4347 Résultats
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Iñigo Manglano-Ovalle's Gravity is a Force to be Reckoned With is an installation consisting of a 25 x 25-foot glass house based on Mies van der Rohe's (unbuilt) 1951 House With Four Columns. This house then becomes the stage for a narrative based on Yevgeny Zamyatin's 1921 science-fiction novel We, which also inspired Sergei Eisenstein's unfinished film The Glass House (1930).
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Iñigo Manglano-Ovalle's Gravity is a Force to be Reckoned With is an installation consisting of a 25 x 25-foot glass house based on Mies van der Rohe's (unbuilt) 1951 House With Four Columns. This house then becomes the stage for a narrative based on Yevgeny Zamyatin's 1921 science-fiction novel We, which also inspired Sergei Eisenstein's unfinished film The Glass House (1930).
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Inigio Manglano-Ovalle: Gravity is a force to be reckoned with
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Iñigo Manglano-Ovalle's Gravity is a Force to be Reckoned With is an installation consisting of a 25 x 25-foot glass house based on Mies van der Rohe's (unbuilt) 1951 House With Four Columns. This house then becomes the stage for a narrative based on Yevgeny Zamyatin's 1921 science-fiction novel We, which also inspired Sergei Eisenstein's unfinished film The Glass House (1930).
Inigio Manglano-Ovalle: Gravity is a force to be reckoned with
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Iñigo Manglano-Ovalle's Gravity is a Force to be Reckoned With is an installation consisting of a 25 x 25-foot glass house based on Mies van der Rohe's (unbuilt) 1951 House With Four Columns. This house then becomes the stage for a narrative based on Yevgeny Zamyatin's 1921 science-fiction novel We, which also inspired Sergei Eisenstein's unfinished film The Glass House (1930).
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livres
livres
Publication:
février 2011
février 2011
Classification:
périodiques
périodiques
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$26.00
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The suburb issue of "Failed States" includes an original fiction by Wayne Koestenbaum; special projects on the Charles Atlas film Staten "Island Sex Cult" and the late South African photographer Thabiso Sekgala; a portfolio of posters for queer skate collective Unity selected by Ian Giles; and contributions from writers, artists, photographers and educators from Iceland,(...)
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The suburb issue of "Failed States" includes an original fiction by Wayne Koestenbaum; special projects on the Charles Atlas film Staten "Island Sex Cult" and the late South African photographer Thabiso Sekgala; a portfolio of posters for queer skate collective Unity selected by Ian Giles; and contributions from writers, artists, photographers and educators from Iceland,(...)
Titre:
Failed states, issue no.2: Suburb
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The suburb issue of "Failed States" includes an original fiction by Wayne Koestenbaum; special projects on the Charles Atlas film Staten "Island Sex Cult" and the late South African photographer Thabiso Sekgala; a portfolio of posters for queer skate collective Unity selected by Ian Giles; and contributions from writers, artists, photographers and educators from Iceland, North America, Pakistan, South Africa, and the UK, etc.
Failed states, issue no.2: Suburb
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The suburb issue of "Failed States" includes an original fiction by Wayne Koestenbaum; special projects on the Charles Atlas film Staten "Island Sex Cult" and the late South African photographer Thabiso Sekgala; a portfolio of posters for queer skate collective Unity selected by Ian Giles; and contributions from writers, artists, photographers and educators from Iceland, North America, Pakistan, South Africa, and the UK, etc.
Classification:
périodiques
périodiques
Publication:
mai 2018
mai 2018
Sujet:
Revues
Revues
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livres
livres
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Can capital be seen? Cartographies of the absolute surveys the disparate answers to this question offered by artists, film-makers, writers and theorists over the past few decades. It zones in on the crises of representation that have accompanied the enduring crisis of capitalism, foregrounding the production of new visions and artefacts that wrestle with the vastness,(...)
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Can capital be seen? Cartographies of the absolute surveys the disparate answers to this question offered by artists, film-makers, writers and theorists over the past few decades. It zones in on the crises of representation that have accompanied the enduring crisis of capitalism, foregrounding the production of new visions and artefacts that wrestle with the vastness,(...)
Titre:
Cartographies of the absolute
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Can capital be seen? Cartographies of the absolute surveys the disparate answers to this question offered by artists, film-makers, writers and theorists over the past few decades. It zones in on the crises of representation that have accompanied the enduring crisis of capitalism, foregrounding the production of new visions and artefacts that wrestle with the vastness, invisibility and complexity of the abstractions that rule our lives.
