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"Terreno: Traces of the accessible everyday" is a multidisciplinary exhibition exploring materiality and memory through cultural traditions, historical documents, and artistic practices. Inspired by Gianni Celati's concept of the "accessible everyday," it highlights overlooked scenes and gestures of daily life, revealing their hidden meanings. The exhibition features(...)
Terreno: Traces of the accessible everyday
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"Terreno: Traces of the accessible everyday" is a multidisciplinary exhibition exploring materiality and memory through cultural traditions, historical documents, and artistic practices. Inspired by Gianni Celati's concept of the "accessible everyday," it highlights overlooked scenes and gestures of daily life, revealing their hidden meanings. The exhibition features artworks from the MAXXI Collections, artefacts and photographs from the Museum of Civilisations in Rome, editorial materials, architectural projects, and a new sound production. Together, these elements create fluid narratives that blend tradition and invention, connecting deeply with the local community and its creativity.
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With specific spatial and acoustic demands, the spaces and facilities used for the performing arts present a concrete set of challenges for the architect that must also be packaged in a unique building design. Thirteen architectural projects that have succeeded in this sense are examined in this volume, including; Jean Nouvel's Guthrie Theatre; the Fuksas' Zenith Music(...)
juin 2008, Seoul
Performing arts: space and facilities
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With specific spatial and acoustic demands, the spaces and facilities used for the performing arts present a concrete set of challenges for the architect that must also be packaged in a unique building design. Thirteen architectural projects that have succeeded in this sense are examined in this volume, including; Jean Nouvel's Guthrie Theatre; the Fuksas' Zenith Music Hall; Bernard Tschumi's Limoges Concert Hall; the Agora Theatre in Lelystad by UNStudio, and Neutelings Riedijk's Netherlands Institute for Sound and Vision. All are examined through full colour photographs, plans and elevations.
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Haraji's travels as a professional photographer across Iran meant that he invariably had to ring a doorbell, sound a knocker, or pass through a hotel entrance to take up his accommodation for an evening. This fact drew his attention to the endless variety of doors that seemed to act as a boundary between the familiar and unfamiliar. The fruits of his investigation are(...)
Iranian doors: a selection of photographs by Hadi Haraji
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Haraji's travels as a professional photographer across Iran meant that he invariably had to ring a doorbell, sound a knocker, or pass through a hotel entrance to take up his accommodation for an evening. This fact drew his attention to the endless variety of doors that seemed to act as a boundary between the familiar and unfamiliar. The fruits of his investigation are presented in this photographic essay which depicts approximately 100 doors, or elements thereof – each characteristic of the proprietor's poverty or opulence, some plain and simple, others decorated with exquisite motifs and designs.
Arch Moyen-Orient
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Chosen to represent the United States at the 46th Venice Biennale, Bill Viola, a New York artist living on the West Coast, is recognized internationally for his work in video and sound installations. This book brings together a selection of essays, notebook entries, drawings, and descriptions of projects that map Viola's personal course through the readings, observations,(...)
Bill Viola: reasons for knocking at an empty house. Writings 1973-1994
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Chosen to represent the United States at the 46th Venice Biennale, Bill Viola, a New York artist living on the West Coast, is recognized internationally for his work in video and sound installations. This book brings together a selection of essays, notebook entries, drawings, and descriptions of projects that map Viola's personal course through the readings, observations, experiments, and associations that form the groundwork for his art. Each work illustrated is accompanied by a description by the artist, as well as comments on the work's origins from the artist's notebooks.
Théorie de l’art
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Catalogue published for the exhibition (october 2009-february 2010) organised by the international Centre for urbanism, architecture and landscape, in partnership with Espace architecture La Cambre Horta. This book provides the reader with the opportunity to explore avant-garde Chinese architecture, design and urban planning via five separate themes: living architecture,(...)
Heart-made, the cutting edge of chinese contemporary architecture
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Catalogue published for the exhibition (october 2009-february 2010) organised by the international Centre for urbanism, architecture and landscape, in partnership with Espace architecture La Cambre Horta. This book provides the reader with the opportunity to explore avant-garde Chinese architecture, design and urban planning via five separate themes: living architecture, digital architecture, video architecture, installation art and sound art. Influenced in large part by Rem Koolhaas and Steven Holl, contemporary Chinese architects and artists are pioneers in architecture and design in China, actively engaging with the fast-changing society that surrounds them.
