411 Résultats
Classification:
livres
livres
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$182.95
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In "Landscape into eco art", Mark Cheetham systematically examines connections and divergences between contemporary eco art, land art of the 1960s and 1970s, and the historical genre of landscape painting. Through eight thematic case studies that illuminate what eco art means in practice, reception, and history, Cheetham places the form in a longer and broader(...)
$182.95
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In "Landscape into eco art", Mark Cheetham systematically examines connections and divergences between contemporary eco art, land art of the 1960s and 1970s, and the historical genre of landscape painting. Through eight thematic case studies that illuminate what eco art means in practice, reception, and history, Cheetham places the form in a longer and broader(...)
Titre:
Landscape into Eco Art: Articulations of nature since the '60s
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In "Landscape into eco art", Mark Cheetham systematically examines connections and divergences between contemporary eco art, land art of the 1960s and 1970s, and the historical genre of landscape painting. Through eight thematic case studies that illuminate what eco art means in practice, reception, and history, Cheetham places the form in a longer and broader art-historical context. He considers a wide range of media—from painting, sculpture, and photography to artists’ films, video, sound work, animation, and installation—and analyzes the work of internationally prominent artists such as Olafur Eliasson, Nancy Holt, Mark Dion, and Robert Smithson. In doing so, Cheetham reveals eco art to be a dynamic extension of a long tradition of landscape depiction in the West that boldly enters into today’s debates on climate science, government policy, and our collective and individual responsibility to the planet
Landscape into Eco Art: Articulations of nature since the '60s
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In "Landscape into eco art", Mark Cheetham systematically examines connections and divergences between contemporary eco art, land art of the 1960s and 1970s, and the historical genre of landscape painting. Through eight thematic case studies that illuminate what eco art means in practice, reception, and history, Cheetham places the form in a longer and broader art-historical context. He considers a wide range of media—from painting, sculpture, and photography to artists’ films, video, sound work, animation, and installation—and analyzes the work of internationally prominent artists such as Olafur Eliasson, Nancy Holt, Mark Dion, and Robert Smithson. In doing so, Cheetham reveals eco art to be a dynamic extension of a long tradition of landscape depiction in the West that boldly enters into today’s debates on climate science, government policy, and our collective and individual responsibility to the planet
Classification:
livres
livres
Publication:
février 2018
février 2018
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$74.95
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Public space is changing. Where in earlier times people met each other on a public square it seems that now a hotel lobby is the desired designation. This change in the notion of what the public area exactly is forms one of the most crucial themes in current architectural debate – Where are shared spaces presently to be found where people can meet each other and develop(...)
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Public space is changing. Where in earlier times people met each other on a public square it seems that now a hotel lobby is the desired designation. This change in the notion of what the public area exactly is forms one of the most crucial themes in current architectural debate – Where are shared spaces presently to be found where people can meet each other and develop(...)
Titre:
Architectural positions: architecture, modernity and the public sphere
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Public space is changing. Where in earlier times people met each other on a public square it seems that now a hotel lobby is the desired designation. This change in the notion of what the public area exactly is forms one of the most crucial themes in current architectural debate – Where are shared spaces presently to be found where people can meet each other and develop and share a public meaning? This illustrated anthology brings together an impressive collection of writings by 36 leading architects, who have over the last fifty years presented different positions in relation to the debate over the idea and limits of what the public is, or should be. Contributors include: Aldo Rossi, Rem Koolhaas, Matthias Ungers, Daniel Libeskind, Peter Zumthor, Alison and Peter Smithson, Rob Krier, Ben van Berkel and Caroline Bos and Jean Nouvel.
Architectural positions: architecture, modernity and the public sphere
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Public space is changing. Where in earlier times people met each other on a public square it seems that now a hotel lobby is the desired designation. This change in the notion of what the public area exactly is forms one of the most crucial themes in current architectural debate – Where are shared spaces presently to be found where people can meet each other and develop and share a public meaning? This illustrated anthology brings together an impressive collection of writings by 36 leading architects, who have over the last fifty years presented different positions in relation to the debate over the idea and limits of what the public is, or should be. Contributors include: Aldo Rossi, Rem Koolhaas, Matthias Ungers, Daniel Libeskind, Peter Zumthor, Alison and Peter Smithson, Rob Krier, Ben van Berkel and Caroline Bos and Jean Nouvel.
