Marc Nagtzaam : Farben
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Marc Nagtzaam’s artistic practice is based on a single theme: the idea of pattern and repetition. He draws lines, grids, circles, and words or sentences in an endless search, as if collecting pieces of information. The repetition and graphic structure is particularly reminiscent of minimal or conceptual aesthetics. His source material is reduced through basic, elementary(...)
Marc Nagtzaam : Farben
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$98.95
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Marc Nagtzaam’s artistic practice is based on a single theme: the idea of pattern and repetition. He draws lines, grids, circles, and words or sentences in an endless search, as if collecting pieces of information. The repetition and graphic structure is particularly reminiscent of minimal or conceptual aesthetics. His source material is reduced through basic, elementary means, wherein dots, lines, and flat surfaces construct a sort of structure. Although a large number of his drawings consist of colourless surfaces, darkly filled with graphite, ‘Farben’ is true to its name and presents a series of works in colour.
$34.95
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''Reverse perspective'' revolves around practice-based architectural, art historical, and philosophical research on presence via images, buildings, and texts. In the book, Belgian architect Wim Goes explores three of his main projects: Yohji Yamamoto Boutique Antwerp, Royal Belgian Sailing Club, and Refuge II. Crucial to the book’s introspection is the conversation(...)
Reverse perspective: Wim Goes & Volkmar Mühleis
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''Reverse perspective'' revolves around practice-based architectural, art historical, and philosophical research on presence via images, buildings, and texts. In the book, Belgian architect Wim Goes explores three of his main projects: Yohji Yamamoto Boutique Antwerp, Royal Belgian Sailing Club, and Refuge II. Crucial to the book’s introspection is the conversation between Volkmar Mühleis, professor of philosophy and aesthetics at LUCA School of Arts in Brussels and Ghent, and Bulgarian art historian Clemena Antonova, who discuss the concept of reverse perspective in relation to Orthodox icons, cubism, the cinema of Andrei Tarkovsky, and paintings by David Hockney.
Architecture, monographies
Cinema and landscape
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The notion of landscape is a complex one, but it has been central to the art and artistry of the cinema. After all, what is the French New Wave without Paris? What are the films of Sidney Lumet, Woody Allen, Martin Scorsese, and Spike Lee without New York? Cinema and Landscape frames contemporary film landscapes across the world, in an exploration of screen aesthetics and(...)
février 2010
Cinema and landscape
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The notion of landscape is a complex one, but it has been central to the art and artistry of the cinema. After all, what is the French New Wave without Paris? What are the films of Sidney Lumet, Woody Allen, Martin Scorsese, and Spike Lee without New York? Cinema and Landscape frames contemporary film landscapes across the world, in an exploration of screen aesthetics and national ideology, film form and cultural geography, cinematic representation and the human environment. This volume both extends the existing field of film studies and stakes claims to overlapping, contested territories in the humanities and social sciences.
$72.00
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In this work, architectural historian Alice Friedman draws on a vast range of sources to argue that the aesthetics of mid-century modern architecture reflect an increasing fascination with “glamour,” a term widely used in those years to characterize objects, people, and experiences as luxurious, expressive, and even magical. Featuring assessments of architectural(...)
American glamour and the evolution of Modern architecture
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In this work, architectural historian Alice Friedman draws on a vast range of sources to argue that the aesthetics of mid-century modern architecture reflect an increasing fascination with “glamour,” a term widely used in those years to characterize objects, people, and experiences as luxurious, expressive, and even magical. Featuring assessments of architectural examples ranging from Mies van der Rohe’s Seagram Building to Elvis Presley’s Graceland estate, as well as vintage photographs, advertisements, and posters, this book argues that new audiences and client groups with tastes rooted in popular entertainment made their presence felt in the cultural marketplace during the postwar period.
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Accelerationism is the bastard offspring of a furtive liaison between Marxism and science fiction. Its basic premise is that the only way out is the way through: to get beyond capitalism, we need to push its technologies to the point where they explode. This may be dubious as a political strategy, but it works as a powerful artistic program. Other authors have debated(...)
