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This is a walk through a decade’s worth of work by Misha Kahn. Glitzy, wobbly, hairy, witty—no number of adjectives aptly describes an output so vast, one which ranges from underwater mosaic sculptures and scrap-metal chaise longues to a gem-encrusted, wrist-worn, labyrinth-style ball game. Neither strictly an artist nor a designer, Misha himself emphatically avoids(...)
Misha Kahn: Casually sauntering the perimeter of now
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This is a walk through a decade’s worth of work by Misha Kahn. Glitzy, wobbly, hairy, witty—no number of adjectives aptly describes an output so vast, one which ranges from underwater mosaic sculptures and scrap-metal chaise longues to a gem-encrusted, wrist-worn, labyrinth-style ball game. Neither strictly an artist nor a designer, Misha himself emphatically avoids categorisation for the very real fear it might box him in and close off fresh, breakable ground. It’s this boundless energy for every new material or technical challenge, combined with his singular ideas and aesthetics, that has made Misha a leading creative voice of his generation.
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Bridging histories of technology, media studies, and aesthetics, ''Electrographic architecture'' forges a critical narrative of the ways in which illuminated light and color have played key roles in the formation of America's white imaginary. Carolyn L. Kane charts the rise of the country's urban advertisements, light empires, and neoclassical buildings in the early(...)
Electrographic architecture: New York color, Las Vegas light, and America's white imaginary
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Bridging histories of technology, media studies, and aesthetics, ''Electrographic architecture'' forges a critical narrative of the ways in which illuminated light and color have played key roles in the formation of America's white imaginary. Carolyn L. Kane charts the rise of the country's urban advertisements, light empires, and neoclassical buildings in the early twentieth century; the midcentury construction of polychromatic electrographic spectacles; and their eclipse by informatically intense, invisible algorithms at the dawn of the new millennium. Drawing on archival research, interviews, and visual analysis, Electrographic Architecture shows how the development of America's electrographic surround runs parallel to a new paradigm of power, property, and possession.
Théorie de l’architecture
40 architects around 40
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Who are the Norman Fosters, Richard Meiers, and Tadao Andos of tomorrow? Discover the next generation of designers who are already starting to shape the future of architecture for the new millennium, redefining the relationships between culture, environment, structure, and space. Taking their inspiration from visions of the future and traces of the past, these are the(...)
juillet 2006, Köln
40 architects around 40
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Who are the Norman Fosters, Richard Meiers, and Tadao Andos of tomorrow? Discover the next generation of designers who are already starting to shape the future of architecture for the new millennium, redefining the relationships between culture, environment, structure, and space. Taking their inspiration from visions of the future and traces of the past, these are the people who are defining the aesthetics of tomorrow's architecture. Some of the architects featured, such as Shigeru Ban of Japan and Ben van Berkel from Holland, have already gained critical acclaim for their work. The rest, such as Marc Barani and Aranda Pigem Vilalta, are waiting in the wings.
Style
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The enduring influence of the architect Gottfried Semper (1803-79) derives less from his monumental buildings in Dresden, Zurich, and Vienna than from his "Style in the technical and tectonic arts" (1860-63). Semper's landmark survey of the motives giving rise to the technical arts (textiles, ceramics, carpentry, masonry) explores the symbolic and material preconditions(...)
Style
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The enduring influence of the architect Gottfried Semper (1803-79) derives less from his monumental buildings in Dresden, Zurich, and Vienna than from his "Style in the technical and tectonic arts" (1860-63). Semper's landmark survey of the motives giving rise to the technical arts (textiles, ceramics, carpentry, masonry) explores the symbolic and material preconditions of style. An extended inquiry into the inner principles of artistic form, this work altered the intellectual field for aesthetics and art history and stands as a vital document in the construction of modern architectural theory. Translated by Harry Francis Mallgrave and Michael Robinson, with an introduction by Harry Francis Mallgrave.
Théorie de l’architecture
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The greatest challenge in designing homes is negotiating the delicate balance between aesthetics and the personal desires of the occupants. While it’s important for the structure to reflect the vision and style of the architect, the client must ultimately feel at home beneath the roof. It is particularly interesting, therefore, to examine the homes that architects create(...)
One hundred houses for one hundred European architects of the twentieth century
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The greatest challenge in designing homes is negotiating the delicate balance between aesthetics and the personal desires of the occupants. While it’s important for the structure to reflect the vision and style of the architect, the client must ultimately feel at home beneath the roof. It is particularly interesting, therefore, to examine the homes that architects create for themselves. If houses reflect their owners’ personalities, then architects’ own homes are like autobiographies. Location, layout, style, lighting, artwork, furnishings - every detail adds color to the story. Each of these 100 dwellings, presented A-Z by architect, speaks more about its designer than any other building possibly could.
