
Publication:
août 2006
août 2006
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livres
livres
Titre:
Martine Syms: She mad
Martine Syms: She mad
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$48.00
(disponible en magasin)
Résumé:
A source book documenting five episodes of Martine Syms's fragmented imagined television series, "She mad".Works by Martine Syms explore how mass media shapes and frames identities and cultures. Drawing from early cinema, television, the internet, social media, and ambient footage produced by phones and surveillance, Syms addresses the ways in which representations of(...)
$48.00
(disponible en magasin)
Résumé:
A source book documenting five episodes of Martine Syms's fragmented imagined television series, "She mad".Works by Martine Syms explore how mass media shapes and frames identities and cultures. Drawing from early cinema, television, the internet, social media, and ambient footage produced by phones and surveillance, Syms addresses the ways in which representations of(...)
Titre:
Martine Syms: She mad
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$48.00
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A source book documenting five episodes of Martine Syms's fragmented imagined television series, "She mad".Works by Martine Syms explore how mass media shapes and frames identities and cultures. Drawing from early cinema, television, the internet, social media, and ambient footage produced by phones and surveillance, Syms addresses the ways in which representations of black identity and gender appear in the public imagination. "She mad" gathers materials and documentation on Martine Syms's seminal episodic project of the same name. Each episode of this series takes a different format, using various narrative formats, from sitcoms to TikTok videos, and includes filmed footage as well as research materials. Each episode revolves around a protagonist, also named Martine—an overachieving, stoner graphic designer who lives in Hollywood and wishes she were an important artist.
Martine Syms: She mad
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Prix:
$48.00
(disponible en magasin)
Résumé:
A source book documenting five episodes of Martine Syms's fragmented imagined television series, "She mad".Works by Martine Syms explore how mass media shapes and frames identities and cultures. Drawing from early cinema, television, the internet, social media, and ambient footage produced by phones and surveillance, Syms addresses the ways in which representations of black identity and gender appear in the public imagination. "She mad" gathers materials and documentation on Martine Syms's seminal episodic project of the same name. Each episode of this series takes a different format, using various narrative formats, from sitcoms to TikTok videos, and includes filmed footage as well as research materials. Each episode revolves around a protagonist, also named Martine—an overachieving, stoner graphic designer who lives in Hollywood and wishes she were an important artist.
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livres
livres
Publication:
juin 2024
juin 2024
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livres
livres
Titre:
Carousel: An essay on seeing
Carousel: An essay on seeing
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$39.95
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''Carousel'' opens as a professor begins delivering a lecture to a hot room. Her students have the internet in their pockets, screens on their wrists, seeing in more directions than students ever could before. But what, in fact, are they looking at? In the spirit of John Berger’s ''Ways of Seeing'', Sarah Minor’s ''Carousel'' explores how the pursuit of panoramic(...)
$39.95
(disponible en magasin)
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''Carousel'' opens as a professor begins delivering a lecture to a hot room. Her students have the internet in their pockets, screens on their wrists, seeing in more directions than students ever could before. But what, in fact, are they looking at? In the spirit of John Berger’s ''Ways of Seeing'', Sarah Minor’s ''Carousel'' explores how the pursuit of panoramic(...)
Titre:
Carousel: An essay on seeing
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$39.95
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''Carousel'' opens as a professor begins delivering a lecture to a hot room. Her students have the internet in their pockets, screens on their wrists, seeing in more directions than students ever could before. But what, in fact, are they looking at? In the spirit of John Berger’s ''Ways of Seeing'', Sarah Minor’s ''Carousel'' explores how the pursuit of panoramic vision frames power, distorts reality, and implicates both viewer and subject. Across short, loping sections that weave history with memoir, close looking with confession, Minor masterfully fuses the slide lecture with the lyric essay, tying medieval tapestries to surrealism and Instagram reels to predator drones. In language that captures the disorientation of that other carousel, the whirling carnival ride, Minor shows how the more we strive to see, the more we ultimately reveal ourselves.