Classification:
livres
livres
Publication:
juillet 2009
juillet 2009
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$49.95
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The Robin Hood Gardens public-housing estate in East London, completed in 1972, was designed by Alison and Peter Smithson as an ethical and aesthetic encounter with the flux and crises of the social world. Now demolished by the forces of speculative development, this Brutalist estate has been the subject of much dispute. But the clichéd terms of debate—a "concrete(...)
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The Robin Hood Gardens public-housing estate in East London, completed in 1972, was designed by Alison and Peter Smithson as an ethical and aesthetic encounter with the flux and crises of the social world. Now demolished by the forces of speculative development, this Brutalist estate has been the subject of much dispute. But the clichéd terms of debate—a "concrete(...)
Titre:
Brutalism as found: Housing, form and crisis at Robin Hood Gardens
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The Robin Hood Gardens public-housing estate in East London, completed in 1972, was designed by Alison and Peter Smithson as an ethical and aesthetic encounter with the flux and crises of the social world. Now demolished by the forces of speculative development, this Brutalist estate has been the subject of much dispute. But the clichéd terms of debate—a "concrete monstrosity" or a "modernist masterpiece"—have marginalized the estate's residents and obscured its architectural originality. Recovering the social in the architectural, this book centers the estate's lived experience of a multiracial working class, not to displace the architecture's sensory qualities of matter and form, but to radicalize them for our present. Immersed in the materials, atmospheres, social forms and afterlives of this experimental estate, Robin Hood Gardens is reconstructed here as a socio-architectural expression of our times out of joint.
Brutalism as found: Housing, form and crisis at Robin Hood Gardens
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The Robin Hood Gardens public-housing estate in East London, completed in 1972, was designed by Alison and Peter Smithson as an ethical and aesthetic encounter with the flux and crises of the social world. Now demolished by the forces of speculative development, this Brutalist estate has been the subject of much dispute. But the clichéd terms of debate—a "concrete monstrosity" or a "modernist masterpiece"—have marginalized the estate's residents and obscured its architectural originality. Recovering the social in the architectural, this book centers the estate's lived experience of a multiracial working class, not to displace the architecture's sensory qualities of matter and form, but to radicalize them for our present. Immersed in the materials, atmospheres, social forms and afterlives of this experimental estate, Robin Hood Gardens is reconstructed here as a socio-architectural expression of our times out of joint.
Classification:
livres
livres
Publication:
novembre 2022
novembre 2022
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$44.00
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This book considers the development of Land Art from the 1960s to the present, charting its earliest expressions among those New York artists who made the genre's earliest masterpieces in the wide-open expanses of the west to recent manifestations with young artists manipulating the artificial world of cyberspace. Exploring historical positions and material approaches(...)
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This book considers the development of Land Art from the 1960s to the present, charting its earliest expressions among those New York artists who made the genre's earliest masterpieces in the wide-open expanses of the west to recent manifestations with young artists manipulating the artificial world of cyberspace. Exploring historical positions and material approaches(...)
Titre:
The last freedom : from the pioneers of land art in the 60's to nature in cyberspace
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This book considers the development of Land Art from the 1960s to the present, charting its earliest expressions among those New York artists who made the genre's earliest masterpieces in the wide-open expanses of the west to recent manifestations with young artists manipulating the artificial world of cyberspace. Exploring historical positions and material approaches with the aid of sketches, artifacts, documents, models, photographs and film, and focusing mainly on achievements in America and Europe, the publication includes work by seminal as well as emerging figures operating in the extended field: Adam Berg, Christo and Jeanne-Claude, Agnes Denes, Florian Dombois, Walter de Maria, Toshikatsu Endo, Jan Dibbets, Hamish Fulton, Andy Goldsworthy, Hans Haacke, Michael Heizer, Nancy Holt, Peter Hutchinson, Richard Long, Glenn Marshall, Robert Morris, David Nash, Dennis Oppenheim, Jaume Plensa, Charles Ross, Robert Smithson and James Turrell.