Cartographies of the absolute
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Can capital be seen? Cartographies of the absolute surveys the disparate answers to this question offered by artists, film-makers, writers and theorists over the past few decades. It zones in on the crises of representation that have accompanied the enduring crisis of capitalism, foregrounding the production of new visions and artefacts that wrestle with the vastness, invisibility and complexity of the abstractions that rule our lives.
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livres
livres
Publication:
juin 2015
juin 2015
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
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Canadian Centre for Architecture 2017
Canadian Centre for Architecture 2017
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livres
livres
Publication:
Canadian Centre for Architecture 2017
Canadian Centre for Architecture 2017
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livres
livres
Titre:
De l'eau jusqu'au nombril
De l'eau jusqu'au nombril
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De 1973 à 1978, le groupe d’architectes, artistes et designers Ant Farm, composé d’une dizaine de membres, a travaillé à la conception d’une plateforme marine destinée à communiquer avec les dauphins. Il ne s’agissait pas seulement de les observer mais bien de parler et d’échanger des informations avec les cétacés. Cette structure flottante, la Dolphin Embassy, concentre(...)
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De 1973 à 1978, le groupe d’architectes, artistes et designers Ant Farm, composé d’une dizaine de membres, a travaillé à la conception d’une plateforme marine destinée à communiquer avec les dauphins. Il ne s’agissait pas seulement de les observer mais bien de parler et d’échanger des informations avec les cétacés. Cette structure flottante, la Dolphin Embassy, concentre(...)
Titre:
De l'eau jusqu'au nombril
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$14.95
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De 1973 à 1978, le groupe d’architectes, artistes et designers Ant Farm, composé d’une dizaine de membres, a travaillé à la conception d’une plateforme marine destinée à communiquer avec les dauphins. Il ne s’agissait pas seulement de les observer mais bien de parler et d’échanger des informations avec les cétacés. Cette structure flottante, la Dolphin Embassy, concentre bon nombre des réflexions qui ont animées les mouvements radicaux et contre-culturels de l’époque : l’ouverture à la nature et aux espèces non humaines, la constitution de communautés élargies, la recherche de nouveaux espaces perceptifs et communicationnels. Ce texte s’appuie notamment sur les documents présents dans les archives d’Ant Farm, rassemblées dans le sous-sol du Berkeley Art Museum and Pacific Film Archive. Parmi la centaine de documents relatifs à ce projet, sont notamment conservés quelques dessins préparatoires, des « rushes » de film, des diapositives, de la littérature scientifique sur les dauphins et de la correspondance échangée entre les membres du groupe. De leur consultation est né ce récit ; un récit qui dérive à mesure que les pages défilent.
De l'eau jusqu'au nombril
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De 1973 à 1978, le groupe d’architectes, artistes et designers Ant Farm, composé d’une dizaine de membres, a travaillé à la conception d’une plateforme marine destinée à communiquer avec les dauphins. Il ne s’agissait pas seulement de les observer mais bien de parler et d’échanger des informations avec les cétacés. Cette structure flottante, la Dolphin Embassy, concentre bon nombre des réflexions qui ont animées les mouvements radicaux et contre-culturels de l’époque : l’ouverture à la nature et aux espèces non humaines, la constitution de communautés élargies, la recherche de nouveaux espaces perceptifs et communicationnels. Ce texte s’appuie notamment sur les documents présents dans les archives d’Ant Farm, rassemblées dans le sous-sol du Berkeley Art Museum and Pacific Film Archive. Parmi la centaine de documents relatifs à ce projet, sont notamment conservés quelques dessins préparatoires, des « rushes » de film, des diapositives, de la littérature scientifique sur les dauphins et de la correspondance échangée entre les membres du groupe. De leur consultation est né ce récit ; un récit qui dérive à mesure que les pages défilent.
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livres
livres
Publication:
novembre 2023
novembre 2023
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Titre:
Oil
Oil
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Black gold. Liquid sunlight. Texas tea. Oil remains the ur-commodity of our global era, having been distilled from ancient algae and marine life to turn modernity's wheels. Wars are fought over it. Some communities are displaced by its extraction, so that others may reap its benefits. But despite its heated history, few will ever see oil on the ground. Shrouded within a(...)
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Black gold. Liquid sunlight. Texas tea. Oil remains the ur-commodity of our global era, having been distilled from ancient algae and marine life to turn modernity's wheels. Wars are fought over it. Some communities are displaced by its extraction, so that others may reap its benefits. But despite its heated history, few will ever see oil on the ground. Shrouded within a(...)
Titre:
Oil
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Black gold. Liquid sunlight. Texas tea. Oil remains the ur-commodity of our global era, having been distilled from ancient algae and marine life to turn modernity's wheels. Wars are fought over it. Some communities are displaced by its extraction, so that others may reap its benefits. But despite its heated history, few will ever see oil on the ground. Shrouded within a labyrinth of oil fields, pipelines, and manufacturies, it tends to be known only through its magical effects: the thrill of the road, the euphoria of flight, and the metamorphic allure of everything from vinyl records to celluloid film and synthetic clothing. Michael Tondre shows how hydrocarbon became today's pre-eminent power. How did oil come to structure selfhood and social relations? And to what extent is oil not only a commercial product but a cultural one-something shaped by widely imagined dreams and desires? Amid a warming world unleashed by fossil fuels, oil appears as a rich resource for thinking about histories of globalization and technology no less than the energetic underpinnings of literature, film, and art.
Oil
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$21.95
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Black gold. Liquid sunlight. Texas tea. Oil remains the ur-commodity of our global era, having been distilled from ancient algae and marine life to turn modernity's wheels. Wars are fought over it. Some communities are displaced by its extraction, so that others may reap its benefits. But despite its heated history, few will ever see oil on the ground. Shrouded within a labyrinth of oil fields, pipelines, and manufacturies, it tends to be known only through its magical effects: the thrill of the road, the euphoria of flight, and the metamorphic allure of everything from vinyl records to celluloid film and synthetic clothing. Michael Tondre shows how hydrocarbon became today's pre-eminent power. How did oil come to structure selfhood and social relations? And to what extent is oil not only a commercial product but a cultural one-something shaped by widely imagined dreams and desires? Amid a warming world unleashed by fossil fuels, oil appears as a rich resource for thinking about histories of globalization and technology no less than the energetic underpinnings of literature, film, and art.
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livres
livres
Publication:
novembre 2024
novembre 2024
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
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$27.95
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Artists surveyed include: Chantal Akerman, Francis Alÿs, Vladimir Arkhipov, Ian Breakwell, Stanley Brouwn, Sophie Calle, Marcel Duchamp, Fischli & Weiss, Nan Goldin, Dan Graham, Mona Hatoum, Susan Hiller, Ilya and Emilia Kabakov, Mary Kelly, Lettrist International, Jonas Mekas, Annette Messager, Aleksandra Mir, Roman Ondák, Yoko Ono, Gabriel Orozco, Martha Rosler, Allen(...)
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Artists surveyed include: Chantal Akerman, Francis Alÿs, Vladimir Arkhipov, Ian Breakwell, Stanley Brouwn, Sophie Calle, Marcel Duchamp, Fischli & Weiss, Nan Goldin, Dan Graham, Mona Hatoum, Susan Hiller, Ilya and Emilia Kabakov, Mary Kelly, Lettrist International, Jonas Mekas, Annette Messager, Aleksandra Mir, Roman Ondák, Yoko Ono, Gabriel Orozco, Martha Rosler, Allen(...)
Publication:
mars 2008, London/Massachusetts
mars 2008, London/Massachusetts
Titre:
The everyday: Documents on contemporary art
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Artists surveyed include: Chantal Akerman, Francis Alÿs, Vladimir Arkhipov, Ian Breakwell, Stanley Brouwn, Sophie Calle, Marcel Duchamp, Fischli & Weiss, Nan Goldin, Dan Graham, Mona Hatoum, Susan Hiller, Ilya and Emilia Kabakov, Mary Kelly, Lettrist International, Jonas Mekas, Annette Messager, Aleksandra Mir, Roman Ondák, Yoko Ono, Gabriel Orozco, Martha Rosler, Allen Ruppersberg, Daniel Spoerri, Wolfgang Tillmans, Mierle Laderman Ukeles, Andy Warhol, Richard Wentworth, Stephen Willats. Writers include: Paul Auster, Maurice Blanchot, Geoff Dyer, Hal Foster, Suzy Gablik, Ben Highmore, Henri Lefebvre, Lucy R. Lippard, Michel Maffesoli, Helen Molesworth, Nikos Papastergiadis, Georges Perec, John Roberts, David Ross, Nicholas Serota, Michael Sheringham, Alison and Peter Smithson, Abigail Solomon-Godeau, Jeff Wall, Jonathan Watkins. About the Editor: Stephen Johnstone is a London-based artist and filmmaker and a Senior Lecturer in the Department of Art at Goldsmiths College, London. Since 1993, he has worked collaboratively with Graham Ellard, and their film and video work has been exhibited in museums and galleries including the Centre Pompidou, the Tate Liverpool, the Museum of Modern Art, Sydney, and the National Film Theatre, London.