Carousel: An essay on seeing
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$39.95
(disponible en magasin)
Résumé:
''Carousel'' opens as a professor begins delivering a lecture to a hot room. Her students have the internet in their pockets, screens on their wrists, seeing in more directions than students ever could before. But what, in fact, are they looking at? In the spirit of John Berger’s ''Ways of Seeing'', Sarah Minor’s ''Carousel'' explores how the pursuit of panoramic vision frames power, distorts reality, and implicates both viewer and subject. Across short, loping sections that weave history with memoir, close looking with confession, Minor masterfully fuses the slide lecture with the lyric essay, tying medieval tapestries to surrealism and Instagram reels to predator drones. In language that captures the disorientation of that other carousel, the whirling carnival ride, Minor shows how the more we strive to see, the more we ultimately reveal ourselves.
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livres
livres
Publication:
juillet 2026
juillet 2026
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
Titre:
2001
2001
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$16.00
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Wesley Willis (Chicago, 1963 – 2003) began his artistic career singing on the street, accompanied by his Technics KN 2000 keyboard. He was soon playing opening slots for local bands, and later recording songs as an homage to these performances (i.e. "Urge Overkill", "Swervedriver", "Foo Fighters", "The Frogs"). In 1989, Willis was diagnosed as schizophrenic; he explains(...)
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Wesley Willis (Chicago, 1963 – 2003) began his artistic career singing on the street, accompanied by his Technics KN 2000 keyboard. He was soon playing opening slots for local bands, and later recording songs as an homage to these performances (i.e. "Urge Overkill", "Swervedriver", "Foo Fighters", "The Frogs"). In 1989, Willis was diagnosed as schizophrenic; he explains(...)
Titre:
2001
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$16.00
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Wesley Willis (Chicago, 1963 – 2003) began his artistic career singing on the street, accompanied by his Technics KN 2000 keyboard. He was soon playing opening slots for local bands, and later recording songs as an homage to these performances (i.e. "Urge Overkill", "Swervedriver", "Foo Fighters", "The Frogs"). In 1989, Willis was diagnosed as schizophrenic; he explains that writing, performing, and recording help quiet the voices in his head. Most of his exposure came as an internet phenomenon during the early days of peer-to-peer file sharing. The Exhibition WW vs. GRRRR was first realized in St. Gallen (Switzerland) and then went to s'Hertogenbosch (Holland) and Giza (Egypt). It combines the first retrospective of Willis’s oeuvre with an extensive selection of work by the young Swiss artist Ingo Giezendanner. 2001 is edited by Urs Lehni.
2001
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Wesley Willis (Chicago, 1963 – 2003) began his artistic career singing on the street, accompanied by his Technics KN 2000 keyboard. He was soon playing opening slots for local bands, and later recording songs as an homage to these performances (i.e. "Urge Overkill", "Swervedriver", "Foo Fighters", "The Frogs"). In 1989, Willis was diagnosed as schizophrenic; he explains that writing, performing, and recording help quiet the voices in his head. Most of his exposure came as an internet phenomenon during the early days of peer-to-peer file sharing. The Exhibition WW vs. GRRRR was first realized in St. Gallen (Switzerland) and then went to s'Hertogenbosch (Holland) and Giza (Egypt). It combines the first retrospective of Willis’s oeuvre with an extensive selection of work by the young Swiss artist Ingo Giezendanner. 2001 is edited by Urs Lehni.
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livres
livres
Publication:
janvier 2002, Zürich
janvier 2002, Zürich
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livres
livres
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$36.95
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Résumé:
Anonymous snapshots are the ideal projection screen: they inspire the imagination to invent stories. The photographer and artist Luciano Rigolini demonstrates, however, that these images, freed from their context, can also convey a visual experience. Rigolini pieces together his findings from flea markets, archives, or the Internet to create a new, independent work - a(...)
$36.95
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Anonymous snapshots are the ideal projection screen: they inspire the imagination to invent stories. The photographer and artist Luciano Rigolini demonstrates, however, that these images, freed from their context, can also convey a visual experience. Rigolini pieces together his findings from flea markets, archives, or the Internet to create a new, independent work - a(...)