Architecture résidentielle
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The House offers an overview of the development of house and home, from its beginnings in the caves of early man through the variety of structures that have since evolved-- from mud huts and Chinese underground villages to Georgian Arts and Crafts, influenced by climate and materials but also by culture, custom, and religious beliefs. Gardiner shows why people have(...)
The house : its origins and evolution
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The House offers an overview of the development of house and home, from its beginnings in the caves of early man through the variety of structures that have since evolved-- from mud huts and Chinese underground villages to Georgian Arts and Crafts, influenced by climate and materials but also by culture, custom, and religious beliefs. Gardiner shows why people have historically built as they have, and how they think about the houses they design, explaining why, from being merely a shelter, the design of a house has come to express ideas about space, aesthetics, customs, and culture. With 112 black-and-white photographs and drawings.
Architecture résidentielle
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Charles (1907-1978) and Ray (1912-1988) Eames’s residential architecture is defined by their human-centered approach to modernism. Their work demonstrates a deep commitment to structural clarity, user-centered functionality, and the intelligent use of prefabrication. Rather than focusing purely on aesthetics, the Eameses approached architecture as a form of(...)
The Eames houses: Charles and Ray Eames residential architecture
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Charles (1907-1978) and Ray (1912-1988) Eames’s residential architecture is defined by their human-centered approach to modernism. Their work demonstrates a deep commitment to structural clarity, user-centered functionality, and the intelligent use of prefabrication. Rather than focusing purely on aesthetics, the Eameses approached architecture as a form of problem-solving, aiming to create flexible systems that offered a background for life and work in all its expressions. This book presents all eight houses they designed between 1945 and 1955, featuring sketches, drawings, letters, and photographs – many of which have never been published before – alongside newly produced diagrams and models that offer further insight into their design process.
Architecture, monographies
Cairo's Plaster Casts
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Artisanal production in Cairo takes place in open-air workshops and directly on the street. Stucco producers in the city are grouped into clusters where interior walls and facades are covered with patterns and serve as a catalogue of ornaments. The result is often chaotic and grotesque. Decorative styles of the Belle Époque are deconstructed and reassembled as a spatial(...)
Cairo's Plaster Casts
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Artisanal production in Cairo takes place in open-air workshops and directly on the street. Stucco producers in the city are grouped into clusters where interior walls and facades are covered with patterns and serve as a catalogue of ornaments. The result is often chaotic and grotesque. Decorative styles of the Belle Époque are deconstructed and reassembled as a spatial collage, while symbols from pop culture are juxtaposed with historical forms. In his photos, Luc Merx reveals these unique aesthetics and diverse references to building practice and art history. The plaster casts reflect Egypt’s contradictory relationship to its colonial past, to modernity, and to the country’s own identity.
Monographies photo
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Driven by the central question "What are we learning from artists today?" the second volume of ''A series of open questions'' is informed by themes found in the work of Trinh T. Minh-ha, such as cultural hybridization and fluidity of identity, digital and migratory aesthetics, memory and landscape, decentered realities, feminist approaches to storytelling, meditations on(...)
Why are they so afraid of the lotus?: A series of open questions
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Driven by the central question "What are we learning from artists today?" the second volume of ''A series of open questions'' is informed by themes found in the work of Trinh T. Minh-ha, such as cultural hybridization and fluidity of identity, digital and migratory aesthetics, memory and landscape, decentered realities, feminist approaches to storytelling, meditations on death and myth, post-coloniality and decolonization, and women's work as related to cultural politics. The contributions to ''Why are they so afraid of the lotus?'' embody Trinh's own weariness around categorization and investigate the ways production can come from and be based in positions of unknowing.
Social
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Despite attempts to promote the aesthetics of ruins in Russia - from Catherine the Great's construction of fake ruins in imperial parks to Josef Brodsky's elegiac meditations - ruins have never achieved the status they enjoy in Western Europe. While the Soviet Union was notorious for leveling churches, post-Soviet Russia has only intensified the practice of massive(...)
Architecture of oblivion : ruins and historical consciousness in modern Russia
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Despite attempts to promote the aesthetics of ruins in Russia - from Catherine the Great's construction of fake ruins in imperial parks to Josef Brodsky's elegiac meditations - ruins have never achieved the status they enjoy in Western Europe. While the Soviet Union was notorious for leveling churches, post-Soviet Russia has only intensified the practice of massive destruction and reconstruction. "Architecture of Oblivion "examines the role of ruins in the development of Russia's historical consciousness from the 18th century to the present. This original work from a leading authority on the subject will appeal to historians of Russian culture and thought, literature and art scholars, and general readers interested in ruins.
Théorie de l’architecture