Card board book
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This book is packed with examples of the ingenious ways architects, designers, artists, and craftspeople have put cardboard to the test and successfully harnessed its qualities of strength and sound absorption. Projects featured include the conversion of a Paris industrial space into a youthful and dynamic office; a collection of do-it-yourself cardboard furniture for(...)
Card board book
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This book is packed with examples of the ingenious ways architects, designers, artists, and craftspeople have put cardboard to the test and successfully harnessed its qualities of strength and sound absorption. Projects featured include the conversion of a Paris industrial space into a youthful and dynamic office; a collection of do-it-yourself cardboard furniture for kids; and, a flat packed recyclable Christmas tree that comes with an assortment of cardboard decorations. Chapters include Architecture, Interiors, Furniture, Products, Art/Installations, Crafts/Toys and there is an Index of designers and artists.
Design industriel
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Alexandra Horowitz shows us how to see the spectacle of the ordinary. Structured around a series of eleven walks the author takes, mostly in her Manhattan neighborhood, On Looking features experts on a diverse range of subjects, including an urban sociologist, the well-known artist Maira Kalman, a geologist, a physician, and a sound designer. Horowitz also walks with a(...)
On looking : eleven walks with expert eyes
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Alexandra Horowitz shows us how to see the spectacle of the ordinary. Structured around a series of eleven walks the author takes, mostly in her Manhattan neighborhood, On Looking features experts on a diverse range of subjects, including an urban sociologist, the well-known artist Maira Kalman, a geologist, a physician, and a sound designer. Horowitz also walks with a child and a dog to see the world as they perceive it. What they see, how they see it, and why most of us do not see the same things...
livres
Description:
91 pages : illustrations ; 22 cm
Cambridge, Mass. : MIT Press, ©2006.
Le Corbusier's hands / André Wogenscky ; translated by Martina Millà Bernad.
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Description:
91 pages : illustrations ; 22 cm
livres
Cambridge, Mass. : MIT Press, ©2006.
vidéo
Bêka & Lemoine.
Description:
10 videodiscs (approximately 738 min.) : sound, color ; 4 3/4 in.
Bordeaux : Bêka&Partners, [2016], ©2016
Bêka & Lemoine.
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10 videodiscs (approximately 738 min.) : sound, color ; 4 3/4 in.
vidéo
Bordeaux : Bêka&Partners, [2016], ©2016
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In ''Alien agency,'' Chris Salter tells three stories of art in the making. Salter examines three works in which the materials of art—the ''stuff of the world''—behave and perform in ways beyond the creator's intent, becoming unknown, surprising, alien. Studying these works—all three deeply embroiled in and enabled by science and technology—allows him to focus on practice(...)
Alien agency: Experimental encounters with art in the making
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In ''Alien agency,'' Chris Salter tells three stories of art in the making. Salter examines three works in which the materials of art—the ''stuff of the world''—behave and perform in ways beyond the creator's intent, becoming unknown, surprising, alien. Studying these works—all three deeply embroiled in and enabled by science and technology—allows him to focus on practice through the experiential and affective elements of creation. Drawing on extensive ethnographic observation and on his own experience as an artist, Salter investigates how researcher-creators organize the conditions for these experimental, performative assemblages—assemblages that sidestep dichotomies between subjects and objects, human and nonhuman, mind and body, knowing and experiencing. Salter reports on the sound artists Bruce Odland and Sam Auinger (O+A) and their efforts to capture and then project unnoticed urban sounds; tracks the multi-year project TEMA (Tissue Engineered Muscle Actuators) at the art research lab SymbioticA and its construction of a hybrid ''semi-living'' machine from specially grown mouse muscle cells; and describes a research-creation project (which he himself initiated) that uses light, vibration, sound, smell, and other sensory stimuli to enable audiences to experience other cultures' ''ways of sensing.'' Combining theory, diary, history, and ethnography, Salter also explores a broader question: How do new things emerge into the world and what do they do?
Théorie/ philosophie