Titre:
What you see- Luciano Rigolini
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$36.95
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Anonymous snapshots are the ideal projection screen: they inspire the imagination to invent stories. The photographer and artist Luciano Rigolini demonstrates, however, that these images, freed from their context, can also convey a visual experience. Rigolini pieces together his findings from flea markets, archives, or the Internet to create a new, independent work - a grammar of seeing and perception. Les instantanés anonymes sont des surfaces de projection idéales : ils incitent l'imagination à inventer des histoires. Artiste photographe, Luciano Rigolini révèle que, même détachées de leur contexte, ces images peuvent transmettre une expérience visuelle. En fouillant dans les marchés aux puces, les archives et l'Internet, il trouve tout un matériel qu'il assemble ensuite pour en faire une œuvre nouvelle, autonome, une grammaire de la vision et de la perception.
What you see- Luciano Rigolini
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$36.95
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Anonymous snapshots are the ideal projection screen: they inspire the imagination to invent stories. The photographer and artist Luciano Rigolini demonstrates, however, that these images, freed from their context, can also convey a visual experience. Rigolini pieces together his findings from flea markets, archives, or the Internet to create a new, independent work - a grammar of seeing and perception. Les instantanés anonymes sont des surfaces de projection idéales : ils incitent l'imagination à inventer des histoires. Artiste photographe, Luciano Rigolini révèle que, même détachées de leur contexte, ces images peuvent transmettre une expérience visuelle. En fouillant dans les marchés aux puces, les archives et l'Internet, il trouve tout un matériel qu'il assemble ensuite pour en faire une œuvre nouvelle, autonome, une grammaire de la vision et de la perception.
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livres
livres
Publication:
novembre 2008, Baden
novembre 2008, Baden
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livres
livres
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$85.00
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Stemming from the timely spring 2019 group exhibition at the Migros Museum für Gegenwartskunst, ''Producing Futures: A Book on Post-Cyber-Feminisms'' focuses on feminist concerns in the post-internet era. While in the 1990s cyber-feminism—a term coined by artist collective VNS Matrix—celebrated the cyberspace as a place of liberation and empowerment, one is now confronted(...)
$85.00
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Stemming from the timely spring 2019 group exhibition at the Migros Museum für Gegenwartskunst, ''Producing Futures: A Book on Post-Cyber-Feminisms'' focuses on feminist concerns in the post-internet era. While in the 1990s cyber-feminism—a term coined by artist collective VNS Matrix—celebrated the cyberspace as a place of liberation and empowerment, one is now confronted(...)
Titre:
Producing futures: a book on post-cyber feminisms
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$85.00
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Stemming from the timely spring 2019 group exhibition at the Migros Museum für Gegenwartskunst, ''Producing Futures: A Book on Post-Cyber-Feminisms'' focuses on feminist concerns in the post-internet era. While in the 1990s cyber-feminism—a term coined by artist collective VNS Matrix—celebrated the cyberspace as a place of liberation and empowerment, one is now confronted with the fact that, rather, it multiplied and enforced existing hierarchies and power structures. Thus the question remains of whether the cyberspace can be appropriated when striving for gender justice, emancipation and social equality. As the virtual world(s) and real life are increasingly merging, artists reflect on and productively alienate the tools and platforms on hand to produce a future that is worth living in—offline and online.
Producing futures: a book on post-cyber feminisms
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$85.00
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Résumé:
Stemming from the timely spring 2019 group exhibition at the Migros Museum für Gegenwartskunst, ''Producing Futures: A Book on Post-Cyber-Feminisms'' focuses on feminist concerns in the post-internet era. While in the 1990s cyber-feminism—a term coined by artist collective VNS Matrix—celebrated the cyberspace as a place of liberation and empowerment, one is now confronted with the fact that, rather, it multiplied and enforced existing hierarchies and power structures. Thus the question remains of whether the cyberspace can be appropriated when striving for gender justice, emancipation and social equality. As the virtual world(s) and real life are increasingly merging, artists reflect on and productively alienate the tools and platforms on hand to produce a future that is worth living in—offline and online.
Classification:
livres
livres
Publication:
juillet 2019
juillet 2019
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$44.00
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A "glitch" usually fixes itself in the amount of time it takes for it to be noticed in the first place, whether as a scrambled cable television delay, a page-loading error on an internet browser or a jumble of pixels on an ATM interface. This publication consists of over 200 glitch images grabbed, composed and provoked by artists who present these complex fragments of(...)
$44.00
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A "glitch" usually fixes itself in the amount of time it takes for it to be noticed in the first place, whether as a scrambled cable television delay, a page-loading error on an internet browser or a jumble of pixels on an ATM interface. This publication consists of over 200 glitch images grabbed, composed and provoked by artists who present these complex fragments of(...)