The everyday: Documents on contemporary art
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Artists surveyed include: Chantal Akerman, Francis Alÿs, Vladimir Arkhipov, Ian Breakwell, Stanley Brouwn, Sophie Calle, Marcel Duchamp, Fischli & Weiss, Nan Goldin, Dan Graham, Mona Hatoum, Susan Hiller, Ilya and Emilia Kabakov, Mary Kelly, Lettrist International, Jonas Mekas, Annette Messager, Aleksandra Mir, Roman Ondák, Yoko Ono, Gabriel Orozco, Martha Rosler, Allen Ruppersberg, Daniel Spoerri, Wolfgang Tillmans, Mierle Laderman Ukeles, Andy Warhol, Richard Wentworth, Stephen Willats. Writers include: Paul Auster, Maurice Blanchot, Geoff Dyer, Hal Foster, Suzy Gablik, Ben Highmore, Henri Lefebvre, Lucy R. Lippard, Michel Maffesoli, Helen Molesworth, Nikos Papastergiadis, Georges Perec, John Roberts, David Ross, Nicholas Serota, Michael Sheringham, Alison and Peter Smithson, Abigail Solomon-Godeau, Jeff Wall, Jonathan Watkins. About the Editor: Stephen Johnstone is a London-based artist and filmmaker and a Senior Lecturer in the Department of Art at Goldsmiths College, London. Since 1993, he has worked collaboratively with Graham Ellard, and their film and video work has been exhibited in museums and galleries including the Centre Pompidou, the Tate Liverpool, the Museum of Modern Art, Sydney, and the National Film Theatre, London.
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livres
livres
Publication:
mars 2008, London/Massachusetts
mars 2008, London/Massachusetts
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livres
livres
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$45.00
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It is impossible to overstate the importance of Lincoln Kirstein (1907-1996) to the arts in America. One of the rare talents who touched the entire artistic field of his time – ballet, film, literature, theater, painting, sculpture, photography, architecture – he is perhaps best known for bringing the choreographer George Balanchine to the United States, and for founding(...)
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It is impossible to overstate the importance of Lincoln Kirstein (1907-1996) to the arts in America. One of the rare talents who touched the entire artistic field of his time – ballet, film, literature, theater, painting, sculpture, photography, architecture – he is perhaps best known for bringing the choreographer George Balanchine to the United States, and for founding(...)
Titre:
Lincoln Kirstein bibliography of published writings 1922-1996
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It is impossible to overstate the importance of Lincoln Kirstein (1907-1996) to the arts in America. One of the rare talents who touched the entire artistic field of his time – ballet, film, literature, theater, painting, sculpture, photography, architecture – he is perhaps best known for bringing the choreographer George Balanchine to the United States, and for founding with him the supremely influential School of American Ballet and the New York City Ballet. Kirstein was also a persuasive and lucid writer who published over 500 books, articles and monographs. Now, in honor of the centennial of Kirstein’s birth, Eakins Press presents the most comprehensive bibliography ever of his huge literary output, annotated, indexed and categorized into Fiction; Poetry; Drama and Ballet Libretti; On Dance; On Drawing, Painting, Sculpture and Architecture; On Photography; On Film; On Literature, History, Politics and other Subjects; and Memoir. This impressive work includes selected excerpts and a chronology of a life which, as Hilton Kramer wrote in the New York Times, “has helped to shape some of the most valuable parts of our culture.”
Lincoln Kirstein bibliography of published writings 1922-1996
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It is impossible to overstate the importance of Lincoln Kirstein (1907-1996) to the arts in America. One of the rare talents who touched the entire artistic field of his time – ballet, film, literature, theater, painting, sculpture, photography, architecture – he is perhaps best known for bringing the choreographer George Balanchine to the United States, and for founding with him the supremely influential School of American Ballet and the New York City Ballet. Kirstein was also a persuasive and lucid writer who published over 500 books, articles and monographs. Now, in honor of the centennial of Kirstein’s birth, Eakins Press presents the most comprehensive bibliography ever of his huge literary output, annotated, indexed and categorized into Fiction; Poetry; Drama and Ballet Libretti; On Dance; On Drawing, Painting, Sculpture and Architecture; On Photography; On Film; On Literature, History, Politics and other Subjects; and Memoir. This impressive work includes selected excerpts and a chronology of a life which, as Hilton Kramer wrote in the New York Times, “has helped to shape some of the most valuable parts of our culture.”
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livres
livres
Publication:
juin 2007, New York
juin 2007, New York
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livres
livres
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$25.00
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«I was not sure I would make a film ever again. I spent many years dreaming of pigs that could walk up walls. I was living completely debased, like a tramp and a criminal. I had turned into a bastard with no home or friends. One day I started to dream of nuns. I began to imagine nuns dancing in the sky and riding bicycles in the clouds. I knew the nuns wew testing their(...)
