4347 Résultats
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La façon de concevoir l’espace et les déplacements ne se révèle pas uniquement en scrutant des plans et des cartes : cela exige de saisir l’imaginaire sous-jacent, la représentation de ce qu’est et devrait être la ville, la banlieue ou la campagne, les identités spatiales et l’appropriation de l’espace, dans leur dimension de mémoire et de projet. Les œuvres de création(...)
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La façon de concevoir l’espace et les déplacements ne se révèle pas uniquement en scrutant des plans et des cartes : cela exige de saisir l’imaginaire sous-jacent, la représentation de ce qu’est et devrait être la ville, la banlieue ou la campagne, les identités spatiales et l’appropriation de l’espace, dans leur dimension de mémoire et de projet. Les œuvres de création(...)
Publication:
mars 2015
mars 2015
Titre:
Imaginaire de l'espace dans le cinéma québécois
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La façon de concevoir l’espace et les déplacements ne se révèle pas uniquement en scrutant des plans et des cartes : cela exige de saisir l’imaginaire sous-jacent, la représentation de ce qu’est et devrait être la ville, la banlieue ou la campagne, les identités spatiales et l’appropriation de l’espace, dans leur dimension de mémoire et de projet. Les œuvres de création et en particulier le cinéma de fiction présentent un imaginaire, une vision de l’espace habité et habitable. L’imaginaire de l’espace dans le cinéma québécois est ici exploré dans un itinéraire partant des espaces habités (la ville, la banlieue et la campagne), pour aboutir aux espaces identitaires en passant par les espaces de déplacement et de circulation, la place publique et l’espace public.
Imaginaire de l'espace dans le cinéma québécois
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La façon de concevoir l’espace et les déplacements ne se révèle pas uniquement en scrutant des plans et des cartes : cela exige de saisir l’imaginaire sous-jacent, la représentation de ce qu’est et devrait être la ville, la banlieue ou la campagne, les identités spatiales et l’appropriation de l’espace, dans leur dimension de mémoire et de projet. Les œuvres de création et en particulier le cinéma de fiction présentent un imaginaire, une vision de l’espace habité et habitable. L’imaginaire de l’espace dans le cinéma québécois est ici exploré dans un itinéraire partant des espaces habités (la ville, la banlieue et la campagne), pour aboutir aux espaces identitaires en passant par les espaces de déplacement et de circulation, la place publique et l’espace public.
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livres
livres
Publication:
mars 2015
mars 2015
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livres
livres
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$15.00
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Moving the Sleeping Images of Things Towards the Light est le premier livre de Daïchi Saïto, cinéaste et cofondateur du collectif montréalais Double négatif. La préface est signée par André Habib, professeur en études cinématographiques de l'Université de Montréal et spécialiste du cinéma expérimental. La version originale anglaise est incluse dans le livre.
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Moving the Sleeping Images of Things Towards the Light est le premier livre de Daïchi Saïto, cinéaste et cofondateur du collectif montréalais Double négatif. La préface est signée par André Habib, professeur en études cinématographiques de l'Université de Montréal et spécialiste du cinéma expérimental. La version originale anglaise est incluse dans le livre.
Publication:
décembre 2013
décembre 2013
Titre:
Moving the Sleeping Images of Things Towards the Light
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Moving the Sleeping Images of Things Towards the Light est le premier livre de Daïchi Saïto, cinéaste et cofondateur du collectif montréalais Double négatif. La préface est signée par André Habib, professeur en études cinématographiques de l'Université de Montréal et spécialiste du cinéma expérimental. La version originale anglaise est incluse dans le livre.
Moving the Sleeping Images of Things Towards the Light
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Résumé:
Moving the Sleeping Images of Things Towards the Light est le premier livre de Daïchi Saïto, cinéaste et cofondateur du collectif montréalais Double négatif. La préface est signée par André Habib, professeur en études cinématographiques de l'Université de Montréal et spécialiste du cinéma expérimental. La version originale anglaise est incluse dans le livre.
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livres
livres
Publication:
décembre 2013
décembre 2013
Classification:
livres
livres
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Publication:
Forensic Architecture Goldsmiths, University of London 2010
Forensic Architecture Goldsmiths, University of London 2010
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livres
livres
Publication:
Forensic Architecture Goldsmiths, University of London 2010
Forensic Architecture Goldsmiths, University of London 2010
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livres
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The use of the metaphor has from time immemorial been a central practice of art, and it represents an important issue for all three artists here, who work with language, film and installations. Their discussion leads to a new perception of the metaphor and the function for art and architecture, of the role and interests of artists and mediators of art. A discussion(...)
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The use of the metaphor has from time immemorial been a central practice of art, and it represents an important issue for all three artists here, who work with language, film and installations. Their discussion leads to a new perception of the metaphor and the function for art and architecture, of the role and interests of artists and mediators of art. A discussion(...)
Titre:
Again the metaphor problem and other engaged critical discouses about art : a conversation between John Baldessari, Liam Gillick and Lawrence Weiner, moderated by Beatrix Ruf
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The use of the metaphor has from time immemorial been a central practice of art, and it represents an important issue for all three artists here, who work with language, film and installations. Their discussion leads to a new perception of the metaphor and the function for art and architecture, of the role and interests of artists and mediators of art. A discussion about the world of art and art in the world.
Again the metaphor problem and other engaged critical discouses about art : a conversation between John Baldessari, Liam Gillick and Lawrence Weiner, moderated by Beatrix Ruf
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Résumé:
The use of the metaphor has from time immemorial been a central practice of art, and it represents an important issue for all three artists here, who work with language, film and installations. Their discussion leads to a new perception of the metaphor and the function for art and architecture, of the role and interests of artists and mediators of art. A discussion about the world of art and art in the world.
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livres
livres
Publication:
juillet 2006, Wien, New York
juillet 2006, Wien, New York
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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Joseph Cornell (1903–1972) was a self-taught yet highly sophisticated artist who is celebrated for his pioneering achievement in collage, assemblage, and film. Cornell’s lyrical compositions combine found materials in ways that reflect a very personal exploration of art and culture and that represent his belief in art as an uplifting voyage into the imagination. This(...)
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Joseph Cornell (1903–1972) was a self-taught yet highly sophisticated artist who is celebrated for his pioneering achievement in collage, assemblage, and film. Cornell’s lyrical compositions combine found materials in ways that reflect a very personal exploration of art and culture and that represent his belief in art as an uplifting voyage into the imagination. This(...)
Publication:
novembre 2007, New Haven, London
novembre 2007, New Haven, London
Titre:
Joseph Cornell: navigating the imagination
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Joseph Cornell (1903–1972) was a self-taught yet highly sophisticated artist who is celebrated for his pioneering achievement in collage, assemblage, and film. Cornell’s lyrical compositions combine found materials in ways that reflect a very personal exploration of art and culture and that represent his belief in art as an uplifting voyage into the imagination. This stunning book is published to accompany the first retrospective of the artist’s work in twenty-six years.
Joseph Cornell: navigating the imagination
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Joseph Cornell (1903–1972) was a self-taught yet highly sophisticated artist who is celebrated for his pioneering achievement in collage, assemblage, and film. Cornell’s lyrical compositions combine found materials in ways that reflect a very personal exploration of art and culture and that represent his belief in art as an uplifting voyage into the imagination. This stunning book is published to accompany the first retrospective of the artist’s work in twenty-six years.
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livres
livres
Publication:
novembre 2007, New Haven, London
novembre 2007, New Haven, London
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This is the first publication to explore the role of mirrors, spinning, and "neurotic" architecture: a feeling of psychological breakdown in the work of one of Americas most important contemporary artists, Paul McCarthy (b. 1945). The book is published in conjunction with a major exhibition at the Whitney, for which McCarthy is creating two new installations to appear(...)
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This is the first publication to explore the role of mirrors, spinning, and "neurotic" architecture: a feeling of psychological breakdown in the work of one of Americas most important contemporary artists, Paul McCarthy (b. 1945). The book is published in conjunction with a major exhibition at the Whitney, for which McCarthy is creating two new installations to appear(...)
