3810 Résultats
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In August 1968, the Pakistani foreign minister visited Beijing and presented Chairman Mao Zedong with a crate of mangoes as a diplomatic gesture. The next day, Mao sent the mangoes to the “Worker-Peasant Mao Zedong though Propaganda Teams,” who had been stationed at Quinghua University to put down warring factions of Red Guards ten days previously. The message of this(...)
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In August 1968, the Pakistani foreign minister visited Beijing and presented Chairman Mao Zedong with a crate of mangoes as a diplomatic gesture. The next day, Mao sent the mangoes to the “Worker-Peasant Mao Zedong though Propaganda Teams,” who had been stationed at Quinghua University to put down warring factions of Red Guards ten days previously. The message of this(...)
Titre:
Mao's Golden Mangoes, and the cultural revolution
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In August 1968, the Pakistani foreign minister visited Beijing and presented Chairman Mao Zedong with a crate of mangoes as a diplomatic gesture. The next day, Mao sent the mangoes to the “Worker-Peasant Mao Zedong though Propaganda Teams,” who had been stationed at Quinghua University to put down warring factions of Red Guards ten days previously. The message of this gift was to dismiss the Student Red Guards, who had been leaders of the proletarian movement in China, and in their stead to install workers as the permanent guardians of China’s education system. During the following weeks, the mangoes were distributed to several factories, where they were treated as though they were religious relics. The golden mango was thus a powerful emblem of the power and respect accorded to the proletariat under Mao’s rule. Mao’s Gold Mangoes and the Cultural Revolution is the catalog for an exhibition of the same title at the Museum Rietberg in Zürich, which explores the golden mangoes’ reverberations throughout Chinese culture for years to come.
Mao's Golden Mangoes, and the cultural revolution
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In August 1968, the Pakistani foreign minister visited Beijing and presented Chairman Mao Zedong with a crate of mangoes as a diplomatic gesture. The next day, Mao sent the mangoes to the “Worker-Peasant Mao Zedong though Propaganda Teams,” who had been stationed at Quinghua University to put down warring factions of Red Guards ten days previously. The message of this gift was to dismiss the Student Red Guards, who had been leaders of the proletarian movement in China, and in their stead to install workers as the permanent guardians of China’s education system. During the following weeks, the mangoes were distributed to several factories, where they were treated as though they were religious relics. The golden mango was thus a powerful emblem of the power and respect accorded to the proletariat under Mao’s rule. Mao’s Gold Mangoes and the Cultural Revolution is the catalog for an exhibition of the same title at the Museum Rietberg in Zürich, which explores the golden mangoes’ reverberations throughout Chinese culture for years to come.
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livres
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mai 2013
mai 2013
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A retrospective of Edward Burtynsky's (born 1955) photography from the past 40 years, The Great Acceleration reveals the depth of the photographer's investigation into the human alteration of natural landscapes around the world, showing their present fragility and enduring beauty in equal measure. "The Great Acceleration" is an established term used to describe the rapid(...)
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A retrospective of Edward Burtynsky's (born 1955) photography from the past 40 years, The Great Acceleration reveals the depth of the photographer's investigation into the human alteration of natural landscapes around the world, showing their present fragility and enduring beauty in equal measure. "The Great Acceleration" is an established term used to describe the rapid(...)
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Edward Burtynsky: The great acceleration
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A retrospective of Edward Burtynsky's (born 1955) photography from the past 40 years, The Great Acceleration reveals the depth of the photographer's investigation into the human alteration of natural landscapes around the world, showing their present fragility and enduring beauty in equal measure. "The Great Acceleration" is an established term used to describe the rapid rise of human impact on our planet, among them population growth, water usage, transportation, greenhouse gas emissions, resource extraction and food production, each of which Burtynsky has photographed the signs of in great detail throughout his career. From open pit mines across North America to oil derricks in Azerbaijan, from rice terraces in China to oil bunkering in Nigeria, Burtynsky has traveled the world and back again as part of his restless and seemingly inexhaustible drive to discover the ways, both old and new, that organized human activity has transformed the earth. Including many of Burtynsky's landmark images, and which have never been published, the book is an urgent call to action, inviting us to appreciate the sublimity that remains in nature while deepening our understanding of the challenges and responsibilities confronting us today.
Edward Burtynsky: The great acceleration
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A retrospective of Edward Burtynsky's (born 1955) photography from the past 40 years, The Great Acceleration reveals the depth of the photographer's investigation into the human alteration of natural landscapes around the world, showing their present fragility and enduring beauty in equal measure. "The Great Acceleration" is an established term used to describe the rapid rise of human impact on our planet, among them population growth, water usage, transportation, greenhouse gas emissions, resource extraction and food production, each of which Burtynsky has photographed the signs of in great detail throughout his career. From open pit mines across North America to oil derricks in Azerbaijan, from rice terraces in China to oil bunkering in Nigeria, Burtynsky has traveled the world and back again as part of his restless and seemingly inexhaustible drive to discover the ways, both old and new, that organized human activity has transformed the earth. Including many of Burtynsky's landmark images, and which have never been published, the book is an urgent call to action, inviting us to appreciate the sublimity that remains in nature while deepening our understanding of the challenges and responsibilities confronting us today.
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livres
livres
Publication:
décembre 2025
décembre 2025
Sujet:
Monographies photo
Monographies photo
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Borrowing its title from Gregg Araki’s 2005 film, in which the camera’s contemplation of the male body encourages us to feel that body, and covering a broad span of subjects and films, Mysterious Skin offers a wider, more representative picture of the depiction of the male body in contemporary world cinemas than has hitherto been attempted. An international array of(...)
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Borrowing its title from Gregg Araki’s 2005 film, in which the camera’s contemplation of the male body encourages us to feel that body, and covering a broad span of subjects and films, Mysterious Skin offers a wider, more representative picture of the depiction of the male body in contemporary world cinemas than has hitherto been attempted. An international array of(...)
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Mysterious skin: male bodies in contemporary cinema
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Borrowing its title from Gregg Araki’s 2005 film, in which the camera’s contemplation of the male body encourages us to feel that body, and covering a broad span of subjects and films, Mysterious Skin offers a wider, more representative picture of the depiction of the male body in contemporary world cinemas than has hitherto been attempted. An international array of major experts explore the treatment of masculinity and the male body in the cinemas of Africa, Australia, China, France, Germany, Great Britain, India, North America, Spain, Taiwan and Vietnam, as well as Hollywood. Their common concern is to reveal how the representation of the male body is used in films to convey a country’s anxieties about its national identity and history, as well as how it engages with questions of racial, sexual or gender politics. They discuss key actors, directors and films of these countries, from Ewan MacGregor in Peter Greenaway’s The Pillow Book, through the films of Wong Kar Wai, to Paul Hogan as Mick Dundee in Crocodile Dundee. In so doing, Mysterious Skin also provides a strong overview of important cinema produced around the world in the last twenty years.
Mysterious skin: male bodies in contemporary cinema
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Borrowing its title from Gregg Araki’s 2005 film, in which the camera’s contemplation of the male body encourages us to feel that body, and covering a broad span of subjects and films, Mysterious Skin offers a wider, more representative picture of the depiction of the male body in contemporary world cinemas than has hitherto been attempted. An international array of major experts explore the treatment of masculinity and the male body in the cinemas of Africa, Australia, China, France, Germany, Great Britain, India, North America, Spain, Taiwan and Vietnam, as well as Hollywood. Their common concern is to reveal how the representation of the male body is used in films to convey a country’s anxieties about its national identity and history, as well as how it engages with questions of racial, sexual or gender politics. They discuss key actors, directors and films of these countries, from Ewan MacGregor in Peter Greenaway’s The Pillow Book, through the films of Wong Kar Wai, to Paul Hogan as Mick Dundee in Crocodile Dundee. In so doing, Mysterious Skin also provides a strong overview of important cinema produced around the world in the last twenty years.
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Publication:
janvier 1900
janvier 1900
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Mad Dinner
Mad Dinner
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"In China, we like to sit around a big round table for dinner. We place our dishes on a big spinning disk in the center of the table so that we can all reach the food. Everyone, whether or not he or she has anything to say, and every discussion, whether it is important or not, has an equal place around the table. We hope to have such a dinner and to invite to our table(...)
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"In China, we like to sit around a big round table for dinner. We place our dishes on a big spinning disk in the center of the table so that we can all reach the food. Everyone, whether or not he or she has anything to say, and every discussion, whether it is important or not, has an equal place around the table. We hope to have such a dinner and to invite to our table(...)
Publication:
janvier 2008, Barcelona
janvier 2008, Barcelona
Titre:
Mad Dinner
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"In China, we like to sit around a big round table for dinner. We place our dishes on a big spinning disk in the center of the table so that we can all reach the food. Everyone, whether or not he or she has anything to say, and every discussion, whether it is important or not, has an equal place around the table. We hope to have such a dinner and to invite to our table those who don't usually come together in real life to share their experiences, opinions, and observations. Their concerns are really also our concerns." Mad Dinner MAD is a Beijing-based studio that has won numerous international design competitions, including the Absolute Tower in Toronto. Divided thematically, the book looks at MADs designs to illustrate the freedoms and limitations of the worlds fastest growing urbanization. It explores idealism and free market realities, the role of the media and cultural icons, enacting change in Chinas political landscape, and projects for environmental protection. A journalistic approach with a series of interviews reconnects architecture to the daily cultural landscape: A taxi driver speaks on China's economy, a doctor describes his ideal architecture.