Titre:
Glitch: designing imperfection
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$44.00
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A "glitch" usually fixes itself in the amount of time it takes for it to be noticed in the first place, whether as a scrambled cable television delay, a page-loading error on an internet browser or a jumble of pixels on an ATM interface. This publication consists of over 200 glitch images grabbed, composed and provoked by artists who present these complex fragments of color and lines as thought-provoking mistakes that merit being considered in an aesthetic sense, no matter if as art or as advertising. Artists like Angela Lorenz, O.K. Parking and Karl Klomp muse about what glitches mean to them. The images and text in Glitch capture the fact that no one can deliberately make a mistake, although mistakes are often the greatest sources of inspiration.
Glitch: designing imperfection
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$44.00
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A "glitch" usually fixes itself in the amount of time it takes for it to be noticed in the first place, whether as a scrambled cable television delay, a page-loading error on an internet browser or a jumble of pixels on an ATM interface. This publication consists of over 200 glitch images grabbed, composed and provoked by artists who present these complex fragments of color and lines as thought-provoking mistakes that merit being considered in an aesthetic sense, no matter if as art or as advertising. Artists like Angela Lorenz, O.K. Parking and Karl Klomp muse about what glitches mean to them. The images and text in Glitch capture the fact that no one can deliberately make a mistake, although mistakes are often the greatest sources of inspiration.
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livres
livres
Publication:
octobre 2009
octobre 2009
Classification:
livres
livres
Description:
1 online resource (1 electronic resource (292 pages))
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Publication:
Open Humanities Press 2015.
Open Humanities Press 2015.
Titre:
Plastic Bodies: Rebuilding Sensation After Phenomenology.
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1 online resource (1 electronic resource (292 pages))
Plastic Bodies: Rebuilding Sensation After Phenomenology.
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Description:
1 online resource (1 electronic resource (292 pages))
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livres
livres
Publication:
Open Humanities Press 2015.
Open Humanities Press 2015.
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livres
livres
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$28.95
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Résumé:
"Out of Site" accompanies the eponymous exhibition featuring fictional architectural spaces and topographies that reflect how digital technology, virtual reality, urban and suburban growth, and global expansion have had an impact on contemporary culture. Advances in technology and communication have begun to blur the distinctions between what is real and virtual, interior(...)
$28.95
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Résumé:
"Out of Site" accompanies the eponymous exhibition featuring fictional architectural spaces and topographies that reflect how digital technology, virtual reality, urban and suburban growth, and global expansion have had an impact on contemporary culture. Advances in technology and communication have begun to blur the distinctions between what is real and virtual, interior(...)
Titre:
Out of site : fictional architectural sites
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$28.95
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"Out of Site" accompanies the eponymous exhibition featuring fictional architectural spaces and topographies that reflect how digital technology, virtual reality, urban and suburban growth, and global expansion have had an impact on contemporary culture. Advances in technology and communication have begun to blur the distinctions between what is real and virtual, interior and exterior, natural and artificial, local and global. The artists in "Out of Site" have responded to these developments by re-organizing and re-articulating space using a wide range of media. The "fictional" spaces in the work in "Out of Site" point to new ways of experiencing and navigating space, both physically in our homes, workplaces, and neighborhoods as well as on the Internet, and are informed by the history of utopian proposals, science fiction, and major shifts in architectural discourse and building in recent years.
Out of site : fictional architectural sites
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$28.95
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Résumé:
"Out of Site" accompanies the eponymous exhibition featuring fictional architectural spaces and topographies that reflect how digital technology, virtual reality, urban and suburban growth, and global expansion have had an impact on contemporary culture. Advances in technology and communication have begun to blur the distinctions between what is real and virtual, interior and exterior, natural and artificial, local and global. The artists in "Out of Site" have responded to these developments by re-organizing and re-articulating space using a wide range of media. The "fictional" spaces in the work in "Out of Site" point to new ways of experiencing and navigating space, both physically in our homes, workplaces, and neighborhoods as well as on the Internet, and are informed by the history of utopian proposals, science fiction, and major shifts in architectural discourse and building in recent years.
Classification:
livres
livres
Publication:
août 2002, New York
août 2002, New York
