6646 Résultats
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343 pages, [124] pages of plates (some folded) : illustrations (some color), plans ; 31 cm
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343 pages, [124] pages of plates (some folded) : illustrations (some color), plans ; 31 cm
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Weimar : Herman Böhlaus Nachfolger, 1967.
Weimar : Herman Böhlaus Nachfolger, 1967.
Titre:
Kunst des Mittelalters in Sachsen : Festschrift Wolf Schubert, dargebracht zum sechzigsten Geburtstag am 28. Januar 1963 / [Herausgabe und redaktion: Elisabeth Hütter, Fritz Löffler [und] Heinrich Magirius].
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343 pages, [124] pages of plates (some folded) : illustrations (some color), plans ; 31 cm
Kunst des Mittelalters in Sachsen : Festschrift Wolf Schubert, dargebracht zum sechzigsten Geburtstag am 28. Januar 1963 / [Herausgabe und redaktion: Elisabeth Hütter, Fritz Löffler [und] Heinrich Magirius].
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343 pages, [124] pages of plates (some folded) : illustrations (some color), plans ; 31 cm
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Weimar : Herman Böhlaus Nachfolger, 1967.
Weimar : Herman Böhlaus Nachfolger, 1967.
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xxiv, 385 pages : illustrations, 6 plate, diagrams ; 32 cm. and portfolio of xxx (i. e. 32) plate (part folded; including plans)
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xxiv, 385 pages : illustrations, 6 plate, diagrams ; 32 cm. and portfolio of xxx (i. e. 32) plate (part folded; including plans)
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London : B. T. Batsford, 1921.
London : B. T. Batsford, 1921.
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Ad quadratum; a study of the geometrical bases of classic & medieval religious architecture, with special reference to their application in the restoration of the cathedral of Nidaros (Throndhjem) Norway / by Fredrik Macody Lund; profusely illustrated by plans, sections, views and details of notable temples, churches, cathedrals & other buildings in Greece, Italy, Germany, Denmark, France, England & Norway.
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xxiv, 385 pages : illustrations, 6 plate, diagrams ; 32 cm. and portfolio of xxx (i. e. 32) plate (part folded; including plans)
Ad quadratum; a study of the geometrical bases of classic & medieval religious architecture, with special reference to their application in the restoration of the cathedral of Nidaros (Throndhjem) Norway / by Fredrik Macody Lund; profusely illustrated by plans, sections, views and details of notable temples, churches, cathedrals & other buildings in Greece, Italy, Germany, Denmark, France, England & Norway.
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xxiv, 385 pages : illustrations, 6 plate, diagrams ; 32 cm. and portfolio of xxx (i. e. 32) plate (part folded; including plans)
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livres
livres
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London : B. T. Batsford, 1921.
London : B. T. Batsford, 1921.
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$33.95
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Résumé:
Since its publication in 1936, Walter Benjamin's "Artwork" essay has become a canonical text about the status and place of the fine arts in modern mass culture. Benjamin was especially concerned with the ability of new technologies--notably film, sound recording, and photography--to reproduce works of art in great number. Benjamin could not have foreseen the explosion of(...)
$33.95
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Since its publication in 1936, Walter Benjamin's "Artwork" essay has become a canonical text about the status and place of the fine arts in modern mass culture. Benjamin was especially concerned with the ability of new technologies--notably film, sound recording, and photography--to reproduce works of art in great number. Benjamin could not have foreseen the explosion of(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
juillet 2003, Stanford
juillet 2003, Stanford
Titre:
Mapping Benjamin : the work of art in the digital age
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$33.95
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Since its publication in 1936, Walter Benjamin's "Artwork" essay has become a canonical text about the status and place of the fine arts in modern mass culture. Benjamin was especially concerned with the ability of new technologies--notably film, sound recording, and photography--to reproduce works of art in great number. Benjamin could not have foreseen the explosion of imagery and media that has occurred during the past fifty years. Does Benjamin's famous essay still speak to this new situation? That is the question posed by the editors of this book to a wide range of leading scholars and thinkers across a spectrum of disciplines in the humanities. The essays gathered here do not hazard a univocal reply to that question; rather they offer a rich, wide-ranging critique of Benjamin's position that refracts and reflects contemporary thinking about the ethical, political, and aesthetic implications of life in the digital age.