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«I was not sure I would make a film ever again. I spent many years dreaming of pigs that could walk up walls. I was living completely debased, like a tramp and a criminal. I had turned into a bastard with no home or friends. One day I started to dream of nuns. I began to imagine nuns dancing in the sky and riding bicycles in the clouds. I knew the nuns wew testing their(...)
Titre:
Harmony Korine, Mister Lonely
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«I was not sure I would make a film ever again. I spent many years dreaming of pigs that could walk up walls. I was living completely debased, like a tramp and a criminal. I had turned into a bastard with no home or friends. One day I started to dream of nuns. I began to imagine nuns dancing in the sky and riding bicycles in the clouds. I knew the nuns wew testing their faith. On one occasion three of my teeth fell into a sandwich that I was eating. It felt like the right time to care again. I asked my brother to help me. He introduced me to a famous boxer who was good with medecine, he put my teeth back in my mouth. The nuns were testing me as well, this much I was sure of. I made this film out of the ashes of the broken nation, and it was there that I discovered that a little faith can go a long, long way.» Harmony Korine
Harmony Korine, Mister Lonely
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«I was not sure I would make a film ever again. I spent many years dreaming of pigs that could walk up walls. I was living completely debased, like a tramp and a criminal. I had turned into a bastard with no home or friends. One day I started to dream of nuns. I began to imagine nuns dancing in the sky and riding bicycles in the clouds. I knew the nuns wew testing their faith. On one occasion three of my teeth fell into a sandwich that I was eating. It felt like the right time to care again. I asked my brother to help me. He introduced me to a famous boxer who was good with medecine, he put my teeth back in my mouth. The nuns were testing me as well, this much I was sure of. I made this film out of the ashes of the broken nation, and it was there that I discovered that a little faith can go a long, long way.» Harmony Korine
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livres
livres
Publication:
mars 2008
mars 2008
Classification:
livres
livres
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$107.95
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Architecture and music share many parallel and intersecting elements. Recent developments in the music, film, and media industries have given rise to new building types for audio and visual media. These projects require a comprehensive approach from various disciplines to bridge architecture, art and technology. For more than 10 years studio bau:ton has been(...)
$107.95
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Architecture and music share many parallel and intersecting elements. Recent developments in the music, film, and media industries have given rise to new building types for audio and visual media. These projects require a comprehensive approach from various disciplines to bridge architecture, art and technology. For more than 10 years studio bau:ton has been(...)
Titre:
Soundspace : architecture for sound and vision
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$107.95
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Architecture and music share many parallel and intersecting elements. Recent developments in the music, film, and media industries have given rise to new building types for audio and visual media. These projects require a comprehensive approach from various disciplines to bridge architecture, art and technology. For more than 10 years studio bau:ton has been pre-eminently involved in drawing together these diverse disciplines. This book is an eclectic survey of issues central to building for contemporary media. Renowned guest authors from the fields of media and architecture have contributed ideas and projects, and an detailed overview of architectural acoustics serves as an integrated technical guide. Practical applications are presented in an illustrated portfolio of distinguished projects by studio bau:ton, ranging from museums to recording studios and film production facilities. Projects like the Fox Scoring Stage in Los Angeles or Bad Animals in Seattle are complemented by international examples such as Sony Music in Tokyo, X-Art in Austria and many more. Peter Grueneisen is the principal architect and a founder of studio bau:ton.
Soundspace : architecture for sound and vision
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$107.95
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Architecture and music share many parallel and intersecting elements. Recent developments in the music, film, and media industries have given rise to new building types for audio and visual media. These projects require a comprehensive approach from various disciplines to bridge architecture, art and technology. For more than 10 years studio bau:ton has been pre-eminently involved in drawing together these diverse disciplines. This book is an eclectic survey of issues central to building for contemporary media. Renowned guest authors from the fields of media and architecture have contributed ideas and projects, and an detailed overview of architectural acoustics serves as an integrated technical guide. Practical applications are presented in an illustrated portfolio of distinguished projects by studio bau:ton, ranging from museums to recording studios and film production facilities. Projects like the Fox Scoring Stage in Los Angeles or Bad Animals in Seattle are complemented by international examples such as Sony Music in Tokyo, X-Art in Austria and many more. Peter Grueneisen is the principal architect and a founder of studio bau:ton.
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livres
livres
Publication:
août 2003, Basel
août 2003, Basel
Sujet:
Matériaux et éclairage
Matériaux et éclairage