Mad Dinner
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"In China, we like to sit around a big round table for dinner. We place our dishes on a big spinning disk in the center of the table so that we can all reach the food. Everyone, whether or not he or she has anything to say, and every discussion, whether it is important or not, has an equal place around the table. We hope to have such a dinner and to invite to our table those who don't usually come together in real life to share their experiences, opinions, and observations. Their concerns are really also our concerns." Mad Dinner MAD is a Beijing-based studio that has won numerous international design competitions, including the Absolute Tower in Toronto. Divided thematically, the book looks at MADs designs to illustrate the freedoms and limitations of the worlds fastest growing urbanization. It explores idealism and free market realities, the role of the media and cultural icons, enacting change in Chinas political landscape, and projects for environmental protection. A journalistic approach with a series of interviews reconnects architecture to the daily cultural landscape: A taxi driver speaks on China's economy, a doctor describes his ideal architecture.
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janvier 2008, Barcelona
janvier 2008, Barcelona
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$32.95
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Dystopic imagery has figured prominently in modern depictions of the urban landscape. The city is often portrayed as a terrifying world of darkness, crisis, and catastrophe. Noir Urbanisms traces the history of the modern city through its critical representations in art, cinema, print journalism, literature, sociology, and architecture. It focuses on visual forms of(...)
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Dystopic imagery has figured prominently in modern depictions of the urban landscape. The city is often portrayed as a terrifying world of darkness, crisis, and catastrophe. Noir Urbanisms traces the history of the modern city through its critical representations in art, cinema, print journalism, literature, sociology, and architecture. It focuses on visual forms of(...)
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Noir urbanisms: Dystopic images of the modern city
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Dystopic imagery has figured prominently in modern depictions of the urban landscape. The city is often portrayed as a terrifying world of darkness, crisis, and catastrophe. Noir Urbanisms traces the history of the modern city through its critical representations in art, cinema, print journalism, literature, sociology, and architecture. It focuses on visual forms of dystopic representation--because the history of the modern city is inseparable from the production and circulation of images--and examines their strengths and limits as urban criticism. Contributors explore dystopic images of the modern city in Germany, Mexico, Japan, India, South Africa, China, and the United States. Their topics include Weimar representations of urban dystopia in Fritz Lang's 1927 film Metropolis; 1960s modernist architecture in Mexico City; Hollywood film noir of the 1940s and 1950s; the recurring fictional destruction of Tokyo in postwar Japan's sci-fi doom culture; the urban fringe in Bombay cinema; fictional explorations of urban dystopia in postapartheid Johannesburg; and Delhi's out-of-control and media-saturated urbanism in the 1980s and 1990s. What emerges in Noir Urbanisms is the unsettling and disorienting alchemy between dark representations and the modern urban experience.
Noir urbanisms: Dystopic images of the modern city
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Dystopic imagery has figured prominently in modern depictions of the urban landscape. The city is often portrayed as a terrifying world of darkness, crisis, and catastrophe. Noir Urbanisms traces the history of the modern city through its critical representations in art, cinema, print journalism, literature, sociology, and architecture. It focuses on visual forms of dystopic representation--because the history of the modern city is inseparable from the production and circulation of images--and examines their strengths and limits as urban criticism. Contributors explore dystopic images of the modern city in Germany, Mexico, Japan, India, South Africa, China, and the United States. Their topics include Weimar representations of urban dystopia in Fritz Lang's 1927 film Metropolis; 1960s modernist architecture in Mexico City; Hollywood film noir of the 1940s and 1950s; the recurring fictional destruction of Tokyo in postwar Japan's sci-fi doom culture; the urban fringe in Bombay cinema; fictional explorations of urban dystopia in postapartheid Johannesburg; and Delhi's out-of-control and media-saturated urbanism in the 1980s and 1990s. What emerges in Noir Urbanisms is the unsettling and disorienting alchemy between dark representations and the modern urban experience.
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livres
Publication:
octobre 2010
octobre 2010
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livres
Titre:
Fairy tale architecture
Fairy tale architecture
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Little Red Riding Hood, Baba Yaga, Rapunzel, Jack and the Beanstalk, The Snow Queen: these and more than fifteen other stories designed by Bernheimer Architecture, Snøhetta, Rural Studio, LEVENBETTS, and LTL Architects and many other international vanguards have created stunning works for this groundbreaking collection of architectural fairy tales. Story by story, Andrew(...)
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Little Red Riding Hood, Baba Yaga, Rapunzel, Jack and the Beanstalk, The Snow Queen: these and more than fifteen other stories designed by Bernheimer Architecture, Snøhetta, Rural Studio, LEVENBETTS, and LTL Architects and many other international vanguards have created stunning works for this groundbreaking collection of architectural fairy tales. Story by story, Andrew(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
décembre 2020
décembre 2020
Titre:
Fairy tale architecture
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Little Red Riding Hood, Baba Yaga, Rapunzel, Jack and the Beanstalk, The Snow Queen: these and more than fifteen other stories designed by Bernheimer Architecture, Snøhetta, Rural Studio, LEVENBETTS, and LTL Architects and many other international vanguards have created stunning works for this groundbreaking collection of architectural fairy tales. Story by story, Andrew Bernheimer and Kate Bernheimer- a brother and sister team as in an old fairy tale- have built the ultimate home for lovers of fiction and design. Snow girls and spinning houses. Paper capes and engineered hair braids. Resin bee hives and infinite libraries. Here are futuristic structures made from traditional stories, inspired by everything from Hans Christian Andersen’s The Snow Queen and The Little Match Girl to the Brothers Grimm’s Rapunzel and The Juniper Tree to fairy tales by Jorge Luis Borges and Joy Williams and from China, Japan, Russia, Nigeria, and Mexico. A desire for story and shelter counts as among our most ancient instincts, and this dual desire continues to inspire our most imaginative architects and authors today. ''Fairy Tale Architecture'' invites the reader into a space of wonder, into a new form that will endure ever after.
Fairy tale architecture
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Little Red Riding Hood, Baba Yaga, Rapunzel, Jack and the Beanstalk, The Snow Queen: these and more than fifteen other stories designed by Bernheimer Architecture, Snøhetta, Rural Studio, LEVENBETTS, and LTL Architects and many other international vanguards have created stunning works for this groundbreaking collection of architectural fairy tales. Story by story, Andrew Bernheimer and Kate Bernheimer- a brother and sister team as in an old fairy tale- have built the ultimate home for lovers of fiction and design. Snow girls and spinning houses. Paper capes and engineered hair braids. Resin bee hives and infinite libraries. Here are futuristic structures made from traditional stories, inspired by everything from Hans Christian Andersen’s The Snow Queen and The Little Match Girl to the Brothers Grimm’s Rapunzel and The Juniper Tree to fairy tales by Jorge Luis Borges and Joy Williams and from China, Japan, Russia, Nigeria, and Mexico. A desire for story and shelter counts as among our most ancient instincts, and this dual desire continues to inspire our most imaginative architects and authors today. ''Fairy Tale Architecture'' invites the reader into a space of wonder, into a new form that will endure ever after.
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livres
livres
Publication:
décembre 2020
décembre 2020
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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$40.50
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When Urbanization Comes To Ground is a collaborative research project between the Brooklyn-based architecture studio, CAZA, and think tank, SURBA, an urban research collective spearheaded by Carlos Arnaiz and Peter Rowe. Drawing upon case studies including projects in China, Colombia, and the Philippines, this book works across place, time, and culture to offer an(...)
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When Urbanization Comes To Ground is a collaborative research project between the Brooklyn-based architecture studio, CAZA, and think tank, SURBA, an urban research collective spearheaded by Carlos Arnaiz and Peter Rowe. Drawing upon case studies including projects in China, Colombia, and the Philippines, this book works across place, time, and culture to offer an(...)
Titre:
CAZA + SURBA: When urbanization comes to ground
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When Urbanization Comes To Ground is a collaborative research project between the Brooklyn-based architecture studio, CAZA, and think tank, SURBA, an urban research collective spearheaded by Carlos Arnaiz and Peter Rowe. Drawing upon case studies including projects in China, Colombia, and the Philippines, this book works across place, time, and culture to offer an allegorical journey into urbanization at large. When ''Urbanization comes to ground'' is a loosely congregated collection of essays that reflect an aggregation of encounters with urban circumstances – physical and immaterial, and structural and affective. From Robots, Utilidors, and a Brave New World to A Third Way Towards Metropolitanism and Tagging Thingness and Scale, this publication questions the role of architecture and its related disciplines in the wake of the master plan. It searches for a field guide to everyday urban life by offering palpable views into the network of relations that characterize this evolving social ecosystem. Through their collective global research projects CAZA and SURBA frame, abstract, poeticize, and render the city as a historical process, a future destination, a production cycle, and a layered landscape of overlapping phenomena.