Publication:
août 2008, New York, New Haven, London
août 2008, New York, New Haven, London
Titre:
Paul McCarthy central symmetrical rotation movement
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This is the first publication to explore the role of mirrors, spinning, and "neurotic" architecture: a feeling of psychological breakdown in the work of one of Americas most important contemporary artists, Paul McCarthy (b. 1945). The book is published in conjunction with a major exhibition at the Whitney, for which McCarthy is creating two new installations to appear alongside his Bang Bang Room (1992) and two recently rediscovered film loops (1966, 1971).
Paul McCarthy central symmetrical rotation movement
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This is the first publication to explore the role of mirrors, spinning, and "neurotic" architecture: a feeling of psychological breakdown in the work of one of Americas most important contemporary artists, Paul McCarthy (b. 1945). The book is published in conjunction with a major exhibition at the Whitney, for which McCarthy is creating two new installations to appear alongside his Bang Bang Room (1992) and two recently rediscovered film loops (1966, 1971).
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livres
livres
Publication:
août 2008, New York, New Haven, London
août 2008, New York, New Haven, London
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livres
livres
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With a body of work ranging from drawings and films to prints, tapestries, and sculptures, William Kentridge (b. 1955) has offered a fresh and distinctive glimpse of the daily lives of South Africans — both during the apartheid regime and after its collapse. Kentridge has created a DVD especially for this publication; it includes fragments from significant film projects(...)
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With a body of work ranging from drawings and films to prints, tapestries, and sculptures, William Kentridge (b. 1955) has offered a fresh and distinctive glimpse of the daily lives of South Africans — both during the apartheid regime and after its collapse. Kentridge has created a DVD especially for this publication; it includes fragments from significant film projects(...)
Publication:
mars 2009, San Francisco, New Haven, London
mars 2009, San Francisco, New Haven, London
Titre:
William Kentridge : five themes
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With a body of work ranging from drawings and films to prints, tapestries, and sculptures, William Kentridge (b. 1955) has offered a fresh and distinctive glimpse of the daily lives of South Africans — both during the apartheid regime and after its collapse. Kentridge has created a DVD especially for this publication; it includes fragments from significant film projects (both known and newly completed) as well as commentary that sheds further light on the artist’s work.
William Kentridge : five themes
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With a body of work ranging from drawings and films to prints, tapestries, and sculptures, William Kentridge (b. 1955) has offered a fresh and distinctive glimpse of the daily lives of South Africans — both during the apartheid regime and after its collapse. Kentridge has created a DVD especially for this publication; it includes fragments from significant film projects (both known and newly completed) as well as commentary that sheds further light on the artist’s work.
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livres
livres
Publication:
mars 2009, San Francisco, New Haven, London
mars 2009, San Francisco, New Haven, London
Classification:
périodiques
périodiques
Titre:
Hunch no 1 1999
Hunch no 1 1999
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Hunch 1 documents the comparative analysis of Los Angeles, Tokyo, and the Netherlands carried out during the 1998/99 academic year under the guidance of Stan Allen, Stefano Boeri, and Ben van Berkel. It also features the work of Kazuyo Sejima, and Bart Lootsma's investigation of Rem Koolhaas's work in journalism and film in the 1960s. In addition, ‘Bad Architecture(...)
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Hunch 1 documents the comparative analysis of Los Angeles, Tokyo, and the Netherlands carried out during the 1998/99 academic year under the guidance of Stan Allen, Stefano Boeri, and Ben van Berkel. It also features the work of Kazuyo Sejima, and Bart Lootsma's investigation of Rem Koolhaas's work in journalism and film in the 1960s. In addition, ‘Bad Architecture(...)
Titre:
Hunch no 1 1999
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Hunch 1 documents the comparative analysis of Los Angeles, Tokyo, and the Netherlands carried out during the 1998/99 academic year under the guidance of Stan Allen, Stefano Boeri, and Ben van Berkel. It also features the work of Kazuyo Sejima, and Bart Lootsma's investigation of Rem Koolhaas's work in journalism and film in the 1960s. In addition, ‘Bad Architecture Stories’, the diary of Berlage participant Shiuan-Wen Chu, will be continued over several issues.
Hunch no 1 1999
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Hunch 1 documents the comparative analysis of Los Angeles, Tokyo, and the Netherlands carried out during the 1998/99 academic year under the guidance of Stan Allen, Stefano Boeri, and Ben van Berkel. It also features the work of Kazuyo Sejima, and Bart Lootsma's investigation of Rem Koolhaas's work in journalism and film in the 1960s. In addition, ‘Bad Architecture Stories’, the diary of Berlage participant Shiuan-Wen Chu, will be continued over several issues.
Classification:
périodiques
périodiques
Publication:
décembre 1999, Amsterdam
décembre 1999, Amsterdam
Sujet:
Revues
Revues
Classification:
vidéo
vidéo
Titre:
Canada at war
Canada at war
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Canada at War highlights crucial events from 1936 to 1946, when the Cold War began. This series shows World War II as Canadians encountered it, from the halting beginning when the country, struggling against depression, accepted the challenge of war, to VE-Day, when Canada emerged as an industrial power. These 13 half-hour films were culled from more than 16 million(...)
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Canada at War highlights crucial events from 1936 to 1946, when the Cold War began. This series shows World War II as Canadians encountered it, from the halting beginning when the country, struggling against depression, accepted the challenge of war, to VE-Day, when Canada emerged as an industrial power. These 13 half-hour films were culled from more than 16 million(...)
Titre:
Canada at war
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Canada at War highlights crucial events from 1936 to 1946, when the Cold War began. This series shows World War II as Canadians encountered it, from the halting beginning when the country, struggling against depression, accepted the challenge of war, to VE-Day, when Canada emerged as an industrial power. These 13 half-hour films were culled from more than 16 million feet of film shot by Canadian, British, American, German and Russian cameramen.
Canada at war
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Canada at War highlights crucial events from 1936 to 1946, when the Cold War began. This series shows World War II as Canadians encountered it, from the halting beginning when the country, struggling against depression, accepted the challenge of war, to VE-Day, when Canada emerged as an industrial power. These 13 half-hour films were culled from more than 16 million feet of film shot by Canadian, British, American, German and Russian cameramen.
Classification:
vidéo
vidéo
Publication:
janvier 2005
janvier 2005
Sujet:
DVD vidéo
DVD vidéo
Classification:
livres
livres
Prix:
$120.00
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Résumé:
Chaos and anarchy represent the opposite pole to an ordered life. Nothing works any more, everything is devastated, everything is falling apart. City walls, buildings that once afforded protection, have fallen victim to the excesses of armed conflict. In Ruins, the author delivers a detailed assessment of ruins as a phenomenon in architecture, landscape design, fine(...)
$120.00
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Chaos and anarchy represent the opposite pole to an ordered life. Nothing works any more, everything is devastated, everything is falling apart. City walls, buildings that once afforded protection, have fallen victim to the excesses of armed conflict. In Ruins, the author delivers a detailed assessment of ruins as a phenomenon in architecture, landscape design, fine(...)
Titre:
Ruins: reflexions about violence, chaos and transience
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$120.00
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Chaos and anarchy represent the opposite pole to an ordered life. Nothing works any more, everything is devastated, everything is falling apart. City walls, buildings that once afforded protection, have fallen victim to the excesses of armed conflict. In Ruins, the author delivers a detailed assessment of ruins as a phenomenon in architecture, landscape design, fine art, film and the media. The result is an extraordinarily intense contribution to the theme of transience.
Ruins: reflexions about violence, chaos and transience
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$120.00
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Résumé:
Chaos and anarchy represent the opposite pole to an ordered life. Nothing works any more, everything is devastated, everything is falling apart. City walls, buildings that once afforded protection, have fallen victim to the excesses of armed conflict. In Ruins, the author delivers a detailed assessment of ruins as a phenomenon in architecture, landscape design, fine art, film and the media. The result is an extraordinarily intense contribution to the theme of transience.
Classification:
livres
livres
Publication:
août 2011
août 2011
Sujet:
Théorie de l’architecture
Théorie de l’architecture