The last freedom : from the pioneers of land art in the 60's to nature in cyberspace
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This book considers the development of Land Art from the 1960s to the present, charting its earliest expressions among those New York artists who made the genre's earliest masterpieces in the wide-open expanses of the west to recent manifestations with young artists manipulating the artificial world of cyberspace. Exploring historical positions and material approaches with the aid of sketches, artifacts, documents, models, photographs and film, and focusing mainly on achievements in America and Europe, the publication includes work by seminal as well as emerging figures operating in the extended field: Adam Berg, Christo and Jeanne-Claude, Agnes Denes, Florian Dombois, Walter de Maria, Toshikatsu Endo, Jan Dibbets, Hamish Fulton, Andy Goldsworthy, Hans Haacke, Michael Heizer, Nancy Holt, Peter Hutchinson, Richard Long, Glenn Marshall, Robert Morris, David Nash, Dennis Oppenheim, Jaume Plensa, Charles Ross, Robert Smithson and James Turrell.
Classification:
livres
livres
Publication:
septembre 2011
septembre 2011
Sujet:
Land Art
Land Art
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livres
livres
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Description:
373 pages : illustrations ; 33 cm
Description:
373 pages : illustrations ; 33 cm
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Publication:
London ; New York : Phaidon Press, 2013.
London ; New York : Phaidon Press, 2013.
Titre:
Art & place : site-specific art of the Americas.
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Description:
373 pages : illustrations ; 33 cm
Art & place : site-specific art of the Americas.
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Description:
373 pages : illustrations ; 33 cm
Classification:
livres
livres
Publication:
London ; New York : Phaidon Press, 2013.
London ; New York : Phaidon Press, 2013.
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livres
livres
Titre:
Destination art
Destination art
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This is the first critical guide to the two hundred most important modern and contemporary art sites around the world. Designed for the international art tourist as a critical reference, "Destination Art" provides an accessible chronological survey of important large-scale and public works of twentieth- and twenty-first-century art. Encompassing land and environmental(...)
$49.95
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This is the first critical guide to the two hundred most important modern and contemporary art sites around the world. Designed for the international art tourist as a critical reference, "Destination Art" provides an accessible chronological survey of important large-scale and public works of twentieth- and twenty-first-century art. Encompassing land and environmental(...)
Titre:
Destination art
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This is the first critical guide to the two hundred most important modern and contemporary art sites around the world. Designed for the international art tourist as a critical reference, "Destination Art" provides an accessible chronological survey of important large-scale and public works of twentieth- and twenty-first-century art. Encompassing land and environmental works, sculpture parks, architectural follies, site-specific installations, and entire towns turned over to the display of art, this book chronicles works that have achieved near-mythical status since they were created. Among the artists included are Henri Matisse, Antoni Gaudí, Jean Tinguely, Constantin Brancusi, James Turrell, Richard Serra, Robert Smithson, and Antony Gormley. The book provides visitor information, including hours and admission fees, directions, contact details and websites, and further reading. Fifty art destinations are featured in substantial essays, with accounts of their histories and descriptions of their sites.
Destination art
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This is the first critical guide to the two hundred most important modern and contemporary art sites around the world. Designed for the international art tourist as a critical reference, "Destination Art" provides an accessible chronological survey of important large-scale and public works of twentieth- and twenty-first-century art. Encompassing land and environmental works, sculpture parks, architectural follies, site-specific installations, and entire towns turned over to the display of art, this book chronicles works that have achieved near-mythical status since they were created. Among the artists included are Henri Matisse, Antoni Gaudí, Jean Tinguely, Constantin Brancusi, James Turrell, Richard Serra, Robert Smithson, and Antony Gormley. The book provides visitor information, including hours and admission fees, directions, contact details and websites, and further reading. Fifty art destinations are featured in substantial essays, with accounts of their histories and descriptions of their sites.
Classification:
livres
livres
Publication:
janvier 1900, Berkeley / Los Angeles
janvier 1900, Berkeley / Los Angeles
Sujet:
Land Art
Land Art
Classification:
livres
livres
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$25.00
(disponible en magasin)
Résumé:
This book presents the transcript of a conference held at the Nova Scotia College of Art and Design on October 5–6, 1970, organized by Seth Siegelaub. Attendees at the event included Carl Andre, Joseph Beuys, Ronald Bladen, Daniel Buren, John Chamberlain, Jan Dibbets, Al Held, Robert Irwin, Mario Merz, Robert Morris, Robert Murray, The N.E. Thing Company (Iain and Ingrid(...)