CAZA + SURBA: When urbanization comes to ground
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When Urbanization Comes To Ground is a collaborative research project between the Brooklyn-based architecture studio, CAZA, and think tank, SURBA, an urban research collective spearheaded by Carlos Arnaiz and Peter Rowe. Drawing upon case studies including projects in China, Colombia, and the Philippines, this book works across place, time, and culture to offer an allegorical journey into urbanization at large. When ''Urbanization comes to ground'' is a loosely congregated collection of essays that reflect an aggregation of encounters with urban circumstances – physical and immaterial, and structural and affective. From Robots, Utilidors, and a Brave New World to A Third Way Towards Metropolitanism and Tagging Thingness and Scale, this publication questions the role of architecture and its related disciplines in the wake of the master plan. It searches for a field guide to everyday urban life by offering palpable views into the network of relations that characterize this evolving social ecosystem. Through their collective global research projects CAZA and SURBA frame, abstract, poeticize, and render the city as a historical process, a future destination, a production cycle, and a layered landscape of overlapping phenomena.
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livres
livres
Publication:
janvier 2020
janvier 2020
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Architecture, monographies
Architecture, monographies
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archives
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1387 drawings, digital prints or reprographic copies, 72 digital files, 42 photographs, 20 slides, 16 transparencies, 13 panels, 13 collages, 8 models, 6 bound volumes, 4...
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1387 drawings, digital prints or reprographic copies, 72 digital files, 42 photographs, 20 slides, 16 transparencies, 13 panels, 13 collages, 8 models, 6 bound volumes, 4...
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Shoei Yoh fonds, 1976-2014 1990-1996.
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1387 drawings, digital prints or reprographic copies, 72 digital files, 42 photographs, 20 slides, 16 transparencies, 13 panels, 13 collages, 8 models, 6 bound volumes, 4...
Shoei Yoh fonds, 1976-2014 1990-1996.
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1387 drawings, digital prints or reprographic copies, 72 digital files, 42 photographs, 20 slides, 16 transparencies, 13 panels, 13 collages, 8 models, 6 bound volumes, 4...
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archives
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301 pages : illustrations ; 24 cm
Description:
301 pages : illustrations ; 24 cm
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Cambridge, Mass. : MIT Press ; London : Anthony d'Offay Gallery, 1995.
Cambridge, Mass. : MIT Press ; London : Anthony d'Offay Gallery, 1995.
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Reasons for knocking at an empty house : writings 1973-1994 / Bill Viola ; edited by Robert Violette in collaboration with the author ; introduction by Jean-Christophe Ammann.
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301 pages : illustrations ; 24 cm
Reasons for knocking at an empty house : writings 1973-1994 / Bill Viola ; edited by Robert Violette in collaboration with the author ; introduction by Jean-Christophe Ammann.
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301 pages : illustrations ; 24 cm
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Cambridge, Mass. : MIT Press ; London : Anthony d'Offay Gallery, 1995.
Cambridge, Mass. : MIT Press ; London : Anthony d'Offay Gallery, 1995.
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vii, 541 pages : illustrations (some color), plans ; 22 cm
Description:
vii, 541 pages : illustrations (some color), plans ; 22 cm
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Kyoto : Kyoto University Press ; Paris : École française d'Extrême-Orient (EFEO), 2012., Paris : EFEO-Diffusion ; Kyoto : Kyoto University Press ; Chiang Mai, Thailand : Silkworm Books, ©2012
Kyoto : Kyoto University Press ; Paris : École française d'Extrême-Orient (EFEO), 2012., Paris : EFEO-Diffusion ; Kyoto : Kyoto University Press ; Chiang Mai, Thailand : Silkworm Books, ©2012
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From the things themselves : architecture and phenomenology / edited by Benoît Jacquet and Vincent Giraud.
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vii, 541 pages : illustrations (some color), plans ; 22 cm
From the things themselves : architecture and phenomenology / edited by Benoît Jacquet and Vincent Giraud.
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vii, 541 pages : illustrations (some color), plans ; 22 cm
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Kyoto : Kyoto University Press ; Paris : École française d'Extrême-Orient (EFEO), 2012., Paris : EFEO-Diffusion ; Kyoto : Kyoto University Press ; Chiang Mai, Thailand : Silkworm Books, ©2012
Kyoto : Kyoto University Press ; Paris : École française d'Extrême-Orient (EFEO), 2012., Paris : EFEO-Diffusion ; Kyoto : Kyoto University Press ; Chiang Mai, Thailand : Silkworm Books, ©2012
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