No speed limit: essays on accelerationsim
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Accelerationism is the bastard offspring of a furtive liaison between Marxism and science fiction. Its basic premise is that the only way out is the way through: to get beyond capitalism, we need to push its technologies to the point where they explode. This may be dubious as a political strategy, but it works as a powerful artistic program. Other authors have debated the pros and cons of accelerationist politics; 'No Speed Limit' makes the case for an accelerationist aesthetics. Our present moment is illuminated, both for good and for ill, in the cracked mirror of science-fictional futurity.
Théorie/ philosophie
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In the 2010s, the term ''autotheory'' began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of(...)
Autotheory as feminist practice in art, writing and criticism
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In the 2010s, the term ''autotheory'' began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory.
Théorie de l’art
Beate Gütschow: Z/I/S/LS
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In addition to the series LS and S, with which contemporary German artist Beate Gutschow gained early recognition, the book presents two new series: In I, she draws on the aesthetics and techniques of advertising and product photography. In her most recent series Z, she interlinks photography and drawing, taking a documentary approach for the first time. The object of her(...)
Beate Gütschow: Z/I/S/LS
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In addition to the series LS and S, with which contemporary German artist Beate Gutschow gained early recognition, the book presents two new series: In I, she draws on the aesthetics and techniques of advertising and product photography. In her most recent series Z, she interlinks photography and drawing, taking a documentary approach for the first time. The object of her investigation is a site in Berlin, where the first panoptical prison in Germany once stood-a star-shaped building with a central watchtower, which was erected in 1849 and held political prisoners between 1941 and 1945.
Monographies photo
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Moduli 225 is a modular timber frame system for holiday homes developed from 1968 to 1974 by the Finnish architects Kristian Gullichsen and Juhani Pallasmaa. Through the use of prefabricated standard elements, the system allowed anyone to construct a building of high aesthetic quality in a flexible and modifiable way by combining components according to their personal(...)
Moduli 225: a gem of modern architecture. Juhani Pallasmaa, Kristian Gullichsen
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Moduli 225 is a modular timber frame system for holiday homes developed from 1968 to 1974 by the Finnish architects Kristian Gullichsen and Juhani Pallasmaa. Through the use of prefabricated standard elements, the system allowed anyone to construct a building of high aesthetic quality in a flexible and modifiable way by combining components according to their personal preferences. Through the Moduli system, the industrial serial production of components was successfully combined with freedom of choice, individuality, proportional harmony, and modernist expression. The simple standard shape and geometry and the humane scale and harmony of proportion of Moduli all represent universal aesthetics.
Modernisme
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Berlin-based photographer Jean Molitor has been traveling around the world since 2009, tracking the legacy of the Bauhaus. A century after the founding of the school, several generations of architects have confronted or been reared on the innovations of Bauhaus architecture. Trailblazers, allies and heirs to modernism are united by an architectural language generally(...)
Jean Molitor: Bau1haus. Modernism around the globe
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Berlin-based photographer Jean Molitor has been traveling around the world since 2009, tracking the legacy of the Bauhaus. A century after the founding of the school, several generations of architects have confronted or been reared on the innovations of Bauhaus architecture. Trailblazers, allies and heirs to modernism are united by an architectural language generally described as "Bauhaus." In his Bau1haus project, Molitor focuses on the aesthetics of Bauhaus-influenced architecture across the globe; his pictures make it possible to perceive the continuity of the school's legacy and its architectural language across cultures in a clear fashion.
Monographies photo
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''Twisted'' documents and explores an eleven-story garment factory building in Shantou, China, for the fashion label Lafayette 148. The book presents the building as an artifact of architecture, with detailed documentation of images and drawings. The book also presents essays that offer a series of distinct but interrelated responses to the many questions that arise when(...)
décembre 2018
Twisted: Lafayette 148 New York factory in China
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''Twisted'' documents and explores an eleven-story garment factory building in Shantou, China, for the fashion label Lafayette 148. The book presents the building as an artifact of architecture, with detailed documentation of images and drawings. The book also presents essays that offer a series of distinct but interrelated responses to the many questions that arise when building a garment factory facility in contemporary China. Issues addressed range from the architectural import of the building typology, to the ecological footprint of a factory, to social and architectural concerns regarding labor as well as construction practices, to the ethics and aesthetics of factory building.