livres
Description:
83 pages : illustrations ; 22 cm.
Firenze : Alinea Editrice, ©1988.
Ferdinando Morozzi : architetto e ingegnere toscano, 1723-1785 / Gabriella Orefice ; appendice a cura di Rosamaria Martellacci.
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83 pages : illustrations ; 22 cm.
livres
Firenze : Alinea Editrice, ©1988.
livres
Description:
119 pages : illustrations (some color), portraits ; 32 cm
Roma : Artemide, ©1987.
L'invito al viaggio : disegni di Goethe su Roma e la Campagna Romana / a cura di Paolo Chiarini ; con un saggio di Cesare De Seta.
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119 pages : illustrations (some color), portraits ; 32 cm
livres
Roma : Artemide, ©1987.
livres
Description:
105 pages : illustrations ; 20 cm
Firenze : All'insegna del giglio, [2000]
Le Corbusier a La Tourette : qualche congettura / Giacomo Pirazzoli.
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105 pages : illustrations ; 20 cm
livres
Firenze : All'insegna del giglio, [2000]
Also known as: Unconvering representational frameworks in architecture, art and digital media
$32.00
(disponible en magasin)
Résumé:
"Also known as" offers analogies between objects and architecture, finding shared structures in physical things and architectural ideas, to render ideas relevant to a broad design audience. In this collection of written and visual work, Michelle JaJa Chang bridges conceptual frameworks found in architectural design and contemporary representation to examine design(...)
Also known as: Unconvering representational frameworks in architecture, art and digital media
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$32.00
(disponible en magasin)
Résumé:
"Also known as" offers analogies between objects and architecture, finding shared structures in physical things and architectural ideas, to render ideas relevant to a broad design audience. In this collection of written and visual work, Michelle JaJa Chang bridges conceptual frameworks found in architectural design and contemporary representation to examine design technology's social, material, and political effects. In architectural practice, where visual representation typically precedes building, techniques like drawing and imaging do not merely structure appearances. They are schemas, or organizational theories, connecting the abstract to the real. Buildings evidence representation's abilities to show how something is (through description) and how things should be (through projection).
Architecture numérique
livres
Canadian Centre for Architecture 2017
livres
Canadian Centre for Architecture 2017
$47.95
(disponible sur commande)
Résumé:
Even more than authorship, ownership is challenged by the rise of digital and computational methods of design and production. These challenges are simultaneously legal, ethical and economic. How are new methods of fabrication and manufacture going to irreversibly change not only ways of working, but also designers’ ethics and their stance on ownership? In his 2013(...)
AD Digital property : open-source architecture
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$47.95
(disponible sur commande)
Résumé:
Even more than authorship, ownership is challenged by the rise of digital and computational methods of design and production. These challenges are simultaneously legal, ethical and economic. How are new methods of fabrication and manufacture going to irreversibly change not only ways of working, but also designers’ ethics and their stance on ownership? In his 2013 second-term State of the Union address, President Obama stated that 3D printing ‘has the potential to revolutionize the way we make almost everything’. Nowhere will the impact of 3D printing be felt greater than in the architectural and design communities. When anyone can print out an object or structure from a digital file, will designers still exert the same creative rights or will they need to develop new practice and payment models? As architecture becomes more collaborative with open-source processes, will the emphasis on signature as the basis of ownership remain relevant? How will wider teams working globally be accredited and compensated? This issue of AD explores this subject; it features the work of designers who are developing wholly new approaches to practice by exploring means of commercialising process-based products rather than objects.
Revues
livres
Description:
132, ix pages : illustrations (some color) ; 17 cm.
Milano : Edizioni L'archivolto, 1998.
Ico Migliore, Mara Servetto : work journal and fibreglass / a cura di Silvio San Pietro ; testi di Giampiero Bosoni, Enrico Morteo.
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132, ix pages : illustrations (some color) ; 17 cm.
livres
Milano : Edizioni L'archivolto, 1998.
livres
Description:
61 unnumbered pages : illustrations, map ; 27 x 34 cm
Pittsburgh, Pa. : National Fire Proofing Company, [1906]
Trial by fire at San Francisco : the evidence of the camera / published by National Fire Proofing Company.
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61 unnumbered pages : illustrations, map ; 27 x 34 cm
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Pittsburgh, Pa. : National Fire Proofing Company, [1906]
audio
Sarah Wigglesworth.
Description:
1 audiocassette (DAT) (approximately 60 min.) ; 2 7/8 x 2 1/8 in., 1/8 in. tape. master
[1998]
Sarah Wigglesworth.
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1 audiocassette (DAT) (approximately 60 min.) ; 2 7/8 x 2 1/8 in., 1/8 in. tape. master
audio
[1998]
$38.95
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Résumé:
Digital photographic and imaging technologies are the most recent development in an art and science whose history is one of constant technological innovation. Using sophisticated software and scanners, artists are able to enhance or alter photographs, and create mesmerizing effects. Focusing exclusively on digital photography, Sylvia Wolf explores a medium that(...)
The digital eye: Photographic art in the electronic age
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$38.95
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Digital photographic and imaging technologies are the most recent development in an art and science whose history is one of constant technological innovation. Using sophisticated software and scanners, artists are able to enhance or alter photographs, and create mesmerizing effects. Focusing exclusively on digital photography, Sylvia Wolf explores a medium that challenges our notions of the role of the artist and of an image's relationship to the real. Taking readers from the earliest experiments in digital photography to the latest innovations, Wolf offers a historical perspective and points to future trends. The work of a global panoply of artists, including Ida Applebroog, Sheila Pree Bright, Peter Campus, Xing Danwen, Joan Fontcuberta, Tom Friedman, Andreas Gursky, Martina Lopez, Loretta Lux, Mary Mattingly, Wendy McMurdo, Andreas Müller-Pohle, Thomas Ruff, Lucas Samaras, and Jeff Wall, demonstrates how diverse and complex the field has become.
Théorie de la photographie