$25.00
(disponible en magasin)
Résumé:
This book presents the transcript of a conference held at the Nova Scotia College of Art and Design on October 5–6, 1970, organized by Seth Siegelaub. Attendees at the event included Carl Andre, Joseph Beuys, Ronald Bladen, Daniel Buren, John Chamberlain, Jan Dibbets, Al Held, Robert Irwin, Mario Merz, Robert Morris, Robert Murray, The N.E. Thing Company (Iain and Ingrid(...)
Titre:
The Halifax Conference: October 5th and 6th, 1970
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Résumé:
This book presents the transcript of a conference held at the Nova Scotia College of Art and Design on October 5–6, 1970, organized by Seth Siegelaub. Attendees at the event included Carl Andre, Joseph Beuys, Ronald Bladen, Daniel Buren, John Chamberlain, Jan Dibbets, Al Held, Robert Irwin, Mario Merz, Robert Morris, Robert Murray, The N.E. Thing Company (Iain and Ingrid Baxter), Richard Serra, Richard Smith, Robert Smithson, Michael Snow and Lawrence Weiner. The Halifax Conference was conceived as a means of bringing about a meeting of recognized artists representing diverse kinds of art from different parts of the world, in as general a situation as possible. Infamously, the conference was held in the college's boardroom, while students and other interested parties watched the proceedings on a video monitor in a separate space. The result was a conversation that devolved—technologically and ideologically—into quasi-tragicomic farce.
The Halifax Conference: October 5th and 6th, 1970
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Résumé:
This book presents the transcript of a conference held at the Nova Scotia College of Art and Design on October 5–6, 1970, organized by Seth Siegelaub. Attendees at the event included Carl Andre, Joseph Beuys, Ronald Bladen, Daniel Buren, John Chamberlain, Jan Dibbets, Al Held, Robert Irwin, Mario Merz, Robert Morris, Robert Murray, The N.E. Thing Company (Iain and Ingrid Baxter), Richard Serra, Richard Smith, Robert Smithson, Michael Snow and Lawrence Weiner. The Halifax Conference was conceived as a means of bringing about a meeting of recognized artists representing diverse kinds of art from different parts of the world, in as general a situation as possible. Infamously, the conference was held in the college's boardroom, while students and other interested parties watched the proceedings on a video monitor in a separate space. The result was a conversation that devolved—technologically and ideologically—into quasi-tragicomic farce.
Classification:
livres
livres
Publication:
septembre 2019
septembre 2019
Sujet:
Art canadien
Art canadien
Classification:
périodiques
périodiques
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$42.95
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Résumé:
Breuer was extremely prolific and produced a wide-ranging output that extends from large-scale projects to furniture. A major part of his oeuvre consists of single-family dwellings, many of which are found in the United States. This issue of "2G" brings together a selection of his more important houses: from the first examples at the end of the 1930s, in which (...)
$42.95
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Breuer was extremely prolific and produced a wide-ranging output that extends from large-scale projects to furniture. A major part of his oeuvre consists of single-family dwellings, many of which are found in the United States. This issue of "2G" brings together a selection of his more important houses: from the first examples at the end of the 1930s, in which (...)
Sujet:
Revues
Revues
Publication:
juin 2001, Barcelona
juin 2001, Barcelona
Titre:
2G 17 : Marcel Breuer, American houses
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$42.95
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Breuer was extremely prolific and produced a wide-ranging output that extends from large-scale projects to furniture. A major part of his oeuvre consists of single-family dwellings, many of which are found in the United States. This issue of "2G" brings together a selection of his more important houses: from the first examples at the end of the 1930s, in which the influence of the Bauhaus is still very strong, to those of the 1960s in which Breuer has encountered his own highly original language. Works and projects include: Hagerty House, Cohasset; Breuer I House, Lincoln; Robinson House, Williamstown; Breuer II House, New Canaan; Breuer Cottage, Wellfleet; Kepes Cottage, Wellfleet; Stillman Beach Cottage, Wellfleet; Wise Cottage, Wellfleet; Exhibition House in the MOMA Garden; Pocantico, Tarrytown; Clark House, Orange; Pack House, Scarsdale; Grieco House, Andover; Hooper House, Baltimore; Starkey House, Duluth; Stillman II House, Lichfield. The nexus section comprises texts by Peter Smithson, Marcel, Breuer, Mathias Klotz, and Amy Lelyveld.
2G 17 : Marcel Breuer, American houses
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Breuer was extremely prolific and produced a wide-ranging output that extends from large-scale projects to furniture. A major part of his oeuvre consists of single-family dwellings, many of which are found in the United States. This issue of "2G" brings together a selection of his more important houses: from the first examples at the end of the 1930s, in which the influence of the Bauhaus is still very strong, to those of the 1960s in which Breuer has encountered his own highly original language. Works and projects include: Hagerty House, Cohasset; Breuer I House, Lincoln; Robinson House, Williamstown; Breuer II House, New Canaan; Breuer Cottage, Wellfleet; Kepes Cottage, Wellfleet; Stillman Beach Cottage, Wellfleet; Wise Cottage, Wellfleet; Exhibition House in the MOMA Garden; Pocantico, Tarrytown; Clark House, Orange; Pack House, Scarsdale; Grieco House, Andover; Hooper House, Baltimore; Starkey House, Duluth; Stillman II House, Lichfield. The nexus section comprises texts by Peter Smithson, Marcel, Breuer, Mathias Klotz, and Amy Lelyveld.
Classification:
périodiques
périodiques
Publication:
juin 2001, Barcelona
juin 2001, Barcelona
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
Prix:
$39.95
(disponible sur commande)
Résumé:
Sommaire : Pratiquement nature, par David Leatherbarrow ; Le Pittoresque généralisé ou de l’unité critique de la fabrique , par Philippe Nys ; Vers un paysage plus global : un “habitat-territoire”, par Bernard Lassus ; Parc d’Alboran, Almería, Espagne, par José Luis Daroca , Pilar Mencia ; Aménagements paysagers, Aéroport de Schiphol, Amsterdam, Pays-Bas, West 8 ; Parc(...)
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Sommaire : Pratiquement nature, par David Leatherbarrow ; Le Pittoresque généralisé ou de l’unité critique de la fabrique , par Philippe Nys ; Vers un paysage plus global : un “habitat-territoire”, par Bernard Lassus ; Parc d’Alboran, Almería, Espagne, par José Luis Daroca , Pilar Mencia ; Aménagements paysagers, Aéroport de Schiphol, Amsterdam, Pays-Bas, West 8 ; Parc(...)
Titre:
L'architecture d'aujourd'hui 363 : paysages landscapes
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Sommaire : Pratiquement nature, par David Leatherbarrow ; Le Pittoresque généralisé ou de l’unité critique de la fabrique , par Philippe Nys ; Vers un paysage plus global : un “habitat-territoire”, par Bernard Lassus ; Parc d’Alboran, Almería, Espagne, par José Luis Daroca , Pilar Mencia ; Aménagements paysagers, Aéroport de Schiphol, Amsterdam, Pays-Bas, West 8 ; Parc mfo à Oerlikon, Zürich, Suisse, Burckhardt + Partner ; Esplanade du Forum des cultures, Barcelone, Espagne, Foreign Office Architects (foa ; Aménagements paysagers. Passeig de Garcia Faria, Barcelone, Espagne, Ravetllat , Ribas ; Parc et couverture partielle. Gran Via, Barcelone, Espagne, Fiol, Arriola ; Ile flottante. Manhattan, New York, Etats-Unis, Robert Smithson ; Aménagements paysagers. autoroute sud, Vienne, Autriche, Anna Detzlhofer, Max Rieder ; Observatoire. Nieuw-Terbregge, Rotterdam, Pays-Bas, Groupe Observatorium ; Otium Leinewijk, installation. Hoogezand, Groningue, Pays-Bas, Groupe Observatorium ; Parc de Cabecera, Valence, Espagne, Correl, De Miguel, Muñoz ; Parc de la Fontsanta. Sant Joan Despí, Catalogne, Espagne, Manuel Ruisanchez ; Aménagement littoral. Plage du Ponant, Benidorm, Espagne, Carlos Ferrater. Portfolio : Paysages de l’atome par Mathilde Roman.
L'architecture d'aujourd'hui 363 : paysages landscapes
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Sommaire : Pratiquement nature, par David Leatherbarrow ; Le Pittoresque généralisé ou de l’unité critique de la fabrique , par Philippe Nys ; Vers un paysage plus global : un “habitat-territoire”, par Bernard Lassus ; Parc d’Alboran, Almería, Espagne, par José Luis Daroca , Pilar Mencia ; Aménagements paysagers, Aéroport de Schiphol, Amsterdam, Pays-Bas, West 8 ; Parc mfo à Oerlikon, Zürich, Suisse, Burckhardt + Partner ; Esplanade du Forum des cultures, Barcelone, Espagne, Foreign Office Architects (foa ; Aménagements paysagers. Passeig de Garcia Faria, Barcelone, Espagne, Ravetllat , Ribas ; Parc et couverture partielle. Gran Via, Barcelone, Espagne, Fiol, Arriola ; Ile flottante. Manhattan, New York, Etats-Unis, Robert Smithson ; Aménagements paysagers. autoroute sud, Vienne, Autriche, Anna Detzlhofer, Max Rieder ; Observatoire. Nieuw-Terbregge, Rotterdam, Pays-Bas, Groupe Observatorium ; Otium Leinewijk, installation. Hoogezand, Groningue, Pays-Bas, Groupe Observatorium ; Parc de Cabecera, Valence, Espagne, Correl, De Miguel, Muñoz ; Parc de la Fontsanta. Sant Joan Despí, Catalogne, Espagne, Manuel Ruisanchez ; Aménagement littoral. Plage du Ponant, Benidorm, Espagne, Carlos Ferrater. Portfolio : Paysages de l’atome par Mathilde Roman.
Classification:
périodiques
périodiques
Publication:
mars 2006, Paris
mars 2006, Paris
Sujet:
Revues
Revues
Classification:
livres
livres
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$60.00
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Résumé:
Shrinking cities have pushed urban design and classical city planning to their limits. This new challenge requires new approaches in which the "hard" tools of construction are joined by the "soft" tools of political, social, cultural, and communicative interventions. This book provides an international overview of experimental concepts for taking action in shrinking(...)
$60.00
(disponible sur commande)
Résumé:
Shrinking cities have pushed urban design and classical city planning to their limits. This new challenge requires new approaches in which the "hard" tools of construction are joined by the "soft" tools of political, social, cultural, and communicative interventions. This book provides an international overview of experimental concepts for taking action in shrinking(...)
Titre:
Shrinking cities, volume 2: interventions
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$60.00
(disponible sur commande)
Résumé:
Shrinking cities have pushed urban design and classical city planning to their limits. This new challenge requires new approaches in which the "hard" tools of construction are joined by the "soft" tools of political, social, cultural, and communicative interventions. This book provides an international overview of experimental concepts for taking action in shrinking cities from the fields of architecture, landscape architecture, urban construction, the media, performance, and art. The approaches range from artistic intercessions and self-empowerment projects to architectural and landscape interventions, and from strategies of media communication and city marketing to new legal regulations and utopian designs. A series of essays provides a critical discussion of both successful and failed projects of recent decades from such countries as the United States, Great Britain, the Netherlands, Austria, Russia, and Japan. Projects featured (selection): William Alsop, Crimson, Jeremy Deller, Gordon Matta-Clark, OMA, Cedric Price, Andreas Siekmann, Robert Smithson, Superflex, O. M. Ungers
Shrinking cities, volume 2: interventions
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Prix:
$60.00
(disponible sur commande)
Résumé:
Shrinking cities have pushed urban design and classical city planning to their limits. This new challenge requires new approaches in which the "hard" tools of construction are joined by the "soft" tools of political, social, cultural, and communicative interventions. This book provides an international overview of experimental concepts for taking action in shrinking cities from the fields of architecture, landscape architecture, urban construction, the media, performance, and art. The approaches range from artistic intercessions and self-empowerment projects to architectural and landscape interventions, and from strategies of media communication and city marketing to new legal regulations and utopian designs. A series of essays provides a critical discussion of both successful and failed projects of recent decades from such countries as the United States, Great Britain, the Netherlands, Austria, Russia, and Japan. Projects featured (selection): William Alsop, Crimson, Jeremy Deller, Gordon Matta-Clark, OMA, Cedric Price, Andreas Siekmann, Robert Smithson, Superflex, O. M. Ungers
Classification:
livres
livres
Publication:
juin 2006, Ostfildern
juin 2006, Ostfildern
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
