19379 Résultats
Classification:
livres
livres
Actions:
Exemplaires:
Description:
143 pages : illustrations (some color) ; 25 cm
Description:
143 pages : illustrations (some color) ; 25 cm
Auteur:
Sujet:
Publication:
Chicago : The Art Institute of Chicago, [2017]
Chicago : The Art Institute of Chicago, [2017]
Titre:
As seen : exhibitions that made architecture and design history / edited by Zoë Ryan ; with contributions by Paola Antonelli, Jan Boelen, Meredith Carruthers, Alison J. Clarke, Penelope Dean, Alison Fisher, Lindsay Garbutt, Karen Kice, Prem Krishnamurthy, Sylvia Lavin, Debbie Millman, Jonathan Olivares, Alice Rawsthorn, Zoë Ryan, and Mirko Zardini.
Actions:
Exemplaires:
Description:
143 pages : illustrations (some color) ; 25 cm
As seen : exhibitions that made architecture and design history / edited by Zoë Ryan ; with contributions by Paola Antonelli, Jan Boelen, Meredith Carruthers, Alison J. Clarke, Penelope Dean, Alison Fisher, Lindsay Garbutt, Karen Kice, Prem Krishnamurthy, Sylvia Lavin, Debbie Millman, Jonathan Olivares, Alice Rawsthorn, Zoë Ryan, and Mirko Zardini.
Actions:
Exemplaires:
Description:
143 pages : illustrations (some color) ; 25 cm
Classification:
livres
livres
Publication:
Chicago : The Art Institute of Chicago, [2017]
Chicago : The Art Institute of Chicago, [2017]
Auteur:
Sujet:
Classification:
livres
livres
Actions:
Exemplaires:
Description:
197 pages : color illustrations, plans ; 29 cm
Description:
197 pages : color illustrations, plans ; 29 cm
Auteur:
Sujet:
Publication:
Paris : Editions du Centre Pompidou, 2007.
Paris : Editions du Centre Pompidou, 2007.
Titre:
Richard Rogers + architectes : ouvrage publié à l'occasion de l'exposition présentée au centre Pompidou, Galerie Sud, du 21 novembre 2007 au 3 mars 2008 / Centre Pompidou ; [direction d'ouvrage Olivier Cinqualbre].
Actions:
Exemplaires:
Description:
197 pages : color illustrations, plans ; 29 cm
Richard Rogers + architectes : ouvrage publié à l'occasion de l'exposition présentée au centre Pompidou, Galerie Sud, du 21 novembre 2007 au 3 mars 2008 / Centre Pompidou ; [direction d'ouvrage Olivier Cinqualbre].
Actions:
Exemplaires:
Description:
197 pages : color illustrations, plans ; 29 cm
Classification:
livres
livres
Publication:
Paris : Editions du Centre Pompidou, 2007.
Paris : Editions du Centre Pompidou, 2007.
Auteur:
Sujet:
Classification:
livres
livres
Actions:
Exemplaires:
Description:
125 pages : illustrations (some color), portrait, plans ; 17 x 24 cm
Description:
125 pages : illustrations (some color), portrait, plans ; 17 x 24 cm
Auteur:
Sujet:
Publication:
[Nantes] : Musées du Château des ducs de Bretagnes, ©2002.
[Nantes] : Musées du Château des ducs de Bretagnes, ©2002.
Titre:
Jacques V Gabriel : un architecte du Roi dans les grandes villes de la façade atlantique (1720-1750).
Actions:
Exemplaires:
Description:
125 pages : illustrations (some color), portrait, plans ; 17 x 24 cm
Jacques V Gabriel : un architecte du Roi dans les grandes villes de la façade atlantique (1720-1750).
Actions:
Exemplaires:
Description:
125 pages : illustrations (some color), portrait, plans ; 17 x 24 cm
Classification:
livres
livres
Publication:
[Nantes] : Musées du Château des ducs de Bretagnes, ©2002.
[Nantes] : Musées du Château des ducs de Bretagnes, ©2002.
Auteur:
Sujet:
Classification:
artéfacts
artéfacts
Exemplaires:
Description:
1 model : pewter, felt ; 9 x 15 x 5 cm
Description:
1 model : pewter, felt ; 9 x 15 x 5 cm
Auteur:
Sujet:
Publication:
([Allentown, Penn.] : InFocusTech, [between 2000 and 2010])
([Allentown, Penn.] : InFocusTech, [between 2000 and 2010])
Titre:
Sears Roebuck Building, Chicago, Century of Progress, 1933
Actions:
Exemplaires:
Description:
1 model : pewter, felt ; 9 x 15 x 5 cm
Sears Roebuck Building, Chicago, Century of Progress, 1933
Actions:
Exemplaires:
Description:
1 model : pewter, felt ; 9 x 15 x 5 cm
Classification:
artéfacts
artéfacts
Publication:
([Allentown, Penn.] : InFocusTech, [between 2000 and 2010])
([Allentown, Penn.] : InFocusTech, [between 2000 and 2010])
Auteur:
Sujet:
Classification:
livres
livres
Actions:
Prix:
$39.95
(disponible sur commande)
Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials,(...)