Mapping Benjamin : the work of art in the digital age
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$33.95
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Since its publication in 1936, Walter Benjamin's "Artwork" essay has become a canonical text about the status and place of the fine arts in modern mass culture. Benjamin was especially concerned with the ability of new technologies--notably film, sound recording, and photography--to reproduce works of art in great number. Benjamin could not have foreseen the explosion of imagery and media that has occurred during the past fifty years. Does Benjamin's famous essay still speak to this new situation? That is the question posed by the editors of this book to a wide range of leading scholars and thinkers across a spectrum of disciplines in the humanities. The essays gathered here do not hazard a univocal reply to that question; rather they offer a rich, wide-ranging critique of Benjamin's position that refracts and reflects contemporary thinking about the ethical, political, and aesthetic implications of life in the digital age.
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livres
livres
Publication:
juillet 2003, Stanford
juillet 2003, Stanford
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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Link Editions Aksioma – Institute for Contemporary Art 2014
Link Editions Aksioma – Institute for Contemporary Art 2014
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livres
livres
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Link Editions Aksioma – Institute for Contemporary Art 2014
Link Editions Aksioma – Institute for Contemporary Art 2014
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$35.95
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A leading activist museum director explains why museums are at the center of a political storm and how they can be reimagined. In an age of protest, cultural institutions have come under fire. Protestors have mobilized against sources of museum funding, as happened at the Metropolitan Museum, and against board appointments, forcing tear gas manufacturer Warren Kanders to(...)
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A leading activist museum director explains why museums are at the center of a political storm and how they can be reimagined. In an age of protest, cultural institutions have come under fire. Protestors have mobilized against sources of museum funding, as happened at the Metropolitan Museum, and against board appointments, forcing tear gas manufacturer Warren Kanders to(...)
Titre:
Culture strike: art and museums in an age of protest
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A leading activist museum director explains why museums are at the center of a political storm and how they can be reimagined. In an age of protest, cultural institutions have come under fire. Protestors have mobilized against sources of museum funding, as happened at the Metropolitan Museum, and against board appointments, forcing tear gas manufacturer Warren Kanders to resign at the Whitney. That is to say nothing of demonstrations against exhibitions and artworks. Protests have roiled institutions across the world, from the Abu Dhabi Guggenheim to the Akron Art Museum. A popular expectation has grown that galleries and museums should work for social change. As Director of the Queens Museum, Laura Raicovich helped turn that New York muni- cipal institution into a public commons for art and activism, organizing high-powered exhibitions that doubled as political protests. Then in January 2018, she resigned, after a dispute with the Queens Museum board and city officials. This public controversy followed the museum’s responses to Donald Trump’s election, including her objections to the Israeli government using the museum for an event featuring Vice President Mike Pence. In this lucid and accessible book, Raicovich examines some of the key museum flashpoints and provides historical context for the current controversies. She shows how art museums arose as colonial institutions bearing an ideology of neutrality that masks their role in upholding conservative, capitalist values. And she suggests ways museums can be reinvented to serve better, public ends.
Culture strike: art and museums in an age of protest
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$35.95
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A leading activist museum director explains why museums are at the center of a political storm and how they can be reimagined. In an age of protest, cultural institutions have come under fire. Protestors have mobilized against sources of museum funding, as happened at the Metropolitan Museum, and against board appointments, forcing tear gas manufacturer Warren Kanders to resign at the Whitney. That is to say nothing of demonstrations against exhibitions and artworks. Protests have roiled institutions across the world, from the Abu Dhabi Guggenheim to the Akron Art Museum. A popular expectation has grown that galleries and museums should work for social change. As Director of the Queens Museum, Laura Raicovich helped turn that New York muni- cipal institution into a public commons for art and activism, organizing high-powered exhibitions that doubled as political protests. Then in January 2018, she resigned, after a dispute with the Queens Museum board and city officials. This public controversy followed the museum’s responses to Donald Trump’s election, including her objections to the Israeli government using the museum for an event featuring Vice President Mike Pence. In this lucid and accessible book, Raicovich examines some of the key museum flashpoints and provides historical context for the current controversies. She shows how art museums arose as colonial institutions bearing an ideology of neutrality that masks their role in upholding conservative, capitalist values. And she suggests ways museums can be reinvented to serve better, public ends.
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livres
livres
Publication:
juin 2021
juin 2021
Sujet:
Muséologie
Muséologie
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3 preliminary leaves, [9]-191, [1] pages 25 cm
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3 preliminary leaves, [9]-191, [1] pages 25 cm
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Lausanne, F. Roth & cie., 1944.
Lausanne, F. Roth & cie., 1944.
Titre:
Les éléments médiévaux de l'architecture baroque.
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3 preliminary leaves, [9]-191, [1] pages 25 cm
Les éléments médiévaux de l'architecture baroque.
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3 preliminary leaves, [9]-191, [1] pages 25 cm
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Lausanne, F. Roth & cie., 1944.
Lausanne, F. Roth & cie., 1944.
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$35.00
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La découverte scientifique et la maîtrise de l'électricité ont bouleversé notre société au même titre que l'invention de l'écriture alphabétique durant l'Antiquité et de l'imprimerie à caractères mobiles au XVe siècle. Il ne s'agit pas seulement d'un phénomène naturel mis au service de l'homme par la science, mais d'un élément central de l'épistémè moderne : l'électricité(...)
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La découverte scientifique et la maîtrise de l'électricité ont bouleversé notre société au même titre que l'invention de l'écriture alphabétique durant l'Antiquité et de l'imprimerie à caractères mobiles au XVe siècle. Il ne s'agit pas seulement d'un phénomène naturel mis au service de l'homme par la science, mais d'un élément central de l'épistémè moderne : l'électricité(...)
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Publication:
septembre 2011
septembre 2011
Titre:
L'ère électrique / The electric age
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$35.00
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La découverte scientifique et la maîtrise de l'électricité ont bouleversé notre société au même titre que l'invention de l'écriture alphabétique durant l'Antiquité et de l'imprimerie à caractères mobiles au XVe siècle. Il ne s'agit pas seulement d'un phénomène naturel mis au service de l'homme par la science, mais d'un élément central de l'épistémè moderne : l'électricité a inspiré des écrivains et des artistes, a servi de force d'impulsion au monde de l'industrie et de l'innovation et a redéfini les comportements sociaux. En explorant l'incidence de l'électricité sur le savoir, les pratiques sociales, les médias, la vie sociale et les expériences personnelles, cet ouvrage tente d'en saisir les aspects techniques et culturels dans toute leur complexité. -- The scientific discovery and mastery of electricity created as many important changes in modern society as did the invention of alphabetical writing in antiquity and movable type in the fifteenth century. It is more than a natural phenomenon that science has harnessed for human use; it is a central feature of the modern episteme. It has inspired writers and artists, propelled industry and innovation, and reshaped human social behaviour. Looking at a variety of topics including film, politics, and contemporary art, this volume explores the impact of electricity on knowledge, social practices, media, community life, and subjective experience.
L'ère électrique / The electric age
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$35.00
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La découverte scientifique et la maîtrise de l'électricité ont bouleversé notre société au même titre que l'invention de l'écriture alphabétique durant l'Antiquité et de l'imprimerie à caractères mobiles au XVe siècle. Il ne s'agit pas seulement d'un phénomène naturel mis au service de l'homme par la science, mais d'un élément central de l'épistémè moderne : l'électricité a inspiré des écrivains et des artistes, a servi de force d'impulsion au monde de l'industrie et de l'innovation et a redéfini les comportements sociaux. En explorant l'incidence de l'électricité sur le savoir, les pratiques sociales, les médias, la vie sociale et les expériences personnelles, cet ouvrage tente d'en saisir les aspects techniques et culturels dans toute leur complexité. -- The scientific discovery and mastery of electricity created as many important changes in modern society as did the invention of alphabetical writing in antiquity and movable type in the fifteenth century. It is more than a natural phenomenon that science has harnessed for human use; it is a central feature of the modern episteme. It has inspired writers and artists, propelled industry and innovation, and reshaped human social behaviour. Looking at a variety of topics including film, politics, and contemporary art, this volume explores the impact of electricity on knowledge, social practices, media, community life, and subjective experience.
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livres
livres
Publication:
septembre 2011
septembre 2011
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Théorie/ philosophie
Théorie/ philosophie
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livres
livres
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Architetti e committenti nel romanico lombardo / Carlo Tosco ; presentazione di Enrico Castelnuovo.
Architetti e committenti nel romanico lombardo / Carlo Tosco ; presentazione di Enrico Castelnuovo.
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336 pages : illustrations ; 24 cm.
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336 pages : illustrations ; 24 cm.
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Roma : Viella, 1997.
Roma : Viella, 1997.
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Architetti e committenti nel romanico lombardo / Carlo Tosco ; presentazione di Enrico Castelnuovo.
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336 pages : illustrations ; 24 cm.
Architetti e committenti nel romanico lombardo / Carlo Tosco ; presentazione di Enrico Castelnuovo.
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336 pages : illustrations ; 24 cm.
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livres
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Roma : Viella, 1997.
Roma : Viella, 1997.
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$39.99
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Résumé:
At the opening of the nineteenth century, publishing houses in London, New York, Paris, Stuttgart, and Berlin produced books in ever greater numbers. But it was not just the advent of mass printing that created the era's 'bookish' culture. According to Andrew Piper, romantic writers played a crucial role in adjusting readers to this increasingly international and(...)
$39.99
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At the opening of the nineteenth century, publishing houses in London, New York, Paris, Stuttgart, and Berlin produced books in ever greater numbers. But it was not just the advent of mass printing that created the era's 'bookish' culture. According to Andrew Piper, romantic writers played a crucial role in adjusting readers to this increasingly international and(...)
Titre:
Dreaming in books: the making of the bibliographic imagination in the romantic age
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$39.99
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At the opening of the nineteenth century, publishing houses in London, New York, Paris, Stuttgart, and Berlin produced books in ever greater numbers. But it was not just the advent of mass printing that created the era's 'bookish' culture. According to Andrew Piper, romantic writers played a crucial role in adjusting readers to this increasingly international and overflowing literary environment. Learning how to use and want books occurred through more than the technological, commercial, or legal conditions that made the growing proliferation of books possible; the making of such bibliographic fantasies was importantly a product of the symbolic operations contained within books as well. Examining novels, critical editions, gift books, translations, and illustrated books, as well as the communities who made them, "Dreaming in Books" tells a wide-ranging story of the book's identity at the turn of the nineteenth century. In so doing, it shows how many of the most pressing modern communicative concerns are not unique to the digital age but emerged with a particular sense of urgency during the bookish upheavals of the romantic era. In revisiting the book's rise through the prism of romantic literature, Piper aims to revise our assumptions about romanticism, the medium of the printed book, and, ultimately, the future of the book in our so-called digital age.
Dreaming in books: the making of the bibliographic imagination in the romantic age
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$39.99
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At the opening of the nineteenth century, publishing houses in London, New York, Paris, Stuttgart, and Berlin produced books in ever greater numbers. But it was not just the advent of mass printing that created the era's 'bookish' culture. According to Andrew Piper, romantic writers played a crucial role in adjusting readers to this increasingly international and overflowing literary environment. Learning how to use and want books occurred through more than the technological, commercial, or legal conditions that made the growing proliferation of books possible; the making of such bibliographic fantasies was importantly a product of the symbolic operations contained within books as well. Examining novels, critical editions, gift books, translations, and illustrated books, as well as the communities who made them, "Dreaming in Books" tells a wide-ranging story of the book's identity at the turn of the nineteenth century. In so doing, it shows how many of the most pressing modern communicative concerns are not unique to the digital age but emerged with a particular sense of urgency during the bookish upheavals of the romantic era. In revisiting the book's rise through the prism of romantic literature, Piper aims to revise our assumptions about romanticism, the medium of the printed book, and, ultimately, the future of the book in our so-called digital age.
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livres
livres
Publication:
avril 2009
avril 2009
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Titre:
Naissance du cimetière : lieux sacrés et terre des morts dans l'occident médiéval / Michel Lauwers.
Naissance du cimetière : lieux sacrés et terre des morts dans l'occident médiéval / Michel Lauwers.
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393 pages ; 22 cm.
Description:
393 pages ; 22 cm.
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[Paris] : Aubier, ©2005.
[Paris] : Aubier, ©2005.
Titre:
Naissance du cimetière : lieux sacrés et terre des morts dans l'occident médiéval / Michel Lauwers.
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393 pages ; 22 cm.
Naissance du cimetière : lieux sacrés et terre des morts dans l'occident médiéval / Michel Lauwers.
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393 pages ; 22 cm.
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livres
livres
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[Paris] : Aubier, ©2005.
[Paris] : Aubier, ©2005.
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