$39.95
(disponible sur commande)
Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials,(...)
Publication:
avril 2003, Cambridge / London
avril 2003, Cambridge / London
Titre:
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
Actions:
Prix:
$39.95
(disponible sur commande)
Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
Actions:
Prix:
$39.95
(disponible sur commande)
Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Classification:
livres
livres
Publication:
avril 2003, Cambridge / London
avril 2003, Cambridge / London
Classification:
livres
livres
Actions:
Prix:
$60.00
(disponible sur commande)
Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material(...)
$60.00
(disponible sur commande)
Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material(...)
Publication:
avril 2000, Cambridge
avril 2000, Cambridge
Titre:
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
Actions:
Prix:
$60.00
(disponible sur commande)
Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
Actions:
Prix:
$60.00
(disponible sur commande)
Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Classification:
livres
livres
Publication:
avril 2000, Cambridge
avril 2000, Cambridge
Classification:
livres
livres
Exemplaires:
Description:
16 pages illustrations
Description:
16 pages illustrations
Auteur:
Sujet:
Publication:
Melbourne, A.J. Mullett [1915]
Melbourne, A.J. Mullett [1915]
Titre:
Irrigation in Victoria. Information for home seekers.
Actions:
Exemplaires:
Description:
16 pages illustrations
Irrigation in Victoria. Information for home seekers.
Actions:
Exemplaires:
Description:
16 pages illustrations
Classification:
livres
livres
Publication:
Melbourne, A.J. Mullett [1915]
Melbourne, A.J. Mullett [1915]
Auteur:
Sujet:
Classification:
livres
livres
Actions:
Exemplaires:
Description:
168 pages : illustrations (certaines en couleur) ; 22 cm
Description:
168 pages : illustrations (certaines en couleur) ; 22 cm
Auteur:
Sujet:
Publication:
Ottawa : Galerie nationale du Canada, 1982.
Ottawa : Galerie nationale du Canada, 1982.
Titre:
Les esthétiques modernes au Québec de 1916 à 1946 / Jean-René Ostiguy.
Actions:
Exemplaires:
Description:
168 pages : illustrations (certaines en couleur) ; 22 cm
Les esthétiques modernes au Québec de 1916 à 1946 / Jean-René Ostiguy.
Actions:
Exemplaires:
Description:
168 pages : illustrations (certaines en couleur) ; 22 cm
Classification:
livres
livres
Publication:
Ottawa : Galerie nationale du Canada, 1982.
Ottawa : Galerie nationale du Canada, 1982.
Auteur:
Sujet:
Classification:
livres
livres
Actions:
Exemplaires:
Description:
463, [1] pages frontispiece, folded map, plans 25 cm
Description:
463, [1] pages frontispiece, folded map, plans 25 cm
Auteur:
Sujet:
Publication:
Toronto, Printed by J. Lovell, 1856.
Toronto, Printed by J. Lovell, 1856.
Titre:
Canada at the Universal exhibition of 1855. Printed by order of the Legislative assembly.
Actions:
Exemplaires:
Description:
463, [1] pages frontispiece, folded map, plans 25 cm
Canada at the Universal exhibition of 1855. Printed by order of the Legislative assembly.
Actions:
Exemplaires:
Description:
463, [1] pages frontispiece, folded map, plans 25 cm
Classification:
livres
livres
Publication:
Toronto, Printed by J. Lovell, 1856.
Toronto, Printed by J. Lovell, 1856.
Auteur:
Sujet:
Classification:
livres
livres
Titre:
Amtlicher bericht über die Weltausstellung in Saint Louis 1904. Erstattet vom Reichskommissar.
Amtlicher bericht über die Weltausstellung in Saint Louis 1904. Erstattet vom Reichskommissar.
Actions:
Exemplaires:
Description:
viii, 171, iv, 577 pages plates (some color, some folded), folded color plan 32 cm
Description:
viii, 171, iv, 577 pages plates (some color, some folded), folded color plan 32 cm
Auteur:
Sujet:
Publication:
Berlin, Gedruckt in der Reichsdruckerei, 1906.
Berlin, Gedruckt in der Reichsdruckerei, 1906.
Titre:
Amtlicher bericht über die Weltausstellung in Saint Louis 1904. Erstattet vom Reichskommissar.
Actions:
Exemplaires:
Description:
viii, 171, iv, 577 pages plates (some color, some folded), folded color plan 32 cm
Amtlicher bericht über die Weltausstellung in Saint Louis 1904. Erstattet vom Reichskommissar.
Actions:
Exemplaires:
Description:
viii, 171, iv, 577 pages plates (some color, some folded), folded color plan 32 cm
Classification:
livres
livres
Publication:
Berlin, Gedruckt in der Reichsdruckerei, 1906.
Berlin, Gedruckt in der Reichsdruckerei, 1906.
Auteur:
Sujet:
